Songs like Future Starts Slow by The Kills
Based on a tempo of (+/- 10%) and a similar genre
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Grizzly Bear
Mourning Sound
128 bpm • G Maj • 04:22 • -6db
45% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
45% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
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The Kills
Future Starts Slow
128 bpm • F# Maj • 04:08 • -5.88db
57% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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The White Stripes
Apple Blossom
128 bpm • A Maj • 02:13 • -7.9db
55% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Black Rebel Motorcycle Club
Spread Your Love
128 bpm • D Maj • 03:45 • -3.12db
53% Popularity • 42% Danceability • 90% Energy • 14% Liveness
38% Instrumentalness • 42% Positiveness
53% Popularity • 42% Danceability • 90% Energy • 14% Liveness
38% Instrumentalness • 42% Positiveness
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Arcade Fire
Rebellion (Lies)
127 bpm • G# Maj • 05:10 • -5.68db
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
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The Dead Weather
Rocking Horse
127 bpm • E min • 02:59 • -6.69db
32% Popularity • 56% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 56% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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The Kills
You Don't Own The Road
128 bpm • G# Maj • 03:22 • -4.75db
24% Popularity • 71% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 71% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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The White Stripes
The Hardest Button to Button
128 bpm • E min • 03:32 • -8.66db
62% Popularity • 69% Danceability • 52% Energy • 9% Liveness
62% Instrumentalness • 57% Positiveness
62% Popularity • 69% Danceability • 52% Energy • 9% Liveness
62% Instrumentalness • 57% Positiveness
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IS TROPICAL
Dancing Anymore
127 bpm • A Maj • 05:18 • -7db
43% Popularity • 56% Danceability • 72% Energy • 12% Liveness
50% Instrumentalness • 39% Positiveness
43% Popularity • 56% Danceability • 72% Energy • 12% Liveness
50% Instrumentalness • 39% Positiveness
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Hot Chip
Ready For The Floor
129 bpm • C# min • 03:54 • -5.44db
55% Popularity • 76% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 76% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Foster The People
Helena Beat
127 bpm • F min • 04:36 • -4.91db
64% Popularity • 67% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 67% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Interpol
Evil
129 bpm • F Maj • 03:35 • -3.52db
65% Popularity • 49% Danceability • 77% Energy • 7% Liveness
56% Instrumentalness • 64% Positiveness
65% Popularity • 49% Danceability • 77% Energy • 7% Liveness
56% Instrumentalness • 64% Positiveness
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The Kills
Cheap And Cheerful
129 bpm • B min • 02:28 • -5.49db
38% Popularity • 88% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 88% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Black Angels
Young Men Dead
130 bpm • D Maj • 05:32 • -5.83db
27% Popularity • 46% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
27% Popularity • 46% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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The Dead Weather
Hang You from the Heavens
127 bpm • E min • 03:36 • -7db
35% Popularity • 61% Danceability • 72% Energy • 6% Liveness
9% Instrumentalness • 50% Positiveness
35% Popularity • 61% Danceability • 72% Energy • 6% Liveness
9% Instrumentalness • 50% Positiveness
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Spoon
I Ain't the One
130 bpm • A# min • 03:48 • -10db
40% Popularity • 62% Danceability • 78% Energy • 16% Liveness
50% Instrumentalness • 35% Positiveness
40% Popularity • 62% Danceability • 78% Energy • 16% Liveness
50% Instrumentalness • 35% Positiveness
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The Arcs
Put a Flower in Your Pocket
126 bpm • F# min • 03:55 • -9.29db
50% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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K.Flay
Blood In The Cut
130 bpm • D Maj • 03:08 • -5.37db
60% Popularity • 77% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
60% Popularity • 77% Danceability • 66% Energy • 12% Liveness
2% Instrumentalness • 64% Positiveness
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!!!
