Songs like Georgia by Carolyn Dawn Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Tammy Cochran
If You Can
82 bpm • G# Maj • 03:35 • -8.26db
8% Popularity • 54% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 54% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Doug Stone
Make up in Love
81 bpm • E Maj • 03:58 • -7.17db
13% Popularity • 59% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 59% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 45% Positiveness
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Carolyn Dawn Johnson
Georgia
82 bpm • C Maj • 04:53 • -6.29db
22% Popularity • 53% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 53% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Chely Wright
Unknown
81 bpm • C Maj • 03:40 • -11db
20% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 53% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bryan White
Rebecca Lynn
80 bpm • D Maj • 03:58 • -9.92db
28% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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SHeDAISY
Little Good-Byes
84 bpm • C# Maj • 03:20 • -6db
42% Popularity • 56% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 56% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Phil Vassar
Don't Miss Your Life
81 bpm • G Maj • 03:31 • -5.07db
25% Popularity • 39% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 39% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Maggie Rose
Looking Back Now
80 bpm • D Maj • 04:06 • -3.89db
23% Popularity • 57% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 57% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Lee Ann Womack
The Fool
80 bpm • C Maj • 03:32 • -10.6db
40% Popularity • 52% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 52% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jessica Andrews
Who I Am
84 bpm • G Maj • 04:15 • -5.42db
52% Popularity • 46% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 46% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Chely Wright
She Went Out For Cigarettes
80 bpm • D Maj • 04:13 • -9.44db
22% Popularity • 52% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 52% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Carolyn Dawn Johnson
Love Rules
85 bpm • A Maj • 04:07 • -11.37db
0% Popularity • 53% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 53% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Adam Gregory
Big Star
85 bpm • D Maj • 03:58 • -8.6db
11% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Cyndi Thomson
I'll Be Seeing You
79 bpm • B Maj • 03:41 • -8.92db
9% Popularity • 25% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 25% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Lee Ann Womack
Something Worth Leaving Behind
79 bpm • G# min • 03:50 • -5db
16% Popularity • 38% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 38% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Heidi Newfield
Love Her And Lose Me
79 bpm • F Maj • 04:16 • -11db
12% Popularity • 48% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 48% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Chely Wright
The Love That We Lost
78 bpm • G# Maj • 03:50 • -6.69db
20% Popularity • 52% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 52% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Carolyn Dawn Johnson
Nothing Good About Lonely
85 bpm • E Maj • 04:07 • -9.16db
1% Popularity • 58% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 58% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Doc Walker
Rocket Girl
78 bpm • G Maj • 04:13 • -9db
30% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jeff Carson
Butterfly Kisses
77 bpm • A Maj • 03:59 • -13db
37% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Lee Ann Womack
Last Call
79 bpm • F# Maj • 03:15 • -7db
39% Popularity • 34% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 34% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Deana Carter
Before We Ever Heard Goodbye
77 bpm • C# Maj • 03:46 • -8db
25% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Bucky Covington
I'll Walk
77 bpm • G Maj • 03:30 • -7db
33% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Carolyn Dawn Johnson
Complicated
78 bpm • G Maj • 03:48 • -6.3db
23% Popularity • 51% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 51% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Pam Tillis
Shake The Sugar Tree
87 bpm • E Maj • 03:07 • -7db
48% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Doug Stone
Little Houses
76 bpm • D Maj • 03:37 • -12.09db
27% Popularity • 44% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 44% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Julie Reeves
What I Need
77 bpm • F# Maj • 03:07 • -6.5db
9% Popularity • 57% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 57% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Jessie Farrell
Fell Right IntoYou
76 bpm • D# Maj • 04:13 • -4.81db
16% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Thompson Square
Glass
76 bpm • C# Maj • 03:51 • -4.96db
34% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Carolyn Dawn Johnson
Let Me Introduce Myself
78 bpm • G Maj • 03:54 • -4.93db
4% Popularity • 55% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
4% Popularity • 55% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Tammy Cochran
Angels In Waiting
89 bpm • F# Maj • 03:37 • -7.57db
23% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Patty Loveless
Here I Am
76 bpm • D# Maj • 03:04 • -10.38db
28% Popularity • 53% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 53% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Wilkinsons
Shame on Me
89 bpm • A# Maj • 03:46 • -5.81db
8% Popularity • 58% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 58% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jessica Andrews
Wishing Well
89 bpm • B Maj • 03:14 • -5.95db
9% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Julie Roberts
Just 'Cause We Can
89 bpm • F# Maj • 04:15 • -8.39db
12% Popularity • 70% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 70% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Jaida Dreyer
Guy's Girl
75 bpm • D Maj • 02:55 • -3.63db
8% Popularity • 68% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 68% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Jennifer Nettles
Stupid Girl
89 bpm • D# Maj • 03:36 • -6db
20% Popularity • 52% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 52% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Deana Carter
Did I Shave My Legs For This?
