Songs like Gelobet seystu Jesu Christ: II. Secundus Versu by Matthias Weckmann
Based on a tempo of (+/- 10%) and a similar genre
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St. Tikhon's Masterclass Choir
St. Symeon's Prayer
132 bpm • G# min • 02:08 • -29db
23% Popularity • 16% Danceability • 1% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
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Dom Le Feuvre
Dans la joie de Pâques : Antienne Vidi ...
132 bpm • F# Maj • 03:58 • -21db
32% Popularity • 23% Danceability • 8% Energy • 11% Liveness
71% Instrumentalness • 8% Positiveness
32% Popularity • 23% Danceability • 8% Energy • 11% Liveness
71% Instrumentalness • 8% Positiveness
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Cantarte Regensburg
Anbetung Dem Kreuz: Crucem Tuam
132 bpm • B min • 02:31 • -19.45db
29% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Matthias Weckmann
Canzon (III) in D Minor
132 bpm • A min • 02:23 • -24.94db
0% Popularity • 37% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
0% Popularity • 37% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
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Nova Schola Gregoriana
Missa cum iubilo - Sanctus
132 bpm • D# Maj • 01:44 • -20db
36% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
36% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
132 bpm • A min • 06:37 • -19.58db
20% Popularity • 20% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jacob Praetorius
Salve decus suecorum Rex Gustave Adolphe
132 bpm • D Maj • 03:38 • -16db
8% Popularity • 39% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 43% Positiveness
8% Popularity • 39% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 43% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
132 bpm • A# Maj • 05:19 • -26.54db
8% Popularity • 16% Danceability • 3% Energy • 19% Liveness
14% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 19% Liveness
14% Instrumentalness • 3% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Memorare
131 bpm • F Maj • 02:00 • -28db
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
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Matthias Weckmann
Wenn der Herr die Gefangnen zu Zion erl�...
132 bpm • E min • 04:54 • -18.47db
0% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 13, ...
133 bpm • F# Maj • 02:51 • -29.57db
16% Popularity • 20% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
16% Popularity • 20% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Choir Of St. Abuscus
Benedictus Hymnus (4. Adventssonnabend)
133 bpm • D# Maj • 06:58 • -15db
30% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
30% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Monks Of The Abbey Of Notre Dame
Audi Filia
133 bpm • F min • 03:50 • -26db
44% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Antifona...
133 bpm • G Maj • 03:33 • -29.09db
25% Popularity • 18% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Monks Of The Benedictine Abbey
Hodie Christus Natus Est
131 bpm • A min • 01:02 • -21db
31% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Matthias Weckmann
Gelobet seystu Jesu Christ: II. Secundus...
132 bpm • A Maj • 01:16 • -22.77db
0% Popularity • 16% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
0% Popularity • 16% Danceability • 9% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
133 bpm • E Maj • 02:03 • -24.66db
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Gregorian Chants
Miss De Angelis: I. Kyrie
133 bpm • D Maj • 01:53 • -18.12db
26% Popularity • 24% Danceability • 12% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
26% Popularity • 24% Danceability • 12% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
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![The Forty (Lord, Have Mercy) [Kiev-Pechersk Lavra Chant] cover art](https://i.scdn.co/image/ab67616d00001e0274f861c808b95a2d87010a90)
St. Symeon Orthodox Church Octet
The Forty (Lord, Have Mercy) [Kiev-Peche...
133 bpm • C# Maj • 01:05 • -17.73db
23% Popularity • 19% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 19% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Canto Al...
131 bpm • F Maj • 02:38 • -23db
22% Popularity • 18% Danceability • 6% Energy • 10% Liveness
28% Instrumentalness • 11% Positiveness
22% Popularity • 18% Danceability • 6% Energy • 10% Liveness
28% Instrumentalness • 11% Positiveness
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Officium Ensemble
Jubilus rhythmicus de nomini Jesu (2)
133 bpm • A# min • 02:17 • -25.76db
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Ambrosian Chant,
Cantus Officiorum: Responsorium: Tenebra...
