Songs like Games That Lovers Play by James Last
Based on a tempo of (+/- 10%) and a similar genre
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Gary Freeman
Oh, Mein Papa
112 bpm • C min • 02:19 • -11db
36% Popularity • 52% Danceability • 56% Energy • 18% Liveness
74% Instrumentalness • 59% Positiveness
36% Popularity • 52% Danceability • 56% Energy • 18% Liveness
74% Instrumentalness • 59% Positiveness
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Frank Davis Orchestra
Into Each Lofe Some Rain Must Fall
112 bpm • F Maj • 02:45 • -7db
27% Popularity • 62% Danceability • 53% Energy • 13% Liveness
67% Instrumentalness • 38% Positiveness
27% Popularity • 62% Danceability • 53% Energy • 13% Liveness
67% Instrumentalness • 38% Positiveness
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Günter Noris
Bert Kaempfert Medley
112 bpm • A# Maj • 03:12 • -12db
30% Popularity • 55% Danceability • 54% Energy • 64% Liveness
97% Instrumentalness • 60% Positiveness
30% Popularity • 55% Danceability • 54% Energy • 64% Liveness
97% Instrumentalness • 60% Positiveness
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James Last
Games That Lovers Play
112 bpm • A Maj • 02:31 • -16.1db
38% Popularity • 53% Danceability • 37% Energy • 13% Liveness
78% Instrumentalness • 56% Positiveness
38% Popularity • 53% Danceability • 37% Energy • 13% Liveness
78% Instrumentalness • 56% Positiveness
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Kurt Edelhagen
Rumba: 28 Takte Pro Minute - Dancing Wit...
112 bpm • G min • 02:35 • -10.83db
35% Popularity • 64% Danceability • 48% Energy • 7% Liveness
96% Instrumentalness • 81% Positiveness
35% Popularity • 64% Danceability • 48% Energy • 7% Liveness
96% Instrumentalness • 81% Positiveness
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The Romantic Sound Orchestra
Kleine Nachtmusik (Romance)
112 bpm • C Maj • 03:06 • -14.06db
28% Popularity • 24% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
28% Popularity • 24% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Nikos Ignatiadis
Greek Medley
111 bpm • G Maj • 07:35 • -11db
26% Popularity • 33% Danceability • 39% Energy • 10% Liveness
73% Instrumentalness • 26% Positiveness
26% Popularity • 33% Danceability • 39% Energy • 10% Liveness
73% Instrumentalness • 26% Positiveness
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Ballroom Dance Orchestra
Never on Sunday
113 bpm • A# Maj • 02:34 • -11.01db
33% Popularity • 34% Danceability • 36% Energy • 18% Liveness
90% Instrumentalness • 73% Positiveness
33% Popularity • 34% Danceability • 36% Energy • 18% Liveness
90% Instrumentalness • 73% Positiveness
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Caravelli
San Francisco (Be Sure to Wear Flowers I...
111 bpm • D Maj • 03:01 • -12.64db
21% Popularity • 40% Danceability • 40% Energy • 11% Liveness
38% Instrumentalness • 38% Positiveness
21% Popularity • 40% Danceability • 40% Energy • 11% Liveness
38% Instrumentalness • 38% Positiveness
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James Last
Mambo Nr. 5
112 bpm • D# Maj • 03:16 • -11.95db
5% Popularity • 66% Danceability • 86% Energy • 8% Liveness
92% Instrumentalness • 86% Positiveness
5% Popularity • 66% Danceability • 86% Energy • 8% Liveness
92% Instrumentalness • 86% Positiveness
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Diego De Cossio
Cuando Calienta el Sol
113 bpm • C Maj • 03:17 • -10db
49% Popularity • 69% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
49% Popularity • 69% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
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Jean Paul Ventura Orchestra
Llame Para Decirte Que Te Amo (I Just Ca...
113 bpm • C# Maj • 04:24 • -18db
22% Popularity • 70% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
22% Popularity • 70% Danceability • 24% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
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Claudius Alzner
My blue heaven - My bonnie is over the o...
