Songs like Funky Fanfare (Small Group) by Keith Mansfield
Based on a tempo of (+/- 10%) and a similar genre
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Willis Jackson
Nuther'n Like Thuther'n
98 bpm • C Maj • 07:37 • -13.44db
20% Popularity • 52% Danceability • 46% Energy • 5% Liveness
73% Instrumentalness • 87% Positiveness
20% Popularity • 52% Danceability • 46% Energy • 5% Liveness
73% Instrumentalness • 87% Positiveness
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Delvon Lamarr Organ Trio
Keep On Keepin' On
98 bpm • G Maj • 03:48 • -7.91db
19% Popularity • 69% Danceability • 53% Energy • 7% Liveness
86% Instrumentalness • 66% Positiveness
19% Popularity • 69% Danceability • 53% Energy • 7% Liveness
86% Instrumentalness • 66% Positiveness
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Jerry Fielding
Rooftop Chase
98 bpm • F min • 06:02 • -10.77db
8% Popularity • 47% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
8% Popularity • 47% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
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Venus Gang
Love To Fly
98 bpm • G Maj • 04:11 • -18.69db
17% Popularity • 79% Danceability • 40% Energy • 6% Liveness
39% Instrumentalness • 79% Positiveness
17% Popularity • 79% Danceability • 40% Energy • 6% Liveness
39% Instrumentalness • 79% Positiveness
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Keith Mansfield
Funky Fanfare (Small Group)
98 bpm • C# Maj • 01:35 • -12.37db
23% Popularity • 73% Danceability • 69% Energy • 20% Liveness
18% Instrumentalness • 89% Positiveness
23% Popularity • 73% Danceability • 69% Energy • 20% Liveness
18% Instrumentalness • 89% Positiveness
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Alan Moorhouse
Boss Man
98 bpm • A Maj • 02:05 • -10.41db
14% Popularity • 62% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
14% Popularity • 62% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
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Gary Pacific Orchestra
Soft Wind
98 bpm • G min • 02:05 • -8.5db
18% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
18% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
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Piero Piccioni
Psychedelic Mood
98 bpm • E Maj • 02:33 • -12.25db
13% Popularity • 60% Danceability • 71% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
13% Popularity • 60% Danceability • 71% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
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Les Baxter
Hogin' Machine
98 bpm • D# Maj • 01:37 • -5db
28% Popularity • 45% Danceability • 85% Energy • 14% Liveness
77% Instrumentalness • 53% Positiveness
28% Popularity • 45% Danceability • 85% Energy • 14% Liveness
77% Instrumentalness • 53% Positiveness
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Clive Hicks
Transit
99 bpm • G Maj • 01:36 • -19.51db
21% Popularity • 83% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 44% Positiveness
21% Popularity • 83% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 44% Positiveness
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Jack Trombey
Underlay No. 3
99 bpm • F min • 02:30 • -16.77db
8% Popularity • 72% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 31% Positiveness
8% Popularity • 72% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 31% Positiveness
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Ike Turner & The Kings Of Rhythm
Thinking Black
97 bpm • G Maj • 02:40 • -10db
28% Popularity • 66% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 92% Positiveness
28% Popularity • 66% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 92% Positiveness
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Simon Begg
Mix Master Mania
99 bpm • C min • 02:41 • -5.71db
2% Popularity • 53% Danceability • 94% Energy • 28% Liveness
