Songs like Future Dust - Original Mix by Enrico Sangiuliano
Based on a tempo of (+/- 10%) and a similar genre
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Space 92
Colonia
132 bpm • F# Maj • 03:54 • -4.98db
46% Popularity • 67% Danceability • 97% Energy • 8% Liveness
86% Instrumentalness • 19% Positiveness
46% Popularity • 67% Danceability • 97% Energy • 8% Liveness
86% Instrumentalness • 19% Positiveness
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Sara Landry
Sacrifice
132 bpm • B Maj • 06:27 • -10.07db
34% Popularity • 64% Danceability • 80% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
34% Popularity • 64% Danceability • 80% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Felix Kröcher
Obsession
132 bpm • C# Maj • 06:22 • -8.16db
32% Popularity • 73% Danceability • 74% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
32% Popularity • 73% Danceability • 74% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
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Dax J
Reign Of Terror
132 bpm • G Maj • 06:21 • -11db
33% Popularity • 53% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
33% Popularity • 53% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Daniel Levak
Dust2
132 bpm • G Maj • 06:26 • -6.64db
44% Popularity • 79% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 41% Positiveness
44% Popularity • 79% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 41% Positiveness
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HI-LO
WANNA GO BANG
132 bpm • G Maj • 03:57 • -6db
50% Popularity • 79% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 72% Positiveness
50% Popularity • 79% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 72% Positiveness
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Enrico Sangiuliano
Future Dust
132 bpm • G Maj • 08:29 • -4.9db
49% Popularity • 79% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
49% Popularity • 79% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 9% Positiveness
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DANNY AVILA
Notre Dame - Radio Edit
132 bpm • B min • 03:43 • -6.22db
36% Popularity • 60% Danceability • 98% Energy • 9% Liveness
74% Instrumentalness • 38% Positiveness
36% Popularity • 60% Danceability • 98% Energy • 9% Liveness
74% Instrumentalness • 38% Positiveness
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Belocca
Chemical Substance
132 bpm • C# Maj • 07:03 • -8db
29% Popularity • 65% Danceability • 92% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
29% Popularity • 65% Danceability • 92% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Marco Faraone
3 DAYS AWAKE
132 bpm • A min • 02:23 • -3.88db
43% Popularity • 75% Danceability • 98% Energy • 7% Liveness
36% Instrumentalness • 39% Positiveness
43% Popularity • 75% Danceability • 98% Energy • 7% Liveness
36% Instrumentalness • 39% Positiveness
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Daniel Levak
Bells of Notre Dame
132 bpm • D Maj • 04:11 • -9.25db
45% Popularity • 71% Danceability • 72% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
45% Popularity • 71% Danceability • 72% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Patrick Scuro
Pulchra
132 bpm • G Maj • 04:14 • -5.47db
44% Popularity • 75% Danceability • 98% Energy • 31% Liveness
70% Instrumentalness • 31% Positiveness
44% Popularity • 75% Danceability • 98% Energy • 31% Liveness
70% Instrumentalness • 31% Positiveness
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UMEK
Once Again - Original Mix
132 bpm • G Maj • 07:09 • -4.81db
33% Popularity • 79% Danceability • 95% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
33% Popularity • 79% Danceability • 95% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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The YellowHeads
Silence
132 bpm • C# Maj • 06:23 • -7.99db
33% Popularity • 79% Danceability • 75% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 79% Danceability • 75% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Bart Skils
Palm Strings
132 bpm • D Maj • 03:57 • -8.71db
24% Popularity • 75% Danceability • 57% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
24% Popularity • 75% Danceability • 57% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Joyhauser
Crawler
132 bpm • B Maj • 05:23 • -7.1db
37% Popularity • 70% Danceability • 97% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
37% Popularity • 70% Danceability • 97% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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KAS:ST
2084
132 bpm • D Maj • 06:06 • -7.07db
47% Popularity • 47% Danceability • 87% Energy • 41% Liveness
