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Galileo
Songs like
Galileo
by
Declan O'Rourke
Based on a tempo of (+/- 10%) and a similar genre
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Mick Flannery
In the Game
77 bpm • E min • 04:03 • -9.85db
24% Popularity • 36% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Declan O'Rourke
The Connaught Orphan
77 bpm • C Maj • 04:00 • -13.55db
6% Popularity • 35% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Lost Brothers
Soldier's Song
77 bpm • F Maj • 03:28 • -11.8db
13% Popularity • 57% Danceability • 25% Energy • 27% Liveness
1% Instrumentalness • 28% Positiveness
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Kate & Anna McGarrigle
Talk to Me of Mendocino
77 bpm • F Maj • 03:10 • -19.15db
28% Popularity • 20% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Ron Sexsmith
Secret Heart
77 bpm • C Maj • 03:15 • -12.72db
40% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Paddy Casey
Sweet Suburban Sky
78 bpm • A# Maj • 03:59 • -15.48db
31% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mick Flannery
Love You Like I Love You
77 bpm • A Maj • 02:57 • -7.41db
20% Popularity • 55% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Padraig Jack
Making Sand
77 bpm • D# Maj • 03:59 • -5.52db
23% Popularity • 44% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Declan O'Rourke
Galileo
77 bpm • A Maj • 03:53 • -10.95db
30% Popularity • 25% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Ultan Conlon
The Measure
76 bpm • E Maj • 03:16 • -6.65db
8% Popularity • 58% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Paul Brady
Arthur McBride
78 bpm • G Maj • 07:14 • -12.47db
19% Popularity • 48% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Paddy Casey
It's Over Now
78 bpm • C Maj • 03:23 • -6.79db
18% Popularity • 52% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Duke Special
No Cover Up
76 bpm • E Maj • 03:45 • -11.69db
14% Popularity • 59% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Mick Flannery
Are We Free?
77 bpm • C Maj • 03:27 • -7.46db
31% Popularity • 39% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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David Kitt
Step Outside in the Morning Light
78 bpm • G Maj • 05:28 • -11.05db
15% Popularity • 54% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Elbow
My Sad Captains
78 bpm • G Maj • 06:00 • -7.25db
44% Popularity • 42% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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John Spillane
Under That Old Clare Moon
78 bpm • C Maj • 03:20 • -22.89db
17% Popularity • 50% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Declan O'Rourke
Galileo (Someone Like You)
79 bpm • A Maj • 03:23 • -11.56db
14% Popularity • 38% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Lisa O'Neill
No Train To Cavan
79 bpm • D Maj • 03:10 • -12.74db
7% Popularity • 34% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Mary Dillon
John Condon
79 bpm • A# Maj • 04:43 • -19.81db
17% Popularity • 42% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Freddie White
Desperadoes Waiting for a Train (Live)
75 bpm • C# Maj • 04:42 • -11.38db
17% Popularity • 55% Danceability • 24% Energy • 69% Liveness
0% Instrumentalness • 25% Positiveness
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Martin Simpson
Never Any Good
79 bpm • D Maj • 05:26 • -9.31db
21% Popularity • 45% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Jack Lukeman
Chocolate Eyes
79 bpm • A Maj • 03:44 • -8.09db
10% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Joan Armatrading
In These Times
75 bpm • C Maj • 03:17 • -13.41db
25% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Frames
Star Star | Pure Imagination
75 bpm • E Maj • 03:40 • -11.31db
28% Popularity • 37% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Interference
Sail On
79 bpm • C Maj • 04:13 • -13.18db
14% Popularity • 47% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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a lazarus soul
Funeral Sessions
80 bpm • D min • 03:38 • -8.02db
19% Popularity • 42% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Jerry Fish
True Love Will Find You In The End
80 bpm • C Maj • 02:43 • -12.48db
14% Popularity • 32% Danceability • 21% Energy • 13% Liveness
9% Instrumentalness • 24% Positiveness
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Adam Holmes
Oh My God
74 bpm • C Maj • 03:43 • -16db
14% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Declan O'Rourke
In Painters' Light
80 bpm • A Maj • 02:55 • -11.83db
19% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Mic Christopher
Skylarking
80 bpm • F Maj • 04:28 • -8.77db
18% Popularity • 52% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Ham Sandwich
All WorthWhile 2016
80 bpm • F Maj • 02:57 • -14.09db
25% Popularity • 58% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 45% Positiveness
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Jack Lukeman