90% Instrumentalness • 56% Positiveness
2% Popularity • 53% Danceability • 94% Energy • 28% Liveness
90% Instrumentalness • 56% Positiveness
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David Holmes
Pickpockets
99 bpm • A# min • 01:31 • -12.34db
32% Popularity • 74% Danceability • 64% Energy • 45% Liveness
63% Instrumentalness • 46% Positiveness
32% Popularity • 74% Danceability • 64% Energy • 45% Liveness
63% Instrumentalness • 46% Positiveness
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Alan Moorhouse
Soul Skimmer
99 bpm • C Maj • 02:12 • -8.19db
22% Popularity • 57% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
22% Popularity • 57% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Keith Mansfield
Inner Visions
97 bpm • D Maj • 03:20 • -16.63db
1% Popularity • 46% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
1% Popularity • 46% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Jack Trombey
Underlay No.3
99 bpm • G# Maj • 04:02 • -7.83db
31% Popularity • 65% Danceability • 84% Energy • 8% Liveness
82% Instrumentalness • 52% Positiveness
31% Popularity • 65% Danceability • 84% Energy • 8% Liveness
82% Instrumentalness • 52% Positiveness
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The Motherhood
Soul Town
97 bpm • F min • 02:09 • -8.26db
14% Popularity • 44% Danceability • 81% Energy • 34% Liveness
59% Instrumentalness • 77% Positiveness
14% Popularity • 44% Danceability • 81% Energy • 34% Liveness
59% Instrumentalness • 77% Positiveness
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Karate Boogaloo
Footsteps In The Dark
97 bpm • B min • 03:40 • -8.98db
20% Popularity • 61% Danceability • 55% Energy • 6% Liveness
89% Instrumentalness • 86% Positiveness
20% Popularity • 61% Danceability • 55% Energy • 6% Liveness
89% Instrumentalness • 86% Positiveness
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Rolf Kühn
Playmate
99 bpm • E min • 02:31 • -9db
17% Popularity • 42% Danceability • 65% Energy • 12% Liveness
83% Instrumentalness • 86% Positiveness
17% Popularity • 42% Danceability • 65% Energy • 12% Liveness
83% Instrumentalness • 86% Positiveness
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Nora Orlandi
A Doppia Faccia - Soho
97 bpm • G min • 03:18 • -7.93db
9% Popularity • 48% Danceability • 63% Energy • 33% Liveness
81% Instrumentalness • 80% Positiveness
9% Popularity • 48% Danceability • 63% Energy • 33% Liveness
81% Instrumentalness • 80% Positiveness
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Alan Parker
Hot Pants
97 bpm • D Maj • 01:52 • -12db
16% Popularity • 56% Danceability • 61% Energy • 8% Liveness
91% Instrumentalness • 55% Positiveness
16% Popularity • 56% Danceability • 61% Energy • 8% Liveness
91% Instrumentalness • 55% Positiveness
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Sweet Revival
Mr. Soul Saving Man
99 bpm • D Maj • 03:46 • -11.81db
19% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Deodato
September 13
99 bpm • G Maj • 05:56 • -15.83db
17% Popularity • 55% Danceability • 58% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
17% Popularity • 55% Danceability • 58% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Keith Mansfield
Hot Property
99 bpm • D min • 01:59 • -10.97db
15% Popularity • 60% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 55% Positiveness
15% Popularity • 60% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 55% Positiveness
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Dschinn
Let's Go Together
97 bpm • A Maj • 03:08 • -6db
19% Popularity • 56% Danceability • 86% Energy • 11% Liveness
36% Instrumentalness • 97% Positiveness
19% Popularity • 56% Danceability • 86% Energy • 11% Liveness
36% Instrumentalness • 97% Positiveness
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Harvey & The Phenomenals
Soul and Sunshine
