Songs like Gentle rain by The Blue Green
Based on a tempo of (+/- 10%) and a similar genre
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Holborns
Fridays
134 bpm • C# Maj • 03:05 • -15.9db
42% Popularity • 40% Danceability • 20% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
42% Popularity • 40% Danceability • 20% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
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James Earle Trio
Mornin
134 bpm • F Maj • 02:33 • -19.01db
48% Popularity • 49% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 23% Positiveness
48% Popularity • 49% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 23% Positiveness
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Magnus Ringblom
Standing Tall
134 bpm • C# Maj • 03:51 • -20.82db
46% Popularity • 58% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
46% Popularity • 58% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
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Sal Ritter
I Can't Get Started
134 bpm • G Maj • 03:56 • -22.2db
40% Popularity • 58% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
40% Popularity • 58% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 21% Positiveness
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The Blue Green
Gentle rain
134 bpm • F min • 04:16 • -17.81db
37% Popularity • 51% Danceability • 39% Energy • 9% Liveness
85% Instrumentalness • 65% Positiveness
37% Popularity • 51% Danceability • 39% Energy • 9% Liveness
85% Instrumentalness • 65% Positiveness
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Vitor José Fonseca
Lembranças
135 bpm • G min • 04:04 • -9.54db
44% Popularity • 81% Danceability • 33% Energy • 11% Liveness
30% Instrumentalness • 32% Positiveness
44% Popularity • 81% Danceability • 33% Energy • 11% Liveness
30% Instrumentalness • 32% Positiveness
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Jacob Rose Quartet
On A Clear Day (You Can See Forever)
135 bpm • G Maj • 03:24 • -13.03db
30% Popularity • 53% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
30% Popularity • 53% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
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Red Dolphin Band
There Is No Greater Love
135 bpm • G# Maj • 05:53 • -10.46db
29% Popularity • 66% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
29% Popularity • 66% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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The Sunday Duo
My Foolish Heart
135 bpm • G min • 04:49 • -23.12db
29% Popularity • 55% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
29% Popularity • 55% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Franz Gordon
I Fly With You
135 bpm • F Maj • 04:00 • -16.31db
37% Popularity • 56% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 21% Positiveness
37% Popularity • 56% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 21% Positiveness
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Ennio Máno
Aves
136 bpm • G Maj • 04:07 • -16.94db
38% Popularity • 53% Danceability • 16% Energy • 12% Liveness
84% Instrumentalness • 16% Positiveness
38% Popularity • 53% Danceability • 16% Energy • 12% Liveness
84% Instrumentalness • 16% Positiveness
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Charlie Wilder Band
Ev'rytime We Say Goodbye
133 bpm • F min • 04:15 • -15.41db
33% Popularity • 48% Danceability • 10% Energy • 11% Liveness
71% Instrumentalness • 16% Positiveness
33% Popularity • 48% Danceability • 10% Energy • 11% Liveness
71% Instrumentalness • 16% Positiveness
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Hara Noda
Lights Ahead
132 bpm • C Maj • 03:53 • -13.46db
39% Popularity • 64% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
39% Popularity • 64% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
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Zander Jazz Trio
Let There Be Love
132 bpm • D# Maj • 03:02 • -14.45db
44% Popularity • 65% Danceability • 30% Energy • 20% Liveness
68% Instrumentalness • 36% Positiveness
44% Popularity • 65% Danceability • 30% Energy • 20% Liveness
68% Instrumentalness • 36% Positiveness
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Ballroom Jazz Collective
The Old Country
132 bpm • C Maj • 03:38 • -14.13db
33% Popularity • 61% Danceability • 26% Energy • 37% Liveness
26% Instrumentalness • 50% Positiveness
33% Popularity • 61% Danceability • 26% Energy • 37% Liveness
26% Instrumentalness • 50% Positiveness
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LaSalle Street Trio
Fading Lights
132 bpm • B min • 03:46 • -15.78db
42% Popularity • 42% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 8% Positiveness
42% Popularity • 42% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 8% Positiveness
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CMC 3
Dear Old Stockholm
131 bpm • C Maj • 04:15 • -16.19db
39% Popularity • 54% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
39% Popularity • 54% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Dylan Lytle
How My Heart Sings
131 bpm • E min • 03:05 • -20.41db
41% Popularity • 53% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
41% Popularity • 53% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Aldo Romano
L.A. 58
131 bpm • C Maj • 04:06 • -11.62db
39% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
39% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
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James Earle Trio
If You Want To
137 bpm • D Maj • 02:46 • -15.87db
37% Popularity • 44% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
37% Popularity • 44% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
