Songs like Funk You Very Much by Volker Kriegel
Based on a tempo of (+/- 10%) and a similar genre
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Volker Kriegel
Flugsteig B
122 bpm • D Maj • 02:04 • -19.1db
3% Popularity • 77% Danceability • 21% Energy • 14% Liveness
83% Instrumentalness • 23% Positiveness
3% Popularity • 77% Danceability • 21% Energy • 14% Liveness
83% Instrumentalness • 23% Positiveness
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Les McCann
Shorty Rides Again - Remastered
122 bpm • F Maj • 08:29 • -10.46db
9% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Herbie Hancock
Spider
122 bpm • G Maj • 07:20 • -15.73db
28% Popularity • 71% Danceability • 57% Energy • 14% Liveness
86% Instrumentalness • 57% Positiveness
28% Popularity • 71% Danceability • 57% Energy • 14% Liveness
86% Instrumentalness • 57% Positiveness
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Don "Sugarcane" Harris
Lila Faye
122 bpm • G min • 06:31 • -18.08db
2% Popularity • 59% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 86% Positiveness
2% Popularity • 59% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 86% Positiveness
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Johnny "Hammond" Smith
Summertime/The Ghetto
122 bpm • E min • 10:05 • -20.75db
10% Popularity • 57% Danceability • 26% Energy • 7% Liveness
90% Instrumentalness • 75% Positiveness
10% Popularity • 57% Danceability • 26% Energy • 7% Liveness
90% Instrumentalness • 75% Positiveness
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Larry Goldings
Solidity
122 bpm • G# Maj • 03:56 • -13.91db
22% Popularity • 61% Danceability • 52% Energy • 20% Liveness
73% Instrumentalness • 74% Positiveness
22% Popularity • 61% Danceability • 52% Energy • 20% Liveness
73% Instrumentalness • 74% Positiveness
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Volker Kriegel
Funk You Very Much
122 bpm • A Maj • 05:33 • -14.98db
4% Popularity • 76% Danceability • 46% Energy • 10% Liveness
74% Instrumentalness • 94% Positiveness
4% Popularity • 76% Danceability • 46% Energy • 10% Liveness
74% Instrumentalness • 94% Positiveness
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Billy Cobham
The Pleasant Pheasant
122 bpm • F min • 05:21 • -13db
22% Popularity • 52% Danceability • 75% Energy • 25% Liveness
57% Instrumentalness • 68% Positiveness
22% Popularity • 52% Danceability • 75% Energy • 25% Liveness
57% Instrumentalness • 68% Positiveness
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Herbie Hancock
Swamp Rat
122 bpm • E Maj • 06:24 • -13.21db
25% Popularity • 53% Danceability • 61% Energy • 17% Liveness
44% Instrumentalness • 86% Positiveness
25% Popularity • 53% Danceability • 61% Energy • 17% Liveness
44% Instrumentalness • 86% Positiveness
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Lou Donaldson
Say It Loud (I'm Black And I'm Proud)
122 bpm • D# Maj • 07:32 • -12.9db
14% Popularity • 87% Danceability • 38% Energy • 3% Liveness
58% Instrumentalness • 53% Positiveness
14% Popularity • 87% Danceability • 38% Energy • 3% Liveness
58% Instrumentalness • 53% Positiveness
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Lee Morgan
Yes I Can, No You Can't
123 bpm • A# Maj • 07:23 • -10.48db
23% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Heshoo Beshoo Group
Emakhaya
123 bpm • D Maj • 07:18 • -9db
30% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
30% Popularity • 79% Danceability • 69% Energy • 17% Liveness
63% Instrumentalness • 45% Positiveness
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Volker Kriegel
Octember Variation
121 bpm • A min • 06:24 • -22.25db
2% Popularity • 58% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
2% Popularity • 58% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Reuben Wilson
The Last Tango In Paris
121 bpm • F Maj • 03:59 • -11.81db
22% Popularity • 70% Danceability • 41% Energy • 12% Liveness
82% Instrumentalness • 82% Positiveness
