Songs like Dances of Galánta: Lento - Maestoso by Zoltán Kodály
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70
136 bpm • D min • 06:53 • -14.93db
20% Popularity • 42% Danceability • 27% Energy • 7% Liveness
57% Instrumentalness • 36% Positiveness
20% Popularity • 42% Danceability • 27% Energy • 7% Liveness
57% Instrumentalness • 36% Positiveness
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Zoltán Kodály
Háry János Suite (Version for Orchestr...
136 bpm • G# Maj • 03:04 • -18.47db
3% Popularity • 31% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
3% Popularity • 31% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Adam Carse
2 Sketches: A Northern Dance
136 bpm • A min • 02:36 • -18.84db
11% Popularity • 46% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
11% Popularity • 46% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
26% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
26% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: I. The Ab...
135 bpm • G min • 05:01 • -18.19db
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Zoltán Kodály
A 121. genfi szoltar (Geneva Psalm 121):...
135 bpm • D Maj • 03:53 • -28.11db
5% Popularity • 19% Danceability • 3% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
5% Popularity • 19% Danceability • 3% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
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Ria Mbanefo
Love Sleeping Alone
134 bpm • G min • 02:24 • -22.2db
15% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
15% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
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Peter Hope
Momentum
137 bpm • D Maj • 03:23 • -19db
12% Popularity • 28% Danceability • 19% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
12% Popularity • 28% Danceability • 19% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
28% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
28% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
133 bpm • G Maj • 08:34 • -20.26db
17% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Zoltán Kodály
Háry János Suite (Version for Orchestr...
138 bpm • D# min • 04:07 • -21.7db
3% Popularity • 31% Danceability • 18% Energy • 12% Liveness
48% Instrumentalness • 9% Positiveness
3% Popularity • 31% Danceability • 18% Energy • 12% Liveness
48% Instrumentalness • 9% Positiveness
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Maurice Ravel
Tzigane, M. 76
133 bpm • E min • 09:39 • -19.74db
18% Popularity • 40% Danceability • 16% Energy • 8% Liveness
61% Instrumentalness • 20% Positiveness
18% Popularity • 40% Danceability • 16% Energy • 8% Liveness
61% Instrumentalness • 20% Positiveness
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Robert Schumann
Träumerei, Op. 15 No. 7
139 bpm • F Maj • 02:15 • -29db
17% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
17% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
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Benedetto Marcello
Introduzione, aria e presto: I. Largo e ...
133 bpm • E min • 01:04 • -11.83db
24% Popularity • 41% Danceability • 38% Energy • 45% Liveness
69% Instrumentalness • 50% Positiveness
24% Popularity • 41% Danceability • 38% Energy • 45% Liveness
69% Instrumentalness • 50% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 - Arr. for ...
133 bpm • D Maj • 06:42 • -16db
24% Popularity • 30% Danceability • 13% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
24% Popularity • 30% Danceability • 13% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: IV. Scherzo. ...
132 bpm • C min • 05:04 • -16db
16% Popularity • 29% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
16% Popularity • 29% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
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Zoltán Kodály
9 Piano pieces, Op. 3: No. 4. Allegretto...
139 bpm • F min • 01:48 • -24.85db
1% Popularity • 48% Danceability • 11% Energy • 5% Liveness
86% Instrumentalness • 4% Positiveness
1% Popularity • 48% Danceability • 11% Energy • 5% Liveness
86% Instrumentalness • 4% Positiveness
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Aurelio Scotto
Orchestral Sketch n.°2
132 bpm • A min • 01:27 • -20.56db
19% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
19% Popularity • 46% Danceability • 17% Energy • 20% Liveness
86% Instrumentalness • 25% Positiveness
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Robert Schumann
3 Romanzen, Op. 94: I. Nicht schnell
139 bpm • A min • 03:30 • -22db
19% Popularity • 23% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
19% Popularity • 23% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Grażyna Bacewicz
Oberek No. 1
140 bpm • D Maj • 01:36 • -13db
12% Popularity • 47% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 74% Positiveness
12% Popularity • 47% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 74% Positiveness
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Mark Morton
Eccles: Sonata in G Minor: III. Adagio
140 bpm • G min • 02:16 • -28.9db
13% Popularity • 14% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
13% Popularity • 14% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Tuba Concerto in F Min...