131 bpm • D# Maj • 03:48 • -25db
29% Popularity • 22% Danceability • 7% Energy • 13% Liveness
22% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 13% Liveness
22% Instrumentalness • 6% Positiveness
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John Dunstable
Gloria, JD 15: Gloria (Jesu Christe Fili...
133 bpm • E Maj • 07:42 • -22.55db
12% Popularity • 18% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Plain-chant
Mass for the Nativity of the Virgin: III...
133 bpm • C Maj • 04:30 • -26.21db
10% Popularity • 18% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Benedettini Abbazia di San Paolo fuori le mura
Assumpta Est Maria E Magnificat
133 bpm • E Maj • 03:29 • -17.24db
23% Popularity • 25% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 25% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Ola Gjeilo
Ola Gjeilo: Tota pulchra es
131 bpm • E Maj • 06:27 • -26.08db
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
O Virgo pulcherrima
133 bpm • G Maj • 01:18 • -27.81db
30% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
12% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
12% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Peter Abelard
Abelard and Heloise, from Saint-Denis to...
133 bpm • B Maj • 03:12 • -24.23db
3% Popularity • 35% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 35% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Monks Of The Abbey Of Notre Dame
Regina Mundi
133 bpm • B Maj • 01:31 • -24db
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Agnus iii
131 bpm • A min • 01:47 • -30db
35% Popularity • 18% Danceability • 1% Energy • 11% Liveness
47% Instrumentalness • 6% Positiveness
35% Popularity • 18% Danceability • 1% Energy • 11% Liveness
47% Instrumentalness • 6% Positiveness
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Chants From the Holyland- Graz Gregorian Chants School of Austri
Offertorium
133 bpm • A# min • 03:28 • -27db
15% Popularity • 24% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Clemens et benigna
131 bpm • F Maj • 03:34 • -26db
20% Popularity • 19% Danceability • 3% Energy • 19% Liveness
9% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 3% Energy • 19% Liveness
9% Instrumentalness • 4% Positiveness
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Cantarte Regensburg
Pro Offertorium: Ubi Caritas
133 bpm • G min • 03:23 • -23.27db
27% Popularity • 27% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 27% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Peter Abelard
Abelard and Heloise, from Saint-Denis to...
131 bpm • C min • 06:12 • -29db
16% Popularity • 28% Danceability • 1% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 1% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Matthias Weckmann
4 Variations on Die lieblichen Blicke: V...
131 bpm • A# min • 01:44 • -38.83db
0% Popularity • 24% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 27% Positiveness
0% Popularity • 24% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 27% Positiveness
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Choir Of St. Abuscus
Hosanna filio David Antiphona (Palmsonnt...
131 bpm • D# Maj • 02:23 • -17db
34% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 25% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Monks Of The Abbey Of Notre Dame
Ora Pro Nobis
133 bpm • F# min • 00:49 • -25.68db
44% Popularity • 22% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 22% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Notre Dame Liturgical Choir
Sacris solemniis
130 bpm • C# min • 03:07 • -32.23db
12% Popularity • 22% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Let My Prayer Be Set Forth in Thy Sight ...
134 bpm • A# min • 07:31 • -23.15db
9% Popularity • 17% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Léonin
Viderunt omnes No. 3: ...fines terre sal...
134 bpm • C# Maj • 00:58 • -21.59db
20% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Христос анэсти
130 bpm • D Maj • 02:09 • -17.83db
14% Popularity • 29% Danceability • 9% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
14% Popularity • 29% Danceability • 9% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
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Choir Of St. Abuscus
Collegerunt Antiphona (Palmsonntag)
134 bpm • D# Maj • 06:09 • -17db
21% Popularity • 22% Danceability • 21% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
21% Popularity • 22% Danceability • 21% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
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"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
33% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Archangel Voices
Canon of Holy Saturday, Ode 5 - Lesser Z...