22% Popularity • 70% Danceability • 41% Energy • 12% Liveness
82% Instrumentalness • 82% Positiveness
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Ray Bryant
Lonesome Traveler
123 bpm • B min • 03:10 • -11db
27% Popularity • 50% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 92% Positiveness
27% Popularity • 50% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 92% Positiveness
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Nucleus
Torrid Zone
123 bpm • G Maj • 08:40 • -14.33db
15% Popularity • 40% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
15% Popularity • 40% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
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Idris Muhammad
The Saddest Thing
123 bpm • A Maj • 07:06 • -12.95db
19% Popularity • 56% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
19% Popularity • 56% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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Passport
Homunculuc
123 bpm • E min • 06:15 • -12db
12% Popularity • 35% Danceability • 73% Energy • 6% Liveness
40% Instrumentalness • 71% Positiveness
12% Popularity • 35% Danceability • 73% Energy • 6% Liveness
40% Instrumentalness • 71% Positiveness
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Volker Kriegel
More About D
123 bpm • G Maj • 08:53 • -13.12db
5% Popularity • 41% Danceability • 57% Energy • 19% Liveness
71% Instrumentalness • 34% Positiveness
5% Popularity • 41% Danceability • 57% Energy • 19% Liveness
71% Instrumentalness • 34% Positiveness
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Bernard "Pretty" Purdie
Cold Sweat
124 bpm • G Maj • 05:41 • -12.54db
18% Popularity • 62% Danceability • 75% Energy • 28% Liveness
75% Instrumentalness • 70% Positiveness
18% Popularity • 62% Danceability • 75% Energy • 28% Liveness
75% Instrumentalness • 70% Positiveness
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John Handy
Young Enough To Dream
124 bpm • F min • 07:09 • -9db
9% Popularity • 64% Danceability • 76% Energy • 9% Liveness
77% Instrumentalness • 84% Positiveness
9% Popularity • 64% Danceability • 76% Energy • 9% Liveness
77% Instrumentalness • 84% Positiveness
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Charlie Hunter
A Song For Karen Carpenter
120 bpm • C Maj • 05:52 • -12.52db
15% Popularity • 67% Danceability • 18% Energy • 6% Liveness
89% Instrumentalness • 37% Positiveness
15% Popularity • 67% Danceability • 18% Energy • 6% Liveness
89% Instrumentalness • 37% Positiveness
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Reuben Wilson
Orange Peel
124 bpm • F Maj • 06:39 • -11.5db
29% Popularity • 67% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
29% Popularity • 67% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
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Richard "Groove" Holmes
Down Home Funk - Remastered
120 bpm • C Maj • 05:21 • -9.99db
23% Popularity • 60% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
23% Popularity • 60% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Volker Kriegel
Mouse-Funk
123 bpm • C Maj • 01:56 • -12.71db
20% Popularity • 60% Danceability • 62% Energy • 9% Liveness
94% Instrumentalness • 94% Positiveness
20% Popularity • 60% Danceability • 62% Energy • 9% Liveness
94% Instrumentalness • 94% Positiveness
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Jack McDuff
The Vibrator
120 bpm • C Maj • 04:48 • -10.53db
21% Popularity • 73% Danceability • 44% Energy • 21% Liveness
86% Instrumentalness • 74% Positiveness
21% Popularity • 73% Danceability • 44% Energy • 21% Liveness
86% Instrumentalness • 74% Positiveness
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Dave Pike
Blind Man Blind Man
124 bpm • A# Maj • 06:52 • -8db
27% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Oregon
Sail
124 bpm • A Maj • 04:33 • -13.42db
15% Popularity • 34% Danceability • 68% Energy • 30% Liveness