Yadnus
126 bpm • D Maj • 05:13 • -6.01db
27% Popularity • 69% Danceability • 80% Energy • 6% Liveness
3% Instrumentalness • 46% Positiveness
27% Popularity • 69% Danceability • 80% Energy • 6% Liveness
3% Instrumentalness • 46% Positiveness
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Portugal. The Man
Creep in a T-Shirt
130 bpm • C# Maj • 03:53 • -7.44db
47% Popularity • 60% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 58% Positiveness
47% Popularity • 60% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 58% Positiveness
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The Rapture
House Of Jealous Lovers
130 bpm • C# Maj • 05:04 • -5.02db
42% Popularity • 73% Danceability • 74% Energy • 28% Liveness
35% Instrumentalness • 77% Positiveness
42% Popularity • 73% Danceability • 74% Energy • 28% Liveness
35% Instrumentalness • 77% Positiveness
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Death From Above 1979
Freeze Me
130 bpm • C Maj • 03:18 • -5.91db
53% Popularity • 51% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 51% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Goldfrapp
Strict Machine
126 bpm • F# Maj • 03:51 • -7.66db
53% Popularity • 63% Danceability • 59% Energy • 11% Liveness
16% Instrumentalness • 45% Positiveness
53% Popularity • 63% Danceability • 59% Energy • 11% Liveness
16% Instrumentalness • 45% Positiveness
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The Kills
Siberian Nights
130 bpm • D min • 04:53 • -8.93db
36% Popularity • 68% Danceability • 60% Energy • 9% Liveness
67% Instrumentalness • 60% Positiveness
36% Popularity • 68% Danceability • 60% Energy • 9% Liveness
67% Instrumentalness • 60% Positiveness
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Karen O
Woman
126 bpm • G Maj • 02:54 • -7.5db
37% Popularity • 61% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 61% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Vines
Ride
126 bpm • A Maj • 02:36 • -3.07db
40% Popularity • 59% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 59% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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The Raconteurs
Blue Veins
131 bpm • E min • 03:52 • -9.36db
46% Popularity • 37% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
46% Popularity • 37% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Palma Violets
Best of Friends
130 bpm • C Maj • 03:30 • -3.95db
37% Popularity • 24% Danceability • 88% Energy • 8% Liveness
84% Instrumentalness • 31% Positiveness
37% Popularity • 24% Danceability • 88% Energy • 8% Liveness
84% Instrumentalness • 31% Positiveness
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PJ Harvey
Down By The Water
125 bpm • D Maj • 03:14 • -12.26db
60% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
60% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
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Interpol
C'mere
125 bpm • D min • 03:12 • -4.44db
60% Popularity • 40% Danceability • 93% Energy • 7% Liveness
12% Instrumentalness • 65% Positiveness
60% Popularity • 40% Danceability • 93% Energy • 7% Liveness
12% Instrumentalness • 65% Positiveness
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The Kills
Black Tar
131 bpm • F# min • 03:52 • -7.48db
29% Popularity • 68% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 68% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Baio
Sister of Pearl
125 bpm • F Maj • 04:13 • -7.94db
48% Popularity • 73% Danceability • 65% Energy • 20% Liveness
22% Instrumentalness • 94% Positiveness
48% Popularity • 73% Danceability • 65% Energy • 20% Liveness
22% Instrumentalness • 94% Positiveness
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The Arcs
Outta My Mind
131 bpm • B Maj • 03:34 • -6.45db
38% Popularity • 52% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 52% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Yeah Yeah Yeahs
Soft Shock
125 bpm • G Maj • 03:53 • -5.91db
44% Popularity • 60% Danceability • 81% Energy • 10% Liveness
60% Instrumentalness • 74% Positiveness
44% Popularity • 60% Danceability • 81% Energy • 10% Liveness
60% Instrumentalness • 74% Positiveness
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Kasabian
Shoot the Runner
131 bpm • G Maj • 03:27 • -4db
45% Popularity • 52% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 52% Positiveness