113 bpm • F Maj • 02:20 • -13db
30% Popularity • 64% Danceability • 40% Energy • 7% Liveness
37% Instrumentalness • 90% Positiveness
30% Popularity • 64% Danceability • 40% Energy • 7% Liveness
37% Instrumentalness • 90% Positiveness
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Ricci Ferra
Adagio By Albinoni
111 bpm • C min • 04:03 • -14.62db
22% Popularity • 19% Danceability • 28% Energy • 19% Liveness
42% Instrumentalness • 8% Positiveness
22% Popularity • 19% Danceability • 28% Energy • 19% Liveness
42% Instrumentalness • 8% Positiveness
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Caravelli
I Just Called To Say I Love You
113 bpm • C# Maj • 03:49 • -5.75db
35% Popularity • 67% Danceability • 66% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
35% Popularity • 67% Danceability • 66% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Mantovani y Su Gran Orquesta
Amapola
114 bpm • A min • 02:52 • -10.11db
39% Popularity • 42% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
39% Popularity • 42% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
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James Last
Sail Along Silvery Moon
113 bpm • C# Maj • 02:52 • -17.83db
30% Popularity • 67% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 73% Positiveness
30% Popularity • 67% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 73% Positiveness
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Daniela de Santos
La Paranda
114 bpm • A Maj • 03:09 • -5db
31% Popularity • 54% Danceability • 93% Energy • 40% Liveness
93% Instrumentalness • 77% Positiveness
31% Popularity • 54% Danceability • 93% Energy • 40% Liveness
93% Instrumentalness • 77% Positiveness
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Dirk Schiefen
Gummi Mambo
114 bpm • D# Maj • 02:54 • -10db
32% Popularity • 60% Danceability • 49% Energy • 26% Liveness
74% Instrumentalness • 70% Positiveness
32% Popularity • 60% Danceability • 49% Energy • 26% Liveness
74% Instrumentalness • 70% Positiveness
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Ricci Ferra
La Guitarra Romantica
110 bpm • E min • 02:52 • -12.77db
36% Popularity • 65% Danceability • 38% Energy • 22% Liveness
96% Instrumentalness • 52% Positiveness
36% Popularity • 65% Danceability • 38% Energy • 22% Liveness
96% Instrumentalness • 52% Positiveness
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World Sound Orchestra
Biscaya
110 bpm • D min • 03:54 • -6.12db
18% Popularity • 40% Danceability • 53% Energy • 35% Liveness
92% Instrumentalness • 24% Positiveness
18% Popularity • 40% Danceability • 53% Energy • 35% Liveness
92% Instrumentalness • 24% Positiveness
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Andi Häckel
Seemann, Deine Heimat ist das Meer
110 bpm • C Maj • 02:47 • -9.36db
37% Popularity • 44% Danceability • 61% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
37% Popularity • 44% Danceability • 61% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
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Jean Claude Borelly
Dont't Cry for Me Argentina
110 bpm • D# Maj • 03:03 • -7.1db
28% Popularity • 40% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
28% Popularity • 40% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
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Daniela de Santos
Du bist mein erster Gedanke
114 bpm • C Maj • 03:07 • -8.87db
26% Popularity • 74% Danceability • 61% Energy • 8% Liveness
34% Instrumentalness • 51% Positiveness
26% Popularity • 74% Danceability • 61% Energy • 8% Liveness
34% Instrumentalness • 51% Positiveness
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Eddie Calvert
Oh Mein Papa
110 bpm • A# Maj • 02:46 • -9.73db
25% Popularity • 32% Danceability • 40% Energy • 17% Liveness
95% Instrumentalness • 26% Positiveness
25% Popularity • 32% Danceability • 40% Energy • 17% Liveness
95% Instrumentalness • 26% Positiveness
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James Last
Jolene
110 bpm • B Maj • 03:11 • -9.92db
20% Popularity • 60% Danceability • 72% Energy • 19% Liveness
93% Instrumentalness • 82% Positiveness
20% Popularity • 60% Danceability • 72% Energy • 19% Liveness
93% Instrumentalness • 82% Positiveness
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World Sound Orchestra
Happy Heart
114 bpm • C Maj • 03:26 • -6.8db
13% Popularity • 67% Danceability • 84% Energy • 8% Liveness
75% Instrumentalness • 91% Positiveness
13% Popularity • 67% Danceability • 84% Energy • 8% Liveness
75% Instrumentalness • 91% Positiveness
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Captain Cook Und Seine Singenden Saxophone
Fremdenlegionär
110 bpm • A# Maj • 03:20 • -10.61db
26% Popularity • 45% Danceability • 47% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
26% Popularity • 45% Danceability • 47% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
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Francisco Garcia
I Just Called to Say I Love You
114 bpm • D Maj • 03:46 • -17.71db
37% Popularity • 72% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 74% Positiveness
37% Popularity • 72% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 74% Positiveness
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Tol & Tol
Rounding The Cape (A Tribute To...)
