Songs like Further by Spencer Burton
Based on a tempo of (+/- 10%) and a similar genre
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Dan Dyer
Cowboys in Nashville
105 bpm • C Maj • 05:13 • -13.6db
9% Popularity • 54% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
9% Popularity • 54% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Belle Plaine
Town to Town
104 bpm • D Maj • 03:15 • -8.52db
19% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Kayla Ray
The Jameson Waltz
104 bpm • F# Maj • 03:00 • -9.4db
18% Popularity • 52% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 17% Positiveness
18% Popularity • 52% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 17% Positiveness
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Elijah Ocean
Time on My Hands
104 bpm • G Maj • 03:18 • -6.06db
8% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Rob Baird
Ridin' high
106 bpm • D Maj • 04:12 • -6.87db
8% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jesse Daniel
Workin’ Hard (Day and Night)
106 bpm • C# Maj • 02:42 • -7.62db
37% Popularity • 75% Danceability • 77% Energy • 11% Liveness
3% Instrumentalness • 94% Positiveness
37% Popularity • 75% Danceability • 77% Energy • 11% Liveness
3% Instrumentalness • 94% Positiveness
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Kathryn Legendre
Sit Here & Cry
104 bpm • B Maj • 04:02 • -6.74db
12% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Kelley Mickwee
Boomtown to Bust
104 bpm • F# Maj • 03:32 • -5.72db
13% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ben Chapman & Co.
Your Loving
107 bpm • D Maj • 04:08 • -6.56db
11% Popularity • 67% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 67% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Brent Cobb
It's a Start
107 bpm • F Maj • 02:34 • -15.87db
39% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Erin Viancourt
Playin' Old Records
103 bpm • A# Maj • 04:01 • -8.9db
19% Popularity • 47% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 47% Danceability • 32% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Jason Roman
Always
103 bpm • A# Maj • 03:11 • -9.6db
30% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Conrad Moore
Brack and Brine
108 bpm • A Maj • 02:33 • -10.27db
34% Popularity • 60% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 32% Positiveness
34% Popularity • 60% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 32% Positiveness
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Jordan Nix
Air it Out
108 bpm • D Maj • 04:05 • -11.58db
19% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Cody Pennington
Memories Of You
102 bpm • F# Maj • 03:36 • -7.25db
22% Popularity • 31% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 31% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Pony Bradshaw
Last of the Living Ghosts (OurVinyl Sess...
108 bpm • G Maj • 03:21 • -10.3db
34% Popularity • 48% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 48% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Chapman
10 Feet of Regret
108 bpm • D Maj • 02:57 • -7.01db
19% Popularity • 59% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 59% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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True Youngblood
Too Far To Quit
108 bpm • F Maj • 03:42 • -10.05db
18% Popularity • 85% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 85% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Troubadour Blue
They Both Know
108 bpm • A min • 02:55 • -8.73db
25% Popularity • 66% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 66% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Sun Valley Station
Bullets
108 bpm • D# Maj • 04:22 • -7.63db
11% Popularity • 68% Danceability • 62% Energy • 15% Liveness
2% Instrumentalness • 43% Positiveness
11% Popularity • 68% Danceability • 62% Energy • 15% Liveness
2% Instrumentalness • 43% Positiveness
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Tim Helnore
Outlaw Man
102 bpm • A min • 03:15 • -7.61db
20% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Natalie Hemby
Time Honored Tradition
102 bpm • C Maj • 03:16 • -7.86db
31% Popularity • 56% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 56% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Bart Crow
Didn't Have You
102 bpm • G# Maj • 03:56 • -8.77db
10% Popularity • 64% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
10% Popularity • 64% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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Channing Wilson
Beer for Breakfast
108 bpm • C# Maj • 03:00 • -12.58db
14% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Tyler Tisdale
Holding Back Time
108 bpm • E Maj • 04:08 • -8.39db
17% Popularity • 54% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 54% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Brit Taylor