45% Popularity • 52% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 52% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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The Kills
Nail In My Coffin
125 bpm • C# Maj • 03:32 • -5db
27% Popularity • 74% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 74% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
71% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
71% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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Jack White
Sixteen Saltines
132 bpm • B min • 02:35 • -7.88db
51% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Beirut
Santa Fe
132 bpm • B Maj • 04:14 • -7db
53% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
53% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Echo & the Bunnymen
The Killing Moon
124 bpm • G Maj • 05:48 • -7.07db
61% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Yeah Yeah Yeahs
Y Control
132 bpm • C Maj • 04:00 • -4.28db
51% Popularity • 43% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 43% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
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The Kills
Whirling Eye
132 bpm • F Maj • 03:34 • -6.24db
24% Popularity • 66% Danceability • 80% Energy • 22% Liveness
81% Instrumentalness • 60% Positiveness
24% Popularity • 66% Danceability • 80% Energy • 22% Liveness
81% Instrumentalness • 60% Positiveness
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Perfume Genius
Queen
132 bpm • C# Maj • 03:50 • -4.93db
46% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
46% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
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The Black Angels
Manipulation
132 bpm • G Maj • 05:49 • -8db
14% Popularity • 45% Danceability • 75% Energy • 26% Liveness
79% Instrumentalness • 24% Positiveness
14% Popularity • 45% Danceability • 75% Energy • 26% Liveness
79% Instrumentalness • 24% Positiveness
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White Lies
To Lose My Life
132 bpm • A# min • 03:11 • -4.71db
53% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
53% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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The xx
Islands
124 bpm • E Maj • 02:40 • -11.08db
65% Popularity • 87% Danceability • 47% Energy • 14% Liveness
27% Instrumentalness • 71% Positiveness
65% Popularity • 87% Danceability • 47% Energy • 14% Liveness
27% Instrumentalness • 71% Positiveness
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Yeah Yeah Yeahs
Heads Will Roll
132 bpm • G# min • 03:41 • -4.46db
68% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
68% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
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The Kills
Monkey 23
132 bpm • B Maj • 03:06 • -9.77db
37% Popularity • 44% Danceability • 36% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
37% Popularity • 44% Danceability • 36% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
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Django Django
Hail Bop
124 bpm • A# min • 04:03 • -7db
39% Popularity • 62% Danceability • 75% Energy • 24% Liveness
59% Instrumentalness • 53% Positiveness
39% Popularity • 62% Danceability • 75% Energy • 24% Liveness
59% Instrumentalness • 53% Positiveness
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The Raconteurs
Steady, As She Goes
124 bpm • A Maj • 03:35 • -4.56db
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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The White Stripes
Seven Nation Army
124 bpm • E min • 03:52 • -7.81db
85% Popularity • 74% Danceability • 45% Energy • 34% Liveness
12% Instrumentalness • 28% Positiveness
85% Popularity • 74% Danceability • 45% Energy • 34% Liveness
12% Instrumentalness • 28% Positiveness
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Peter Bjorn and John
Second Chance
133 bpm • G Maj • 04:12 • -1.55db
52% Popularity • 60% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 60% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Yeah Yeah Yeahs
Hysteric
132 bpm • A# Maj • 03:50 • -7db
43% Popularity • 57% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 38% Positiveness
43% Popularity • 57% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 38% Positiveness
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The Kills
No Wow
123 bpm • G Maj • 04:02 • -7.86db
