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Fuck Forever
Songs like
Fuck Forever
by
Babyshambles
Based on a tempo of (+/- 10%) and a similar genre
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Babyshambles
Fuck Forever
113 bpm • B min • 04:37 • -3db
48% Popularity • 33% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Jeff Crosdale
Modernist Unreleased
114 bpm • D min • 02:45 • -13.85db
6% Popularity • 46% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Jake Bugg
Taste It
112 bpm • A Maj • 02:24 • -4db
46% Popularity • 55% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Ocean Colour Scene
Hundred Mile High City
112 bpm • B min • 03:58 • -3.91db
46% Popularity • 42% Danceability • 94% Energy • 67% Liveness
0% Instrumentalness • 70% Positiveness
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The Sunshine Underground
Put You In Your Place
112 bpm • E min • 03:16 • -5db
29% Popularity • 57% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Kings of Leon
Joe's Head
112 bpm • C# min • 03:21 • -4.79db
42% Popularity • 54% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Babyshambles
Deft Left Hand
112 bpm • C Maj • 04:03 • -2.89db
22% Popularity • 48% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Graham Coxon
Ooh, Yeh Yeh
112 bpm • A Maj • 05:09 • -5.15db
10% Popularity • 65% Danceability • 85% Energy • 8% Liveness
4% Instrumentalness • 60% Positiveness
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Milburn
Lucy Lovemenot
112 bpm • A min • 02:11 • -4.54db
19% Popularity • 53% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Ian Brown
My Star
115 bpm • C Maj • 05:13 • -7db
35% Popularity • 45% Danceability • 67% Energy • 10% Liveness
23% Instrumentalness • 42% Positiveness
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The Long Blondes
Once & Never Again
115 bpm • G Maj • 02:55 • -5db
29% Popularity • 52% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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The Libertines
Music When The Lights Go Out
111 bpm • C Maj • 03:02 • -6db
53% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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The Hives
T.H.E.H.I.V.E.S.
111 bpm • F Maj • 03:38 • -3.95db
22% Popularity • 84% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Dandy Warhols
Shakin'
115 bpm • E Maj • 03:55 • -4.63db
28% Popularity • 55% Danceability • 93% Energy • 8% Liveness
62% Instrumentalness • 85% Positiveness
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Babyshambles
Stranger in My Own Skin
115 bpm • G min • 02:31 • -3.41db
21% Popularity • 47% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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The Zutons
Tired Of Hanging Around
116 bpm • B min • 03:34 • -2db
25% Popularity • 62% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Graham Coxon
Sorrow's Army
116 bpm • G# Maj • 04:19 • -7.02db
12% Popularity • 78% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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Hard-FI
Suburban Knights
110 bpm • G# min • 04:29 • -4.55db
38% Popularity • 54% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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The Kills
Tape Song
116 bpm • A Maj • 03:37 • -4db
41% Popularity • 98% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Glasvegas
Flowers & Football Tops
116 bpm • G Maj • 06:56 • -5.88db
30% Popularity • 32% Danceability • 81% Energy • 13% Liveness
26% Instrumentalness • 4% Positiveness
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Babyshambles
Beg, Steal or Borrow
110 bpm • G Maj • 03:09 • -3.6db
28% Popularity • 42% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Blur
Charmless Man - 2012 Remaster
117 bpm • A Maj • 03:33 • -6.52db
54% Popularity • 54% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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The Pigeon Detectives
Take Her Back
109 bpm • C Maj • 03:17 • -1.59db
42% Popularity • 49% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Jack Peñate
Torn on the Platform
116 bpm • A Maj • 03:53 • -4.56db
39% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Black Rebel Motorcycle Club
Love Burns
118 bpm • A Maj • 04:05 • -5.1db
40% Popularity • 50% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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The View
The Don
118 bpm • G Maj • 03:09 • -3db
30% Popularity • 52% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Babyshambles
La Belle et la Bete
109 bpm • G Maj • 05:05 • -8.97db
28% Popularity • 52% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Nickel Eye
This Is the End
118 bpm • G# Maj • 02:37 • -5.18db
12% Popularity • 78% Danceability • 70% Energy • 6% Liveness
3% Instrumentalness • 91% Positiveness
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The Zutons
You've Got A Friend In Me
118 bpm • F# min • 03:57 • -4db
17% Popularity • 70% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Mystery Jets
Veiled in Grey
118 bpm • E Maj • 03:54 • -3.56db
24% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Libertines
