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Get Back To The Land
Songs like
Get Back To The Land
by
The Teskey Brothers
Based on a tempo of (+/- 10%) and a similar genre
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TEEKS
These Hands
113 bpm • C min • 03:18 • -7db
37% Popularity • 79% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Allen Stone
Is This Love
113 bpm • A# Maj • 04:04 • -7db
34% Popularity • 42% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Black Pumas
Confines
113 bpm • A min • 03:09 • -8.41db
44% Popularity • 51% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Marcus King
Sweet Mariona
113 bpm • G Maj • 02:34 • -8.82db
46% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Marcus King Band
This Ol' Cowboy
113 bpm • D Maj • 05:57 • -7db
42% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Clarence Carter
Slip Away
113 bpm • C# Maj • 02:33 • -9.1db
54% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Leon Bridges
Coming Home
112 bpm • F# Maj • 03:26 • -6.6db
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Dip
When You Lose Someone
112 bpm • E Maj • 03:25 • -5.77db
47% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Little Feat
Long Distance Love
114 bpm • G Maj • 02:43 • -12db
48% Popularity • 79% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Paolo Nutini
Coming up Easy
114 bpm • G Maj • 04:18 • -6.41db
56% Popularity • 62% Danceability • 56% Energy • 55% Liveness
0% Instrumentalness • 63% Positiveness
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Foy Vance
Malibu Jane
112 bpm • G Maj • 03:38 • -10db
28% Popularity • 49% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Frazey Ford
Done
114 bpm • B min • 04:41 • -9db
54% Popularity • 78% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Hajaj
High No More
112 bpm • A# min • 03:18 • -11db
67% Popularity • 88% Danceability • 27% Energy • 11% Liveness
16% Instrumentalness • 81% Positiveness
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Leon Bridges
Bad Bad News
112 bpm • F min • 03:27 • -6.15db
62% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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HeavyDrunk
Fault Line
114 bpm • B Maj • 03:44 • -9.92db
28% Popularity • 70% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Karen Lee Andrews
Digging up Graves
112 bpm • E min • 03:43 • -4.82db
18% Popularity • 74% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Greg Steinfeld
Back Like New
114 bpm • G min • 03:08 • -5.56db
32% Popularity • 72% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Frazey Ford
September Fields
114 bpm • C Maj • 03:27 • -10db
66% Popularity • 68% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
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Jamestown Revival
Midnight Hour
112 bpm • A Maj • 03:30 • -4.67db
51% Popularity • 62% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Tedeschi Trucks Band
Part of Me
112 bpm • G Maj • 04:06 • -8.33db
52% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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St. Paul & The Broken Bones
Sanctify
112 bpm • G Maj • 05:55 • -8.42db
40% Popularity • 42% Danceability • 34% Energy • 21% Liveness
20% Instrumentalness • 23% Positiveness
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The Meltdown
Crooked Country
114 bpm • G min • 03:36 • -10db
51% Popularity • 75% Danceability • 49% Energy • 7% Liveness
7% Instrumentalness • 88% Positiveness
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Marcus King
Beautiful Stranger
112 bpm • E Maj • 04:07 • -11db
49% Popularity • 48% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Khruangbin
Texas Sun
112 bpm • G Maj • 04:12 • -10.01db
75% Popularity • 64% Danceability • 63% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
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Nathaniel Rateliff
Something Beautiful
111 bpm • B min • 03:58 • -12db
47% Popularity • 73% Danceability • 32% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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The James Hunter Six
He's Your Could've Been
115 bpm • D min • 02:39 • -9.87db
43% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Sonny Cleveland
You've Got Me Running in Circles
111 bpm • G Maj • 02:50 • -7.11db
57% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Octave Lissner
Tindara
115 bpm • F# min • 03:18 • -7.25db
32% Popularity • 77% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Lake Street Dive
What I'm Doing Here
111 bpm • G Maj • 03:26 • -14db
61% Popularity • 63% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Boy & Bear
Wicked Game - Acoustic
110 bpm • A Maj • 04:12 • -9.93db
43% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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Michael Kiwanuka
Cold Little Heart - Radio Edit
110 bpm • G min • 03:30 • -6.21db
75% Popularity • 63% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
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Fly My Pretties