33% Popularity • 92% Danceability • 74% Energy • 6% Liveness
18% Instrumentalness • 22% Positiveness
33% Popularity • 92% Danceability • 74% Energy • 6% Liveness
18% Instrumentalness • 22% Positiveness
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Django Django
Wor
124 bpm • E min • 04:31 • -6.4db
33% Popularity • 62% Danceability • 94% Energy • 13% Liveness
34% Instrumentalness • 28% Positiveness
33% Popularity • 62% Danceability • 94% Energy • 13% Liveness
34% Instrumentalness • 28% Positiveness
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Franz Ferdinand
Do You Want To
123 bpm • C Maj • 03:35 • -2.9db
61% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
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Tame Impala
Elephant
123 bpm • A min • 03:31 • -6.74db
73% Popularity • 60% Danceability • 55% Energy • 26% Liveness
16% Instrumentalness • 53% Positiveness
73% Popularity • 60% Danceability • 55% Energy • 26% Liveness
16% Instrumentalness • 53% Positiveness
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The Kooks
Bad Habit
123 bpm • C min • 03:41 • -4.2db
60% Popularity • 73% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
60% Popularity • 73% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Yeah Yeah Yeahs
Zero
124 bpm • B Maj • 04:25 • -4.11db
46% Popularity • 50% Danceability • 95% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
46% Popularity • 50% Danceability • 95% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
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The Kills
Doing It To Death
133 bpm • A Maj • 04:07 • -8.03db
50% Popularity • 64% Danceability • 69% Energy • 6% Liveness
1% Instrumentalness • 65% Positiveness
50% Popularity • 64% Danceability • 69% Energy • 6% Liveness
1% Instrumentalness • 65% Positiveness
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Arcade Fire
Put Your Money on Me
123 bpm • G Maj • 05:53 • -6.48db
52% Popularity • 60% Danceability • 77% Energy • 75% Liveness
2% Instrumentalness • 64% Positiveness
52% Popularity • 60% Danceability • 77% Energy • 75% Liveness
2% Instrumentalness • 64% Positiveness
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Placebo
Every You Every Me
133 bpm • A# Maj • 03:33 • -7.55db
68% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
68% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
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TV On The Radio
Trouble
123 bpm • G Maj • 04:34 • -3.71db
41% Popularity • 66% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 66% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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The xx
Crystalised
123 bpm • B min • 03:21 • -12.37db
69% Popularity • 76% Danceability • 48% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
69% Popularity • 76% Danceability • 48% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
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Sir Sly
High
123 bpm • D Maj • 03:51 • -5.58db
55% Popularity • 74% Danceability • 73% Energy • 6% Liveness
1% Instrumentalness • 73% Positiveness
55% Popularity • 74% Danceability • 73% Energy • 6% Liveness
1% Instrumentalness • 73% Positiveness
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Sharon Van Etten
Serpents
123 bpm • F# min • 03:02 • -4.81db
45% Popularity • 43% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 43% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Band of Horses
The Funeral
122 bpm • C min • 05:22 • -6.12db
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Interpol
If You Really Love Nothing
134 bpm • A Maj • 04:25 • -3.96db
51% Popularity • 42% Danceability • 90% Energy • 14% Liveness
80% Instrumentalness • 52% Positiveness
51% Popularity • 42% Danceability • 90% Energy • 14% Liveness
80% Instrumentalness • 52% Positiveness
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The Rapture
Echoes
134 bpm • G# min • 03:06 • -4.16db
48% Popularity • 60% Danceability • 92% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
48% Popularity • 60% Danceability • 92% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Warpaint
Keep It Healthy
134 bpm • G Maj • 04:01 • -9db
40% Popularity • 52% Danceability • 64% Energy • 12% Liveness
3% Instrumentalness • 61% Positiveness
40% Popularity • 52% Danceability • 64% Energy • 12% Liveness
3% Instrumentalness • 61% Positiveness
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Kasabian
Where Did All the Love Go?