114 bpm • A min • 03:52 • -14db
30% Popularity • 57% Danceability • 47% Energy • 16% Liveness
84% Instrumentalness • 65% Positiveness
30% Popularity • 57% Danceability • 47% Energy • 16% Liveness
84% Instrumentalness • 65% Positiveness
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Mantovani y Su Gran Orquesta
La Paloma
115 bpm • D Maj • 02:53 • -9.09db
26% Popularity • 36% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
26% Popularity • 36% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Dirk Schiefen
Morning Has Broken
115 bpm • G Maj • 02:52 • -9.22db
31% Popularity • 29% Danceability • 51% Energy • 20% Liveness
84% Instrumentalness • 39% Positiveness
31% Popularity • 29% Danceability • 51% Energy • 20% Liveness
84% Instrumentalness • 39% Positiveness
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Günter Noris
Spanish Harlem (Das Ist Die Frage Aller ...
109 bpm • A# Maj • 02:57 • -8.66db
27% Popularity • 57% Danceability • 47% Energy • 8% Liveness
59% Instrumentalness • 43% Positiveness
27% Popularity • 57% Danceability • 47% Energy • 8% Liveness
59% Instrumentalness • 43% Positiveness
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Captain Cook Und Seine Singenden Saxophone
La Paloma
110 bpm • C Maj • 03:20 • -10.38db
28% Popularity • 38% Danceability • 49% Energy • 27% Liveness
89% Instrumentalness • 42% Positiveness
28% Popularity • 38% Danceability • 49% Energy • 27% Liveness
89% Instrumentalness • 42% Positiveness
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James Last
Biscaya
109 bpm • D min • 04:04 • -8.77db
47% Popularity • 28% Danceability • 49% Energy • 30% Liveness
62% Instrumentalness • 31% Positiveness
47% Popularity • 28% Danceability • 49% Energy • 30% Liveness
62% Instrumentalness • 31% Positiveness
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Tol & Tol
Blue Moon Dancing
114 bpm • E Maj • 02:51 • -9.08db
33% Popularity • 70% Danceability • 60% Energy • 14% Liveness
68% Instrumentalness • 96% Positiveness
33% Popularity • 70% Danceability • 60% Energy • 14% Liveness
68% Instrumentalness • 96% Positiveness
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Francis Lai
Générique (de "Bilitis")
115 bpm • C# Maj • 03:26 • -25.37db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Ballroom Dance Orchestra
Red Roses for a Blue Lady
115 bpm • C Maj • 02:24 • -11.97db
41% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
41% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 36% Positiveness
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Das Orchester Claudius Alzner
Die kleine Kneipe , Rififi
115 bpm • C Maj • 03:14 • -16db
21% Popularity • 42% Danceability • 28% Energy • 10% Liveness
83% Instrumentalness • 46% Positiveness
21% Popularity • 42% Danceability • 28% Energy • 10% Liveness
83% Instrumentalness • 46% Positiveness
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Dirk Schiefen
Blue Spanish eyes
115 bpm • D# Maj • 02:42 • -9.95db
31% Popularity • 51% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 50% Positiveness
31% Popularity • 51% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 50% Positiveness
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James Last
Oh Waterlooplein
109 bpm • G Maj • 02:24 • -5.7db
13% Popularity • 55% Danceability • 57% Energy • 8% Liveness
94% Instrumentalness • 67% Positiveness
13% Popularity • 55% Danceability • 57% Energy • 8% Liveness
94% Instrumentalness • 67% Positiveness
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Cicci Guitar Condor
Jhonny Guitar
115 bpm • A# min • 03:48 • -8db
25% Popularity • 69% Danceability • 58% Energy • 17% Liveness
14% Instrumentalness • 84% Positiveness
25% Popularity • 69% Danceability • 58% Energy • 17% Liveness
14% Instrumentalness • 84% Positiveness
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Nikos Ignatiadis
Flight To Rhodos
115 bpm • F Maj • 03:31 • -13db
34% Popularity • 55% Danceability • 46% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
34% Popularity • 55% Danceability • 46% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
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Blue Heaven
Napoli
115 bpm • E Maj • 02:57 • -8.05db
