Songs like Garage by Alexander Brandon
Based on a tempo of (+/- 10%) and a similar genre
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PalmMute
Starfox - Controller Settings and Map Th...
120 bpm • E Maj • 03:36 • -9.49db
11% Popularity • 56% Danceability • 78% Energy • 17% Liveness
81% Instrumentalness • 34% Positiveness
11% Popularity • 56% Danceability • 78% Energy • 17% Liveness
81% Instrumentalness • 34% Positiveness
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Ben Prunty
Lost Ship (Battle)
120 bpm • C# Maj • 04:05 • -17.72db
27% Popularity • 66% Danceability • 43% Energy • 11% Liveness
82% Instrumentalness • 29% Positiveness
27% Popularity • 66% Danceability • 43% Energy • 11% Liveness
82% Instrumentalness • 29% Positiveness
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Chris Christodoulou
Dew Point
120 bpm • F Maj • 03:28 • -9db
31% Popularity • 56% Danceability • 85% Energy • 16% Liveness
94% Instrumentalness • 49% Positiveness
31% Popularity • 56% Danceability • 85% Energy • 16% Liveness
94% Instrumentalness • 49% Positiveness
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Danny Baranowsky
Watch Your Step
120 bpm • B min • 03:57 • -8.88db
29% Popularity • 76% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
29% Popularity • 76% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
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Kile Mist
Action Hero Ace
120 bpm • E min • 02:46 • -7.64db
10% Popularity • 53% Danceability • 97% Energy • 20% Liveness
90% Instrumentalness • 57% Positiveness
10% Popularity • 53% Danceability • 97% Energy • 20% Liveness
90% Instrumentalness • 57% Positiveness
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Andrey Avkhimovich
The City Streets
120 bpm • A min • 06:05 • -6.73db
10% Popularity • 86% Danceability • 83% Energy • 23% Liveness
74% Instrumentalness • 87% Positiveness
10% Popularity • 86% Danceability • 83% Energy • 23% Liveness
74% Instrumentalness • 87% Positiveness
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Ryan Henwood
Launch Into Deep Space
120 bpm • A# min • 05:51 • -7.16db
9% Popularity • 58% Danceability • 90% Energy • 33% Liveness
81% Instrumentalness • 17% Positiveness
9% Popularity • 58% Danceability • 90% Energy • 33% Liveness
81% Instrumentalness • 17% Positiveness
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Ben Prunty
Cosmos (Battle)
120 bpm • D# min • 04:22 • -16.78db
30% Popularity • 59% Danceability • 45% Energy • 12% Liveness
80% Instrumentalness • 21% Positiveness
30% Popularity • 59% Danceability • 45% Energy • 12% Liveness
80% Instrumentalness • 21% Positiveness
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Sam Hulick
Resynthesis
120 bpm • A min • 02:08 • -15.23db
25% Popularity • 52% Danceability • 45% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
25% Popularity • 52% Danceability • 45% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Alexander Brandon
So It Begins (Deus Ex Main Title)
120 bpm • D Maj • 02:40 • -9db
24% Popularity • 54% Danceability • 93% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
24% Popularity • 54% Danceability • 93% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
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Joris de Man
Jintinda Lab
120 bpm • A# min • 03:51 • -8.58db
7% Popularity • 55% Danceability • 83% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
7% Popularity • 55% Danceability • 83% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
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Harry Mack
Sky Island Skirmish
120 bpm • F Maj • 02:21 • -10.11db
14% Popularity • 72% Danceability • 74% Energy • 24% Liveness
95% Instrumentalness • 78% Positiveness
14% Popularity • 72% Danceability • 74% Energy • 24% Liveness
95% Instrumentalness • 78% Positiveness
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Adam Schneider
Mission Accomplished (Advent Burger Mix)
120 bpm • E min • 04:21 • -4.91db
14% Popularity • 57% Danceability • 95% Energy • 8% Liveness
79% Instrumentalness • 49% Positiveness
14% Popularity • 57% Danceability • 95% Energy • 8% Liveness
79% Instrumentalness • 49% Positiveness
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Ben Prunty
Last Stand
120 bpm • C# min • 05:20 • -17db
34% Popularity • 70% Danceability • 36% Energy • 3% Liveness
82% Instrumentalness • 48% Positiveness
34% Popularity • 70% Danceability • 36% Energy • 3% Liveness