89 bpm • A Maj • 03:12 • -6db
38% Popularity • 64% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 64% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Doc Walker
If I Fall
75 bpm • D Maj • 04:01 • -6.08db
16% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 49% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Michelle Wright
Take It Like a Man
75 bpm • E Maj • 03:54 • -5.42db
7% Popularity • 50% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 50% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Lonestar
Smile
75 bpm • G Maj • 03:33 • -8.91db
41% Popularity • 47% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 47% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Miranda Lambert
Love Song
75 bpm • F# Maj • 02:49 • -4db
30% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Patty Loveless
Lonely Too Long
90 bpm • C# Maj • 04:33 • -7.34db
28% Popularity • 57% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 57% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
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James Bonamy
I Don't Think I Will
90 bpm • G# Maj • 03:35 • -9.95db
27% Popularity • 60% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 60% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Ashton Shepherd
Look It Up
90 bpm • F min • 02:59 • -6db
30% Popularity • 74% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 74% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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John Michael Montgomery
Home to You
90 bpm • F Maj • 03:29 • -11.18db
35% Popularity • 65% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 65% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Ronnie Dunn
Bleed Red
90 bpm • A# Maj • 03:49 • -4db
33% Popularity • 49% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 49% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Michelle Wright
Take It Like a Man
74 bpm • D# Maj • 03:58 • -10db
33% Popularity • 71% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 71% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Doc Walker
Call Me A Fool
74 bpm • A Maj • 04:21 • -6.49db
10% Popularity • 55% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 55% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Phil Vassar
In a Real Love
91 bpm • A Maj • 03:34 • -5db
29% Popularity • 58% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 58% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Kira Isabella
Quarterback
74 bpm • D Maj • 03:29 • -4.61db
23% Popularity • 40% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 40% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Bomshel
Just Fine
91 bpm • E Maj • 03:12 • -4.84db
9% Popularity • 56% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 56% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Jeff Bates
I Wanna Make You Cry
73 bpm • C Maj • 03:15 • -5.92db
22% Popularity • 23% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 23% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Michelle Wright
Take It Like a Man
74 bpm • D# Maj • 04:02 • -5.25db
10% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Wayne
I Love You This Much
73 bpm • D Maj • 04:07 • -4.91db
31% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Pam Tillis
Let That Pony Run
92 bpm • C Maj • 03:30 • -9db
31% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Chicks
Without You
92 bpm • D Maj • 03:30 • -9db
46% Popularity • 63% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 63% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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The Wilkinsons
Then There's You
92 bpm • G# Maj • 03:44 • -5.62db
6% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
6% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Nashville Unplugged
Don't Let Me Die From A Broken Heart
93 bpm • D# Maj • 03:12 • -24.99db
0% Popularity • 44% Danceability • 8% Energy • 71% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 44% Danceability • 8% Energy • 71% Liveness
0% Instrumentalness • 26% Positiveness
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Michelle Wright
One Good Man
91 bpm • F Maj • 03:40 • -8.83db
9% Popularity • 66% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 66% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Lee Ann Womack
Twenty Years And Two Husbands Ago
73 bpm • A Maj • 03:49 • -8.05db
23% Popularity • 55% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 55% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Whitney Duncan
Skinny Dippin'
93 bpm • G# min • 03:32 • -4.67db
29% Popularity • 78% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 78% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Carolyn Dawn Johnson
Light Changes Everything
93 bpm • G Maj • 03:24 • -5.92db
2% Popularity • 55% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
2% Popularity • 55% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Emerson Drive
When I See You Again
72 bpm • G Maj • 03:13 • -7db
17% Popularity • 31% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 31% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Julie Roberts
Rain On A Tin Roof
72 bpm • D Maj • 04:35 • -10.69db
25% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Michelle Wright
One Time Around
92 bpm • C Maj • 03:34 • -9.74db
10% Popularity • 70% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 70% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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The Kinleys
Dance In The Boat
94 bpm • G# Maj • 03:21 • -5.7db
8% Popularity • 58% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 58% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Deana Carter