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Ted Ross Quartet
Socks And Sandals
130 bpm • F min • 03:39 • -19.34db
37% Popularity • 40% Danceability • 12% Energy • 38% Liveness
80% Instrumentalness • 24% Positiveness
37% Popularity • 40% Danceability • 12% Energy • 38% Liveness
80% Instrumentalness • 24% Positiveness
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David Fitzpatrick Trio
Skylark
137 bpm • F min • 04:00 • -21.44db
41% Popularity • 54% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
41% Popularity • 54% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Leonard Peters
Walk The Dog
130 bpm • A# Maj • 02:35 • -18.77db
33% Popularity • 60% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
33% Popularity • 60% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
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Magpie Jazz Trio
Forever Promises
138 bpm • E min • 03:13 • -19.31db
54% Popularity • 38% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
54% Popularity • 38% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Ballroom Jazz Collective
My Romance
138 bpm • C Maj • 03:48 • -14.69db
43% Popularity • 50% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
43% Popularity • 50% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Joyce Trio
Folks Who Live On A Hill
138 bpm • C Maj • 03:49 • -19.37db
51% Popularity • 31% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
51% Popularity • 31% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Arta Porting
Traveling Day
138 bpm • F Maj • 05:41 • -15.83db
55% Popularity • 36% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
55% Popularity • 36% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Carl Bagge Trio
You Must Believe In Spring
130 bpm • G Maj • 03:42 • -20.77db
34% Popularity • 42% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 21% Positiveness
34% Popularity • 42% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 21% Positiveness
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CMC 3
Love Is Here To Stay
130 bpm • C Maj • 04:22 • -17db
44% Popularity • 61% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
44% Popularity • 61% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
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Bladverk Band
Virga
130 bpm • C Maj • 04:05 • -14db
23% Popularity • 43% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
23% Popularity • 43% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
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European Jazz Trio
The Shadow of Your Smile
129 bpm • A# Maj • 05:48 • -18.08db
38% Popularity • 52% Danceability • 35% Energy • 15% Liveness
70% Instrumentalness • 47% Positiveness
38% Popularity • 52% Danceability • 35% Energy • 15% Liveness
70% Instrumentalness • 47% Positiveness
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Vendla
So They Say
129 bpm • C min • 03:57 • -12.28db
49% Popularity • 52% Danceability • 25% Energy • 38% Liveness
74% Instrumentalness • 24% Positiveness
49% Popularity • 52% Danceability • 25% Energy • 38% Liveness
74% Instrumentalness • 24% Positiveness
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Tore Lundblad
We've Been Through This Before
129 bpm • F min • 02:25 • -15.34db
47% Popularity • 55% Danceability • 19% Energy • 19% Liveness
74% Instrumentalness • 22% Positiveness
47% Popularity • 55% Danceability • 19% Energy • 19% Liveness
74% Instrumentalness • 22% Positiveness
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Carl Bagge Trio
I’m Old Fashioned
139 bpm • C Maj • 04:32 • -16db
33% Popularity • 50% Danceability • 31% Energy • 10% Liveness
52% Instrumentalness • 57% Positiveness
33% Popularity • 50% Danceability • 31% Energy • 10% Liveness
52% Instrumentalness • 57% Positiveness
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Original Three
You Gave Me That Look
128 bpm • F Maj • 05:04 • -24.11db
62% Popularity • 61% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 20% Positiveness
62% Popularity • 61% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 20% Positiveness
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Magpie Jazz Trio
Blue Bossa
128 bpm • C Maj • 03:11 • -16.59db
40% Popularity • 55% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 40% Positiveness
40% Popularity • 55% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 40% Positiveness
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The Blue Green
Bluesette
140 bpm • C min • 03:41 • -17.12db
2% Popularity • 56% Danceability • 27% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
2% Popularity • 56% Danceability • 27% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
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The Jazz Cultivators
Speak Low
128 bpm • F Maj • 03:41 • -18.99db
39% Popularity • 47% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
39% Popularity • 47% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
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Charlie James-Walker
Unspoken
128 bpm • C Maj • 03:13 • -17.13db
62% Popularity • 50% Danceability • 13% Energy • 12% Liveness
55% Instrumentalness • 12% Positiveness
62% Popularity • 50% Danceability • 13% Energy • 12% Liveness
55% Instrumentalness • 12% Positiveness
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The Headliner Trio
As Time Goes By
128 bpm • C min • 04:10 • -16.31db
39% Popularity • 63% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
39% Popularity • 63% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Dennis Roland
Like Someone In Love
127 bpm • F min • 03:09 • -16.77db
28% Popularity • 61% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
28% Popularity • 61% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Tore Lundblad