89% Instrumentalness • 88% Positiveness
15% Popularity • 34% Danceability • 68% Energy • 30% Liveness
89% Instrumentalness • 88% Positiveness
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Jimmy Smith
Ode To Billie Joe
124 bpm • C Maj • 06:24 • -17.03db
26% Popularity • 66% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 31% Positiveness
26% Popularity • 66% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 31% Positiveness
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Archie Shepp
Blues For Brother George Jackson
124 bpm • B Maj • 04:00 • -14.24db
17% Popularity • 53% Danceability • 49% Energy • 20% Liveness
59% Instrumentalness • 68% Positiveness
17% Popularity • 53% Danceability • 49% Energy • 20% Liveness
59% Instrumentalness • 68% Positiveness
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Volker Kriegel
The Lame Donkey
121 bpm • A# min • 02:38 • -16.39db
1% Popularity • 42% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
1% Popularity • 42% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
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Don "Sugarcane" Harris
Carlsbad
124 bpm • G Maj • 05:32 • -14.84db
1% Popularity • 35% Danceability • 47% Energy • 12% Liveness
87% Instrumentalness • 39% Positiveness
1% Popularity • 35% Danceability • 47% Energy • 12% Liveness
87% Instrumentalness • 39% Positiveness
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The Outlaw Blues Band
Mamo Pano Shhhh
124 bpm • D Maj • 06:13 • -10.92db
8% Popularity • 77% Danceability • 49% Energy • 7% Liveness
89% Instrumentalness • 86% Positiveness
8% Popularity • 77% Danceability • 49% Energy • 7% Liveness
89% Instrumentalness • 86% Positiveness
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Jimmy McGriff
The Worm
124 bpm • F min • 03:20 • -8db
35% Popularity • 76% Danceability • 70% Energy • 5% Liveness
82% Instrumentalness • 96% Positiveness
35% Popularity • 76% Danceability • 70% Energy • 5% Liveness
82% Instrumentalness • 96% Positiveness
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Lou Donaldson
Snake Bone
124 bpm • D# Maj • 09:31 • -13.29db
22% Popularity • 71% Danceability • 51% Energy • 11% Liveness
70% Instrumentalness • 76% Positiveness
22% Popularity • 71% Danceability • 51% Energy • 11% Liveness
70% Instrumentalness • 76% Positiveness
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Peter Green
Tribal Dance
120 bpm • F min • 04:28 • -19.91db
32% Popularity • 67% Danceability • 42% Energy • 9% Liveness
75% Instrumentalness • 75% Positiveness
32% Popularity • 67% Danceability • 42% Energy • 9% Liveness
75% Instrumentalness • 75% Positiveness
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Volker Kriegel
Traffic Jam
121 bpm • D min • 04:04 • -16.95db
0% Popularity • 53% Danceability • 17% Energy • 14% Liveness
56% Instrumentalness • 54% Positiveness
0% Popularity • 53% Danceability • 17% Energy • 14% Liveness
56% Instrumentalness • 54% Positiveness
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Joe Farrell
Bass Folk Song
124 bpm • D Maj • 09:46 • -13db
8% Popularity • 43% Danceability • 63% Energy • 7% Liveness
83% Instrumentalness • 66% Positiveness
8% Popularity • 43% Danceability • 63% Energy • 7% Liveness
83% Instrumentalness • 66% Positiveness
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Ian Carr
Roots
125 bpm • F# Maj • 09:24 • -12.84db
25% Popularity • 52% Danceability • 49% Energy • 10% Liveness
61% Instrumentalness • 90% Positiveness
25% Popularity • 52% Danceability • 49% Energy • 10% Liveness
61% Instrumentalness • 90% Positiveness
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Jimmy Smith
Funky Broadway
125 bpm • G# Maj • 02:29 • -17.07db
34% Popularity • 63% Danceability • 53% Energy • 12% Liveness
96% Instrumentalness • 82% Positiveness
34% Popularity • 63% Danceability • 53% Energy • 12% Liveness
96% Instrumentalness • 82% Positiveness
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James Gang
Yadig?