82% Instrumentalness • 48% Positiveness
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Tommy Tallarico
Junkit
120 bpm • A Maj • 02:17 • -9db
27% Popularity • 55% Danceability • 88% Energy • 13% Liveness
94% Instrumentalness • 82% Positiveness
27% Popularity • 55% Danceability • 88% Energy • 13% Liveness
94% Instrumentalness • 82% Positiveness
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Michiel van den Bos
Mission Critical (Unatco Combat)
120 bpm • A# min • 04:01 • -9.09db
22% Popularity • 59% Danceability • 94% Energy • 7% Liveness
83% Instrumentalness • 29% Positiveness
22% Popularity • 59% Danceability • 94% Energy • 7% Liveness
83% Instrumentalness • 29% Positiveness
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DJ-AJC
Cryptic Luminary
120 bpm • D Maj • 01:57 • -13.97db
8% Popularity • 64% Danceability • 65% Energy • 25% Liveness
90% Instrumentalness • 12% Positiveness
8% Popularity • 64% Danceability • 65% Energy • 25% Liveness
90% Instrumentalness • 12% Positiveness
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Chris Christodoulou
Monsoon
120 bpm • C Maj • 02:39 • -10db
33% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jim Guthrie
Empty Eyes
120 bpm • C min • 02:19 • -13.01db
12% Popularity • 53% Danceability • 38% Energy • 18% Liveness
82% Instrumentalness • 28% Positiveness
12% Popularity • 53% Danceability • 38% Energy • 18% Liveness
82% Instrumentalness • 28% Positiveness
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X-Marshal
Into Oblivion
120 bpm • G Maj • 02:48 • -11.1db
8% Popularity • 88% Danceability • 72% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
8% Popularity • 88% Danceability • 72% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
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Protricity
Wormaphobic Disorder (Tangerine Remix)
120 bpm • B min • 04:47 • -10.05db
11% Popularity • 57% Danceability • 68% Energy • 17% Liveness
7% Instrumentalness • 30% Positiveness
11% Popularity • 57% Danceability • 68% Energy • 17% Liveness
7% Instrumentalness • 30% Positiveness
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Alexander Brandon
Alien Influence (Area 51)
120 bpm • C# Maj • 03:50 • -8.92db
16% Popularity • 64% Danceability • 89% Energy • 7% Liveness
84% Instrumentalness • 44% Positiveness
16% Popularity • 64% Danceability • 89% Energy • 7% Liveness
84% Instrumentalness • 44% Positiveness
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Danny Baranowsky
Big Giant Throbbing Rocket (Big Giant Ci...
120 bpm • C# Maj • 04:16 • -9db
13% Popularity • 58% Danceability • 83% Energy • 9% Liveness
59% Instrumentalness • 75% Positiveness
13% Popularity • 58% Danceability • 83% Energy • 9% Liveness
59% Instrumentalness • 75% Positiveness
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A Shell In The Pit
Subterranean Sunrise
120 bpm • G# Maj • 04:45 • -7db
11% Popularity • 62% Danceability • 78% Energy • 7% Liveness
77% Instrumentalness • 38% Positiveness
11% Popularity • 62% Danceability • 78% Energy • 7% Liveness
77% Instrumentalness • 38% Positiveness
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Liquid Planet
Mysteries
120 bpm • G Maj • 03:47 • -12db
19% Popularity • 53% Danceability • 72% Energy • 23% Liveness
69% Instrumentalness • 20% Positiveness
19% Popularity • 53% Danceability • 72% Energy • 23% Liveness
69% Instrumentalness • 20% Positiveness
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Arnaud Roy
Skulk Around
120 bpm • D# min • 02:33 • -15.89db
15% Popularity • 53% Danceability • 15% Energy • 13% Liveness
32% Instrumentalness • 12% Positiveness
15% Popularity • 53% Danceability • 15% Energy • 13% Liveness
32% Instrumentalness • 12% Positiveness
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Arathrum
ReturnToPlanetX Metal (Timesplitters 2)
120 bpm • F# Maj • 03:58 • -8.49db
8% Popularity • 61% Danceability • 85% Energy • 8% Liveness
92% Instrumentalness • 58% Positiveness
8% Popularity • 61% Danceability • 85% Energy • 8% Liveness
92% Instrumentalness • 58% Positiveness
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Garoad
A New Frontier
120 bpm • F# Maj • 04:12 • -10.48db
24% Popularity • 48% Danceability • 70% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
24% Popularity • 48% Danceability • 70% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
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Curtis Schweitzer
The Peacekeepers
120 bpm • C Maj • 03:55 • -18.15db