130 bpm • E min • 01:23 • -19.56db
15% Popularity • 29% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 29% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Gregorian Chants
Missa Kyrie fons bonitatisV. Agnus Dei
130 bpm • D# Maj • 01:50 • -16db
24% Popularity • 24% Danceability • 15% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 15% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Salve mira creatura
134 bpm • F min • 04:30 • -28db
19% Popularity • 21% Danceability • 3% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 3% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
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Choir Of St. Abuscus
Te Deum laudamus Hymnus (Dankgottesdiens...
134 bpm • D Maj • 06:21 • -19db
29% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
29% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Introit gaudeamu...
134 bpm • F Maj • 02:46 • -31.08db
38% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
38% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Alleluia "Assumpta est Maria"
130 bpm • D# Maj • 02:27 • -25.43db
34% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
34% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Nova Schola Gregoriana
Missa de angelis - Gloria
134 bpm • A Maj • 03:11 • -20db
31% Popularity • 26% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 26% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Pérotin
Mass for the Nativity of the Virgin: I. ...
130 bpm • F min • 09:22 • -22.12db
11% Popularity • 20% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Concordi laetitia
134 bpm • G# Maj • 02:15 • -27db
24% Popularity • 21% Danceability • 4% Energy • 15% Liveness
6% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 15% Liveness
6% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
35% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
35% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Choir Of St. Abuscus
Popule meus Improperie (Karfreitag)
130 bpm • F Maj • 06:30 • -19db
24% Popularity • 22% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Jean Sourisse
Tantum Ergo, Op. 2
135 bpm • F Maj • 02:45 • -27.92db
9% Popularity • 15% Danceability • 14% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 14% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
► Preview
Benedict Sheehan
Liturgy of St. John Chrysostom: No. 14, ...
129 bpm • D# Maj • 01:36 • -18.17db
20% Popularity • 22% Danceability • 22% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 22% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Men's Choir of the Valaam ...
The Day Has Passed
135 bpm • G# min • 01:07 • -25db
29% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
The Sirin Choir, Choirmaster: Andrey Kotov
Let All Human Flesh Be Silent
129 bpm • D Maj • 08:36 • -21.16db
9% Popularity • 17% Danceability • 17% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 17% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
Matthias Weckmann
Wie liegt die Stadt so wüste
129 bpm • G# Maj • 16:25 • -15.01db
0% Popularity • 29% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 29% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Choirs Of Annunciation Byzantine Catholic Church
Rejoice O Virgin
129 bpm • A Maj • 01:10 • -20.78db
27% Popularity • 19% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
27% Popularity • 19% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
► Preview
Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Introït "Signum Magnum"
135 bpm • F# min • 03:37 • -25db
26% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Choir Of St. Abuscus
Pueri Hebraeorum Antiphona (Palmsonntag)
135 bpm • A min • 02:20 • -19db
27% Popularity • 26% Danceability • 13% Energy • 15% Liveness
3% Instrumentalness • 12% Positiveness
27% Popularity • 26% Danceability • 13% Energy • 15% Liveness
3% Instrumentalness • 12% Positiveness
► Preview
Chants From the Holyland- Graz Gregorian Chants School of Austri
Offertorium
129 bpm • F# Maj • 03:25 • -16.22db
21% Popularity • 25% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
21% Popularity • 25% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Roman Hurko
2nd Antiphon, Only Begotten Son & Small ...
129 bpm • C# Maj • 03:22 • -24.09db
19% Popularity • 20% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
The Sirin Choir, Choirmaster: Andrey Kotov
All Receive The Baptism In Christ
129 bpm • G min • 04:38 • -16.58db
9% Popularity • 21% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
St Dominic's Priory Choir
Allelujia - Magnus Dominum - Proper for ...
129 bpm • F Maj • 03:00 • -18db
17% Popularity • 22% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
17% Popularity • 22% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
► Preview
Harpa Dei
Veni Sancte Spiritus
135 bpm • G min • 02:31 • -19.17db
36% Popularity • 34% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
36% Popularity • 34% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
► Preview
Men's Choir of the Valaam ...
Exapostilarion Of The Transfiguration Of...