99 bpm • A# min • 03:59 • -6.85db
28% Popularity • 71% Danceability • 85% Energy • 2% Liveness
82% Instrumentalness • 94% Positiveness
28% Popularity • 71% Danceability • 85% Energy • 2% Liveness
82% Instrumentalness • 94% Positiveness
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Alan Parker
Ice Breaker
99 bpm • G Maj • 03:54 • -17.49db
11% Popularity • 73% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 82% Positiveness
11% Popularity • 73% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 82% Positiveness
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Karl-Heinz Schäfer
Kidnapping
96 bpm • F Maj • 01:22 • -14.82db
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
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Claude Bolling
Pop Mod
96 bpm • F Maj • 04:21 • -7.56db
15% Popularity • 58% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 75% Positiveness
15% Popularity • 58% Danceability • 81% Energy • 13% Liveness
36% Instrumentalness • 75% Positiveness
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Roland Vincent
L.S.D. Partie
100 bpm • A min • 03:00 • -11.52db
31% Popularity • 53% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
31% Popularity • 53% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
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Redd Holt Unlimited
I Shot the Sheriff
100 bpm • C min • 02:20 • -9db
28% Popularity • 72% Danceability • 79% Energy • 8% Liveness
78% Instrumentalness • 94% Positiveness
28% Popularity • 72% Danceability • 79% Energy • 8% Liveness
78% Instrumentalness • 94% Positiveness
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Syd Dale
Walk and Talk
100 bpm • A min • 02:29 • -7.94db
13% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 74% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Stelvio Cipriani
Mark il poliziotto - Originale
100 bpm • E min • 02:41 • -16.49db
21% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
21% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
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Carnaby Street Pop Orchestra
Funky Fanfare
96 bpm • A# Maj • 02:28 • -4.15db
26% Popularity • 60% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 81% Positiveness
26% Popularity • 60% Danceability • 84% Energy • 8% Liveness
84% Instrumentalness • 81% Positiveness
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Keith Mansfield
Effortless Elegance
100 bpm • C# Maj • 03:25 • -8db
22% Popularity • 71% Danceability • 75% Energy • 50% Liveness
75% Instrumentalness • 60% Positiveness
22% Popularity • 71% Danceability • 75% Energy • 50% Liveness
75% Instrumentalness • 60% Positiveness
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Alan Hawkshaw
Original Mania
100 bpm • C Maj • 03:00 • -4.16db
4% Popularity • 69% Danceability • 85% Energy • 12% Liveness
7% Instrumentalness • 90% Positiveness
4% Popularity • 69% Danceability • 85% Energy • 12% Liveness
7% Instrumentalness • 90% Positiveness
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The Mohawks
Beat Me Till I'm Blue
100 bpm • C# Maj • 02:36 • -10db
33% Popularity • 70% Danceability • 82% Energy • 14% Liveness
46% Instrumentalness • 80% Positiveness
33% Popularity • 70% Danceability • 82% Energy • 14% Liveness
46% Instrumentalness • 80% Positiveness
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Barrett Martin Group
Please Come Back, She Said To The Sun
96 bpm • F Maj • 04:08 • -9.11db
11% Popularity • 60% Danceability • 69% Energy • 10% Liveness
95% Instrumentalness • 67% Positiveness
11% Popularity • 60% Danceability • 69% Energy • 10% Liveness
95% Instrumentalness • 67% Positiveness
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Harlem Pop Trotters
Mocassin
100 bpm • G Maj • 02:34 • -8.92db
12% Popularity • 69% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 61% Positiveness