13% Popularity • 60% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
13% Popularity • 60% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Derek Duke
Zerg One
120 bpm • F Maj • 04:40 • -14.76db
29% Popularity • 24% Danceability • 46% Energy • 12% Liveness
61% Instrumentalness • 7% Positiveness
29% Popularity • 24% Danceability • 46% Energy • 12% Liveness
61% Instrumentalness • 7% Positiveness
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Liquid Planet
Living Universe
120 bpm • G# Maj • 05:18 • -14.67db
14% Popularity • 50% Danceability • 74% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
14% Popularity • 50% Danceability • 74% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Thomas Happ
Otherworld
120 bpm • F Maj • 03:29 • -12.99db
17% Popularity • 55% Danceability • 33% Energy • 21% Liveness
88% Instrumentalness • 5% Positiveness
17% Popularity • 55% Danceability • 33% Energy • 21% Liveness
88% Instrumentalness • 5% Positiveness
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Ryan Roth
Dining Hall Jazz
120 bpm • E min • 01:17 • -15db
8% Popularity • 58% Danceability • 70% Energy • 14% Liveness
80% Instrumentalness • 16% Positiveness
8% Popularity • 58% Danceability • 70% Energy • 14% Liveness
80% Instrumentalness • 16% Positiveness
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morch kovalski
Black Mesa Theme
120 bpm • C min • 04:28 • -7.97db
26% Popularity • 52% Danceability • 82% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
26% Popularity • 52% Danceability • 82% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Megan McDuffee
Knock Out
120 bpm • G Maj • 02:16 • -7.25db
19% Popularity • 55% Danceability • 93% Energy • 11% Liveness
76% Instrumentalness • 43% Positiveness
19% Popularity • 55% Danceability • 93% Energy • 11% Liveness
76% Instrumentalness • 43% Positiveness
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Sam Dillard
Emerald Blossoms
120 bpm • C Maj • 06:16 • -16.27db
13% Popularity • 58% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 58% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Alexander Brandon
Finale
120 bpm • F Maj • 01:10 • -8.42db
7% Popularity • 49% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 49% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Jacome
Desolation Through Memories
120 bpm • F min • 03:02 • -8.18db
16% Popularity • 61% Danceability • 80% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
16% Popularity • 61% Danceability • 80% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
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Salvinsky
Techno-Sword
120 bpm • D# Maj • 02:33 • -13.18db
9% Popularity • 71% Danceability • 71% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
9% Popularity • 71% Danceability • 71% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
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ImATeaDrinker
Am I really the hero?
120 bpm • D# Maj • 03:51 • -9.34db
16% Popularity • 49% Danceability • 84% Energy • 22% Liveness
88% Instrumentalness • 26% Positiveness
16% Popularity • 49% Danceability • 84% Energy • 22% Liveness
88% Instrumentalness • 26% Positiveness
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Jack Wall
Noveria
120 bpm • G# Maj • 02:11 • -16.56db
35% Popularity • 25% Danceability • 47% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
35% Popularity • 25% Danceability • 47% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
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Alexi Silverstone
Trip of Love
120 bpm • A min • 01:04 • -12.72db
15% Popularity • 63% Danceability • 70% Energy • 14% Liveness
86% Instrumentalness • 36% Positiveness
15% Popularity • 63% Danceability • 70% Energy • 14% Liveness
86% Instrumentalness • 36% Positiveness
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Glasys
Surface of SR388
120 bpm • A# Maj • 02:06 • -8.45db
10% Popularity • 42% Danceability • 80% Energy • 30% Liveness
5% Instrumentalness • 59% Positiveness
10% Popularity • 42% Danceability • 80% Energy • 30% Liveness
5% Instrumentalness • 59% Positiveness
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Net-Zone
Erusea Storm
120 bpm • C Maj • 04:08 • -10.98db
13% Popularity • 31% Danceability • 65% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
13% Popularity • 31% Danceability • 65% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Rare All-Stars
Perfect Dark: dataDyne Central: Defectio...