No Cowboys
101 bpm • F# Maj • 03:47 • -5.26db
32% Popularity • 47% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 47% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Wade Sapp
Recently Single (OurVinyl Sessions)
109 bpm • E Maj • 02:49 • -10.48db
20% Popularity • 53% Danceability • 56% Energy • 11% Liveness
55% Instrumentalness • 41% Positiveness
20% Popularity • 53% Danceability • 56% Energy • 11% Liveness
55% Instrumentalness • 41% Positiveness
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Colby T. Helms
Daddy's Pocket Knife
109 bpm • E Maj • 03:36 • -5.86db
34% Popularity • 62% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 62% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Victoria Bailey
Honky Tonk Woman
109 bpm • D Maj • 04:27 • -8.94db
7% Popularity • 61% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 61% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Erin Viancourt
B24
109 bpm • D Maj • 03:57 • -8.75db
13% Popularity • 72% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 72% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Tyler Cain
Kiki
109 bpm • G# Maj • 03:14 • -6.9db
5% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Flycatchers
Desperado
101 bpm • G Maj • 04:35 • -7.84db
10% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Donny Van Slee
Country Girl in You
109 bpm • G Maj • 02:21 • -6.42db
26% Popularity • 68% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 68% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Dalton Mills
Tornadoes
109 bpm • A# Maj • 02:57 • -15.02db
10% Popularity • 50% Danceability • 39% Energy • 13% Liveness
10% Instrumentalness • 50% Positiveness
10% Popularity • 50% Danceability • 39% Energy • 13% Liveness
10% Instrumentalness • 50% Positiveness
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Drayton Farley
Above My Head
110 bpm • D# Maj • 04:42 • -5.2db
35% Popularity • 53% Danceability • 75% Energy • 11% Liveness
4% Instrumentalness • 68% Positiveness
35% Popularity • 53% Danceability • 75% Energy • 11% Liveness
4% Instrumentalness • 68% Positiveness
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Marshall Veroni
Young Still
110 bpm • E Maj • 05:56 • -9.37db
29% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Adam Wakefield
Good Morning Sunday
110 bpm • G Maj • 04:23 • -9.75db
10% Popularity • 70% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 70% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Brit Taylor
Waking up Ain't Easy
110 bpm • A Maj • 03:23 • -8.26db
10% Popularity • 55% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 55% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Silverada
Three Marlenas
110 bpm • E Maj • 05:08 • -6.05db
22% Popularity • 58% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 58% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Caleb Caudle
Tuscaloosa
110 bpm • G Maj • 03:48 • -8.98db
21% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Low Water Bridge Band
Midnight in Virginia
110 bpm • D Maj • 02:28 • -11.74db
20% Popularity • 64% Danceability • 62% Energy • 21% Liveness
40% Instrumentalness • 87% Positiveness
20% Popularity • 64% Danceability • 62% Energy • 21% Liveness
40% Instrumentalness • 87% Positiveness
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Jonathan Terrell
Cowboy Band
110 bpm • D Maj • 05:02 • -4.86db
13% Popularity • 40% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 40% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Dallas Burrow
River Town
100 bpm • F Maj • 03:29 • -7.96db
11% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 57% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Joe Stamm Band
Dollar General Sign
100 bpm • D Maj • 03:26 • -6.53db
24% Popularity • 62% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
24% Popularity • 62% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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Conrad Fisher
Wake Me When It's Over
100 bpm • A Maj • 02:37 • -8.58db
9% Popularity • 68% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 68% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Casper McWade
Loneliness Is My Only True Friend
100 bpm • A# Maj • 03:24 • -9.02db
8% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Rob Baird
Graceland Mood
111 bpm • G Maj • 04:19 • -7.6db
9% Popularity • 71% Danceability • 52% Energy • 26% Liveness
1% Instrumentalness • 70% Positiveness
9% Popularity • 71% Danceability • 52% Energy • 26% Liveness
1% Instrumentalness • 70% Positiveness
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Nate Fredrick
Caroline
111 bpm • A# Maj • 02:35 • -5.67db
9% Popularity • 60% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 60% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen Wilson Jr.