134 bpm • C# Maj • 04:18 • -5.13db
53% Popularity • 66% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 71% Positiveness
53% Popularity • 66% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 71% Positiveness
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The Kills
Blue Moon - Remastered 2020
134 bpm • D Maj • 03:01 • -7.8db
18% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Cribs
Men's Needs
122 bpm • C# min • 03:15 • -2.26db
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Django Django
Shake and Tremble
134 bpm • G Maj • 04:19 • -3.68db
27% Popularity • 54% Danceability • 93% Energy • 18% Liveness
2% Instrumentalness • 75% Positiveness
27% Popularity • 54% Danceability • 93% Energy • 18% Liveness
2% Instrumentalness • 75% Positiveness
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New Young Pony Club
Ice Cream
122 bpm • A min • 03:08 • -5.79db
45% Popularity • 83% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 83% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Yeah Yeah Yeahs
Rich
135 bpm • G Maj • 03:36 • -6db
45% Popularity • 55% Danceability • 98% Energy • 33% Liveness
1% Instrumentalness • 34% Positiveness
45% Popularity • 55% Danceability • 98% Energy • 33% Liveness
1% Instrumentalness • 34% Positiveness
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Santigold
Lights Out
135 bpm • D Maj • 03:12 • -5.71db
47% Popularity • 76% Danceability • 83% Energy • 5% Liveness
30% Instrumentalness • 94% Positiveness
47% Popularity • 76% Danceability • 83% Energy • 5% Liveness
30% Instrumentalness • 94% Positiveness
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The Kills
Love Is A Deserter
135 bpm • C# min • 03:48 • -5.67db
26% Popularity • 58% Danceability • 93% Energy • 18% Liveness
52% Instrumentalness • 64% Positiveness
26% Popularity • 58% Danceability • 93% Energy • 18% Liveness
52% Instrumentalness • 64% Positiveness
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Bat For Lashes
Daniel
135 bpm • G# min • 04:11 • -8.39db
51% Popularity • 59% Danceability • 66% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
51% Popularity • 59% Danceability • 66% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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The Hives
Tick Tick Boom
135 bpm • C Maj • 03:25 • -3.12db
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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White Lies
Death
135 bpm • G Maj • 05:01 • -5.62db
53% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
53% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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Metronomy
The Bay
121 bpm • F# min • 04:50 • -7.23db
65% Popularity • 80% Danceability • 47% Energy • 7% Liveness
9% Instrumentalness • 89% Positiveness
65% Popularity • 80% Danceability • 47% Energy • 7% Liveness
9% Instrumentalness • 89% Positiveness
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Bombay Bicycle Club
Always Like This
121 bpm • C# Maj • 04:05 • -6.71db
60% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Kills
Superpowerless - Remastered 2020
135 bpm • A min • 03:02 • -7.83db
28% Popularity • 75% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 75% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Dandy Warhols
The Last High
121 bpm • B min • 04:46 • -6.74db
46% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
46% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
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The Dead Weather
So Far from Your Weapon
135 bpm • E Maj • 03:40 • -7.62db
32% Popularity • 43% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
32% Popularity • 43% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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The Horrors
Something To Remember Me By
121 bpm • C Maj • 06:40 • -8.39db
44% Popularity • 63% Danceability • 72% Energy • 12% Liveness
69% Instrumentalness • 52% Positiveness
44% Popularity • 63% Danceability • 72% Energy • 12% Liveness
69% Instrumentalness • 52% Positiveness
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Arcade Fire
No Cars Go
136 bpm • C# Maj • 05:43 • -6.95db
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
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The Stooges
I Wanna Be Your Dog - 2019 Remaster
121 bpm • E min • 03:12 • -4.44db
55% Popularity • 52% Danceability • 94% Energy • 11% Liveness
15% Instrumentalness • 14% Positiveness
55% Popularity • 52% Danceability • 94% Energy • 11% Liveness
15% Instrumentalness • 14% Positiveness
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The Kills
Night Train - Remastered 2020
121 bpm • F Maj • 03:03 • -9.01db
28% Popularity • 54% Danceability • 61% Energy • 61% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 54% Danceability • 61% Energy • 61% Liveness
0% Instrumentalness • 34% Positiveness
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Eagles Of Death Metal
Save A Prayer
121 bpm • C Maj • 04:40 • -5.65db
47% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Modest Mouse
Dashboard
136 bpm • B min • 04:06 • -5.01db
62% Popularity • 64% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 64% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The Strokes
You Only Live Once
121 bpm • B Maj • 03:09 • -2.42db
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
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Arcade Fire
We Used to Wait
121 bpm • G# Maj • 05:01 • -7.21db
44% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
44% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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LCD Soundsystem
Daft Punk Is Playing at My House
136 bpm • G Maj • 05:14 • -4.56db
58% Popularity • 92% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 92% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Kills
Cat Claw
121 bpm • E min • 03:32 • -2.99db
28% Popularity • 58% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 58% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