131 bpm • G Maj • 05:10 • -25.37db
11% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Zoltán Kodály
Háry János: Viennese Musical Clock, En...
140 bpm • G# Maj • 02:44 • -14.95db
2% Popularity • 34% Danceability • 56% Energy • 19% Liveness
90% Instrumentalness • 24% Positiveness
2% Popularity • 34% Danceability • 56% Energy • 19% Liveness
90% Instrumentalness • 24% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Darius Milhaud
Suite, Op. 157b: I. Ouverture
131 bpm • E min • 01:31 • -11db
17% Popularity • 56% Danceability • 31% Energy • 19% Liveness
7% Instrumentalness • 75% Positiveness
17% Popularity • 56% Danceability • 31% Energy • 19% Liveness
7% Instrumentalness • 75% Positiveness
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Mel Bonis
Scenes de la foret, Op. 123: No. 1. Noct...
131 bpm • G# Maj • 03:38 • -29db
16% Popularity • 30% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 30% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
131 bpm • C min • 03:01 • -19.18db
9% Popularity • 24% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 20% Positiveness
9% Popularity • 24% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Violin Concerto in D Minor, MWV O3: I. A...
141 bpm • D min • 08:23 • -22.95db
11% Popularity • 36% Danceability • 12% Energy • 10% Liveness
29% Instrumentalness • 41% Positiveness
11% Popularity • 36% Danceability • 12% Energy • 10% Liveness
29% Instrumentalness • 41% Positiveness
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Zoltán Kodály
Missa brevis: Agnus Dei
132 bpm • G min • 05:55 • -30db
1% Popularity • 16% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: V. Pieds-en-l'air
142 bpm • G Maj • 02:31 • -21.37db
12% Popularity • 14% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
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Gerald Finzi
Rollicum Rorum, Op. 15, No. 6 - Instrume...
130 bpm • G Maj • 01:43 • -17.77db
14% Popularity • 67% Danceability • 24% Energy • 8% Liveness
91% Instrumentalness • 65% Positiveness
14% Popularity • 67% Danceability • 24% Energy • 8% Liveness
91% Instrumentalness • 65% Positiveness
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Zoltán Kodály
Hary Janos Suite: Háry János Suite: VI...
130 bpm • G# Maj • 03:14 • -18db
11% Popularity • 39% Danceability • 37% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
11% Popularity • 39% Danceability • 37% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Ottorino Respighi
Trittico botticelliano, P. 151: I. La pr...
130 bpm • A Maj • 06:05 • -21.8db
10% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
10% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 For Piano, Trumpet ...
130 bpm • G# Maj • 01:16 • -21db
17% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
17% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
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Antonín Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
129 bpm • G Maj • 09:26 • -26.97db
12% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Zoltán Kodály
Variations on a Hungarian Folksong "The ...
130 bpm • C min • 03:09 • -27.73db
6% Popularity • 16% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: I. All...
129 bpm • D Maj • 08:46 • -24db
26% Popularity • 31% Danceability • 11% Energy • 24% Liveness
93% Instrumentalness • 7% Positiveness
26% Popularity • 31% Danceability • 11% Energy • 24% Liveness
93% Instrumentalness • 7% Positiveness
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Lajos Lencsés
Epigrammak (Epigrams) (arr. L. Lencses):...
143 bpm • A min • 01:36 • -22.02db
6% Popularity • 16% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 11% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Felix Mendelssohn
Paulus: I. Teil: Ouvertüre
128 bpm • A Maj • 06:27 • -18.64db
19% Popularity • 23% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
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Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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Zoltán Kodály
Missa brevis: Gloria
130 bpm • A Maj • 04:17 • -20.82db
2% Popularity • 19% Danceability • 8% Energy • 27% Liveness
34% Instrumentalness • 4% Positiveness
2% Popularity • 19% Danceability • 8% Energy • 27% Liveness
34% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Marina Dranishnikova
Poem for Oboe & Piano
145 bpm • B Maj • 08:06 • -17.3db
10% Popularity • 32% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
10% Popularity • 32% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Edvard Grieg
二つの悲しき旋律: 第2曲: 過�...
