Songs like Fue un Espejismo by Pablo Estramín
Based on a tempo of (+/- 10%) and a similar genre
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Pablo Estramín
Fue un Espejismo
160 bpm • A min • 03:44 • -3.7db
8% Popularity • 50% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 50% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Carlos Malo
Costumbres
160 bpm • A Maj • 03:32 • -7.93db
10% Popularity • 61% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 61% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Carlos Di Fulvio
Campo Afuera
158 bpm • D Maj • 02:24 • -7db
27% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Sinfonica de Tambores
Recreo De Peón Rural
157 bpm • F min • 03:19 • -4.98db
27% Popularity • 62% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 62% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Alfredo Zitarrosa
Zamba por Vos
156 bpm • C Maj • 03:32 • -12.31db
39% Popularity • 61% Danceability • 32% Energy • 27% Liveness
1% Instrumentalness • 40% Positiveness
39% Popularity • 61% Danceability • 32% Energy • 27% Liveness
1% Instrumentalness • 40% Positiveness
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A Puro Viento
Corazón de Terrón
165 bpm • G Maj • 02:08 • -4.33db
13% Popularity • 55% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
13% Popularity • 55% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Cayo la Cabra
Canción Final 2018
164 bpm • D Maj • 03:28 • -10.36db
28% Popularity • 45% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 45% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Copla alta
Si Se Trata de Cantar
155 bpm • E min • 03:42 • -8.17db
24% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Hermanos Abalos
La Chacarera Doble
165 bpm • G Maj • 02:45 • -13.76db
22% Popularity • 64% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 64% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Sinfonica de Tambores
Estancia Vieja
155 bpm • F min • 02:55 • -6.84db
18% Popularity • 56% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 56% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Alfredo Abalos
Te digo chacarera
154 bpm • F min • 02:29 • -11.46db
24% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Tabaré Etcheverry
Zafrero
154 bpm • F# Maj • 03:10 • -9.36db
18% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Numa Moraes
La Patria Compañero
153 bpm • A# min • 02:09 • -6.73db
27% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Copla alta
Santa Clara
155 bpm • G min • 03:52 • -8.57db
33% Popularity • 64% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 64% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Cerno
Mujer Niña y Amiga
153 bpm • A min • 02:41 • -9.24db
19% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Braulio López y Julio Victor
Bolsillo Viejo
152 bpm • A Maj • 02:29 • -11.49db
18% Popularity • 59% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 59% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 77% Positiveness
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Pindingo Pereyra
Canción del Camaranero
153 bpm • B min • 04:48 • -8.92db
8% Popularity • 71% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 71% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Sinfonica de Tambores
Aprontáte Bigotuda
152 bpm • C min • 04:24 • -9.71db
24% Popularity • 66% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 66% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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José Luis Aguirre
Chacarera de la Tía Rosa
152 bpm • A Maj • 02:42 • -9db
24% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Catherine Vergnes
Vamo Vamo
152 bpm • B min • 02:44 • -6.33db
30% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Jorge Nasser
Nadie Me Dijo Nada
152 bpm • D Maj • 02:21 • -4.66db
18% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Braulio López y Julio Victor
A Orillas del Olimar
151 bpm • A min • 03:47 • -7.12db
17% Popularity • 46% Danceability • 41% Energy • 78% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 46% Danceability • 41% Energy • 78% Liveness
0% Instrumentalness • 44% Positiveness
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Raúl Carnota
El timido
151 bpm • D Maj • 01:59 • -13.48db
30% Popularity • 65% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 65% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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JF-ROMANTICO
TODO ERA BASURA
170 bpm • D min • 04:05 • -21.98db
24% Popularity • 63% Danceability • 34% Energy • 72% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 63% Danceability • 34% Energy • 72% Liveness
0% Instrumentalness • 96% Positiveness
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Copla alta
Sin Vueltas
170 bpm • F# Maj • 02:48 • -6.41db
30% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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El Alemán
Yo Me la Gané Trabajando
170 bpm • C Maj • 02:23 • -7.97db
17% Popularity • 73% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 73% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Tamara Castro
La Desamorada
150 bpm • D min • 03:39 • -9.32db
33% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Braulio López y Julio Victor
Canciones de Amor / Soledad / Junto al J...