124 bpm • C Maj • 02:32 • -20.85db
36% Popularity • 57% Danceability • 13% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
36% Popularity • 57% Danceability • 13% Energy • 14% Liveness
89% Instrumentalness • 19% Positiveness
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Kraan
Prima Klima
125 bpm • A Maj • 04:44 • -8.83db
13% Popularity • 60% Danceability • 71% Energy • 10% Liveness
92% Instrumentalness • 69% Positiveness
13% Popularity • 60% Danceability • 71% Energy • 10% Liveness
92% Instrumentalness • 69% Positiveness
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Boogaloo Joe Jones
Right On - Rudy Van Gelder Remaster
125 bpm • D Maj • 05:40 • -8.84db
28% Popularity • 59% Danceability • 71% Energy • 14% Liveness
65% Instrumentalness • 66% Positiveness
28% Popularity • 59% Danceability • 71% Energy • 14% Liveness
65% Instrumentalness • 66% Positiveness
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Dave Pike Set
Four Reasons / Sitting on My Knees
119 bpm • A min • 05:45 • -20db
12% Popularity • 43% Danceability • 14% Energy • 9% Liveness
19% Instrumentalness • 25% Positiveness
12% Popularity • 43% Danceability • 14% Energy • 9% Liveness
19% Instrumentalness • 25% Positiveness
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Billy Cobham
Spectrum
125 bpm • C# Maj • 05:09 • -13db
30% Popularity • 42% Danceability • 81% Energy • 16% Liveness
58% Instrumentalness • 85% Positiveness
30% Popularity • 42% Danceability • 81% Energy • 16% Liveness
58% Instrumentalness • 85% Positiveness
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Volker Kriegel
Sister Matic
119 bpm • C Maj • 03:48 • -14.77db
2% Popularity • 54% Danceability • 56% Energy • 31% Liveness
24% Instrumentalness • 80% Positiveness
2% Popularity • 54% Danceability • 56% Energy • 31% Liveness
24% Instrumentalness • 80% Positiveness
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Frank Strazzeri
Cloudburst
119 bpm • G min • 09:54 • -14.23db
30% Popularity • 52% Danceability • 54% Energy • 13% Liveness
82% Instrumentalness • 45% Positiveness
30% Popularity • 52% Danceability • 54% Energy • 13% Liveness
82% Instrumentalness • 45% Positiveness
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Herbie Hancock
Lil' Brother
119 bpm • G# Maj • 04:26 • -10.48db
21% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Willie Mitchell
Black Fox
119 bpm • A min • 03:44 • -8.13db
18% Popularity • 78% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 81% Positiveness
18% Popularity • 78% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 81% Positiveness
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The Lightmen
Luke
126 bpm • C min • 02:44 • -10.98db
14% Popularity • 54% Danceability • 52% Energy • 32% Liveness
1% Instrumentalness • 88% Positiveness
14% Popularity • 54% Danceability • 52% Energy • 32% Liveness
1% Instrumentalness • 88% Positiveness
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Julian Lage
Saint Rose
126 bpm • F Maj • 04:35 • -7.59db
24% Popularity • 63% Danceability • 53% Energy • 10% Liveness
87% Instrumentalness • 87% Positiveness
24% Popularity • 63% Danceability • 53% Energy • 10% Liveness
87% Instrumentalness • 87% Positiveness
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Lou Donaldson
Donkey Walk
126 bpm • F Maj • 06:44 • -16.16db
24% Popularity • 76% Danceability • 37% Energy • 9% Liveness
79% Instrumentalness • 62% Positiveness
24% Popularity • 76% Danceability • 37% Energy • 9% Liveness
79% Instrumentalness • 62% Positiveness
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Deodato
Do It Again
126 bpm • C min • 05:30 • -9.74db
15% Popularity • 74% Danceability • 55% Energy • 12% Liveness
82% Instrumentalness • 93% Positiveness
15% Popularity • 74% Danceability • 55% Energy • 12% Liveness
82% Instrumentalness • 93% Positiveness
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Chet Atkins
Caravan
126 bpm • D Maj • 03:17 • -15.04db
27% Popularity • 62% Danceability • 51% Energy • 13% Liveness
85% Instrumentalness • 71% Positiveness
27% Popularity • 62% Danceability • 51% Energy • 13% Liveness
85% Instrumentalness • 71% Positiveness
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Yusef Lateef
Othelia - Remastered
126 bpm • A# Maj • 04:35 • -10.98db
26% Popularity • 54% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 87% Positiveness