Clarity
116 bpm • B min • 06:26 • -10.14db
27% Popularity • 41% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Meltdown
Hold On To Hope
110 bpm • D min • 03:57 • -6.62db
35% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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Lake Street Dive
Nick Of Time
116 bpm • C Maj • 04:10 • -9db
46% Popularity • 82% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Leon Bridges
Don't Worry
110 bpm • E min • 06:41 • -11.43db
47% Popularity • 79% Danceability • 41% Energy • 16% Liveness
2% Instrumentalness • 42% Positiveness
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Khruangbin
Mariella
110 bpm • D Maj • 05:10 • -10.33db
69% Popularity • 59% Danceability • 58% Energy • 8% Liveness
72% Instrumentalness • 56% Positiveness
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GoldFord
Ray of Sunshine
110 bpm • G Maj • 03:24 • -4.56db
35% Popularity • 66% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Marlon Pichel
Good Ol' Loving
110 bpm • F# min • 03:13 • -11.31db
22% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Ondara
Lebanon
109 bpm • C Maj • 03:26 • -11db
55% Popularity • 82% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Greyhounds
What's on Your Mind (OurVinyl Sessions)
109 bpm • F min • 04:07 • -8.09db
30% Popularity • 66% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Tash Sultana
Pretty Lady
118 bpm • D Maj • 04:39 • -7.34db
54% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Dan Auerbach
Never in My Wildest Dreams
117 bpm • F Maj • 02:56 • -6.77db
61% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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L.A.B.
In the Air
118 bpm • A min • 04:12 • -8.86db
62% Popularity • 97% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Nathaniel Rateliff
What A Drag
108 bpm • G Maj • 03:34 • -10db
44% Popularity • 64% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Nathaniel Rateliff & The Night Sweats
Still Out There Running
108 bpm • E Maj • 04:53 • -11.57db
49% Popularity • 73% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Leif Vollebekk
Wait a While
118 bpm • C Maj • 02:18 • -13.64db
52% Popularity • 70% Danceability • 26% Energy • 12% Liveness
7% Instrumentalness • 34% Positiveness
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Leon Bridges
Twistin' & Groovin'
118 bpm • C# min • 04:11 • -6.73db
46% Popularity • 68% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Aaron Taylor
Blue
108 bpm • G# Maj • 05:36 • -8.34db
52% Popularity • 85% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 37% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Ray LaMontagne
Let It Be Me
108 bpm • C Maj • 04:40 • -8db
55% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Teddy Grossman
Leave it on the Line
108 bpm • A# Maj • 03:52 • -8.65db
22% Popularity • 66% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Leif Vollebekk
Apalachee Plain
108 bpm • A Maj • 03:40 • -7.8db
48% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Al Green
Take Me to the River
119 bpm • A Maj • 03:45 • -11.12db
61% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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JD McPherson
It's Raining
107 bpm • F Maj • 02:38 • -10.24db
34% Popularity • 43% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Meltdown
Better Days
119 bpm • G min • 03:57 • -10.1db
63% Popularity • 81% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Ray LaMontagne
We'll Make It Through
119 bpm • F Maj • 06:01 • -12db
47% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Malted Milk
Let Me Ride
107 bpm • E min • 04:02 • -8.4db
36% Popularity • 76% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 73% Positiveness
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Lake Street Dive
I Want You Back
119 bpm • D Maj • 04:19 • -9db
53% Popularity • 75% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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St. Paul & The Broken Bones
Apollo
107 bpm • A min • 04:43 • -5.07db
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
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The James Hunter Six
Whatever It Takes
120 bpm • A Maj • 02:53 • -10db
52% Popularity • 82% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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The Meltdown
Don't Hesitate
107 bpm • A# Maj • 03:59 • -7.66db
40% Popularity • 61% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 68% Positiveness
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Ray LaMontagne
Jolene
120 bpm • G Maj • 04:10 • -15.2db
62% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Eric Krasno
When the Day Comes
120 bpm • D# min • 04:26 • -7.83db
35% Popularity • 58% Danceability • 55% Energy • 13% Liveness
6% Instrumentalness • 42% Positiveness
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Leon Bridges
Mrs.
120 bpm • F# Maj • 04:02 • -9.59db
51% Popularity • 71% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Gary Clark Jr.