92% Instrumentalness • 7% Positiveness
47% Popularity • 47% Danceability • 87% Energy • 41% Liveness
92% Instrumentalness • 7% Positiveness
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Spektre
Badlands
132 bpm • A# min • 04:00 • -7.59db
39% Popularity • 52% Danceability • 96% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
39% Popularity • 52% Danceability • 96% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
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Thomas Schumacher
No Rules Involved
132 bpm • E Maj • 03:49 • -8.26db
33% Popularity • 62% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
33% Popularity • 62% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Eli Brown
Believe
132 bpm • D# Maj • 06:48 • -5.89db
55% Popularity • 79% Danceability • 98% Energy • 6% Liveness
85% Instrumentalness • 26% Positiveness
55% Popularity • 79% Danceability • 98% Energy • 6% Liveness
85% Instrumentalness • 26% Positiveness
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Bart Skils
Roll the Dice
132 bpm • G Maj • 04:36 • -7.61db
46% Popularity • 79% Danceability • 91% Energy • 11% Liveness
24% Instrumentalness • 13% Positiveness
46% Popularity • 79% Danceability • 91% Energy • 11% Liveness
24% Instrumentalness • 13% Positiveness
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Belocca
Perception
132 bpm • F# Maj • 06:44 • -5.21db
25% Popularity • 77% Danceability • 94% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
25% Popularity • 77% Danceability • 94% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
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Nina Kraviz
Skyscrapers - Hi-Lo Remix
132 bpm • C Maj • 04:56 • -6.36db
48% Popularity • 74% Danceability • 83% Energy • 9% Liveness
77% Instrumentalness • 35% Positiveness
48% Popularity • 74% Danceability • 83% Energy • 9% Liveness
77% Instrumentalness • 35% Positiveness
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A.D.H.S.
Zulu
132 bpm • F# Maj • 04:58 • -8.43db
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
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U96
Das Boot (V2) - D72 Remix
132 bpm • G Maj • 02:30 • -6.75db
44% Popularity • 70% Danceability • 91% Energy • 7% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 70% Danceability • 91% Energy • 7% Liveness
80% Instrumentalness • 4% Positiveness
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Sara Landry
Wait
132 bpm • D Maj • 06:56 • -9db
34% Popularity • 74% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 41% Positiveness
34% Popularity • 74% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 41% Positiveness
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Felix Kröcher
Imagination
132 bpm • F# min • 06:16 • -3.73db
49% Popularity • 82% Danceability • 97% Energy • 7% Liveness
90% Instrumentalness • 58% Positiveness
49% Popularity • 82% Danceability • 97% Energy • 7% Liveness
90% Instrumentalness • 58% Positiveness
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Belocca
Rave Cave
132 bpm • G# Maj • 07:24 • -7.86db
28% Popularity • 65% Danceability • 86% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
28% Popularity • 65% Danceability • 86% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
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A*S*Y*S
Freedom of Expression - Dark Acid Mix
132 bpm • D Maj • 06:37 • -7db
43% Popularity • 70% Danceability • 92% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
43% Popularity • 70% Danceability • 92% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Mark Dekoda
Illusion
132 bpm • G Maj • 06:32 • -9.2db
35% Popularity • 66% Danceability • 85% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
35% Popularity • 66% Danceability • 85% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
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Clap Codex
Falling Apart
132 bpm • B min • 06:53 • -6.59db
35% Popularity • 76% Danceability • 79% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
35% Popularity • 76% Danceability • 79% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Pleasurekraft
Sex and the Machine
132 bpm • F min • 04:00 • -5.93db
34% Popularity • 55% Danceability • 98% Energy • 11% Liveness
55% Instrumentalness • 23% Positiveness
34% Popularity • 55% Danceability • 98% Energy • 11% Liveness
55% Instrumentalness • 23% Positiveness
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Droplex
Unity - Original Mix
132 bpm • E Maj • 05:12 • -6.46db
52% Popularity • 70% Danceability • 81% Energy • 11% Liveness
35% Instrumentalness • 52% Positiveness
52% Popularity • 70% Danceability • 81% Energy • 11% Liveness