26% Popularity • 54% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 87% Positiveness
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Keith Jarrett
The Rich (And The Poor)
126 bpm • C Maj • 09:26 • -13db
33% Popularity • 56% Danceability • 36% Energy • 13% Liveness
18% Instrumentalness • 52% Positiveness
33% Popularity • 56% Danceability • 36% Energy • 13% Liveness
18% Instrumentalness • 52% Positiveness
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The Gil Evans Orchestra
Angel - 2001 Remastered
126 bpm • G# Maj • 04:09 • -5.17db
10% Popularity • 40% Danceability • 62% Energy • 27% Liveness
17% Instrumentalness • 13% Positiveness
10% Popularity • 40% Danceability • 62% Energy • 27% Liveness
17% Instrumentalness • 13% Positiveness
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Dave Pike Set
Greater Kalesh No. 48
126 bpm • C Maj • 05:48 • -10.5db
8% Popularity • 38% Danceability • 63% Energy • 15% Liveness
9% Instrumentalness • 61% Positiveness
8% Popularity • 38% Danceability • 63% Energy • 15% Liveness
9% Instrumentalness • 61% Positiveness
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Bobby Hutcherson
Ummh
118 bpm • F min • 07:49 • -11db
24% Popularity • 42% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
24% Popularity • 42% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
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Nucleus
Elastic Rock
126 bpm • G Maj • 04:05 • -19.42db
30% Popularity • 54% Danceability • 23% Energy • 13% Liveness
91% Instrumentalness • 24% Positiveness
30% Popularity • 54% Danceability • 23% Energy • 13% Liveness
91% Instrumentalness • 24% Positiveness
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Lou Donaldson
Turtle Walk
126 bpm • F Maj • 07:56 • -10.42db
24% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 63% Positiveness
24% Popularity • 70% Danceability • 58% Energy • 6% Liveness
63% Instrumentalness • 63% Positiveness
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Herbie Hancock
Hang Up Your Hang Ups
118 bpm • D Maj • 07:26 • -11.36db
35% Popularity • 46% Danceability • 90% Energy • 37% Liveness
50% Instrumentalness • 77% Positiveness
35% Popularity • 46% Danceability • 90% Energy • 37% Liveness
50% Instrumentalness • 77% Positiveness
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Gil Evans And His Orchestra
Crosstown Traffic - 2001 Remastered
118 bpm • F min • 06:33 • -6db
11% Popularity • 42% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 42% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Back Door
Vienna Breakdown
117 bpm • G Maj • 02:23 • -8.41db
12% Popularity • 61% Danceability • 80% Energy • 9% Liveness
51% Instrumentalness • 65% Positiveness
12% Popularity • 61% Danceability • 80% Energy • 9% Liveness
51% Instrumentalness • 65% Positiveness
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Ian Carr
Torso
127 bpm • G min • 06:08 • -12.58db
9% Popularity • 42% Danceability • 74% Energy • 35% Liveness
93% Instrumentalness • 65% Positiveness
9% Popularity • 42% Danceability • 74% Energy • 35% Liveness
93% Instrumentalness • 65% Positiveness
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Bill Frisell
Baba Drame
117 bpm • B min • 04:59 • -9.89db
23% Popularity • 48% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 61% Positiveness
23% Popularity • 48% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 61% Positiveness
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David Axelrod
Don't You Worry 'Bout A Thing
127 bpm • C min • 03:42 • -11.39db
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
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Cal Tjader
Gimme Shelter
127 bpm • G Maj • 02:54 • -10.37db
25% Popularity • 59% Danceability • 78% Energy • 11% Liveness
44% Instrumentalness • 56% Positiveness
25% Popularity • 59% Danceability • 78% Energy • 11% Liveness
44% Instrumentalness • 56% Positiveness
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Les McCann
Doin That Thing
127 bpm • E min • 08:30 • -16.67db
26% Popularity • 54% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 45% Positiveness
26% Popularity • 54% Danceability • 38% Energy • 12% Liveness
95% Instrumentalness • 45% Positiveness
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Richard "Groove" Holmes