A Lucky Break
127 bpm • A# Maj • 03:09 • -20.92db
46% Popularity • 49% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
46% Popularity • 49% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Denzel Sachs
I Thought About You
127 bpm • F Maj • 04:31 • -10db
36% Popularity • 64% Danceability • 38% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
36% Popularity • 64% Danceability • 38% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Sal Ritter
Softly, as in a Morning Sunrise
142 bpm • F min • 03:10 • -20db
42% Popularity • 52% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
42% Popularity • 52% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
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Charlie Regan Three
My lids closed down
142 bpm • A# Maj • 03:51 • -14.62db
45% Popularity • 40% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
45% Popularity • 40% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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CMC 3
Setembro
126 bpm • C Maj • 05:32 • -17.09db
24% Popularity • 48% Danceability • 23% Energy • 10% Liveness
64% Instrumentalness • 7% Positiveness
24% Popularity • 48% Danceability • 23% Energy • 10% Liveness
64% Instrumentalness • 7% Positiveness
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Dennis Roland
Out Of Nowhere
127 bpm • G Maj • 03:25 • -17.71db
18% Popularity • 65% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 28% Positiveness
18% Popularity • 65% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 28% Positiveness
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Ben Lively
Dipping Birds
126 bpm • C min • 03:14 • -14.58db
49% Popularity • 46% Danceability • 26% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
49% Popularity • 46% Danceability • 26% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
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Gene Hart Trio
Dolphin Dance
126 bpm • C Maj • 04:54 • -16.26db
29% Popularity • 47% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
29% Popularity • 47% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Art Kingsley
All Blues
126 bpm • C Maj • 04:11 • -21.38db
21% Popularity • 60% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
21% Popularity • 60% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Angela Rowles
Misty
126 bpm • G# Maj • 04:17 • -16.84db
38% Popularity • 57% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
38% Popularity • 57% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Tate Jackson Trio
You'd Be So Nice to Come Home To
126 bpm • A min • 02:28 • -22.14db
38% Popularity • 58% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 34% Positiveness
38% Popularity • 58% Danceability • 25% Energy • 15% Liveness
92% Instrumentalness • 34% Positiveness
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Mitchell Jackson Quartet
Little Sunflower
125 bpm • A min • 04:23 • -15.21db
23% Popularity • 50% Danceability • 22% Energy • 12% Liveness
77% Instrumentalness • 34% Positiveness
23% Popularity • 50% Danceability • 22% Energy • 12% Liveness
77% Instrumentalness • 34% Positiveness
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Saint Clair Quartet
Alone Together
125 bpm • D Maj • 04:28 • -17.52db
20% Popularity • 58% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
20% Popularity • 58% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
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Mandevilla
I Have A Dream
144 bpm • A min • 04:10 • -15.66db
15% Popularity • 41% Danceability • 45% Energy • 8% Liveness
61% Instrumentalness • 58% Positiveness
15% Popularity • 41% Danceability • 45% Energy • 8% Liveness
61% Instrumentalness • 58% Positiveness
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Annie Berenson
Out of Wilma
125 bpm • C min • 02:49 • -14.2db
53% Popularity • 46% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 21% Positiveness
53% Popularity • 46% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 21% Positiveness
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Charles Daisey & Friends
That’s Gotta Be It
125 bpm • F Maj • 03:18 • -19.04db
30% Popularity • 45% Danceability • 16% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
30% Popularity • 45% Danceability • 16% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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Mayfare Trio
Autumn In New York
125 bpm • G min • 04:19 • -17.08db
45% Popularity • 55% Danceability • 15% Energy • 30% Liveness
93% Instrumentalness • 14% Positiveness
45% Popularity • 55% Danceability • 15% Energy • 30% Liveness
93% Instrumentalness • 14% Positiveness
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Vendla
Infinite Love
124 bpm • E Maj • 04:11 • -18.37db
43% Popularity • 54% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
43% Popularity • 54% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Foster Davies
The Fairies
124 bpm • G min • 03:00 • -18.37db
34% Popularity • 58% Danceability • 16% Energy • 12% Liveness
61% Instrumentalness • 39% Positiveness
34% Popularity • 58% Danceability • 16% Energy • 12% Liveness
61% Instrumentalness • 39% Positiveness
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Mandevilla
Someone to watch over me
124 bpm • G# Maj • 04:18 • -20.4db
37% Popularity • 52% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
37% Popularity • 52% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Trio Del Norte
Little Boat
145 bpm • D# Maj • 02:35 • -19.18db
46% Popularity • 37% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
46% Popularity • 37% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
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Lafayette Harris, Jr.
Wonder Why
145 bpm • G# Maj • 05:15 • -17db
46% Popularity • 48% Danceability • 28% Energy • 9% Liveness
36% Instrumentalness • 36% Positiveness
46% Popularity • 48% Danceability • 28% Energy • 9% Liveness
36% Instrumentalness • 36% Positiveness
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Bernhard Cohen
Molly's theme
123 bpm • F Maj • 03:52 • -14.82db
48% Popularity • 42% Danceability • 22% Energy • 20% Liveness
97% Instrumentalness • 23% Positiveness
48% Popularity • 42% Danceability • 22% Energy • 20% Liveness
97% Instrumentalness • 23% Positiveness
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We Three Trio
Skating
123 bpm • A# min • 03:17 • -17.95db
33% Popularity • 53% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
33% Popularity • 53% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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The Josh Rogers Band
I'm An Old Cowhand
146 bpm • D# Maj • 02:23 • -16.76db
35% Popularity • 49% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
35% Popularity • 49% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Riley Foster
Yesterdays
123 bpm • D min • 04:30 • -17.49db
30% Popularity • 55% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
30% Popularity • 55% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Connie Han
Pretty Women
123 bpm • C Maj • 06:21 • -16.97db
32% Popularity • 52% Danceability • 18% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
32% Popularity • 52% Danceability • 18% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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Norris Walker Trio
Song for Elmore
123 bpm • D min • 03:16 • -14.42db
43% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
43% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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South North
The next day
123 bpm • A# Maj • 02:13 • -15.7db
51% Popularity • 45% Danceability • 14% Energy • 25% Liveness
90% Instrumentalness • 10% Positiveness
51% Popularity • 45% Danceability • 14% Energy • 25% Liveness
90% Instrumentalness • 10% Positiveness
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Art Kingsley
Maiden Voyage
122 bpm • C Maj • 05:20 • -20.27db
24% Popularity • 57% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
24% Popularity • 57% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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The Blue Green
Lousanne
122 bpm • C min • 03:19 • -19.04db
46% Popularity • 47% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
46% Popularity • 47% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
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Mandevilla
A Time For Love
122 bpm • G min • 05:08 • -18.28db
36% Popularity • 41% Danceability • 22% Energy • 37% Liveness
93% Instrumentalness • 12% Positiveness
36% Popularity • 41% Danceability • 22% Energy • 37% Liveness
93% Instrumentalness • 12% Positiveness
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Gene Hart Trio
Love Walked In
122 bpm • D# Maj • 03:40 • -18.57db
39% Popularity • 63% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
39% Popularity • 63% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Hollbeck
Omväg
122 bpm • A min • 02:48 • -14.27db
39% Popularity • 56% Danceability • 31% Energy • 12% Liveness
92% Instrumentalness • 51% Positiveness
39% Popularity • 56% Danceability • 31% Energy • 12% Liveness
92% Instrumentalness • 51% Positiveness
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More than Jazz
Willow
122 bpm • C Maj • 03:16 • -20.51db
47% Popularity • 61% Danceability • 10% Energy • 16% Liveness
87% Instrumentalness • 18% Positiveness
47% Popularity • 61% Danceability • 10% Energy • 16% Liveness
87% Instrumentalness • 18% Positiveness
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Paul Moretti Trio
Someone To Watch Over Me
121 bpm • C Maj • 03:43 • -21.08db
39% Popularity • 51% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
39% Popularity • 51% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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The Blue Green
Matilda
122 bpm • F Maj • 03:17 • -20.05db
3% Popularity • 40% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
3% Popularity • 40% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
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Ted Lightfoot
All Of You
121 bpm • D# Maj • 02:29 • -18.7db
40% Popularity • 55% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
40% Popularity • 55% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Tiny Stills Quartet
Stompin' At The Savoy
121 bpm • C# Maj • 03:19 • -15.04db
28% Popularity • 62% Danceability • 23% Energy • 11% Liveness
62% Instrumentalness • 49% Positiveness
28% Popularity • 62% Danceability • 23% Energy • 11% Liveness
62% Instrumentalness • 49% Positiveness
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Cyrus Chestnut
Darn That Dream
148 bpm • G Maj • 05:05 • -24.55db
43% Popularity • 42% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