30% Popularity • 67% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 67% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Tol & Tol
Sedalia
115 bpm • F Maj • 03:26 • -14db
35% Popularity • 68% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
35% Popularity • 68% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
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The Romantic Sound Orchestra
Moonlight Melodie
109 bpm • F Maj • 02:55 • -18.18db
18% Popularity • 36% Danceability • 16% Energy • 30% Liveness
96% Instrumentalness • 13% Positiveness
18% Popularity • 36% Danceability • 16% Energy • 30% Liveness
96% Instrumentalness • 13% Positiveness
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James Last
What Now My Love
109 bpm • F Maj • 03:00 • -13.9db
25% Popularity • 31% Danceability • 31% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
25% Popularity • 31% Danceability • 31% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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Cicci Guitar Condor
El Bimbo / Baby
115 bpm • A min • 03:39 • -8.66db
22% Popularity • 67% Danceability • 73% Energy • 8% Liveness
93% Instrumentalness • 96% Positiveness
22% Popularity • 67% Danceability • 73% Energy • 8% Liveness
93% Instrumentalness • 96% Positiveness
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Andre Kostelanetz
The Sounds of Silence
116 bpm • F Maj • 03:14 • -13db
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
38% Popularity • 38% Danceability • 37% Energy • 16% Liveness
14% Instrumentalness • 50% Positiveness
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Blue Heaven
Sentimental Journey
109 bpm • C Maj • 02:30 • -11.35db
36% Popularity • 58% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 58% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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50 Guitars of Tommy Garrett
Cherry Pink and Apple Blossom White
109 bpm • D# Maj • 02:19 • -10.25db
22% Popularity • 68% Danceability • 77% Energy • 34% Liveness
5% Instrumentalness • 96% Positiveness
22% Popularity • 68% Danceability • 77% Energy • 34% Liveness
5% Instrumentalness • 96% Positiveness
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Nelson Riddle
Green Leaves of Summer - Remastered
108 bpm • A# min • 02:23 • -10.97db
26% Popularity • 38% Danceability • 39% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
26% Popularity • 38% Danceability • 39% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
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Mitch Miller
March from the River Kwai
108 bpm • C Maj • 02:24 • -13db
34% Popularity • 57% Danceability • 50% Energy • 49% Liveness
84% Instrumentalness • 80% Positiveness
34% Popularity • 57% Danceability • 50% Energy • 49% Liveness
84% Instrumentalness • 80% Positiveness
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Frank Chacksfield
Capri Serenade
108 bpm • D min • 03:10 • -11.58db
22% Popularity • 38% Danceability • 29% Energy • 35% Liveness
14% Instrumentalness • 29% Positiveness
22% Popularity • 38% Danceability • 29% Energy • 35% Liveness
14% Instrumentalness • 29% Positiveness
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Frank Mills
The Poet And I
116 bpm • F Maj • 03:40 • -15db
31% Popularity • 47% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 38% Positiveness
31% Popularity • 47% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 38% Positiveness
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Mantovani y Su Gran Orquesta
Moon River
116 bpm • C Maj • 02:40 • -15.93db
40% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
40% Popularity • 23% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Symphonia
Villa Rides
116 bpm • C Maj • 02:20 • -8.92db
21% Popularity • 59% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 59% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Percy Faith & His Orchestra
Theme for Young Lovers
108 bpm • A Maj • 02:37 • -14db
36% Popularity • 35% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
36% Popularity • 35% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Ricci Ferra
Radetzky-Marschpolka, Op.228 (Radetzky M...