Death on the Stairs
119 bpm • A# Maj • 03:24 • -4db
41% Popularity • 56% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Graham Coxon
Seven Naked Valleys
107 bpm • C min • 05:45 • -7.23db
9% Popularity • 59% Danceability • 87% Energy • 27% Liveness
83% Instrumentalness • 49% Positiveness
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Babyshambles
Crumb Begging Baghead
118 bpm • A Maj • 03:42 • -4.02db
22% Popularity • 38% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Nickel Eye
Brandy of the Damned
108 bpm • A Maj • 02:59 • -7.97db
31% Popularity • 71% Danceability • 74% Energy • 6% Liveness
13% Instrumentalness • 96% Positiveness
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Palma Violets
English Tongue
119 bpm • G Maj • 03:26 • -2.7db
10% Popularity • 21% Danceability • 86% Energy • 32% Liveness
1% Instrumentalness • 42% Positiveness
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Eels
Dog Faced Boy
119 bpm • E Maj • 03:17 • -5.84db
29% Popularity • 66% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Dirty Pretty Things
Truth Begins
119 bpm • A# Maj • 05:22 • -5db
22% Popularity • 57% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Mystery Jets
Flash A Hungry Smile
119 bpm • A Maj • 03:46 • -6db
19% Popularity • 59% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Babyshambles
Carry on up the Morning
107 bpm • B min • 02:56 • -4db
35% Popularity • 44% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
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The Zutons
Not A Lot To Do
107 bpm • E min • 03:45 • -7.56db
23% Popularity • 50% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Palma Violets
We Found Love
107 bpm • D Maj • 03:16 • -4.55db
23% Popularity • 23% Danceability • 81% Energy • 23% Liveness
1% Instrumentalness • 33% Positiveness
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Blur
Go Out
120 bpm • A min • 04:40 • -3.36db
35% Popularity • 62% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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The Libertines
The Good Old Days
106 bpm • A min • 02:59 • -5db
41% Popularity • 42% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Jack Peñate
Spit at Stars
105 bpm • A Maj • 02:33 • -3db
22% Popularity • 64% Danceability • 83% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
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Babyshambles
I Wish
120 bpm • C# Maj • 02:50 • -5.89db
25% Popularity • 85% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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The Zutons
You Will You Won't
105 bpm • D Maj • 02:54 • -2.79db
40% Popularity • 65% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Hard-FI
Feltham Is Singing Out
105 bpm • E min • 04:36 • -4.02db
25% Popularity • 51% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Blur
Coffee & TV - Radio Edit
122 bpm • C# min • 05:18 • -8.43db
46% Popularity • 74% Danceability • 78% Energy • 8% Liveness
18% Instrumentalness • 96% Positiveness
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The Libertines
Vertigo
122 bpm • A# min • 02:38 • -4db
42% Popularity • 54% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Sons And Daughters
Dance Me In
122 bpm • C Maj • 02:41 • -6db
15% Popularity • 53% Danceability • 94% Energy • 32% Liveness
4% Instrumentalness • 58% Positiveness
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Babyshambles
The 32nd of December
121 bpm • G Maj • 03:08 • -4.98db
25% Popularity • 53% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Tribes
Sappho
104 bpm • A# Maj • 03:05 • -4.02db
25% Popularity • 39% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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The Fratellis
Creepin Up The Backstairs
122 bpm • B min • 03:07 • -4.07db
46% Popularity • 58% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Kings of Leon
Wasted Time
123 bpm • B min • 02:45 • -5.02db
42% Popularity • 69% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Cornershop
Lessons Learned from Rocky I to Rocky II...
123 bpm • A Maj • 04:24 • -5.31db
27% Popularity • 57% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Good Shoes
All in My Head
123 bpm • E Maj • 02:32 • -4.93db
26% Popularity • 49% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Babyshambles
The Blinding
105 bpm • A Maj • 02:59 • -4db
29% Popularity • 51% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Carl Barât
Summer In The Trenches
104 bpm • C Maj • 03:03 • -4.13db
9% Popularity • 50% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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The Fratellis
Henrietta
122 bpm • F# min • 03:32 • -3.14db
57% Popularity • 60% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Jarvis Cocker
"Further Complications."
123 bpm • B min • 03:16 • -9.29db
15% Popularity • 54% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Ian Brown
In The Year 2525
123 bpm • F min • 02:52 • -3.15db
35% Popularity • 50% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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The Zutons
Oh Stacey (Look What You've Done!)