35% Instrumentalness • 52% Positiveness
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Kai Tracid
Mockmoon (Peace, Love, XTC)
133 bpm • E min • 06:08 • -5.32db
29% Popularity • 76% Danceability • 93% Energy • 9% Liveness
71% Instrumentalness • 8% Positiveness
29% Popularity • 76% Danceability • 93% Energy • 9% Liveness
71% Instrumentalness • 8% Positiveness
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Eli Brown
Can't Stop the Feeling
132 bpm • B min • 03:28 • -4.71db
42% Popularity • 67% Danceability • 90% Energy • 6% Liveness
18% Instrumentalness • 22% Positiveness
42% Popularity • 67% Danceability • 90% Energy • 6% Liveness
18% Instrumentalness • 22% Positiveness
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DANNY AVILA
The Procedure - Radio Edit
133 bpm • G Maj • 03:13 • -2.84db
45% Popularity • 68% Danceability • 99% Energy • 32% Liveness
2% Instrumentalness • 33% Positiveness
45% Popularity • 68% Danceability • 99% Energy • 32% Liveness
2% Instrumentalness • 33% Positiveness
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Marie Vaunt
Dark Room
133 bpm • B min • 04:03 • -5.37db
49% Popularity • 70% Danceability • 97% Energy • 34% Liveness
7% Instrumentalness • 6% Positiveness
49% Popularity • 70% Danceability • 97% Energy • 34% Liveness
7% Instrumentalness • 6% Positiveness
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999999999
Rave 4 love
133 bpm • D# min • 05:01 • -8db
50% Popularity • 74% Danceability • 98% Energy • 58% Liveness
89% Instrumentalness • 74% Positiveness
50% Popularity • 74% Danceability • 98% Energy • 58% Liveness
89% Instrumentalness • 74% Positiveness
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Chris Veron
Pluto Fever
131 bpm • G Maj • 06:24 • -8.04db
37% Popularity • 80% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
37% Popularity • 80% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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SHDW & Obscure Shape
Himmel Und Erde
133 bpm • G Maj • 06:04 • -7.92db
27% Popularity • 72% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 72% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Pan-Pot
Funke
131 bpm • D# min • 08:32 • -9db
36% Popularity • 85% Danceability • 88% Energy • 7% Liveness
84% Instrumentalness • 12% Positiveness
36% Popularity • 85% Danceability • 88% Energy • 7% Liveness
84% Instrumentalness • 12% Positiveness
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Patrik Berg
Hope
131 bpm • C# Maj • 07:41 • -6.1db
39% Popularity • 78% Danceability • 69% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
39% Popularity • 78% Danceability • 69% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Bart Skils
House of Lords
131 bpm • F# Maj • 04:01 • -6.65db
40% Popularity • 74% Danceability • 90% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
40% Popularity • 74% Danceability • 90% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
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UMEK
Cryptic Speech - Original Mix
131 bpm • D Maj • 05:54 • -4.82db
46% Popularity • 74% Danceability • 95% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
46% Popularity • 74% Danceability • 95% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
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Chris Veron
Motokobo
131 bpm • G Maj • 06:24 • -9.23db
33% Popularity • 77% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
33% Popularity • 77% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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Joyhauser
Pigment
131 bpm • C# Maj • 06:08 • -8db
38% Popularity • 68% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
38% Popularity • 68% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
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999999999
300000003
133 bpm • D Maj • 05:45 • -9.42db
47% Popularity • 66% Danceability • 98% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
47% Popularity • 66% Danceability • 98% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
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Eli Brown
Fading to Black - Bart Skils Remix
131 bpm • C Maj • 04:45 • -8.49db
46% Popularity • 65% Danceability • 97% Energy • 11% Liveness
68% Instrumentalness • 23% Positiveness
46% Popularity • 65% Danceability • 97% Energy • 11% Liveness
68% Instrumentalness • 23% Positiveness
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Ellen Allien
Love Distortion - Introversion Remix
133 bpm • G Maj • 05:59 • -9db
42% Popularity • 64% Danceability • 98% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