119 bpm • A Maj • 03:49 • -14.09db
18% Popularity • 53% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
18% Popularity • 53% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Mimsamang
RHOADES
120 bpm • G# Maj • 01:21 • -5.51db
14% Popularity • 47% Danceability • 67% Energy • 59% Liveness
87% Instrumentalness • 95% Positiveness
14% Popularity • 47% Danceability • 67% Energy • 59% Liveness
87% Instrumentalness • 95% Positiveness
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Rayagon
Early Bird (Junkit Remix)
119 bpm • E min • 03:23 • -10.78db
9% Popularity • 21% Danceability • 47% Energy • 11% Liveness
69% Instrumentalness • 10% Positiveness
9% Popularity • 21% Danceability • 47% Energy • 11% Liveness
69% Instrumentalness • 10% Positiveness
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Garoad
Neo Avatar
121 bpm • B min • 03:42 • -12.29db
28% Popularity • 53% Danceability • 88% Energy • 18% Liveness
91% Instrumentalness • 16% Positiveness
28% Popularity • 53% Danceability • 88% Energy • 18% Liveness
91% Instrumentalness • 16% Positiveness
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Joel Nielsen
Unforeseen Consequences
121 bpm • A# min • 01:07 • -6.55db
26% Popularity • 81% Danceability • 65% Energy • 14% Liveness
84% Instrumentalness • 39% Positiveness
26% Popularity • 81% Danceability • 65% Energy • 14% Liveness
84% Instrumentalness • 39% Positiveness
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Alexander Brandon
Streetwize
119 bpm • C# Maj • 03:42 • -9.54db
9% Popularity • 44% Danceability • 77% Energy • 11% Liveness
73% Instrumentalness • 71% Positiveness
9% Popularity • 44% Danceability • 77% Energy • 11% Liveness
73% Instrumentalness • 71% Positiveness
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Michiel van den Bos
Assault at Oceanlab (Oceanlab Combat)
121 bpm • D Maj • 03:30 • -13db
19% Popularity • 67% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
19% Popularity • 67% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Carpenter Brut
Enraged
122 bpm • G# Maj • 04:57 • -7db
36% Popularity • 17% Danceability • 87% Energy • 33% Liveness
92% Instrumentalness • 6% Positiveness
36% Popularity • 17% Danceability • 87% Energy • 33% Liveness
92% Instrumentalness • 6% Positiveness
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fingerspit
Self-Justified Sacrifices
122 bpm • F# min • 07:36 • -17.52db
11% Popularity • 57% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
11% Popularity • 57% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Tommy Tallarico