116 bpm • A Maj • 02:13 • -11.53db
17% Popularity • 77% Danceability • 65% Energy • 14% Liveness
91% Instrumentalness • 96% Positiveness
17% Popularity • 77% Danceability • 65% Energy • 14% Liveness
91% Instrumentalness • 96% Positiveness
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Nikos Ignatiadis
Pireaus (Never On A Sunday)
116 bpm • A Maj • 02:59 • -11.63db
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Daniela de Santos
Hawaii Träume
116 bpm • C Maj • 03:10 • -6.82db
24% Popularity • 54% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 54% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Tol & Tol
Siciliano
116 bpm • D Maj • 02:55 • -12.87db
30% Popularity • 38% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 38% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Blue Heaven
Tampico
116 bpm • D# Maj • 02:41 • -9.61db
32% Popularity • 68% Danceability • 59% Energy • 30% Liveness
20% Instrumentalness • 91% Positiveness
32% Popularity • 68% Danceability • 59% Energy • 30% Liveness
20% Instrumentalness • 91% Positiveness
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Francisco Garcia
O Sole Mio
108 bpm • C Maj • 02:43 • -19.44db
29% Popularity • 68% Danceability • 20% Energy • 28% Liveness
69% Instrumentalness • 71% Positiveness
29% Popularity • 68% Danceability • 20% Energy • 28% Liveness
69% Instrumentalness • 71% Positiveness
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Claudius Alzner
Unchained melody - Save the last dance f...
108 bpm • F Maj • 03:59 • -12.31db
24% Popularity • 42% Danceability • 30% Energy • 10% Liveness
41% Instrumentalness • 46% Positiveness
24% Popularity • 42% Danceability • 30% Energy • 10% Liveness
41% Instrumentalness • 46% Positiveness
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Billy Vaughn y su Orquesta
Harbour Lights
108 bpm • G Maj • 02:11 • -7db
32% Popularity • 38% Danceability • 41% Energy • 40% Liveness
79% Instrumentalness • 83% Positiveness
32% Popularity • 38% Danceability • 41% Energy • 40% Liveness
79% Instrumentalness • 83% Positiveness
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Daniela de Santos
Un Pocito Amor
108 bpm • G Maj • 02:53 • -6.21db
29% Popularity • 63% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 63% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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The Gino Marinello Orchestra
Song of Silence
116 bpm • D min • 01:48 • -15.22db
44% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
44% Popularity • 65% Danceability • 22% Energy • 21% Liveness
76% Instrumentalness • 62% Positiveness
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Das Orchester Claudius Alzner
Ich hab' die Liebe geseh'n - Sweet Lorra...
116 bpm • D# Maj • 03:06 • -14.64db
29% Popularity • 61% Danceability • 32% Energy • 34% Liveness
82% Instrumentalness • 66% Positiveness
29% Popularity • 61% Danceability • 32% Energy • 34% Liveness
82% Instrumentalness • 66% Positiveness
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Ballroom Dance Orchestra
A Fine Romance
108 bpm • C Maj • 02:52 • -12.99db
30% Popularity • 25% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 39% Positiveness
30% Popularity • 25% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 39% Positiveness
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James Last
Mr. Tambourine Man
117 bpm • G Maj • 02:26 • -13.97db
19% Popularity • 53% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 53% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Claudius Alzner
You belong to my heart - Ginny come late...