42% Popularity • 64% Danceability • 98% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Sam Paganini
Rave - Remix
131 bpm • B Maj • 03:59 • -13.71db
57% Popularity • 73% Danceability • 63% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
57% Popularity • 73% Danceability • 63% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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NTO
Gamma (Joyhauser Remix)
133 bpm • G Maj • 07:02 • -9db
34% Popularity • 71% Danceability • 94% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
34% Popularity • 71% Danceability • 94% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Bart Skils
Something More
131 bpm • C Maj • 04:00 • -7.1db
28% Popularity • 66% Danceability • 78% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
28% Popularity • 66% Danceability • 78% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Stella Bossi
Poetry - Edit
133 bpm • G Maj • 03:31 • -5db
53% Popularity • 54% Danceability • 98% Energy • 47% Liveness
1% Instrumentalness • 9% Positiveness
53% Popularity • 54% Danceability • 98% Energy • 47% Liveness
1% Instrumentalness • 9% Positiveness
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Thomas Schumacher
Interlinked
133 bpm • F# min • 06:38 • -11.09db
34% Popularity • 72% Danceability • 79% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
34% Popularity • 72% Danceability • 79% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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TRYM
It's Better When We Fake It
133 bpm • C# min • 06:58 • -4.95db
40% Popularity • 57% Danceability • 89% Energy • 32% Liveness
76% Instrumentalness • 9% Positiveness
40% Popularity • 57% Danceability • 89% Energy • 32% Liveness
76% Instrumentalness • 9% Positiveness
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A*S*Y*S
Rave The Planet
133 bpm • B Maj • 06:47 • -6.03db
41% Popularity • 70% Danceability • 96% Energy • 12% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 70% Danceability • 96% Energy • 12% Liveness
84% Instrumentalness • 6% Positiveness
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FJAAK
It’s Time Again
133 bpm • E min • 04:34 • -6.04db
44% Popularity • 75% Danceability • 77% Energy • 11% Liveness
4% Instrumentalness • 7% Positiveness
44% Popularity • 75% Danceability • 77% Energy • 11% Liveness
4% Instrumentalness • 7% Positiveness
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Fatima Hajji
Ykn - Original Mix
133 bpm • F# Maj • 04:07 • -6.33db
36% Popularity • 52% Danceability • 99% Energy • 19% Liveness
83% Instrumentalness • 29% Positiveness
36% Popularity • 52% Danceability • 99% Energy • 19% Liveness
83% Instrumentalness • 29% Positiveness
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Stella Bossi
Poetry
133 bpm • A# min • 05:24 • -4.8db
31% Popularity • 62% Danceability • 94% Energy • 43% Liveness
24% Instrumentalness • 6% Positiveness
31% Popularity • 62% Danceability • 94% Energy • 43% Liveness
24% Instrumentalness • 6% Positiveness
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Bart Skils
Horsepower
131 bpm • A# min • 03:33 • -8.76db
43% Popularity • 54% Danceability • 97% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
43% Popularity • 54% Danceability • 97% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Enrico Sangiuliano
Pulse Of Progression
133 bpm • G# min • 07:33 • -7.57db
23% Popularity • 68% Danceability • 87% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
23% Popularity • 68% Danceability • 87% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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DJ Gigola
Stream State
133 bpm • G Maj • 06:04 • -14.57db
44% Popularity • 72% Danceability • 63% Energy • 20% Liveness
81% Instrumentalness • 23% Positiveness
44% Popularity • 72% Danceability • 63% Energy • 20% Liveness
81% Instrumentalness • 23% Positiveness
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Joyhauser
Knaldrang
133 bpm • C Maj • 06:54 • -4.82db
32% Popularity • 68% Danceability • 88% Energy • 44% Liveness
84% Instrumentalness • 18% Positiveness
32% Popularity • 68% Danceability • 88% Energy • 44% Liveness
84% Instrumentalness • 18% Positiveness
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UMEK
Dreams - UMEK Version
131 bpm • C# Maj • 06:21 • -6.92db
32% Popularity • 66% Danceability • 80% Energy • 24% Liveness
88% Instrumentalness • 17% Positiveness
32% Popularity • 66% Danceability • 80% Energy • 24% Liveness
88% Instrumentalness • 17% Positiveness
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Kaiserdisco
Black Swan - Radio Edit
131 bpm • G# Maj • 04:14 • -5.95db
29% Popularity • 77% Danceability • 79% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
