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Garden of Eden
Songs like
Garden of Eden
by
Billie Marten
Based on a tempo of (+/- 10%) and a similar genre
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Eleni Drake
King Street
150 bpm • E Maj • 03:38 • -11.58db
46% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Fenne Lily
On Hold
150 bpm • C# min • 02:38 • -9.52db
29% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Maria Kelly
the sum of the in-between
150 bpm • C# Maj • 04:16 • -16db
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
45% Instrumentalness • 39% Positiveness
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Billie Marten
Garden of Eden
150 bpm • F Maj • 03:19 • -8.08db
29% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
47% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Moses Sumney
Make Out in My Car - Sufjan Stevens Vers...
150 bpm • F Maj • 02:46 • -11.66db
52% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Luca Fogale
Bluebird
150 bpm • B min • 04:52 • -14db
45% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Phoebe Bridgers
Graceland Too
150 bpm • A# Maj • 03:56 • -10.37db
67% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Whatever, Dad
Death of the Phone Call
149 bpm • A Maj • 01:35 • -17.46db
64% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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The Staves
Nothing's Gonna Happen (Demo)
151 bpm • D Maj • 03:56 • -12db
53% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Billie Marten
As Long As
148 bpm • B min • 03:25 • -11.65db
19% Popularity • 40% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Delaney Bailey
Oh Love
148 bpm • G# Maj • 02:45 • -14.92db
45% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Rayland Baxter
Without Me
152 bpm • G Maj • 05:44 • -9.82db
42% Popularity • 48% Danceability • 34% Energy • 56% Liveness
0% Instrumentalness • 39% Positiveness
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Jolé
Picture Perfect
152 bpm • G Maj • 02:54 • -13.04db
52% Popularity • 41% Danceability • 30% Energy • 21% Liveness
7% Instrumentalness • 38% Positiveness
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Uma
Maybe We'll Wake Up - Demo
148 bpm • G Maj • 02:09 • -10.81db
36% Popularity • 38% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Imaginary Future
Feels Like We Only Go Backwards
147 bpm • E min • 02:39 • -15.31db
44% Popularity • 50% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Billie Marten
Devil Swim (OurVinyl Sessions)
148 bpm • F# min • 03:19 • -12.68db
38% Popularity • 49% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Flyte
Love is an Accident
153 bpm • F# Maj • 03:05 • -8.64db
38% Popularity • 65% Danceability • 42% Energy • 13% Liveness
26% Instrumentalness • 67% Positiveness
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Bess Atwell
Dolly
147 bpm • A# min • 02:55 • -13.78db
35% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Philip Brooks
wait till u get home
153 bpm • B Maj • 02:26 • -15.3db
46% Popularity • 45% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Hailaker
Oh, Boy
154 bpm • A Maj • 03:49 • -11.09db
29% Popularity • 52% Danceability • 27% Energy • 12% Liveness
67% Instrumentalness • 16% Positiveness
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Billie Marten
Green - Demo
153 bpm • B min • 02:48 • -11.04db
22% Popularity • 43% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Matt Maltese
Krystal
154 bpm • D# Maj • 03:40 • -8.06db
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Abimaro
Folding
154 bpm • A# Maj • 03:47 • -16.31db
42% Popularity • 46% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 44% Positiveness
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Hozier
Shrike
154 bpm • G min • 04:58 • -8.46db
63% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Skullcrusher
Farm
154 bpm • F Maj • 04:43 • -14db
37% Popularity • 44% Danceability • 18% Energy • 26% Liveness
10% Instrumentalness • 7% Positiveness
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Sufjan Stevens
Cimmerian Shade
146 bpm • A# Maj • 04:19 • -13.64db
34% Popularity • 48% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Billie Marten
I Can't Get My Head Around You (OurVinyl...
147 bpm • C# Maj • 03:04 • -11.07db
40% Popularity • 56% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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Adrianne Lenker
Indiana
155 bpm • C# Maj • 02:37 • -13db
58% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Lomelda
Bust
155 bpm • C Maj • 01:31 • -18db
47% Popularity • 52% Danceability • 27% Energy • 11% Liveness
31% Instrumentalness • 5% Positiveness
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Phoebe Bridgers
Moon Song
155 bpm • C# Maj • 04:37 • -12.51db
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Philip Brooks
didn't you believe in me?
155 bpm • B min • 02:15 • -11.14db
36% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
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Daughter
Candles
155 bpm • F# Maj • 04:53 • -12.05db
51% Popularity • 41% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Billie Marten
I Can't Get My Head Around You
145 bpm • G# Maj • 03:26 • -7.86db
45% Popularity • 53% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
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Bon Iver
Lump Sum
145 bpm • A Maj • 03:21 • -17.72db
55% Popularity • 48% Danceability • 32% Energy • 13% Liveness
36% Instrumentalness • 39% Positiveness
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Searows
Funny
145 bpm • F# min • 05:02 • -12.61db
48% Popularity • 26% Danceability • 35% Energy • 16% Liveness
5% Instrumentalness • 12% Positiveness
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Clairo
Blouse
145 bpm • G Maj • 03:15 • -20.33db
55% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Novo Amor
I Make Sparks
144 bpm • C Maj • 03:38 • -13db
51% Popularity • 59% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
56% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Sufjan Stevens
All of Me Wants All of You
144 bpm • B min • 03:41 • -17.44db
54% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Angel Olsen
Some things Cosmic
144 bpm • G# Maj • 02:54 • -13.54db
51% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Matilda Mann
The Loch Ness Monster
144 bpm • E Maj • 03:19 • -11.5db
37% Popularity • 53% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
46% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Dora Jar
Spell
143 bpm • E min • 04:07 • -15db
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sufjan Stevens
To Be Alone With You
142 bpm • C min • 02:48 • -18db
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
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Novo Amor
Weather
144 bpm • F# Maj • 03:52 • -13.55db
60% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Tom Rosenthal
To You Alone
142 bpm • E min • 02:43 • -17db
56% Popularity • 63% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Etta Marcus
Hide & Seek
159 bpm • G Maj • 03:41 • -8db
43% Popularity • 47% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
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Billie Marten
This Is How We Move
141 bpm • C# Maj • 03:06 • -11.64db
35% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Sufjan Stevens
The Only Thing
159 bpm • D# Maj • 04:44 • -19.59db
61% Popularity • 51% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
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Squirrel Flower
So Hot You're Hurting My Feelings
141 bpm • F Maj • 03:29 • -7db
51% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Searows
Older
141 bpm • C Maj • 06:55 • -12.99db
49% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Angelo De Augustine
Blue
160 bpm • D Maj • 02:36 • -15db
38% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bella Porter
Cynicism
140 bpm • E Maj • 03:52 • -21.98db
32% Popularity • 32% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Rosenthal
Have We Met Before?
140 bpm • G# Maj • 02:39 • -19db
52% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Sufjan Stevens
Futile Devices
140 bpm • E Maj • 02:13 • -18.65db
63% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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Flyte
White Roses
140 bpm • A# Maj • 03:26 • -7.08db
49% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
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Orla Gartland
Heavy
140 bpm • F Maj • 04:04 • -12.02db
38% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Torri Weidinger
all in good Time,
161 bpm • C min • 05:01 • -16.32db
41% Popularity • 25% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 20% Positiveness
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Fenne Lily
Car Park
140 bpm • B Maj • 02:53 • -10.47db
35% Popularity • 63% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Delaney Bailey
Love Letter From The Sea To The Shore
162 bpm • D Maj • 03:11 • -14.79db
50% Popularity • 38% Danceability • 26% Energy • 48% Liveness
7% Instrumentalness • 39% Positiveness
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Sufjan Stevens
Futile Devices (Doveman Remix)
140 bpm • E Maj • 02:15 • -19.99db
66% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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Adrianne Lenker
I Still Hear You
139 bpm • A Maj • 03:26 • -16db
47% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sylvan Esso
Slack Jaw
139 bpm • D# Maj • 03:05 • -15db
44% Popularity • 53% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Dawdler
Lava Lamps
139 bpm • G Maj • 02:53 • -14.45db
34% Popularity • 46% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Fenne Lily
Car Park (Overflow)
139 bpm • B Maj • 02:24 • -19db
22% Popularity • 49% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Uma
Astronaut
162 bpm • G Maj • 02:52 • -12.88db
30% Popularity • 42% Danceability • 25% Energy • 15% Liveness
2% Instrumentalness • 24% Positiveness
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Bess Atwell
Cherry Baby
138 bpm • F# min • 05:26 • -13.36db
29% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Anna Leone
Once
138 bpm • A Maj • 03:25 • -13db
39% Popularity • 35% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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Lana Del Rey
Tomorrow Never Came
138 bpm • C Maj • 05:07 • -9.76db
61% Popularity • 30% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Gloria Laing
Why Can't I Have You
138 bpm • G Maj • 04:45 • -17.65db
51% Popularity • 83% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 23% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
45% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
38% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Anna Leone
Still I Wait
138 bpm • G Maj • 03:49 • -13.98db
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Billie Marten
Lionhearted
137 bpm • G Maj • 04:30 • -13db
35% Popularity • 34% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Christian Lee Hutson
Lose This Number
137 bpm • B Maj • 03:56 • -11.73db
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Lomelda
It's Infinite
137 bpm • C Maj • 02:54 • -17db
45% Popularity • 56% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 45% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Delaney Bailey
My Skin
165 bpm • F Maj • 02:50 • -19.43db
37% Popularity • 30% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Tom Rosenthal
Morning O
137 bpm • D Maj • 02:41 • -15.2db
40% Popularity • 55% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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boygenius
Revolution 0
136 bpm • C Maj • 04:17 • -14.22db
58% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Young Summer
If the World Falls to Pieces
136 bpm • F Maj • 02:46 • -13.47db
43% Popularity • 35% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Hailaker
Famous
136 bpm • C# Maj • 03:53 • -12.56db
44% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Samia
As You Are
136 bpm • B Maj • 02:21 • -11db
39% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Roo Panes
Remember Fall In Montreal
136 bpm • C Maj • 05:00 • -12db
47% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
55% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Fenne Lily
Brother
136 bpm • G Maj • 02:50 • -13.31db
30% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lomelda
Columbia River
135 bpm • A min • 04:42 • -13db
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Billie Marten
Toulouse
135 bpm • C# Maj • 04:06 • -18.41db
35% Popularity • 70% Danceability • 24% Energy • 9% Liveness
13% Instrumentalness • 35% Positiveness
► Preview
Erin Donahue
Sage Green Eyes
135 bpm • F# min • 02:43 • -25.55db
47% Popularity • 38% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 15% Positiveness
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Garden of Eden