Falling
122 bpm • C Maj • 02:21 • -8.46db
28% Popularity • 65% Danceability • 88% Energy • 9% Liveness
79% Instrumentalness • 56% Positiveness
28% Popularity • 65% Danceability • 88% Energy • 9% Liveness
79% Instrumentalness • 56% Positiveness
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GoldenZen
21. GoldenEye Rogue Agent - 007 Facility...
122 bpm • G Maj • 02:12 • -10.04db
21% Popularity • 66% Danceability • 70% Energy • 13% Liveness
55% Instrumentalness • 32% Positiveness
21% Popularity • 66% Danceability • 70% Energy • 13% Liveness
55% Instrumentalness • 32% Positiveness
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Arnaud Roy
Ground Mist
118 bpm • A# min • 03:18 • -17.43db
15% Popularity • 50% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
15% Popularity • 50% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Joel Nielsen
Deathmatch Trailer
122 bpm • E Maj • 02:11 • -14db
22% Popularity • 46% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
22% Popularity • 46% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Danger
7.53
122 bpm • G min • 02:37 • -7.7db
32% Popularity • 29% Danceability • 58% Energy • 66% Liveness
92% Instrumentalness • 16% Positiveness
32% Popularity • 29% Danceability • 58% Energy • 66% Liveness
92% Instrumentalness • 16% Positiveness
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Cameron Paxton
Lost in the Mines
123 bpm • C# Maj • 02:04 • -18.1db
13% Popularity • 23% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
13% Popularity • 23% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Gavin Harrison
Word on the Street
118 bpm • B min • 02:45 • -13.3db
11% Popularity • 57% Danceability • 59% Energy • 51% Liveness
90% Instrumentalness • 76% Positiveness
11% Popularity • 57% Danceability • 59% Energy • 51% Liveness
90% Instrumentalness • 76% Positiveness
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Tallarico
New Junk City - Original
117 bpm • D Maj • 02:59 • -15.75db
14% Popularity • 64% Danceability • 57% Energy • 10% Liveness
84% Instrumentalness • 64% Positiveness
14% Popularity • 64% Danceability • 57% Energy • 10% Liveness
84% Instrumentalness • 64% Positiveness
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Module
Argon Refinery
123 bpm • A# min • 08:51 • -4.66db
16% Popularity • 55% Danceability • 90% Energy • 9% Liveness
48% Instrumentalness • 46% Positiveness
16% Popularity • 55% Danceability • 90% Energy • 9% Liveness
48% Instrumentalness • 46% Positiveness
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ASFdirt
Camino Surreal Accidentado
123 bpm • C Maj • 01:30 • -17.59db
10% Popularity • 46% Danceability • 54% Energy • 56% Liveness
97% Instrumentalness • 10% Positiveness
10% Popularity • 46% Danceability • 54% Energy • 56% Liveness
97% Instrumentalness • 10% Positiveness
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Emile van Krieken
Labyrinth's Vengeance
123 bpm • G Maj • 03:34 • -11.53db
16% Popularity • 56% Danceability • 63% Energy • 11% Liveness
18% Instrumentalness • 16% Positiveness
16% Popularity • 56% Danceability • 63% Energy • 11% Liveness
18% Instrumentalness • 16% Positiveness
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Daniel Deluxe
Sundown
117 bpm • G# min • 02:57 • -17.22db
25% Popularity • 29% Danceability • 39% Energy • 12% Liveness
66% Instrumentalness • 6% Positiveness
25% Popularity • 29% Danceability • 39% Energy • 12% Liveness
66% Instrumentalness • 6% Positiveness
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Danny Baranowsky
Forest Funk (Ch 1 Light World)
117 bpm • G Maj • 03:00 • -8db
33% Popularity • 63% Danceability • 90% Energy • 36% Liveness
89% Instrumentalness • 58% Positiveness
33% Popularity • 63% Danceability • 90% Energy • 36% Liveness
89% Instrumentalness • 58% Positiveness
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Thommaz Kauffmann
Weight of a Doubt
123 bpm • C min • 03:02 • -7.42db
9% Popularity • 21% Danceability • 82% Energy • 66% Liveness
91% Instrumentalness • 38% Positiveness
9% Popularity • 21% Danceability • 82% Energy • 66% Liveness
91% Instrumentalness • 38% Positiveness
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Castlevania Sound Team
Bloody Tears :Stage4 (Game Sound Ver.)