The Beginning
99 bpm • C Maj • 04:21 • -8.21db
35% Popularity • 29% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 29% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Joe Stamm Band
Ahold of My Heart
100 bpm • G Maj • 03:30 • -6.15db
24% Popularity • 52% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 52% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Wyatt Edmondson
Dead End Town
112 bpm • C Maj • 03:51 • -7.34db
3% Popularity • 54% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 54% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Eddy Currents
Growin' up Again
112 bpm • G Maj • 03:14 • -6.05db
22% Popularity • 72% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 72% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Rob Baird
California Line
112 bpm • C Maj • 03:35 • -7.46db
33% Popularity • 74% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 74% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Belle Plaine
Saskatchewan
98 bpm • G Maj • 04:12 • -9.09db
12% Popularity • 45% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 45% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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Josh Merritt
Easier Alone
112 bpm • E Maj • 04:05 • -7.36db
5% Popularity • 70% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
5% Popularity • 70% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Kyle McKearney
Somethin' Ain't Right
112 bpm • C Maj • 03:57 • -8.92db
10% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Jonathan Terrell
Raining in Dallas
112 bpm • C# min • 03:45 • -7.56db
10% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Emily Scott Robinson
Traveling Mercies
113 bpm • A# Maj • 03:29 • -7.26db
21% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rob Baird
Loose Cannon
112 bpm • F# min • 03:22 • -8.7db
23% Popularity • 62% Danceability • 65% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 62% Danceability • 65% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Justin Jeansonne
Alabama Groove
113 bpm • B Maj • 03:43 • -5.62db
13% Popularity • 64% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 64% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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The Droptines
The Salesman
113 bpm • D# Maj • 03:13 • -7.47db
26% Popularity • 59% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 59% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Erin Viancourt
Who Taught You How to Love
113 bpm • A Maj • 03:08 • -10.36db
16% Popularity • 74% Danceability • 46% Energy • 10% Liveness
7% Instrumentalness • 66% Positiveness
16% Popularity • 74% Danceability • 46% Energy • 10% Liveness
7% Instrumentalness • 66% Positiveness
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Jarrod Morris
Grace
97 bpm • G Maj • 03:00 • -9.11db
29% Popularity • 42% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 42% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Aaron Raitiere
Time Will Fly
97 bpm • C Maj • 04:11 • -5db
11% Popularity • 48% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 48% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Rob Baird
Freedom Lover
98 bpm • F Maj • 03:14 • -8db
24% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Brennan Edwards
So Long
114 bpm • F# Maj • 01:56 • -6.64db
21% Popularity • 60% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 60% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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The Droptines
Camille
97 bpm • C Maj • 02:46 • -11.05db
28% Popularity • 58% Danceability • 54% Energy • 15% Liveness
29% Instrumentalness • 49% Positiveness
28% Popularity • 58% Danceability • 54% Energy • 15% Liveness
29% Instrumentalness • 49% Positiveness
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Danno Simpson
A Hard Rain in Bozeman
114 bpm • G Maj • 04:00 • -6.33db
30% Popularity • 43% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 43% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Mikayla Lane
Honky Tonk Halo
114 bpm • G# min • 03:57 • -6.96db
43% Popularity • 55% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 55% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Aaron Raitiere
Dear Darlin'
97 bpm • D# Maj • 03:31 • -10.71db
13% Popularity • 42% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 42% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Sterling Drake
Come Stay with Me
96 bpm • A# Maj • 02:45 • -10db
11% Popularity • 54% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 54% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Low Water Bridge Band
Siren of the Shenandoah
96 bpm • C min • 04:17 • -9.64db
23% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jason Scott
Suffering Eyes
115 bpm • F# Maj • 03:11 • -4.51db
13% Popularity • 63% Danceability • 78% Energy • 31% Liveness
8% Instrumentalness • 67% Positiveness
13% Popularity • 63% Danceability • 78% Energy • 31% Liveness
8% Instrumentalness • 67% Positiveness
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JD Clayton
Goldmine
115 bpm • G# Maj • 03:56 • -5.43db
31% Popularity • 60% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 60% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Jonathan Peyton
Since You've Been Gone
115 bpm • A Maj • 03:26 • -6.56db
19% Popularity • 66% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 66% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jake Vaadeland
Retro Man
116 bpm • G Maj • 02:51 • -10.07db
18% Popularity • 59% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
18% Popularity • 59% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
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Eric Bolander
The Wind
115 bpm • F# Maj • 04:03 • -12.49db
22% Popularity • 69% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 9% Positiveness
22% Popularity • 69% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 9% Positiveness
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Thieving Birds
American Savage
116 bpm • G Maj • 04:38 • -14.93db
13% Popularity • 50% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 50% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Summer Dean
The Biggest Life Worth Living Is the Sma...