123 bpm • C Maj • 03:29 • -3.38db
27% Popularity • 58% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Babyshambles
Back from the Dead
105 bpm • B min • 02:52 • -8.29db
29% Popularity • 59% Danceability • 78% Energy • 19% Liveness
3% Instrumentalness • 41% Positiveness
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Supergrass
Evening of the Day
123 bpm • G Maj • 05:18 • -7.77db
19% Popularity • 42% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
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Peter Doherty
All At Sea
104 bpm • E Maj • 04:13 • -10.68db
27% Popularity • 56% Danceability • 52% Energy • 7% Liveness
15% Instrumentalness • 37% Positiveness
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Jake Fior
Back from the Dead
103 bpm • B min • 02:28 • -6.63db
16% Popularity • 57% Danceability • 88% Energy • 32% Liveness
1% Instrumentalness • 66% Positiveness
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The Robocop Kraus
You Don't Have To Shout
124 bpm • D Maj • 03:28 • -5.19db
11% Popularity • 52% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Trampolene
Uncle Brian's Abattoir
124 bpm • B min • 02:13 • -10.03db
38% Popularity • 79% Danceability • 42% Energy • 13% Liveness
30% Instrumentalness • 66% Positiveness
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Babyshambles
Unstookie Titled
122 bpm • D Maj • 04:29 • -6.05db
23% Popularity • 50% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 39% Positiveness
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Carl Barât
March Of The Idle
124 bpm • D# Maj • 03:40 • -5.05db
9% Popularity • 56% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Crimea
White Russian Galaxy
124 bpm • D Maj • 03:14 • -4.7db
11% Popularity • 59% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Larrikin Love
Six Queens - Vocal Up - Cenzo Mix
103 bpm • E Maj • 02:31 • -3.54db
12% Popularity • 47% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Primal Scream
Country Girl
124 bpm • F min • 04:31 • -3.17db
48% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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The Charlatans
One To Another
103 bpm • A# Maj • 04:29 • -5db
32% Popularity • 44% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
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Babyshambles
Black Boy Lane
123 bpm • D Maj • 02:47 • -3.51db
16% Popularity • 42% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Peter Doherty
Who's Been Having You Over
125 bpm • G min • 04:23 • -6.34db
25% Popularity • 34% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Supergrass
What Went Wrong (In Your Head)
102 bpm • E min • 04:05 • -6.23db
26% Popularity • 52% Danceability • 76% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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The Sunshine Underground
Wake Up
125 bpm • C# Maj • 02:31 • -4.28db
14% Popularity • 60% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Chapel Club
All The Eastern Girls
125 bpm • G Maj • 04:35 • -5db
16% Popularity • 49% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Hard-FI
Hard to Beat
125 bpm • A# Maj • 04:13 • -5db
53% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Babyshambles
Baddie's Boogie
103 bpm • C Maj • 03:54 • -3.79db
29% Popularity • 36% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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Peter Doherty
I Don't Love Anyone (but You're Not Just...
102 bpm • D# min • 03:26 • -8.94db
33% Popularity • 63% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Little Man Tate
This Must Be Love
125 bpm • G Maj • 03:20 • -6.64db
32% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Kings of Leon
Genius
126 bpm • G Maj • 02:48 • -5.98db
41% Popularity • 44% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Supergrass
Seen the Light
126 bpm • A Maj • 02:25 • -6.45db
39% Popularity • 49% Danceability • 84% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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Graham Coxon
You & I
126 bpm • D Maj • 03:43 • -4.88db
30% Popularity • 64% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Babyshambles
Side of the Road
124 bpm • D Maj • 02:08 • -3.17db
25% Popularity • 42% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Super Furry Animals
Golden Retriever
126 bpm • D Maj • 02:25 • -4.94db
35% Popularity • 52% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 64% Positiveness
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Editors
All Sparks
126 bpm • F# min • 03:32 • -5.91db
16% Popularity • 47% Danceability • 73% Energy • 22% Liveness
6% Instrumentalness • 77% Positiveness
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The Sunshine Underground
Dead Scene
126 bpm • G Maj • 03:55 • -4.42db
14% Popularity • 68% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Blur
Lonesome Street
101 bpm • E Maj • 04:22 • -5.09db
40% Popularity • 66% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Graham Coxon
Bittersweet Bundle of Misery
127 bpm • B Maj • 04:54 • -6db
27% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Babyshambles
Lost Art of Murder
103 bpm • F Maj • 04:37 • -8.06db
27% Popularity • 48% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Young Knives
Turn Tail
127 bpm • C Maj • 04:41 • -5db
22% Popularity • 49% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Jamie T
The Prophet
100 bpm • E Maj • 04:14 • -10.05db
32% Popularity • 65% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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Kings of Leon
Spiral Staircase
128 bpm • E Maj • 02:54 • -6.18db
40% Popularity • 50% Danceability • 84% Energy • 31% Liveness
1% Instrumentalness • 75% Positiveness
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Editors
Bullets
128 bpm • E Maj • 03:09 • -5.22db
11% Popularity • 48% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Zutons
Confusion
100 bpm • A Maj • 03:31 • -7.72db
35% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Babyshambles
Seven Shades
127 bpm • E Maj • 02:58 • -2.81db
15% Popularity • 52% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Jake Bugg
What Doesn't Kill You
100 bpm • F min • 02:08 • -1.75db
36% Popularity • 53% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Fuck Forever