Groovin' For Mr. G - Remastered
127 bpm • A# min • 04:13 • -10db
39% Popularity • 65% Danceability • 86% Energy • 9% Liveness
77% Instrumentalness • 95% Positiveness
39% Popularity • 65% Danceability • 86% Energy • 9% Liveness
77% Instrumentalness • 95% Positiveness
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Herbie Hancock
Cantelope Island
128 bpm • F Maj • 07:05 • -11db
27% Popularity • 88% Danceability • 39% Energy • 16% Liveness
12% Instrumentalness • 69% Positiveness
27% Popularity • 88% Danceability • 39% Energy • 16% Liveness
12% Instrumentalness • 69% Positiveness
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Charles Lloyd
Masters Of War
128 bpm • B min • 08:02 • -13.32db
20% Popularity • 41% Danceability • 52% Energy • 18% Liveness
57% Instrumentalness • 40% Positiveness
20% Popularity • 41% Danceability • 52% Energy • 18% Liveness
57% Instrumentalness • 40% Positiveness
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Bill Frisell
Messin' with the Kid
116 bpm • A# Maj • 02:59 • -7.37db
29% Popularity • 72% Danceability • 65% Energy • 19% Liveness
13% Instrumentalness • 88% Positiveness
29% Popularity • 72% Danceability • 65% Energy • 19% Liveness
13% Instrumentalness • 88% Positiveness
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Volker Kriegel
Noisy Silence, Gentle Noise
116 bpm • B min • 06:31 • -18db
0% Popularity • 46% Danceability • 17% Energy • 8% Liveness
20% Instrumentalness • 26% Positiveness
0% Popularity • 46% Danceability • 17% Energy • 8% Liveness
20% Instrumentalness • 26% Positiveness
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Donald Byrd
House Of The Rising Sun
116 bpm • G min • 05:07 • -11.61db
28% Popularity • 70% Danceability • 28% Energy • 15% Liveness
82% Instrumentalness • 33% Positiveness
28% Popularity • 70% Danceability • 28% Energy • 15% Liveness
82% Instrumentalness • 33% Positiveness
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Dave Pike Set
But Anyway
128 bpm • G Maj • 05:08 • -10.81db
8% Popularity • 54% Danceability • 55% Energy • 8% Liveness
87% Instrumentalness • 66% Positiveness
8% Popularity • 54% Danceability • 55% Energy • 8% Liveness
87% Instrumentalness • 66% Positiveness
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Hampshire & Foat
End Song
128 bpm • F Maj • 07:05 • -11.15db
20% Popularity • 36% Danceability • 49% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
20% Popularity • 36% Danceability • 49% Energy • 15% Liveness
91% Instrumentalness • 24% Positiveness
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Boogaloo Joe Jones
Someday We'll Be Together - Single Versi...
128 bpm • F Maj • 02:22 • -9.49db
23% Popularity • 70% Danceability • 72% Energy • 35% Liveness
93% Instrumentalness • 95% Positiveness
23% Popularity • 70% Danceability • 72% Energy • 35% Liveness
93% Instrumentalness • 95% Positiveness
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Chico Hamilton
Fancy
116 bpm • C Maj • 03:10 • -15.73db
26% Popularity • 64% Danceability • 47% Energy • 7% Liveness
80% Instrumentalness • 82% Positiveness
26% Popularity • 64% Danceability • 47% Energy • 7% Liveness
80% Instrumentalness • 82% Positiveness
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Charlie Hunter
Riverboat
116 bpm • B Maj • 04:38 • -10.76db
17% Popularity • 75% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
17% Popularity • 75% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Jimmy McGriff
Groove Grease
116 bpm • B min • 03:31 • -10.37db
25% Popularity • 64% Danceability • 84% Energy • 19% Liveness
77% Instrumentalness • 82% Positiveness
25% Popularity • 64% Danceability • 84% Energy • 19% Liveness
77% Instrumentalness • 82% Positiveness
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Bill Frisell
Pipeline
129 bpm • A min • 07:06 • -11.9db
38% Popularity • 40% Danceability • 69% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
38% Popularity • 40% Danceability • 69% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Dave Pike Set
Noisy Silence - Gentle Noise
129 bpm • E min • 05:37 • -11.53db
12% Popularity • 45% Danceability • 44% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
12% Popularity • 45% Danceability • 44% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Sunbirds
Kwaeli
129 bpm • B min • 03:48 • -11.43db