124 bpm • A# min • 02:20 • -8.46db
19% Popularity • 38% Danceability • 83% Energy • 30% Liveness
88% Instrumentalness • 71% Positiveness
19% Popularity • 38% Danceability • 83% Energy • 30% Liveness
88% Instrumentalness • 71% Positiveness
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Alexander Brandon
Diamondus Remix
116 bpm • G Maj • 02:41 • -8.1db
12% Popularity • 70% Danceability • 91% Energy • 17% Liveness
71% Instrumentalness • 94% Positiveness
12% Popularity • 70% Danceability • 91% Energy • 17% Liveness
71% Instrumentalness • 94% Positiveness
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Peter Chapman
New Boss Theme
124 bpm • G Maj • 02:14 • -7.63db
10% Popularity • 57% Danceability • 95% Energy • 15% Liveness
90% Instrumentalness • 54% Positiveness
10% Popularity • 57% Danceability • 95% Energy • 15% Liveness
90% Instrumentalness • 54% Positiveness
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Jerry Martin
Rush Hour
124 bpm • F min • 05:26 • -6.51db
26% Popularity • 60% Danceability • 93% Energy • 9% Liveness
84% Instrumentalness • 91% Positiveness
26% Popularity • 60% Danceability • 93% Energy • 9% Liveness
84% Instrumentalness • 91% Positiveness
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Ben Prunty
Federation
124 bpm • B min • 04:07 • -19.02db
30% Popularity • 51% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
30% Popularity • 51% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Everrune
Deus Ex: Main Title
116 bpm • D min • 02:26 • -7.9db
23% Popularity • 48% Danceability • 82% Energy • 8% Liveness
85% Instrumentalness • 11% Positiveness
23% Popularity • 48% Danceability • 82% Energy • 8% Liveness
85% Instrumentalness • 11% Positiveness
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Castlevania Sound Team
Vampire Killer / Akumajo Dracula X Rondo...
124 bpm • A min • 01:45 • -11.44db
25% Popularity • 57% Danceability • 71% Energy • 11% Liveness
80% Instrumentalness • 50% Positiveness
25% Popularity • 57% Danceability • 71% Energy • 11% Liveness
80% Instrumentalness • 50% Positiveness
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Visisonar
Have You Ever Heard the Sun - Remastered...
116 bpm • D Maj • 06:24 • -14.68db
11% Popularity • 29% Danceability • 40% Energy • 8% Liveness
72% Instrumentalness • 21% Positiveness
11% Popularity • 29% Danceability • 40% Energy • 8% Liveness
72% Instrumentalness • 21% Positiveness
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Alexander Brandon
Reyes Gauntlet (Training Room)
116 bpm • B min • 02:27 • -14.04db
20% Popularity • 59% Danceability • 54% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
20% Popularity • 59% Danceability • 54% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
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Rom Di Prisco
Los Manglares
125 bpm • E min • 04:21 • -8.1db
14% Popularity • 61% Danceability • 87% Energy • 13% Liveness
84% Instrumentalness • 77% Positiveness
14% Popularity • 61% Danceability • 87% Energy • 13% Liveness
84% Instrumentalness • 77% Positiveness
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Magnus PÃ¥lsson
Pressure Cooker
125 bpm • E Maj • 03:29 • -9.1db
25% Popularity • 47% Danceability • 93% Energy • 18% Liveness
97% Instrumentalness • 89% Positiveness
25% Popularity • 47% Danceability • 93% Energy • 18% Liveness
97% Instrumentalness • 89% Positiveness
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Glenn Stafford
StarCraft Main Title
125 bpm • G Maj • 02:26 • -15.94db
33% Popularity • 35% Danceability • 44% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 35% Danceability • 44% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
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Brett Schleicher
This Sorrowful Life
125 bpm • C Maj • 05:45 • -8.79db
8% Popularity • 43% Danceability • 60% Energy • 8% Liveness
73% Instrumentalness • 18% Positiveness
8% Popularity • 43% Danceability • 60% Energy • 8% Liveness
73% Instrumentalness • 18% Positiveness
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Adam Schneider
Geoscape
125 bpm • E min • 03:42 • -12.39db
21% Popularity • 57% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 57% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Brandon
Haunted Hare (Secret Boss)
125 bpm • F# min • 03:28 • -7.85db
12% Popularity • 52% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 52% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
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Purple Motion
Satellite One
125 bpm • E min • 03:04 • -8db
11% Popularity • 53% Danceability • 96% Energy • 13% Liveness
76% Instrumentalness • 96% Positiveness
11% Popularity • 53% Danceability • 96% Energy • 13% Liveness