128 bpm • G Maj • 04:37 • -21.22db
10% Popularity • 17% Danceability • 9% Energy • 23% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 9% Energy • 23% Liveness
85% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
12 Variations on Handel's "See the Conqu...
127 bpm • G min • 01:02 • -33db
14% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
14% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
12% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
12% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
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Zoltán Kodály
Variations on a Hungarian Folksong "The ...
129 bpm • B Maj • 01:42 • -31.87db
3% Popularity • 19% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
3% Popularity • 19% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
The Hebrides Overture, Op. 26, MWV P7 "F...
126 bpm • D Maj • 10:22 • -20db
27% Popularity • 19% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
27% Popularity • 19% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
43% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
43% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
► Preview
Henryk Wieniawski
Fantasia on Themes from Gounod's 'Faust'...
125 bpm • A Maj • 03:27 • -23.15db
9% Popularity • 40% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 40% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
44% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
44% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Dame Ethel Smyth
Serenade in D Major: II. Scherzo. Allegr...
148 bpm • G Maj • 06:09 • -25db
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Zoltán Kodály
Hary Janos: Adventure 4: A Csaszari Udva...
129 bpm • G# Maj • 03:04 • -13.95db
4% Popularity • 42% Danceability • 49% Energy • 33% Liveness
89% Instrumentalness • 23% Positiveness
4% Popularity • 42% Danceability • 49% Energy • 33% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Grażyna Bacewicz
Concerto for String Orchestra: I. Allegr...
125 bpm • C Maj • 04:49 • -18db
12% Popularity • 40% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
28% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
28% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
45% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
45% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
► Preview
Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Nadia Boulanger
3 Pieces for cello and piano: No. 3. Vit...
151 bpm • C# Maj • 02:21 • -25db
18% Popularity • 32% Danceability • 9% Energy • 16% Liveness
80% Instrumentalness • 25% Positiveness
18% Popularity • 32% Danceability • 9% Energy • 16% Liveness
80% Instrumentalness • 25% Positiveness
► Preview
Zoltán Kodály
Hary Janos: Adventure 2: Becsi Harangjat...
128 bpm • A# Maj • 02:11 • -17.3db
6% Popularity • 49% Danceability • 21% Energy • 34% Liveness
92% Instrumentalness • 49% Positiveness
6% Popularity • 49% Danceability • 21% Energy • 34% Liveness
92% Instrumentalness • 49% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: II. La ...
123 bpm • F# min • 04:42 • -24.67db
19% Popularity • 20% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 8% Positiveness
► Preview
Orion King
Intend
151 bpm • C# Maj • 02:59 • -19.28db
15% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
15% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Lili Boulanger
D'un matin de printemps
151 bpm • C Maj • 04:49 • -24db
20% Popularity • 22% Danceability • 7% Energy • 7% Liveness
52% Instrumentalness • 14% Positiveness
20% Popularity • 22% Danceability • 7% Energy • 7% Liveness
52% Instrumentalness • 14% Positiveness
► Preview
Amy Beach
Symphony in E Minor, Op. 32, "Gaelic Sym...
122 bpm • F Maj • 07:26 • -28db
17% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Reinhold Glière
8 Pieces, Op. 39: No. 4. Canzonetta
121 bpm • A# Maj • 01:27 • -18db
15% Popularity • 28% Danceability • 17% Energy • 26% Liveness
20% Instrumentalness • 28% Positiveness
15% Popularity • 28% Danceability • 17% Energy • 26% Liveness
20% Instrumentalness • 28% Positiveness
► Preview
Zoltán Kodály
Symphony in C Major: III. Vivo
146 bpm • C Maj • 07:15 • -20.95db
1% Popularity • 38% Danceability • 18% Energy • 7% Liveness
94% Instrumentalness • 13% Positiveness
1% Popularity • 38% Danceability • 18% Energy • 7% Liveness
94% Instrumentalness • 13% Positiveness
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Various Artists
La jota aragonese
121 bpm • D Maj • 03:50 • -24.62db
8% Popularity • 37% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 47% Positiveness
8% Popularity • 37% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 47% Positiveness
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Igor Stravinsky
Histoire du soldat - Part 1: 1. Marche d...