116 bpm • C Maj • 03:23 • -7.21db
21% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Dylan Smucker
She Keeps Me Tender
95 bpm • D Maj • 03:15 • -9.26db
12% Popularity • 65% Danceability • 65% Energy • 12% Liveness
8% Instrumentalness • 90% Positiveness
12% Popularity • 65% Danceability • 65% Energy • 12% Liveness
8% Instrumentalness • 90% Positiveness
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Nate Fredrick
To the Night
116 bpm • D Maj • 02:31 • -5.72db
8% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Joe Stamm
More
116 bpm • C Maj • 03:00 • -12.93db
20% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Colton Venner
Last Living Local
116 bpm • D Maj • 03:10 • -7.02db
11% Popularity • 64% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 64% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Jeremy Pinnell
Wanna Do Something
116 bpm • A Maj • 02:50 • -6.85db
36% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Summer Dean
Picket Fence - Bad Romantic Cut
95 bpm • A Maj • 02:48 • -6db
35% Popularity • 78% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 78% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Jonathan Terrell
Love Can Find You Anywhere
95 bpm • G Maj • 03:39 • -7.62db
22% Popularity • 65% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 65% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Jordan Lee King
Cars and Refrigerators
116 bpm • G# Maj • 04:16 • -8.02db
18% Popularity • 60% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 60% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Chapman & Co.
Is It Ever Really Gone
116 bpm • A Maj • 03:23 • -10.68db
11% Popularity • 70% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 70% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Caleb Caudle
Stack of Tomorrows
116 bpm • C# min • 02:28 • -6.71db
31% Popularity • 66% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 66% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Leon Majcen
Separate Ways
116 bpm • F Maj • 03:27 • -12.5db
17% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Philip Bowen
Lightning Bugs
95 bpm • F Maj • 03:23 • -7.23db
25% Popularity • 60% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 60% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Ross Cooper
Strangers in a Bar
116 bpm • A# Maj • 03:06 • -11.73db
7% Popularity • 66% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 66% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Corb Lund
Old Familiar Drunken Feeling
116 bpm • E Maj • 05:08 • -6.97db
31% Popularity • 67% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 67% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Olivia Wolf
Rollin' 7s (OurVinyl Sessions)
117 bpm • A# Maj • 04:00 • -8.51db
18% Popularity • 35% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 35% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Chapman
Is It Ever Really Gone
117 bpm • A Maj • 03:24 • -8.72db
30% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Leon Majcen
Mangrove Shores
95 bpm • C Maj • 02:59 • -9.17db
19% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Jake Stringer
Setting Fires to See The Light
95 bpm • F Maj • 04:14 • -7.94db
12% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Taylor Hunnicutt
Flower in a Drought
117 bpm • C Maj • 03:26 • -7.89db
14% Popularity • 50% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 50% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