43% Popularity • 42% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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The Bob Davis Group
My Ideal
121 bpm • F min • 03:27 • -19.54db
38% Popularity • 51% Danceability • 10% Energy • 17% Liveness
58% Instrumentalness • 16% Positiveness
38% Popularity • 51% Danceability • 10% Energy • 17% Liveness
58% Instrumentalness • 16% Positiveness
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Mark Roswell Trio
Blue Moon
121 bpm • D# Maj • 03:18 • -19.77db
50% Popularity • 47% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 23% Positiveness
50% Popularity • 47% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 23% Positiveness
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Norris Walker Trio
Mancuso's Joint
121 bpm • G min • 04:18 • -18.61db
49% Popularity • 41% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
49% Popularity • 41% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Jack Rosenbaum
Schnitz n´Schniggles
121 bpm • F Maj • 03:39 • -17.65db
31% Popularity • 75% Danceability • 15% Energy • 11% Liveness
33% Instrumentalness • 41% Positiveness
31% Popularity • 75% Danceability • 15% Energy • 11% Liveness
33% Instrumentalness • 41% Positiveness
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Annie Berenson
When we danced
121 bpm • C Maj • 04:29 • -14.7db
54% Popularity • 46% Danceability • 26% Energy • 19% Liveness
87% Instrumentalness • 13% Positiveness
54% Popularity • 46% Danceability • 26% Energy • 19% Liveness
87% Instrumentalness • 13% Positiveness
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Ruben Haag
It's you isn't it
121 bpm • G# Maj • 03:49 • -19.68db
28% Popularity • 52% Danceability • 18% Energy • 12% Liveness
78% Instrumentalness • 52% Positiveness
28% Popularity • 52% Danceability • 18% Energy • 12% Liveness
78% Instrumentalness • 52% Positiveness
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Carl Winther Trio
Misty
121 bpm • G# Maj • 04:32 • -20.21db
51% Popularity • 48% Danceability • 13% Energy • 10% Liveness
20% Instrumentalness • 12% Positiveness
51% Popularity • 48% Danceability • 13% Energy • 10% Liveness
20% Instrumentalness • 12% Positiveness
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Charlie Regan Three
More Than You Know
121 bpm • C Maj • 04:21 • -18db
48% Popularity • 42% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
48% Popularity • 42% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
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CMC 3
I Do It For Your Love
121 bpm • B min • 05:00 • -18.7db
34% Popularity • 50% Danceability • 19% Energy • 37% Liveness
86% Instrumentalness • 8% Positiveness
34% Popularity • 50% Danceability • 19% Energy • 37% Liveness
86% Instrumentalness • 8% Positiveness
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Moreno Jazz Band
Vivendo
121 bpm • D Maj • 03:19 • -13.49db
46% Popularity • 74% Danceability • 27% Energy • 12% Liveness
62% Instrumentalness • 27% Positiveness
46% Popularity • 74% Danceability • 27% Energy • 12% Liveness
62% Instrumentalness • 27% Positiveness
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James Jackson Jazz Trio
Long Ago (and Far Away)
120 bpm • C Maj • 03:29 • -16.44db
38% Popularity • 67% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
38% Popularity • 67% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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Ballroom Jazz Collective
Fluster
121 bpm • C Maj • 03:31 • -14.37db
45% Popularity • 50% Danceability • 17% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness
45% Popularity • 50% Danceability • 17% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness
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Bladverk Band
Elise
120 bpm • C# Maj • 02:48 • -12.11db
37% Popularity • 50% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
37% Popularity • 50% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Norberg
Sidewalking
120 bpm • A# Maj • 03:13 • -11.52db
38% Popularity • 77% Danceability • 29% Energy • 14% Liveness
34% Instrumentalness • 44% Positiveness
38% Popularity • 77% Danceability • 29% Energy • 14% Liveness
34% Instrumentalness • 44% Positiveness
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Bleecker Jazz Duo
Here's That Rainy Day
120 bpm • D Maj • 04:49 • -18.74db
40% Popularity • 51% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
40% Popularity • 51% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Flatland Park
Lazy Strut
120 bpm • G# Maj • 03:24 • -14.12db
31% Popularity • 77% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 44% Positiveness
31% Popularity • 77% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 44% Positiveness
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KTZ Players
Balladeering
120 bpm • D min • 02:04 • -18.26db
42% Popularity • 53% Danceability • 15% Energy • 13% Liveness
76% Instrumentalness • 35% Positiveness
42% Popularity • 53% Danceability • 15% Energy • 13% Liveness
76% Instrumentalness • 35% Positiveness