117 bpm • C Maj • 03:52 • -13db
27% Popularity • 58% Danceability • 33% Energy • 55% Liveness
56% Instrumentalness • 75% Positiveness
27% Popularity • 58% Danceability • 33% Energy • 55% Liveness
56% Instrumentalness • 75% Positiveness
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The Romantic Sound Orchestra
Spanish Romance (Burgalesa)
108 bpm • E min • 03:10 • -15.98db
22% Popularity • 21% Danceability • 19% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
22% Popularity • 21% Danceability • 19% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Mantovani y Su Gran Orquesta
Blue Tango
117 bpm • D Maj • 03:02 • -8.61db
22% Popularity • 57% Danceability • 43% Energy • 14% Liveness
24% Instrumentalness • 37% Positiveness
22% Popularity • 57% Danceability • 43% Energy • 14% Liveness
24% Instrumentalness • 37% Positiveness
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Caravelli
Quand Il Est Mort Le Poete
117 bpm • G# Maj • 02:46 • -10.91db
6% Popularity • 38% Danceability • 34% Energy • 20% Liveness
38% Instrumentalness • 44% Positiveness
6% Popularity • 38% Danceability • 34% Energy • 20% Liveness
38% Instrumentalness • 44% Positiveness
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Tol & Tol
A Passage To India
107 bpm • C Maj • 03:20 • -13.34db
31% Popularity • 52% Danceability • 45% Energy • 11% Liveness
21% Instrumentalness • 41% Positiveness
31% Popularity • 52% Danceability • 45% Energy • 11% Liveness
21% Instrumentalness • 41% Positiveness
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The Gino Marinello Orchestra
Love Is Blue (L'amour est bleu)
107 bpm • A Maj • 02:31 • -13.21db
32% Popularity • 60% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 50% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 50% Positiveness
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Claudius Alzner
La Paloma - Roter Mohn - Unter der roten...
117 bpm • C Maj • 04:05 • -14db
21% Popularity • 45% Danceability • 18% Energy • 8% Liveness
8% Instrumentalness • 48% Positiveness
21% Popularity • 45% Danceability • 18% Energy • 8% Liveness
8% Instrumentalness • 48% Positiveness
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James Last
Guantanamera
118 bpm • A# Maj • 03:50 • -11.74db
14% Popularity • 63% Danceability • 56% Energy • 13% Liveness
81% Instrumentalness • 83% Positiveness
14% Popularity • 63% Danceability • 56% Energy • 13% Liveness
81% Instrumentalness • 83% Positiveness
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Horst Jankowski
A Walk In The Black Forest
106 bpm • D Maj • 02:49 • -12db
41% Popularity • 70% Danceability • 38% Energy • 23% Liveness
73% Instrumentalness • 78% Positiveness
41% Popularity • 70% Danceability • 38% Energy • 23% Liveness
73% Instrumentalness • 78% Positiveness
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Günter Noris
Orfeu Negro
118 bpm • G min • 02:50 • -10db
15% Popularity • 41% Danceability • 36% Energy • 15% Liveness
79% Instrumentalness • 49% Positiveness
15% Popularity • 41% Danceability • 36% Energy • 15% Liveness
79% Instrumentalness • 49% Positiveness
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Das Orchester Claudius Alzner
Auf dem Mond da blühen keine Rosen , De...