76% Instrumentalness • 96% Positiveness
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Magnus PÃ¥lsson
Potential for Anything
125 bpm • D min • 03:44 • -7.77db
29% Popularity • 52% Danceability • 82% Energy • 11% Liveness
75% Instrumentalness • 35% Positiveness
29% Popularity • 52% Danceability • 82% Energy • 11% Liveness
75% Instrumentalness • 35% Positiveness
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Glenn Stafford
Terran Two
125 bpm • D min • 03:56 • -11db
38% Popularity • 48% Danceability • 64% Energy • 30% Liveness
20% Instrumentalness • 48% Positiveness
38% Popularity • 48% Danceability • 64% Energy • 30% Liveness
20% Instrumentalness • 48% Positiveness
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Curtis Schweitzer
Inviolate
125 bpm • A min • 02:46 • -8db
14% Popularity • 66% Danceability • 54% Energy • 13% Liveness
64% Instrumentalness • 39% Positiveness
14% Popularity • 66% Danceability • 54% Energy • 13% Liveness
64% Instrumentalness • 39% Positiveness
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Ben Prunty
MilkyWay (Explore)
125 bpm • E min • 02:40 • -19db
41% Popularity • 52% Danceability • 43% Energy • 17% Liveness
90% Instrumentalness • 39% Positiveness
41% Popularity • 52% Danceability • 43% Energy • 17% Liveness
90% Instrumentalness • 39% Positiveness
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Alexander Brandon
Jaz 30
125 bpm • B min • 01:23 • -7.76db
6% Popularity • 58% Danceability • 99% Energy • 7% Liveness
37% Instrumentalness • 1% Positiveness
6% Popularity • 58% Danceability • 99% Energy • 7% Liveness
37% Instrumentalness • 1% Positiveness
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Felix Barbarino
Once Upon a Trail
125 bpm • C Maj • 03:56 • -11.23db
13% Popularity • 59% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 81% Positiveness
13% Popularity • 59% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 81% Positiveness
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Michael McCann
The Mole
125 bpm • E Maj • 02:24 • -23.8db
37% Popularity • 52% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
37% Popularity • 52% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Magnus PÃ¥lsson
Predestined Fate
125 bpm • F Maj • 02:12 • -9db
26% Popularity • 40% Danceability • 88% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
26% Popularity • 40% Danceability • 88% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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Tallarico
Buttville The Descent - Original
115 bpm • E min • 02:59 • -14.27db
10% Popularity • 64% Danceability • 90% Energy • 15% Liveness
89% Instrumentalness • 90% Positiveness
10% Popularity • 64% Danceability • 90% Energy • 15% Liveness
89% Instrumentalness • 90% Positiveness
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Ben Prunty
MilkyWay (Battle)
125 bpm • E min • 02:40 • -16.09db
35% Popularity • 51% Danceability • 64% Energy • 24% Liveness
87% Instrumentalness • 72% Positiveness
35% Popularity • 51% Danceability • 64% Energy • 24% Liveness
87% Instrumentalness • 72% Positiveness
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Alexander Brandon
Tubelectric Remix
125 bpm • A# min • 02:35 • -8.87db
14% Popularity • 62% Danceability • 81% Energy • 18% Liveness
50% Instrumentalness • 71% Positiveness
14% Popularity • 62% Danceability • 81% Energy • 18% Liveness
50% Instrumentalness • 71% Positiveness
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Ionisor Bujor
Pisica aurita
115 bpm • G Maj • 02:15 • -10.39db
30% Popularity • 51% Danceability • 84% Energy • 16% Liveness
8% Instrumentalness • 79% Positiveness
30% Popularity • 51% Danceability • 84% Energy • 16% Liveness
8% Instrumentalness • 79% Positiveness
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Net-Zone
Safe Recon
115 bpm • C# min • 06:30 • -13.43db
10% Popularity • 56% Danceability • 51% Energy • 12% Liveness
84% Instrumentalness • 22% Positiveness
10% Popularity • 56% Danceability • 51% Energy • 12% Liveness
84% Instrumentalness • 22% Positiveness
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Danny Baranowsky
Disco Descent
115 bpm • A min • 03:00 • -5.4db
39% Popularity • 63% Danceability • 82% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
39% Popularity • 63% Danceability • 82% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
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Matt Gray
Robocop 3 (C64 Title Theme)
125 bpm • F min • 05:25 • -6.05db
13% Popularity • 57% Danceability • 96% Energy • 7% Liveness
88% Instrumentalness • 53% Positiveness
13% Popularity • 57% Danceability • 96% Energy • 7% Liveness
88% Instrumentalness • 53% Positiveness