12% Popularity • 69% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 61% Positiveness
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Sirarcusa
Streap-Tease in the Stars (The Way I Do)
100 bpm • F# min • 04:09 • -9.9db
24% Popularity • 79% Danceability • 50% Energy • 9% Liveness
91% Instrumentalness • 69% Positiveness
24% Popularity • 79% Danceability • 50% Energy • 9% Liveness
91% Instrumentalness • 69% Positiveness
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Keith Mansfield
Powerhouse Pop
96 bpm • A Maj • 02:35 • -7db
9% Popularity • 46% Danceability • 85% Energy • 30% Liveness
34% Instrumentalness • 72% Positiveness
9% Popularity • 46% Danceability • 85% Energy • 30% Liveness
34% Instrumentalness • 72% Positiveness
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The Flying Guitar
Barabajagal
100 bpm • D Maj • 02:43 • -9.93db
13% Popularity • 63% Danceability • 88% Energy • 6% Liveness
10% Instrumentalness • 78% Positiveness
13% Popularity • 63% Danceability • 88% Energy • 6% Liveness
10% Instrumentalness • 78% Positiveness
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Simon Begg
Phunky Fanfare
96 bpm • F min • 02:55 • -6.56db
28% Popularity • 59% Danceability • 86% Energy • 14% Liveness
91% Instrumentalness • 72% Positiveness
28% Popularity • 59% Danceability • 86% Energy • 14% Liveness
91% Instrumentalness • 72% Positiveness
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The Budos Band
Hidden Hand
101 bpm • D min • 04:10 • -13.23db
35% Popularity • 47% Danceability • 75% Energy • 10% Liveness
77% Instrumentalness • 84% Positiveness
35% Popularity • 47% Danceability • 75% Energy • 10% Liveness
77% Instrumentalness • 84% Positiveness
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Carla Bley
Song Sung Long
95 bpm • C# Maj • 06:02 • -15.35db
22% Popularity • 61% Danceability • 39% Energy • 64% Liveness
82% Instrumentalness • 55% Positiveness
22% Popularity • 61% Danceability • 39% Energy • 64% Liveness
82% Instrumentalness • 55% Positiveness
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Bruno Canfora
Dirty Gang
101 bpm • D Maj • 02:26 • -12.02db
13% Popularity • 66% Danceability • 51% Energy • 11% Liveness
68% Instrumentalness • 76% Positiveness
13% Popularity • 66% Danceability • 51% Energy • 11% Liveness
68% Instrumentalness • 76% Positiveness
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Keith Mansfield
Incidental Backcloth (3)
96 bpm • C Maj • 02:59 • -18db
18% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
18% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
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The Daktaris
Eltsuhg Ibal Lasiti
101 bpm • A# Maj • 05:07 • -10.88db
30% Popularity • 88% Danceability • 50% Energy • 7% Liveness
84% Instrumentalness • 93% Positiveness
30% Popularity • 88% Danceability • 50% Energy • 7% Liveness
84% Instrumentalness • 93% Positiveness
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The Meters
Chicken Strut
101 bpm • A Maj • 03:14 • -12.78db
30% Popularity • 61% Danceability • 62% Energy • 32% Liveness
26% Instrumentalness • 76% Positiveness
30% Popularity • 61% Danceability • 62% Energy • 32% Liveness
26% Instrumentalness • 76% Positiveness
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Alan Hawkshaw
Girl in a Sportscar
95 bpm • F# Maj • 02:42 • -12.48db
31% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
31% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
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Bernard Estardy
La gigouille
101 bpm • C Maj • 04:00 • -10.25db
12% Popularity • 70% Danceability • 75% Energy • 8% Liveness
86% Instrumentalness • 60% Positiveness
12% Popularity • 70% Danceability • 75% Energy • 8% Liveness
86% Instrumentalness • 60% Positiveness
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Vic Flick
Why Not?
101 bpm • G Maj • 02:28 • -9.71db
18% Popularity • 61% Danceability • 50% Energy • 35% Liveness
94% Instrumentalness • 90% Positiveness
18% Popularity • 61% Danceability • 50% Energy • 35% Liveness
94% Instrumentalness • 90% Positiveness
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Keith Mansfield
Life of Leisure
95 bpm • G# Maj • 03:04 • -15db
20% Popularity • 62% Danceability • 29% Energy • 15% Liveness
69% Instrumentalness • 30% Positiveness
20% Popularity • 62% Danceability • 29% Energy • 15% Liveness
69% Instrumentalness • 30% Positiveness
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Drew Milligan
Ride High
95 bpm • A min • 03:37 • -9db
4% Popularity • 82% Danceability • 82% Energy • 14% Liveness
4% Instrumentalness • 78% Positiveness
4% Popularity • 82% Danceability • 82% Energy • 14% Liveness
4% Instrumentalness • 78% Positiveness
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Deodato
Also sprach Zarathustra
101 bpm • F Maj • 09:01 • -15.11db
29% Popularity • 58% Danceability • 53% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
29% Popularity • 58% Danceability • 53% Energy • 11% Liveness
59% Instrumentalness • 58% Positiveness
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The Sure Fire Soul Ensemble
Time To Rebuild
95 bpm • A# min • 03:02 • -8.01db
18% Popularity • 70% Danceability • 70% Energy • 10% Liveness
95% Instrumentalness • 95% Positiveness
18% Popularity • 70% Danceability • 70% Energy • 10% Liveness
95% Instrumentalness • 95% Positiveness
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Mandingo
Black Rite - 1999 Remaster
101 bpm • C# Maj • 04:15 • -9.04db
9% Popularity • 48% Danceability • 88% Energy • 19% Liveness
1% Instrumentalness • 56% Positiveness
9% Popularity • 48% Danceability • 88% Energy • 19% Liveness
1% Instrumentalness • 56% Positiveness
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The Headhunters
If You've Got It, You'll Get It
101 bpm • G Maj • 06:27 • -9.07db
18% Popularity • 65% Danceability • 80% Energy • 22% Liveness
4% Instrumentalness • 68% Positiveness
18% Popularity • 65% Danceability • 80% Energy • 22% Liveness
4% Instrumentalness • 68% Positiveness
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Stelvio Cipriani
Bambole di droga - Originale
95 bpm • G# Maj • 02:16 • -17.89db
20% Popularity • 77% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
20% Popularity • 77% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
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The Daktaris
Musicawi Silt
101 bpm • B Maj • 02:27 • -5.71db
21% Popularity • 77% Danceability • 78% Energy • 26% Liveness
8% Instrumentalness • 93% Positiveness
21% Popularity • 77% Danceability • 78% Energy • 26% Liveness
8% Instrumentalness • 93% Positiveness
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Junior Mance
Don't Cha Hear Me Callin' to Ya
101 bpm • D min • 05:06 • -11db
24% Popularity • 41% Danceability • 69% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
24% Popularity • 41% Danceability • 69% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
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Mickey & The Soul Generation
Iron Leg
95 bpm • C min • 02:14 • -7db
20% Popularity • 70% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
20% Popularity • 70% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Janko Nilovic
Ballet dans l'espace - Remastered
95 bpm • A Maj • 03:05 • -5.12db
15% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
15% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
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Keith Mansfield
Morning Broadway
94 bpm • C Maj • 02:05 • -8.12db
42% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
42% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
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Gert Wilden
Sexy Girls
95 bpm • C# Maj • 02:36 • -9.38db
10% Popularity • 53% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
10% Popularity • 53% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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The Poets Of Rhythm
Guiding Resolution
102 bpm • A# Maj • 03:34 • -8.09db
14% Popularity • 64% Danceability • 64% Energy • 9% Liveness
81% Instrumentalness • 94% Positiveness
14% Popularity • 64% Danceability • 64% Energy • 9% Liveness
81% Instrumentalness • 94% Positiveness
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David Axelrod
The Fly
94 bpm • A min • 04:54 • -7db
22% Popularity • 34% Danceability • 46% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
22% Popularity • 34% Danceability • 46% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
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Bud Hunga And His Diplomatic Music
Travelling On Rhythms
102 bpm • G Maj • 02:53 • -9db
10% Popularity • 63% Danceability • 72% Energy • 57% Liveness
71% Instrumentalness • 66% Positiveness
10% Popularity • 63% Danceability • 72% Energy • 57% Liveness
71% Instrumentalness • 66% Positiveness
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Frank Motley & The Hitch Hikers
Hook & Sling
94 bpm • G Maj • 05:51 • -13.38db
8% Popularity • 59% Danceability • 58% Energy • 3% Liveness
81% Instrumentalness • 51% Positiveness
8% Popularity • 59% Danceability • 58% Energy • 3% Liveness
81% Instrumentalness • 51% Positiveness
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Keith Mansfield
Morning Broadway
94 bpm • C Maj • 01:41 • -10db
32% Popularity • 76% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 69% Positiveness
32% Popularity • 76% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 69% Positiveness
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Incredible Bongo Band
Let There Be Drums
102 bpm • F# Maj • 02:41 • -12.41db
32% Popularity • 55% Danceability • 74% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
32% Popularity • 55% Danceability • 74% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Dizzy Gillespie
Matrix
102 bpm • F min • 04:04 • -8.4db
8% Popularity • 57% Danceability • 56% Energy • 13% Liveness
83% Instrumentalness • 75% Positiveness
8% Popularity • 57% Danceability • 56% Energy • 13% Liveness
83% Instrumentalness • 75% Positiveness
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John Gregory
Jaguar
102 bpm • F min • 03:41 • -10.52db
11% Popularity • 43% Danceability • 66% Energy • 12% Liveness
68% Instrumentalness • 72% Positiveness
11% Popularity • 43% Danceability • 66% Energy • 12% Liveness
68% Instrumentalness • 72% Positiveness
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Manu Dibango
African Pop Session
102 bpm • G# Maj • 02:52 • -10.26db
37% Popularity • 59% Danceability • 82% Energy • 13% Liveness
81% Instrumentalness • 66% Positiveness
37% Popularity • 59% Danceability • 82% Energy • 13% Liveness
81% Instrumentalness • 66% Positiveness
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J.P. Walk
Sound Experience
102 bpm • G Maj • 07:08 • -10.43db
11% Popularity • 50% Danceability • 81% Energy • 15% Liveness
25% Instrumentalness • 36% Positiveness
11% Popularity • 50% Danceability • 81% Energy • 15% Liveness
25% Instrumentalness • 36% Positiveness
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Hedzoleh Soundz
Hedzoleh!
102 bpm • A# Maj • 07:02 • -8.48db
7% Popularity • 52% Danceability • 92% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
7% Popularity • 52% Danceability • 92% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
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Les Baxter
Hot Wind
102 bpm • F Maj • 01:55 • -7.07db
22% Popularity • 57% Danceability • 88% Energy • 23% Liveness
81% Instrumentalness • 60% Positiveness
22% Popularity • 57% Danceability • 88% Energy • 23% Liveness
81% Instrumentalness • 60% Positiveness
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Alan Moorhouse
Pop Mandolin
102 bpm • A Maj • 02:20 • -9.72db
10% Popularity • 48% Danceability • 78% Energy • 16% Liveness
80% Instrumentalness • 93% Positiveness
10% Popularity • 48% Danceability • 78% Energy • 16% Liveness
80% Instrumentalness • 93% Positiveness
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David Lindup
Acquital
102 bpm • D Maj • 01:35 • -10.86db
16% Popularity • 67% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
16% Popularity • 67% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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The Mohawks
Senior Thump
94 bpm • F Maj • 02:45 • -3.82db
14% Popularity • 69% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
14% Popularity • 69% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
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Clive Hicks
Look Hear
94 bpm • F min • 02:34 • -13.83db
7% Popularity • 56% Danceability • 67% Energy • 12% Liveness
78% Instrumentalness • 59% Positiveness
7% Popularity • 56% Danceability • 67% Energy • 12% Liveness
78% Instrumentalness • 59% Positiveness
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The Dap-Kings
Nervous Like Me
102 bpm • A# min • 03:07 • -5.95db
33% Popularity • 45% Danceability • 97% Energy • 5% Liveness
70% Instrumentalness • 91% Positiveness
33% Popularity • 45% Danceability • 97% Energy • 5% Liveness
70% Instrumentalness • 91% Positiveness
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Vampire Sound Inc.