Open Your Borders
80 bpm • F Maj • 03:22 • -9.21db
18% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Duke Special
Freewheel
74 bpm • F Maj • 03:53 • -7db
28% Popularity • 21% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Paddy Casey
Fear
80 bpm • D Maj • 03:36 • -7.31db
19% Popularity • 47% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Brian Byrne
Silently
80 bpm • E min • 05:15 • -13db
0% Popularity • 24% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Baxter
Miracle
81 bpm • G Maj • 04:32 • -9.19db
13% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Shirley Bassey
After The Rain
81 bpm • A Maj • 03:02 • -10.61db
26% Popularity • 40% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Lindisfarne
Fog On the Tyne
81 bpm • C Maj • 03:24 • -13.9db
17% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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John Spillane
The Dance Of The Cherry Tree
81 bpm • F Maj • 03:15 • -9.53db
31% Popularity • 53% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Stockton's Wing
Beautiful Affair
81 bpm • G Maj • 03:35 • -9.63db
40% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Jack Lukeman
Amsterdam
81 bpm • F min • 03:23 • -4.37db
8% Popularity • 29% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 18% Positiveness
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Tom Baxter
A Day In Verona
81 bpm • G Maj • 04:17 • -15.35db
15% Popularity • 51% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Clifford T. Ward
Home Thoughts From Abroad
81 bpm • C Maj • 03:21 • -12db
33% Popularity • 37% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Mick Flannery
Safety Rope
73 bpm • F Maj • 03:46 • -11.13db
29% Popularity • 30% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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John Spillane
There Was A Man
81 bpm • G min • 02:42 • -10.33db
14% Popularity • 57% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Dolan
The Universal
82 bpm • C Maj • 03:43 • -8.96db
22% Popularity • 49% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jack O'Rourke
Oscar
72 bpm • C# Maj • 03:01 • -12.36db
14% Popularity • 32% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Emmylou Harris
Wild Mountain Thyme
82 bpm • D Maj • 05:02 • -11.1db
36% Popularity • 39% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Robert Vincent
Demons
72 bpm • F Maj • 04:46 • -9.34db
11% Popularity • 47% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Ralph McTell
The Unknown Soldier
82 bpm • C Maj • 06:00 • -10.7db
17% Popularity • 29% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mic Christopher
Daydreamin
82 bpm • D Maj • 04:59 • -10db
15% Popularity • 57% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Tolü Makay
N17
72 bpm • G Maj • 03:46 • -5.7db
30% Popularity • 30% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Waterboys
In Search of a Rose - 2008 Remaster
82 bpm • E Maj • 01:20 • -14.84db
46% Popularity • 58% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Brady
The Island
82 bpm • F Maj • 05:27 • -15.33db
42% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Jack O'Rourke
Patsy
72 bpm • B Maj • 03:35 • -8.98db
8% Popularity • 28% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Hawley
As the Dawn Breaks
72 bpm • A Maj • 04:36 • -22.58db
31% Popularity • 37% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Mic Christopher
Heyday
82 bpm • A Maj • 03:52 • -9db
40% Popularity • 47% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Divine Comedy
Songs of Love
83 bpm • C Maj • 03:26 • -12db
39% Popularity • 45% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Frances Black
After the Ball
83 bpm • D Maj • 08:19 • -17db
26% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Richard & Linda Thompson
Dimming Of The Day / Dargai - Edit
83 bpm • D# Maj • 03:48 • -21.25db
38% Popularity • 38% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Elbow
Kindling (Fickle Flame)
83 bpm • D Maj • 03:43 • -8.54db
39% Popularity • 41% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Brady
Hard Station
83 bpm • B Maj • 05:33 • -9.87db
20% Popularity • 56% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Bell X1
The Boys of Summer
84 bpm • G Maj • 04:03 • -16.67db
34% Popularity • 53% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Jack Lukeman
Old Man River
84 bpm • C Maj • 04:24 • -8.2db
8% Popularity • 27% Danceability • 33% Energy • 67% Liveness
0% Instrumentalness • 15% Positiveness
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Chris Wood
This Love Won't Let You Fail
84 bpm • D Maj • 05:20 • -13db
10% Popularity • 46% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Seán Keane
Somewhere
84 bpm • D Maj • 03:59 • -13.8db
15% Popularity • 59% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Loudon Wainwright III
The Picture
84 bpm • D# Maj • 02:32 • -17.72db
17% Popularity • 53% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Luka Bloom
City of Chicago