121 bpm • B min • 01:35 • -19.44db
14% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
14% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
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Felix Klieser
Hedwig's Theme
154 bpm • A min • 04:11 • -22.51db
26% Popularity • 27% Danceability • 7% Energy • 6% Liveness
7% Instrumentalness • 12% Positiveness
26% Popularity • 27% Danceability • 7% Energy • 6% Liveness
7% Instrumentalness • 12% Positiveness
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mantekito loko
carino es hola de un poco de ruido
120 bpm • D min • 01:55 • -24.42db
10% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
10% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Zoltán Kodály
Magyar nepzene (Hungarian Folk Music), V...
126 bpm • G# Maj • 06:47 • -20.63db
0% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 2. Menuetto I
155 bpm • A min • 01:40 • -24db
29% Popularity • 44% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
29% Popularity • 44% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
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Valery Gergiev
Piano Concerto No. 1 in B-Flat Minor, Op...
120 bpm • C# Maj • 06:34 • -37.5db
15% Popularity • 30% Danceability • 2% Energy • 18% Liveness
56% Instrumentalness • 8% Positiveness
15% Popularity • 30% Danceability • 2% Energy • 18% Liveness
56% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: Quick Dance
120 bpm • E min • 02:17 • -28db
21% Popularity • 37% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
21% Popularity • 37% Danceability • 7% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: IV....
155 bpm • A# Maj • 07:01 • -25db
33% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
33% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Zoltán Kodály
Variations on a Hungarian Folksong "The ...
126 bpm • D min • 01:10 • -17.89db
3% Popularity • 23% Danceability • 30% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
3% Popularity • 23% Danceability • 30% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 3. Menuetto I...
119 bpm • D Maj • 02:08 • -19db
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
156 bpm • C Maj • 05:47 • -31.87db
28% Popularity • 45% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
28% Popularity • 45% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
32% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Robert Fuchs
Serenade No. 3 in E Minor, Op. 21: IV. F...
156 bpm • E min • 04:15 • -17.9db
7% Popularity • 41% Danceability • 17% Energy • 11% Liveness
73% Instrumentalness • 31% Positiveness
7% Popularity • 41% Danceability • 17% Energy • 11% Liveness
73% Instrumentalness • 31% Positiveness
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Zoltán Kodály
Háry János Suite (Version for Orchestr...
125 bpm • A# Maj • 02:15 • -22.98db
4% Popularity • 42% Danceability • 12% Energy • 33% Liveness
80% Instrumentalness • 48% Positiveness
4% Popularity • 42% Danceability • 12% Energy • 33% Liveness
80% Instrumentalness • 48% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
118 bpm • G min • 04:59 • -28.98db
18% Popularity • 49% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 50% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 50% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
37% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
37% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Alfred Schnittke
Suite in the Old Style: II. Ballet
117 bpm • D Maj • 02:14 • -16.27db
8% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
8% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Joseph Joachim
21 Hungarian Dances, WoO 1 (Arr. for Vio...
158 bpm • G Maj • 02:13 • -17db
26% Popularity • 36% Danceability • 19% Energy • 29% Liveness
12% Instrumentalness • 79% Positiveness
26% Popularity • 36% Danceability • 19% Energy • 29% Liveness
12% Instrumentalness • 79% Positiveness
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Zoltán Kodály
Hary Janos: Adventure 2: Song: Ku-ku-ku-...
124 bpm • G Maj • 02:27 • -24.14db
4% Popularity • 28% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
4% Popularity • 28% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