29% Popularity • 77% Danceability • 79% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Lilly Palmer
We Control
133 bpm • G Maj • 03:26 • -6.2db
58% Popularity • 71% Danceability • 82% Energy • 9% Liveness
83% Instrumentalness • 15% Positiveness
58% Popularity • 71% Danceability • 82% Energy • 9% Liveness
83% Instrumentalness • 15% Positiveness
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Mark Dekoda
Electric Acid
134 bpm • G Maj • 05:43 • -6.31db
37% Popularity • 69% Danceability • 93% Energy • 7% Liveness
75% Instrumentalness • 17% Positiveness
37% Popularity • 69% Danceability • 93% Energy • 7% Liveness
75% Instrumentalness • 17% Positiveness
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Indira Paganotto
Jambo
134 bpm • C# Maj • 06:11 • -8.17db
38% Popularity • 74% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 11% Positiveness
38% Popularity • 74% Danceability • 60% Energy • 11% Liveness
83% Instrumentalness • 11% Positiveness
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Joyhauser
Lamana
131 bpm • G Maj • 05:10 • -8.31db
33% Popularity • 58% Danceability • 95% Energy • 13% Liveness
69% Instrumentalness • 36% Positiveness
33% Popularity • 58% Danceability • 95% Energy • 13% Liveness
69% Instrumentalness • 36% Positiveness
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Spektre
Bodysnatcher
134 bpm • C# min • 03:51 • -8.68db
28% Popularity • 63% Danceability • 96% Energy • 32% Liveness
83% Instrumentalness • 38% Positiveness
28% Popularity • 63% Danceability • 96% Energy • 32% Liveness
83% Instrumentalness • 38% Positiveness
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UMEK
Footmachine
131 bpm • C# min • 03:58 • -5.75db
38% Popularity • 76% Danceability • 94% Energy • 27% Liveness
83% Instrumentalness • 23% Positiveness
38% Popularity • 76% Danceability • 94% Energy • 27% Liveness
83% Instrumentalness • 23% Positiveness
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Jay Lumen
Ode to Earth
134 bpm • D Maj • 06:14 • -6.91db
35% Popularity • 75% Danceability • 85% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
35% Popularity • 75% Danceability • 85% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Carl Cox
See the Sun Rising
134 bpm • F min • 04:07 • -6.77db
44% Popularity • 56% Danceability • 93% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
44% Popularity • 56% Danceability • 93% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
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Patrick Scuro
We All Unite
130 bpm • A Maj • 04:04 • -8.23db
42% Popularity • 77% Danceability • 79% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
42% Popularity • 77% Danceability • 79% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
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Nusha
Addiction - Original Mix
134 bpm • B min • 06:30 • -6db
42% Popularity • 73% Danceability • 97% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
42% Popularity • 73% Danceability • 97% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Thomas Schumacher
Somebody Scream
134 bpm • A Maj • 03:52 • -7db
31% Popularity • 58% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
31% Popularity • 58% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Enrico Sangiuliano
Physical Change
134 bpm • C# Maj • 09:58 • -8.79db
33% Popularity • 49% Danceability • 94% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
33% Popularity • 49% Danceability • 94% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Belocca
Serenity
134 bpm • B min • 06:55 • -6db
48% Popularity • 74% Danceability • 98% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
48% Popularity • 74% Danceability • 98% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Pan-Pot
Skin on Skin
134 bpm • G# min • 06:45 • -7.29db
28% Popularity • 67% Danceability • 95% Energy • 11% Liveness
64% Instrumentalness • 38% Positiveness
28% Popularity • 67% Danceability • 95% Energy • 11% Liveness
64% Instrumentalness • 38% Positiveness
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Charlotte de Witte
Reflection
134 bpm • G# Maj • 06:46 • -7.45db
59% Popularity • 78% Danceability • 72% Energy • 12% Liveness
75% Instrumentalness • 30% Positiveness
59% Popularity • 78% Danceability • 72% Energy • 12% Liveness
75% Instrumentalness • 30% Positiveness
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Joyhauser
Vesperi
134 bpm • F min • 06:03 • -8.81db
36% Popularity • 60% Danceability • 94% Energy • 12% Liveness
61% Instrumentalness • 5% Positiveness
36% Popularity • 60% Danceability • 94% Energy • 12% Liveness
61% Instrumentalness • 5% Positiveness