84 bpm • E min • 03:28 • -19db
33% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Declan O'Rourke
The Hardest Fight
71 bpm • C# Maj • 03:59 • -15.79db
8% Popularity • 20% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Teddy Thompson
Tonight Will Be Fine
84 bpm • F# Maj • 03:36 • -9db
39% Popularity • 30% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
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Megson
The Longshot
70 bpm • D# Maj • 05:06 • -14db
19% Popularity • 65% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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John Spillane
Ireland and Australia
85 bpm • E Maj • 03:20 • -10.24db
19% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Hue and Cry
Mother Glasgow
85 bpm • E Maj • 04:38 • -12db
21% Popularity • 31% Danceability • 25% Energy • 99% Liveness
0% Instrumentalness • 31% Positiveness
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Mick Flannery
Keepin' Score
85 bpm • C Maj • 02:41 • -16.96db
22% Popularity • 58% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Declan O'Rourke
Clogman's Glen
85 bpm • E Maj • 06:05 • -17.31db
8% Popularity • 34% Danceability • 11% Energy • 35% Liveness
4% Instrumentalness • 15% Positiveness
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Séamus and Caoimhe Uà Fhlatharta
Blackbird
86 bpm • E Maj • 03:31 • -18.03db
21% Popularity • 26% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Shaun Davey
May We Never Have to Say Goodbye
86 bpm • D Maj • 04:03 • -10.95db
13% Popularity • 19% Danceability • 30% Energy • 6% Liveness
1% Instrumentalness • 12% Positiveness
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Mary Coughlan
Delaney's Gone Back On the Wine
86 bpm • C# Maj • 03:42 • -13.74db
12% Popularity • 42% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Seán Keane
One More Hour
69 bpm • G Maj • 04:54 • -11.23db
10% Popularity • 31% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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The Proclaimers
Beautiful Truth
86 bpm • C Maj • 04:26 • -11.16db
16% Popularity • 45% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Declan O'Rourke
Poor Boy's Shoes
86 bpm • D Maj • 05:47 • -10db
18% Popularity • 28% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Interference
Something Right
86 bpm • F Maj • 03:35 • -12db
14% Popularity • 40% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Kathryn Tickell,Chris Lawrence,Dave Hartley
Water of Tyne
86 bpm • F Maj • 03:18 • -10.97db
9% Popularity • 32% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Mick Flannery
Goodbye
87 bpm • G Maj • 04:16 • -12.34db
14% Popularity • 32% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Stockton's Wing
Walk Away
87 bpm • C Maj • 03:36 • -9db
29% Popularity • 74% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Jack Lukeman
Magic Days and Magic Ways
87 bpm • D# Maj • 03:18 • -11.2db
10% Popularity • 38% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 37% Positiveness
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The 4 Of Us
Sunlight
88 bpm • F# min • 03:46 • -3.81db
18% Popularity • 41% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Van Morrison
Coney Island
68 bpm • C Maj • 02:03 • -12.48db
37% Popularity • 35% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
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Ye Vagabonds
Lowlands Of Holland
88 bpm • E Maj • 06:17 • -10.92db
38% Popularity • 43% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Show Of Hands
Walk with Me (When the Sun Goes Down)
88 bpm • C Maj • 02:40 • -10.14db
24% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Luka Bloom
Make Me Feel My Love
88 bpm • C# Maj • 02:49 • -16.3db
13% Popularity • 50% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Declan O'Rourke
Stardust
67 bpm • G Maj • 03:38 • -10.8db
5% Popularity • 18% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Ewan MacColl
The First Time Ever I Saw Your Face
67 bpm • D Maj • 02:34 • -19db
16% Popularity • 43% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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John Spillane
We Come In The Wind
88 bpm • D min • 03:16 • -23.37db
18% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Loudon Wainwright III
Your Mother And I
89 bpm • A Maj • 02:33 • -19.74db
31% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Paddy Casey
The Lucky One
89 bpm • A# Maj • 03:14 • -7db
32% Popularity • 63% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Sonny Condell
Down In The City
89 bpm • D Maj • 06:23 • -11.52db
12% Popularity • 44% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Dervish
The West Coast of Clare
89 bpm • D min • 05:26 • -14.99db
42% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Joan Armatrading
Somebody Who Loves You
89 bpm • A# Maj • 03:32 • -20db
34% Popularity • 45% Danceability • 22% Energy • 8% Liveness
11% Instrumentalness • 50% Positiveness
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Galileo