12% Popularity • 51% Danceability • 45% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
12% Popularity • 51% Danceability • 45% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
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Volker Kriegel
Electric Blue
129 bpm • E min • 08:52 • -11.01db
0% Popularity • 30% Danceability • 83% Energy • 11% Liveness
43% Instrumentalness • 69% Positiveness
0% Popularity • 30% Danceability • 83% Energy • 11% Liveness
43% Instrumentalness • 69% Positiveness
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Herbie Hancock
The Traitor
115 bpm • B min • 09:35 • -12.56db
24% Popularity • 69% Danceability • 84% Energy • 7% Liveness
32% Instrumentalness • 94% Positiveness
24% Popularity • 69% Danceability • 84% Energy • 7% Liveness
32% Instrumentalness • 94% Positiveness
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Ginger Baker Trio
Ramblin'
129 bpm • D Maj • 04:21 • -16.04db
10% Popularity • 39% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
10% Popularity • 39% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Jeff Beck
Goodbye Pork Pie Hat
115 bpm • C min • 05:30 • -10.74db
38% Popularity • 50% Danceability • 37% Energy • 12% Liveness
13% Instrumentalness • 26% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 12% Liveness
13% Instrumentalness • 26% Positiveness
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Dave Pike Set
Raga Jeeva Swara
129 bpm • G min • 02:50 • -12.72db
9% Popularity • 55% Danceability • 54% Energy • 24% Liveness
8% Instrumentalness • 70% Positiveness
9% Popularity • 55% Danceability • 54% Energy • 24% Liveness
8% Instrumentalness • 70% Positiveness
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Jack DeJohnette
The Rock Thing
130 bpm • A# Maj • 04:15 • -13.44db
11% Popularity • 44% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 83% Positiveness
11% Popularity • 44% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 83% Positiveness
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Volker Kriegel
Ach Kina
115 bpm • E min • 05:13 • -18.63db
10% Popularity • 54% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
10% Popularity • 54% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Eddie Harris
Bumpin
114 bpm • B Maj • 04:06 • -13.07db
10% Popularity • 93% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
10% Popularity • 93% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
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Jack McDuff
Flat Backin'
114 bpm • A# Maj • 10:23 • -10.8db
15% Popularity • 51% Danceability • 57% Energy • 17% Liveness
74% Instrumentalness • 39% Positiveness
15% Popularity • 51% Danceability • 57% Energy • 17% Liveness
74% Instrumentalness • 39% Positiveness
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Boogaloo Joe Jones
Poppin' - Rudy Van Gelder Remaster
130 bpm • G# Maj • 06:05 • -8.26db
12% Popularity • 54% Danceability • 81% Energy • 22% Liveness
61% Instrumentalness • 87% Positiveness
12% Popularity • 54% Danceability • 81% Energy • 22% Liveness
61% Instrumentalness • 87% Positiveness
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Dave Pike Set
Regards from Freddie Horrowitz
115 bpm • G Maj • 04:40 • -9.5db
17% Popularity • 42% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 45% Positiveness
17% Popularity • 42% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 45% Positiveness
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Richard "Groove" Holmes
Song For My Father
114 bpm • A# min • 06:04 • -13.22db
21% Popularity • 78% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
21% Popularity • 78% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
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The New Mastersounds
Pudding & Pie
114 bpm • G Maj • 04:22 • -8.79db
29% Popularity • 78% Danceability • 70% Energy • 8% Liveness
94% Instrumentalness • 94% Positiveness
29% Popularity • 78% Danceability • 70% Energy • 8% Liveness
94% Instrumentalness • 94% Positiveness
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Jean-Luc Ponty
King Kong
131 bpm • A# min • 04:54 • -8.78db
17% Popularity • 40% Danceability • 75% Energy • 24% Liveness
73% Instrumentalness • 73% Positiveness
17% Popularity • 40% Danceability • 75% Energy • 24% Liveness
73% Instrumentalness • 73% Positiveness