The Lions and the Cucumber
102 bpm • G Maj • 05:12 • -9.69db
34% Popularity • 49% Danceability • 68% Energy • 8% Liveness
58% Instrumentalness • 75% Positiveness
34% Popularity • 49% Danceability • 68% Energy • 8% Liveness
58% Instrumentalness • 75% Positiveness
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René Costy
Scrabble
102 bpm • A min • 04:12 • -8.19db
14% Popularity • 54% Danceability • 72% Energy • 7% Liveness
11% Instrumentalness • 96% Positiveness
14% Popularity • 54% Danceability • 72% Energy • 7% Liveness
11% Instrumentalness • 96% Positiveness
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Tom Scott And The L.A. Express
Sneakin' In The Back
94 bpm • G# Maj • 04:46 • -13.02db
30% Popularity • 75% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
30% Popularity • 75% Danceability • 37% Energy • 6% Liveness
82% Instrumentalness • 53% Positiveness
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Rusty Bryant
Fire Eater
94 bpm • D min • 09:36 • -11.73db
18% Popularity • 56% Danceability • 82% Energy • 5% Liveness
17% Instrumentalness • 69% Positiveness
18% Popularity • 56% Danceability • 82% Energy • 5% Liveness
17% Instrumentalness • 69% Positiveness
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Aves
The Chase
103 bpm • C# Maj • 03:34 • -9.22db
9% Popularity • 80% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 52% Positiveness
9% Popularity • 80% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 52% Positiveness
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Funk Inc.
Kool Is Back
103 bpm • C Maj • 08:18 • -8.9db
15% Popularity • 70% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
15% Popularity • 70% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
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Janko Nilovic
Pop Impressions - Remastered
93 bpm • D Maj • 03:10 • -6db
38% Popularity • 42% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 42% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Puccio Roelens Orchestra
Caravan
93 bpm • G Maj • 03:30 • -18.17db
11% Popularity • 53% Danceability • 30% Energy • 8% Liveness
91% Instrumentalness • 36% Positiveness
11% Popularity • 53% Danceability • 30% Energy • 8% Liveness
91% Instrumentalness • 36% Positiveness
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Magdy Al Hussainy
Music de Carnaval
93 bpm • F min • 05:10 • -6db
34% Popularity • 53% Danceability • 91% Energy • 35% Liveness
67% Instrumentalness • 85% Positiveness
34% Popularity • 53% Danceability • 91% Energy • 35% Liveness
67% Instrumentalness • 85% Positiveness
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Professionals
Theme from the Godfather
93 bpm • A min • 04:12 • -7.11db
33% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 70% Positiveness
33% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 70% Positiveness
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Ann Robinson
Sissy Walk
103 bpm • D Maj • 02:08 • -5.74db
29% Popularity • 81% Danceability • 77% Energy • 13% Liveness
88% Instrumentalness • 73% Positiveness
29% Popularity • 81% Danceability • 77% Energy • 13% Liveness
88% Instrumentalness • 73% Positiveness
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Gert Wilden & Orchestra
Dirty Beat (Schulmädchenreport 2)
103 bpm • F Maj • 02:53 • -8db
12% Popularity • 59% Danceability • 75% Energy • 28% Liveness
84% Instrumentalness • 61% Positiveness
12% Popularity • 59% Danceability • 75% Energy • 28% Liveness
84% Instrumentalness • 61% Positiveness
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Kathleen Emery
Sometimes I Feel Like A Motherless Child
93 bpm • A min • 03:56 • -9db
23% Popularity • 30% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 30% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Budos Band
Old Engine Oil
93 bpm • D Maj • 03:11 • -6.16db
44% Popularity • 39% Danceability • 91% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
44% Popularity • 39% Danceability • 91% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Incredible Bongo Band
Okey Dokey
93 bpm • A# min • 02:52 • -9.24db
22% Popularity • 65% Danceability • 62% Energy • 9% Liveness
83% Instrumentalness • 83% Positiveness
22% Popularity • 65% Danceability • 62% Energy • 9% Liveness
83% Instrumentalness • 83% Positiveness