151 bpm • A min • 08:00 • -8.52db
23% Popularity • 55% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 55% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 83% Positiveness
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Catherine Vergnes
Victoria, La Payadora
170 bpm • D# min • 02:35 • -7.28db
16% Popularity • 66% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 66% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Los Puesteros
Tocando al Frente
150 bpm • G Maj • 04:31 • -6.88db
25% Popularity • 33% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 33% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Copla alta
Hoy Pagan
150 bpm • C min • 04:09 • -10.32db
25% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Orellana Lucca
Milagro del Tiempo
150 bpm • A# min • 03:36 • -9db
44% Popularity • 60% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 60% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Los Olimareños
Los Orientales
149 bpm • E min • 03:08 • -10.43db
34% Popularity • 64% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 64% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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La Sinfónica De Tambores
MÁs de una a Quedau a Pie
172 bpm • F min • 02:23 • -7.46db
28% Popularity • 58% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 58% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Pablo Estramín
La Quitapenas
149 bpm • E Maj • 01:50 • -5.05db
6% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
6% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Los Zucara
La Patria Compañera
149 bpm • D min • 02:20 • -14.52db
31% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Los Guasunchos
Me Muero Lejos de Ti
148 bpm • E Maj • 03:45 • -10.44db
38% Popularity • 45% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 45% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Marité Berbel
Mate Con Cedrón
149 bpm • F Maj • 02:50 • -14.24db
15% Popularity • 62% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 62% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Duro e' Boca
Le Canto Al Campo
172 bpm • B Maj • 02:53 • -6.27db
24% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Veronica Condomi
Preguntá Vos, Chacarera
148 bpm • A min • 02:21 • -6.86db
21% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Tantomán
Un Aplauso Pal' Asador
173 bpm • A min • 05:24 • -7.38db
8% Popularity • 47% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 47% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Carlos María Fossati
De Poncho Blanco
148 bpm • D Maj • 02:49 • -7.88db
29% Popularity • 51% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 51% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Daniel Viglietti
La Llamarada
148 bpm • D Maj • 02:12 • -18.64db
20% Popularity • 44% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
20% Popularity • 44% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 46% Positiveness
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Ignacio Copani
Militante
174 bpm • E min • 03:10 • -4.7db
18% Popularity • 52% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 52% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Duro e' Boca
Si Me Ven Llorar
174 bpm • A Maj • 03:49 • -6.52db
13% Popularity • 39% Danceability • 35% Energy • 43% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 39% Danceability • 35% Energy • 43% Liveness
0% Instrumentalness • 41% Positiveness
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Los Paz
Partir
147 bpm • A Maj • 03:28 • -7.16db
30% Popularity • 53% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 53% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Tantomán
Aunque Nadie Quiera, Quiero
147 bpm • C Maj • 03:10 • -7.74db
10% Popularity • 50% Danceability • 82% Energy • 94% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 50% Danceability • 82% Energy • 94% Liveness
0% Instrumentalness • 72% Positiveness
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Orlando Vera Cruz
Ay...Argentina
147 bpm • A min • 03:53 • -10.94db
22% Popularity • 59% Danceability • 43% Energy • 18% Liveness
5% Instrumentalness • 54% Positiveness
22% Popularity • 59% Danceability • 43% Energy • 18% Liveness
5% Instrumentalness • 54% Positiveness
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Carlos Di Fulvio
Campo Afuera
147 bpm • D Maj • 03:00 • -12db
34% Popularity • 66% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 66% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Milena Salamanca
A Santiago Canta
147 bpm • A Maj • 02:25 • -9.59db
35% Popularity • 76% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 76% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Francis Andreu
Al Pepe Sasía
174 bpm • C min • 02:31 • -10db
11% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Los Olimareños
Los Dos Gallos
174 bpm • A# min • 03:38 • -9.47db
33% Popularity • 45% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 45% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Duro e' Boca
Desbocau
174 bpm • C Maj • 02:44 • -9.61db
11% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Alberto Merlo
Milonga del Peón de Campo
147 bpm • C Maj • 03:20 • -10.68db
32% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Tabaré Etcheverry
De Poncho Blanco
174 bpm • C Maj • 03:23 • -8db
16% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Braulio López y Julio Victor
El Dinero
147 bpm • A min • 03:12 • -6.99db
15% Popularity • 64% Danceability • 82% Energy • 93% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 64% Danceability • 82% Energy • 93% Liveness
0% Instrumentalness • 73% Positiveness
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Larbanois & Carrero
Peon Rural
147 bpm • A min • 04:42 • -8.38db
32% Popularity • 59% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 59% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Los Cuatro De Cordoba
Desde El Alma
175 bpm • B min • 02:14 • -8db
32% Popularity • 41% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 41% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Pablo Estramín
Cuando Llora la Esperanza - En Vivo
176 bpm • G min • 04:48 • -5.11db
13% Popularity • 53% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 53% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Carlos María Fossati
En la Huella de Wilson
145 bpm • G# Maj • 03:38 • -7.08db
12% Popularity • 57% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 57% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Tantomán
Pedacito de Luna
144 bpm • A min • 04:06 • -7.33db
15% Popularity • 51% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 51% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Braulio López y Julio Victor
Coquibacoa
146 bpm • B min • 04:01 • -7.59db