106 bpm • D# Maj • 04:10 • -15.62db
18% Popularity • 59% Danceability • 38% Energy • 11% Liveness
24% Instrumentalness • 91% Positiveness
18% Popularity • 59% Danceability • 38% Energy • 11% Liveness
24% Instrumentalness • 91% Positiveness
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Sweet People
Aria Pour Une Voix
118 bpm • A Maj • 04:52 • -13.8db
15% Popularity • 23% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 15% Positiveness
15% Popularity • 23% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 15% Positiveness
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Mike Batt
Caravan Theme
106 bpm • D# Maj • 03:41 • -9db
20% Popularity • 57% Danceability • 84% Energy • 33% Liveness
89% Instrumentalness • 69% Positiveness
20% Popularity • 57% Danceability • 84% Energy • 33% Liveness
89% Instrumentalness • 69% Positiveness
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James Last
Arrivederci Roma
118 bpm • G Maj • 03:34 • -11.22db
25% Popularity • 51% Danceability • 35% Energy • 8% Liveness
87% Instrumentalness • 45% Positiveness
25% Popularity • 51% Danceability • 35% Energy • 8% Liveness
87% Instrumentalness • 45% Positiveness
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Gebroeders Brouwer
Volveré - Torneró
118 bpm • G Maj • 03:45 • -11.84db
14% Popularity • 30% Danceability • 44% Energy • 17% Liveness
79% Instrumentalness • 27% Positiveness
14% Popularity • 30% Danceability • 44% Energy • 17% Liveness
79% Instrumentalness • 27% Positiveness
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Billy Vaughn y su Orquesta
Petite Fleur
118 bpm • G min • 02:39 • -7.95db
27% Popularity • 41% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
27% Popularity • 41% Danceability • 28% Energy • 12% Liveness
67% Instrumentalness • 38% Positiveness
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Francis Dupont
New York, New York
106 bpm • F Maj • 03:20 • -14.15db
21% Popularity • 29% Danceability • 28% Energy • 35% Liveness
2% Instrumentalness • 37% Positiveness
21% Popularity • 29% Danceability • 28% Energy • 35% Liveness
2% Instrumentalness • 37% Positiveness
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Alfred Hause
Un Violon Dans La Nuit
119 bpm • C Maj • 02:22 • -10.16db
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
37% Popularity • 36% Danceability • 38% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
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Mike Batt
Theme From "Caravans"
106 bpm • C min • 03:41 • -12db
25% Popularity • 60% Danceability • 59% Energy • 19% Liveness
96% Instrumentalness • 78% Positiveness
25% Popularity • 60% Danceability • 59% Energy • 19% Liveness
96% Instrumentalness • 78% Positiveness
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Das Orchester Claudius Alzner
Hooray!Hooray! It's a holi-holiday , So ...
106 bpm • G Maj • 04:09 • -14.11db
24% Popularity • 60% Danceability • 44% Energy • 8% Liveness
82% Instrumentalness • 77% Positiveness
24% Popularity • 60% Danceability • 44% Energy • 8% Liveness
82% Instrumentalness • 77% Positiveness
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James Last
Never On Sunday
106 bpm • A Maj • 03:03 • -16db
32% Popularity • 43% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 68% Positiveness
32% Popularity • 43% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 68% Positiveness
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Günter Noris
Moliendo Café
106 bpm • G min • 02:37 • -12.09db
22% Popularity • 65% Danceability • 81% Energy • 25% Liveness
82% Instrumentalness • 79% Positiveness
22% Popularity • 65% Danceability • 81% Energy • 25% Liveness
82% Instrumentalness • 79% Positiveness
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Leroy Anderson
Blue Tango
119 bpm • D Maj • 03:04 • -22.71db
34% Popularity • 48% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
34% Popularity • 48% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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Botticelli
Song Sung Blue
119 bpm • C Maj • 02:15 • -13.81db
32% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
32% Popularity • 49% Danceability • 30% Energy • 34% Liveness
75% Instrumentalness • 57% Positiveness
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The Gino Marinello Orchestra
Words
119 bpm • C Maj • 03:12 • -11.51db
28% Popularity • 57% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
28% Popularity • 57% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
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Das Orchester Claudius Alzner
O mia bella Napoli
119 bpm • C Maj • 02:48 • -11.47db
16% Popularity • 37% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 37% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Horst Jankowski
Donkey Serenade
119 bpm • A# Maj • 03:19 • -11.07db
31% Popularity • 73% Danceability • 54% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
31% Popularity • 73% Danceability • 54% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