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Anfisa Letyago
Rosso Profondo
134 bpm • A# min • 05:33 • -7.89db
37% Popularity • 72% Danceability • 84% Energy • 13% Liveness
71% Instrumentalness • 57% Positiveness
37% Popularity • 72% Danceability • 84% Energy • 13% Liveness
71% Instrumentalness • 57% Positiveness
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Chris Veron
Venus Ride
130 bpm • D Maj • 03:30 • -6.48db
40% Popularity • 64% Danceability • 94% Energy • 14% Liveness
78% Instrumentalness • 28% Positiveness
40% Popularity • 64% Danceability • 94% Energy • 14% Liveness
78% Instrumentalness • 28% Positiveness
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Enrico Sangiuliano
Glitch In Time
134 bpm • G Maj • 08:35 • -8.54db
49% Popularity • 74% Danceability • 88% Energy • 31% Liveness
88% Instrumentalness • 4% Positiveness
49% Popularity • 74% Danceability • 88% Energy • 31% Liveness
88% Instrumentalness • 4% Positiveness
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Rudosa
Dominance
134 bpm • B min • 06:47 • -8.31db
30% Popularity • 70% Danceability • 99% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
30% Popularity • 70% Danceability • 99% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Klanglos
Buddha on Acid
130 bpm • G min • 08:11 • -7.94db
34% Popularity • 77% Danceability • 71% Energy • 12% Liveness
50% Instrumentalness • 11% Positiveness
34% Popularity • 77% Danceability • 71% Energy • 12% Liveness
50% Instrumentalness • 11% Positiveness
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Deniz Bul
Never Forget
130 bpm • F# min • 03:03 • -8.9db
39% Popularity • 72% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
39% Popularity • 72% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Spartaque
Fabula (Short Edit) - Radio Edit
130 bpm • F# min • 04:01 • -7.24db
33% Popularity • 61% Danceability • 91% Energy • 13% Liveness
87% Instrumentalness • 28% Positiveness
33% Popularity • 61% Danceability • 91% Energy • 13% Liveness
87% Instrumentalness • 28% Positiveness
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Mattia Saviolo
Twilight of the Idols
130 bpm • G Maj • 07:37 • -9.99db
26% Popularity • 76% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 76% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Push
Strange World - Joyhauser Remix
130 bpm • F# Maj • 07:00 • -6db
31% Popularity • 61% Danceability • 94% Energy • 15% Liveness
82% Instrumentalness • 24% Positiveness
31% Popularity • 61% Danceability • 94% Energy • 15% Liveness
82% Instrumentalness • 24% Positiveness
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A*S*Y*S
Macid - Original Mix
130 bpm • G# Maj • 06:35 • -7.32db
26% Popularity • 69% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
26% Popularity • 69% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
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Bjarki
I Wanna Go Bang
130 bpm • D Maj • 04:55 • -8db
38% Popularity • 80% Danceability • 69% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
38% Popularity • 80% Danceability • 69% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Joyhauser
Elements
130 bpm • F Maj • 06:57 • -9db
55% Popularity • 67% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
55% Popularity • 67% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Paul Kalkbrenner
Schwer
130 bpm • C# Maj • 03:34 • -11.67db
55% Popularity • 66% Danceability • 75% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
55% Popularity • 66% Danceability • 75% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
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Mark Reeve
Distance
130 bpm • A min • 07:12 • -7.13db
31% Popularity • 79% Danceability • 81% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 79% Danceability • 81% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Zimmz
Qualia
130 bpm • D Maj • 06:24 • -5.57db
27% Popularity • 68% Danceability • 92% Energy • 16% Liveness
93% Instrumentalness • 55% Positiveness
27% Popularity • 68% Danceability • 92% Energy • 16% Liveness
93% Instrumentalness • 55% Positiveness
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A*S*Y*S
The Acid - Original Version
130 bpm • C Maj • 06:42 • -6.79db
34% Popularity • 78% Danceability • 98% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
34% Popularity • 78% Danceability • 98% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Jay Lumen
Human
130 bpm • A# min • 07:10 • -7.94db
33% Popularity • 72% Danceability • 91% Energy • 26% Liveness
92% Instrumentalness • 29% Positiveness
33% Popularity • 72% Danceability • 91% Energy • 26% Liveness
92% Instrumentalness • 29% Positiveness