25% Popularity • 57% Danceability • 50% Energy • 92% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 57% Danceability • 50% Energy • 92% Liveness
0% Instrumentalness • 64% Positiveness
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Los Zorzales
Coplas de una Tropa
144 bpm • F Maj • 03:52 • -6.38db
24% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Duro e' Boca
Chacarera
177 bpm • G# Maj • 02:47 • -6.23db
13% Popularity • 37% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 37% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Tamara Castro
Podrás
144 bpm • E min • 03:59 • -5db
35% Popularity • 55% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 55% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Carlos Benavides
En el País de las Cinas-Cinas
143 bpm • A min • 03:30 • -11.54db
17% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Carlos María Fossati
De la Campaña
143 bpm • C Maj • 02:12 • -16.15db
26% Popularity • 62% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 62% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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El Alemán
La Patria Compañero - Mpu en Vivo
144 bpm • A min • 02:27 • -7.01db
10% Popularity • 50% Danceability • 62% Energy • 77% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 50% Danceability • 62% Energy • 77% Liveness
0% Instrumentalness • 57% Positiveness
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Inti Huama
San Juan por Mi Sangre
143 bpm • A# Maj • 03:39 • -9db
18% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Pablo Estramín
Dia de Campo
143 bpm • D min • 03:07 • -5.09db
1% Popularity • 65% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
1% Popularity • 65% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Duro e' Boca
Cosa De Dios
179 bpm • D Maj • 03:07 • -7.82db
17% Popularity • 35% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 35% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Aníbal Sampayo
Coplitas del Pescador
143 bpm • C Maj • 01:53 • -11.78db
9% Popularity • 45% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 45% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Carlos María Fossati
1904
142 bpm • D# Maj • 04:14 • -19.59db
13% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Daniel Viglietti
Gurisito
142 bpm • D Maj • 02:09 • -17db
26% Popularity • 49% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 49% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Campedrinos
Zambas Románticas: Mujer, Niña y Amiga...
142 bpm • E min • 07:26 • -7db
51% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Orlando Vera Cruz
Punta Cayastá
141 bpm • D Maj • 02:16 • -12db
43% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Duro e' Boca
Rienda Suelta
180 bpm • G Maj • 03:07 • -7.86db
25% Popularity • 44% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Ramiro Gonzalez
Los amanecidos
141 bpm • E min • 03:11 • -9db
24% Popularity • 59% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 59% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Carlos María Fossati
Leandro Gómez (Hasta Sucumbir)
142 bpm • C min • 03:33 • -13.44db
21% Popularity • 56% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 56% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Jairo
La Pobrecita
141 bpm • E min • 03:49 • -9.04db
8% Popularity • 65% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 65% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Ignacio Copani
Milongas de Rojo y Blanco
141 bpm • E Maj • 03:27 • -13.87db
8% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Los Orilleros
El Gatia'o Viejo
140 bpm • G min • 03:54 • -5db
30% Popularity • 61% Danceability • 64% Energy • 9% Liveness
5% Instrumentalness • 74% Positiveness
30% Popularity • 61% Danceability • 64% Energy • 9% Liveness
5% Instrumentalness • 74% Positiveness
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Duro e' Boca
Folclore
180 bpm • A Maj • 02:17 • -6.45db
18% Popularity • 58% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 58% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Francis Andreu
Solo Contigo
140 bpm • E Maj • 02:40 • -11db
22% Popularity • 73% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 73% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Carlos María Fossati
Campamento del Ayuí
140 bpm • D# Maj • 03:11 • -8.96db
9% Popularity • 62% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 62% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Solipalma
El taipero
140 bpm • E min • 03:34 • -6db
14% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Hermano Hormiga
La Sixto Violín
140 bpm • C Maj • 02:48 • -21.44db
39% Popularity • 79% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 79% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Tabaré Etcheverry
Mazurca de las Mazorcas
139 bpm • C# Maj • 02:38 • -6db
16% Popularity • 65% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 65% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Copla alta
Otoniel
139 bpm • G Maj • 03:15 • -6.33db
22% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Duro e' Boca
La Primera Piedra
185 bpm • A# Maj • 02:09 • -5.69db
12% Popularity • 42% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 42% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Los Orilleros
No Me Olvides
138 bpm • E min • 03:26 • -4.65db
11% Popularity • 67% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 67% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Orlando Vera Cruz
Coplas De La Orilla
138 bpm • D min • 02:55 • -13.51db
36% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Jorge Nasser
Las Decimas
138 bpm • B min • 03:20 • -4.7db
21% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Los Hermanos Cuestas
Chamarrita de los Pájaros
186 bpm • G# min • 02:48 • -5.86db
32% Popularity • 42% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 42% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Pepe Guerra
Orejano - En Vivo
138 bpm • F# min • 05:03 • -9.65db
28% Popularity • 52% Danceability • 36% Energy • 97% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 52% Danceability • 36% Energy • 97% Liveness
0% Instrumentalness • 60% Positiveness
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Solipalma
Contigo y en el palmar
138 bpm • G min • 03:10 • -1db
20% Popularity • 63% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 63% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Tamara Castro
Bailando Me Diste un Beso
186 bpm • E min • 02:21 • -6.72db
4% Popularity • 44% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
4% Popularity • 44% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Orlando Vera Cruz
Costera, Mi Costerita...
138 bpm • D min • 02:31 • -9.02db
31% Popularity • 51% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 51% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