When I'm Gone
106 bpm • A# Maj • 03:48 • -1.75db
47% Popularity • 81% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Roseaux
Loving You Is All I Want To Do
120 bpm • F Maj • 03:39 • -13.4db
41% Popularity • 82% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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The Meltdown
Such a Fool
120 bpm • C min • 03:44 • -7.4db
48% Popularity • 80% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Durand Jones & The Indications
Sea Gets Hotter
120 bpm • C min • 03:17 • -7.12db
71% Popularity • 79% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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The Dip
Sleep On It
120 bpm • F# Maj • 03:02 • -7.37db
50% Popularity • 40% Danceability • 52% Energy • 66% Liveness
0% Instrumentalness • 85% Positiveness
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Octave Lissner
Ways of the World
120 bpm • C min • 03:11 • -9.34db
42% Popularity • 92% Danceability • 64% Energy • 11% Liveness
4% Instrumentalness • 68% Positiveness
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Ocie Elliott
Clear in the Eye
106 bpm • E Maj • 02:47 • -14.44db
60% Popularity • 76% Danceability • 27% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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Sugaray Rayford
Somebody Save Me
106 bpm • A Maj • 04:33 • -7.1db
18% Popularity • 55% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Lloyd Spiegel
All the Cats Are Grey
106 bpm • F min • 02:29 • -8.96db
40% Popularity • 80% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Yola
I Don't Wanna Lie
106 bpm • F Maj • 03:01 • -5.08db
45% Popularity • 56% Danceability • 82% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
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Sons Of Atticus
Liar
106 bpm • D Maj • 02:54 • -9.31db
36% Popularity • 82% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Próxima Parada
24 Brand-New Hours
121 bpm • G# Maj • 03:14 • -9.87db
45% Popularity • 69% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Revivalists
To Love Somebody - Made In Muscle Shoals
121 bpm • A# Maj • 04:44 • -9db
40% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Marcus King
The Well
121 bpm • A Maj • 02:57 • -8.14db
58% Popularity • 58% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Eddy Smith & The 507
Love Sick
121 bpm • C# min • 03:03 • -6.58db
40% Popularity • 72% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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TEEKS
Wash over Me
105 bpm • G# Maj • 03:19 • -12.44db
54% Popularity • 77% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Keb' Mo'
I Remember You
105 bpm • C Maj • 04:55 • -9db
41% Popularity • 90% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
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Paolo Nutini
Through The Echoes
105 bpm • G Maj • 03:41 • -7.68db
67% Popularity • 73% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Paula Fuga
If Ever
105 bpm • C# Maj • 03:35 • -7.58db
50% Popularity • 80% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Shakey Graves
A World So Full of Love
105 bpm • C Maj • 02:51 • -8db
58% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Anna Ash
Righteously
105 bpm • A# Maj • 03:18 • -9db
52% Popularity • 83% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 76% Positiveness
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Sonny Cleveland
Bring It on Back
122 bpm • A min • 04:34 • -9.31db
31% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ivan Hartle
Lovin' on Ya
122 bpm • E Maj • 04:28 • -8.04db
22% Popularity • 72% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Jon Batiste
Ohio
122 bpm • D min • 04:52 • -13.1db
44% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Donny Hathaway
Jealous Guy
122 bpm • G Maj • 03:08 • -8.99db
58% Popularity • 46% Danceability • 48% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
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Durand Jones & The Indications
Smile
105 bpm • B min • 03:49 • -8db
48% Popularity • 68% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
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Louis Baker
Black Crow
104 bpm • G min • 03:35 • -6.29db
42% Popularity • 95% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 99% Positiveness
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Monophonics
Sage Motel
104 bpm • C# min • 03:52 • -6.43db
54% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Leon Bridges
Brown Skin Girl
104 bpm • G Maj • 03:26 • -8.77db
51% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Marcus King Band
Side Door
123 bpm • G Maj • 04:24 • -7.25db
44% Popularity • 41% Danceability • 58% Energy • 8% Liveness
3% Instrumentalness • 43% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have to Wait for You?
104 bpm • A# min • 04:03 • -3.37db
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Christone "Kingfish" Ingram
Been Here Before
123 bpm • A Maj • 05:54 • -9db
45% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
81% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The Revivalists
Soulfight
123 bpm • G Maj • 06:32 • -8.85db
56% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Teskey Brothers
Gardiner's Lament
123 bpm • G min • 02:29 • -14.33db
38% Popularity • 55% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Get Back To The Land