People Miss Planes
72 bpm • A# Maj • 03:25 • -7.55db
9% Popularity • 64% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 64% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Carolyn Dawn Johnson
Crybaby
94 bpm • A Maj • 04:12 • -5.22db
7% Popularity • 50% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 50% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Lisa Brokop
She Can't Save Him
94 bpm • C Maj • 03:02 • -10.67db
9% Popularity • 55% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 55% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Wynonna
Rock Bottom
94 bpm • F min • 03:07 • -6db
26% Popularity • 74% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 74% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Michelle Wright
He Would Be Sixteen
93 bpm • D# Maj • 03:46 • -11.41db
14% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Big & Rich
Holy Water
95 bpm • C Maj • 04:16 • -2db
37% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Deana Carter
We Danced Anyway
94 bpm • F# Maj • 03:22 • -4db
53% Popularity • 63% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 63% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Chely Wright
I Already Do
95 bpm • C Maj • 03:47 • -10db
24% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Carolyn Dawn Johnson
Die Of A Broken Heart
94 bpm • F# Maj • 03:24 • -8db
20% Popularity • 61% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 61% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Cummings
Betty
95 bpm • A Maj • 03:50 • -7.21db
16% Popularity • 65% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 65% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Jeff Bates
Long, Slow Kisses
95 bpm • G Maj • 03:27 • -5db
31% Popularity • 54% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 54% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Jessica Andrews
Good Time
95 bpm • G Maj • 04:07 • -4.26db
11% Popularity • 64% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 64% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Shenandoah
Somewhere In The Vicinity Of The Heart
95 bpm • E Maj • 04:04 • -10db
31% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Alecia Elliott
I'm Diggin' It
96 bpm • C Maj • 02:39 • -8.43db
13% Popularity • 71% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 71% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Jeff Carson
The Car
71 bpm • D Maj • 03:32 • -8.87db
24% Popularity • 48% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 48% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ashton Shepherd
I Ain't Dead Yet
96 bpm • A# Maj • 03:13 • -3.68db
16% Popularity • 56% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 56% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Carolyn Dawn Johnson
Reach You
96 bpm • E Maj • 05:09 • -7.27db
2% Popularity • 56% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
2% Popularity • 56% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Gloriana
Wanna Take You Home
96 bpm • C Maj • 03:45 • -6db
28% Popularity • 72% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 72% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Jessica Andrews
Make Me Love You
96 bpm • D Maj • 04:01 • -6.34db
9% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 54% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Deana Carter
Love Ain't Worth Making
96 bpm • A# Maj • 03:14 • -6.84db
21% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Andy Griggs
My Kind Of Beautiful
97 bpm • G Maj • 03:51 • -5.93db
13% Popularity • 62% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 62% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Phil Vassar
My Next Thirty Years
97 bpm • E Maj • 03:32 • -6.48db
21% Popularity • 53% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 53% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Carolyn Dawn Johnson
Got There First
97 bpm • E Maj • 03:57 • -6db
1% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Mila Mason
Dark Horse
97 bpm • A# Maj • 04:58 • -4.64db
12% Popularity • 70% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 70% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Brett Kissel
I Didn't Fall in Love with Your Hair - ...
98 bpm • G Maj • 01:24 • -14.56db
0% Popularity • 75% Danceability • 42% Energy • 79% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 75% Danceability • 42% Energy • 79% Liveness
0% Instrumentalness • 72% Positiveness
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Deana Carter
How Do I Get There
98 bpm • F Maj • 04:09 • -6.61db
45% Popularity • 69% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 69% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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SHeDAISY
Punishment
98 bpm • F min • 03:56 • -6.84db
15% Popularity • 58% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 58% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Miranda Lambert
Two of a Crime
98 bpm • G# Maj • 04:28 • -5.81db
24% Popularity • 53% Danceability • 92% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
24% Popularity • 53% Danceability • 92% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
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Lindsay Ell
Trippin' On Us
99 bpm • G Maj • 02:46 • -2.74db
13% Popularity • 54% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 54% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Andy Griggs
She's More
99 bpm • G Maj • 03:19 • -8db
39% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Vince Gill
Feels Like Love
100 bpm • A# Maj • 04:15 • -7.77db
21% Popularity • 55% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 55% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