135 bpm • A Maj • 01:31 • -22.36db
11% Popularity • 16% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
11% Popularity • 16% Danceability • 22% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Guillaume Dufay
Missa L'homme arme: Illumina faciem tuam
129 bpm • C# min • 01:03 • -26.93db
13% Popularity • 26% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 26% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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The Male Choir of Valaam Singing Culture Institute
From My Youth
129 bpm • E Maj • 02:01 • -19.18db
8% Popularity • 20% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
8% Popularity • 20% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
129 bpm • F# Maj • 03:44 • -25.62db
8% Popularity • 20% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
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Coro De La Abadía De San Florián Y La Iglesia De Santa Rita
Ego Clamavi
136 bpm • G min • 02:30 • -24db
24% Popularity • 23% Danceability • 7% Energy • 35% Liveness
52% Instrumentalness • 8% Positiveness
24% Popularity • 23% Danceability • 7% Energy • 35% Liveness
52% Instrumentalness • 8% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Respons vidi angelum
128 bpm • F# Maj • 04:13 • -29db
36% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
36% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
The Grieving Mother
128 bpm • D# min • 04:15 • -28db
17% Popularity • 17% Danceability • 7% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 7% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Benedictine Monks of St. Wandrillede Fontonelle
Vox Turturis
136 bpm • A Maj • 01:33 • -20db
21% Popularity • 28% Danceability • 5% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
21% Popularity • 28% Danceability • 5% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
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Lege Artis Chamber Choir
We Praise Thee, O God No. 2 in F Major
136 bpm • F# Maj • 01:14 • -36.33db
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Coro De La Abadía De San Florián Y La Iglesia De Santa Rita
Sederunt Príncipes
128 bpm • E Maj • 03:04 • -16db
21% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
136 bpm • A Maj • 03:13 • -17db
23% Popularity • 20% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 20% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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Chants From the Holyland- Graz Gregorian Chants School of Austri
Commuio
128 bpm • G# Maj • 06:01 • -15db
14% Popularity • 30% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 30% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Nova Schola Gregoriana
Missa orbis factor - Agnus Dei
136 bpm • D# Maj • 01:20 • -21.64db
40% Popularity • 25% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 25% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Credo III
128 bpm • D Maj • 04:29 • -22db
35% Popularity • 21% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
35% Popularity • 21% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Kyrie iii
127 bpm • F min • 02:48 • -32.7db
37% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Gregorian Chants
Miss De Angelis: II. Gloria
137 bpm • A Maj • 02:40 • -17.61db
21% Popularity • 28% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 28% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Monks Of The Abbey Of Notre Dame
Ad Benedictus Sanctissime
127 bpm • C# min • 03:22 • -23db
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
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Public Domaine
Crux Fidélis: Hymne På Langfredag
127 bpm • A# min • 05:38 • -30.42db
12% Popularity • 21% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
12% Popularity • 21% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 5% Positiveness
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Charles Gounod
Messe brève No. 7: IIa. Domine Fili uni...
137 bpm • F Maj • 02:27 • -27.19db
8% Popularity • 15% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Adoramus Te
137 bpm • A# min • 01:53 • -27.1db
37% Popularity • 16% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
37% Popularity • 16% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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John Dunstable
Agnus Dei, JD 14
137 bpm • D# Maj • 05:33 • -28db
12% Popularity • 16% Danceability • 8% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 8% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
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Théodore Dubois
Adoramus te Christe
127 bpm • C Maj • 02:11 • -30db
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Tikey Zes
Great Entrance and Communion Hymn for Ho...
127 bpm • D Maj • 03:01 • -23.71db
14% Popularity • 17% Danceability • 7% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 7% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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The Monteverdi Choir
Missa Orbis factor: I. Kyrie eleison
127 bpm • G Maj • 01:16 • -32.48db
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Sanctus IX
127 bpm • G# Maj • 01:51 • -25db
24% Popularity • 20% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
24% Popularity • 20% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Parce Domine
137 bpm • C# min • 01:27 • -25.24db
44% Popularity • 20% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
44% Popularity • 20% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness