Songs like Get Out and Get Under the Moon - Foxtrot Bpm 46 by Anacapri Band Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Jean Paques
Lover Come Back to Me
181 bpm • C Maj • 03:04 • -12.01db
8% Popularity • 44% Danceability • 35% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
8% Popularity • 44% Danceability • 35% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
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The New 101 Strings Orchestra
A Thousand and One Nights Waltz
181 bpm • A Maj • 01:59 • -11.85db
14% Popularity • 51% Danceability • 12% Energy • 13% Liveness
6% Instrumentalness • 61% Positiveness
14% Popularity • 51% Danceability • 12% Energy • 13% Liveness
6% Instrumentalness • 61% Positiveness
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Anacapri Band Orchestra
Get Out and Get Under the Moon - Foxtrot...
181 bpm • G# Maj • 02:25 • -8.72db
0% Popularity • 62% Danceability • 44% Energy • 13% Liveness
40% Instrumentalness • 90% Positiveness
0% Popularity • 62% Danceability • 44% Energy • 13% Liveness
40% Instrumentalness • 90% Positiveness
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Frank Chacksfield Orchestra
Fete Des Jardins
182 bpm • G Maj • 02:32 • -12.26db
32% Popularity • 23% Danceability • 38% Energy • 11% Liveness
13% Instrumentalness • 69% Positiveness
32% Popularity • 23% Danceability • 38% Energy • 11% Liveness
13% Instrumentalness • 69% Positiveness
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Studio Tanz Orchester Klaus Hallen
Valse, Op. 66a - (Wiener Waltzer / 60 BP...
180 bpm • F Maj • 02:08 • -10db
15% Popularity • 44% Danceability • 38% Energy • 9% Liveness
71% Instrumentalness • 74% Positiveness
15% Popularity • 44% Danceability • 38% Energy • 9% Liveness
71% Instrumentalness • 74% Positiveness
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Cologne Ballroom Orchestra
Chim Chim Cheree - Viennese Waltz
180 bpm • G# min • 02:08 • -14db
22% Popularity • 38% Danceability • 41% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
22% Popularity • 38% Danceability • 41% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
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The Fantasy Strings
Silver Waltz
180 bpm • G Maj • 03:26 • -5.69db
17% Popularity • 8% Danceability • 63% Energy • 27% Liveness
82% Instrumentalness • 21% Positiveness
17% Popularity • 8% Danceability • 63% Energy • 27% Liveness
82% Instrumentalness • 21% Positiveness
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Sergio Franchi
Scandalo al sole / Stellata
182 bpm • F Maj • 03:33 • -6.75db
17% Popularity • 46% Danceability • 63% Energy • 10% Liveness
5% Instrumentalness • 73% Positiveness
17% Popularity • 46% Danceability • 63% Energy • 10% Liveness
5% Instrumentalness • 73% Positiveness
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Ricci Ferra
Geschichten Aus Dem Wienerwald, Op.325 (...
182 bpm • A# Maj • 03:10 • -15.71db
22% Popularity • 26% Danceability • 22% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
22% Popularity • 26% Danceability • 22% Energy • 19% Liveness
25% Instrumentalness • 36% Positiveness
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Kurt Edelhagen
Foxtrott: 46 Takte Pro Minute - Dinah; W...
180 bpm • F Maj • 02:58 • -10.68db
33% Popularity • 42% Danceability • 64% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
33% Popularity • 42% Danceability • 64% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
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Gruppo Superstar Strumentale
Scandalo al sole
183 bpm • F Maj • 02:32 • -9.22db
15% Popularity • 16% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 32% Positiveness
15% Popularity • 16% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 32% Positiveness
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Carlos Velasco
Cucu
179 bpm • C Maj • 02:39 • -10.27db
15% Popularity • 57% Danceability • 33% Energy • 5% Liveness
31% Instrumentalness • 70% Positiveness
15% Popularity • 57% Danceability • 33% Energy • 5% Liveness
31% Instrumentalness • 70% Positiveness
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Frank Chacksfield
Luxembourg valse
179 bpm • D min • 02:42 • -6db
17% Popularity • 22% Danceability • 46% Energy • 13% Liveness
68% Instrumentalness • 44% Positiveness
17% Popularity • 22% Danceability • 46% Energy • 13% Liveness
68% Instrumentalness • 44% Positiveness
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Guy Denys
Help Yourself
183 bpm • D# Maj • 03:00 • -1.77db
15% Popularity • 44% Danceability • 88% Energy • 30% Liveness
93% Instrumentalness • 88% Positiveness
15% Popularity • 44% Danceability • 88% Energy • 30% Liveness
93% Instrumentalness • 88% Positiveness
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Joe Loss & His Orchestra
The Blue Danube
179 bpm • G# Maj • 02:29 • -12.09db
9% Popularity • 45% Danceability • 25% Energy • 9% Liveness
26% Instrumentalness • 67% Positiveness
9% Popularity • 45% Danceability • 25% Energy • 9% Liveness
26% Instrumentalness • 67% Positiveness
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Kurt Edelhagen
Rock: 46 Takte Pro Minute - Rock A Beati...
183 bpm • F min • 03:37 • -9db
21% Popularity • 54% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 94% Positiveness
21% Popularity • 54% Danceability • 62% Energy • 9% Liveness
3% Instrumentalness • 94% Positiveness
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The New 101 Strings Orchestra
Voices of Spring
183 bpm • F Maj • 02:35 • -12.08db
29% Popularity • 36% Danceability • 11% Energy • 29% Liveness
13% Instrumentalness • 63% Positiveness
29% Popularity • 36% Danceability • 11% Energy • 29% Liveness
13% Instrumentalness • 63% Positiveness
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Orchestra The Spv
Viennese Bon - Bons
183 bpm • F Maj • 06:19 • -13.66db
10% Popularity • 30% Danceability • 13% Energy • 25% Liveness
76% Instrumentalness • 22% Positiveness
10% Popularity • 30% Danceability • 13% Energy • 25% Liveness
76% Instrumentalness • 22% Positiveness
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Orchestra Novelli
Sabato sera
184 bpm • A# Maj • 01:52 • -3.89db
8% Popularity • 49% Danceability • 62% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
8% Popularity • 49% Danceability • 62% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
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Caravelli
Congratulations
183 bpm • C# Maj • 02:37 • -9.64db
9% Popularity • 34% Danceability • 60% Energy • 25% Liveness
90% Instrumentalness • 86% Positiveness
9% Popularity • 34% Danceability • 60% Energy • 25% Liveness
90% Instrumentalness • 86% Positiveness
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Ricci Ferra
Wiener Blut, Walzer Op.354 (Vienna Blood...
178 bpm • C Maj • 03:48 • -11.63db
19% Popularity • 28% Danceability • 29% Energy • 34% Liveness
88% Instrumentalness • 52% Positiveness
19% Popularity • 28% Danceability • 29% Energy • 34% Liveness
88% Instrumentalness • 52% Positiveness
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Kurt Edelhagen
Wiener Walzer: 60 Takte Pro Minute - Wie...
179 bpm • C Maj • 03:07 • -11db
37% Popularity • 53% Danceability • 41% Energy • 35% Liveness
97% Instrumentalness • 61% Positiveness
37% Popularity • 53% Danceability • 41% Energy • 35% Liveness
97% Instrumentalness • 61% Positiveness
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Claudius Alzner
Rock around the clock - How hight the mo...
178 bpm • C Maj • 03:19 • -13.01db
26% Popularity • 45% Danceability • 39% Energy • 7% Liveness
73% Instrumentalness • 81% Positiveness
26% Popularity • 45% Danceability • 39% Energy • 7% Liveness
73% Instrumentalness • 81% Positiveness
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Anacapri Band Orchestra
When the Saints Go Marching in - Foxtrot...
185 bpm • F Maj • 02:18 • -10.62db
2% Popularity • 63% Danceability • 48% Energy • 24% Liveness
20% Instrumentalness • 92% Positiveness
2% Popularity • 63% Danceability • 48% Energy • 24% Liveness
20% Instrumentalness • 92% Positiveness
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Fratelli D'Italia
Incanto - Slow Waltz Bpm 30
178 bpm • C Maj • 03:01 • -8.77db
8% Popularity • 15% Danceability • 29% Energy • 28% Liveness
56% Instrumentalness • 19% Positiveness
8% Popularity • 15% Danceability • 29% Energy • 28% Liveness
56% Instrumentalness • 19% Positiveness
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The New 101 Strings Orchestra
Emperor Waltz
177 bpm • C Maj • 02:16 • -9.13db
17% Popularity • 44% Danceability • 19% Energy • 21% Liveness
84% Instrumentalness • 80% Positiveness
17% Popularity • 44% Danceability • 19% Energy • 21% Liveness
84% Instrumentalness • 80% Positiveness
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Ricci Ferra
Wein, Weib Und Gesang, Walzer Op.333 (Wi...
185 bpm • A# Maj • 03:51 • -14.42db
15% Popularity • 29% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 46% Positiveness
15% Popularity • 29% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 46% Positiveness
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Alfred Hause
Roses From The South, Waltz op. 388 - Ro...
185 bpm • A# Maj • 03:09 • -11.68db
22% Popularity • 26% Danceability • 29% Energy • 6% Liveness
80% Instrumentalness • 60% Positiveness
22% Popularity • 26% Danceability • 29% Energy • 6% Liveness
80% Instrumentalness • 60% Positiveness
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Johnny Goodman
Wiener Walzer Liebe
186 bpm • G Maj • 03:19 • -11.02db
11% Popularity • 26% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 55% Positiveness
11% Popularity • 26% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 55% Positiveness
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Walzer Orchestra
Wein, Weib und Gesäng
186 bpm • A# Maj • 02:31 • -14.27db
8% Popularity • 30% Danceability • 29% Energy • 30% Liveness
9% Instrumentalness • 67% Positiveness
8% Popularity • 30% Danceability • 29% Energy • 30% Liveness
9% Instrumentalness • 67% Positiveness
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Anacapri Band Orchestra
Schütze - Foxtrot Bpm 48
187 bpm • A# min • 02:20 • -12.45db
1% Popularity • 56% Danceability • 49% Energy • 11% Liveness
53% Instrumentalness • 89% Positiveness
1% Popularity • 56% Danceability • 49% Energy • 11% Liveness
53% Instrumentalness • 89% Positiveness
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Kees Broekhuizen
Forro do Quinta
175 bpm • G Maj • 04:38 • -19.68db
12% Popularity • 57% Danceability • 34% Energy • 13% Liveness
93% Instrumentalness • 58% Positiveness
12% Popularity • 57% Danceability • 34% Energy • 13% Liveness
93% Instrumentalness • 58% Positiveness
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Stef Meeder
Those Were Days, Quand Le Soleil Dit Bon...
175 bpm • C Maj • 03:24 • -12.88db
8% Popularity • 46% Danceability • 36% Energy • 34% Liveness
60% Instrumentalness • 64% Positiveness
8% Popularity • 46% Danceability • 36% Energy • 34% Liveness
60% Instrumentalness • 64% Positiveness
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Jean Paques
Chella lla
188 bpm • C Maj • 01:48 • -12.95db
27% Popularity • 58% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 66% Positiveness
27% Popularity • 58% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 66% Positiveness
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Frank Chacksfield Orchestra
Chic Parisienne
174 bpm • G Maj • 02:12 • -10.44db
9% Popularity • 12% Danceability • 34% Energy • 20% Liveness
9% Instrumentalness • 31% Positiveness
9% Popularity • 12% Danceability • 34% Energy • 20% Liveness
9% Instrumentalness • 31% Positiveness
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Joaquin Borges
Como Antes
174 bpm • D Maj • 03:00 • -25.25db
30% Popularity • 11% Danceability • 3% Energy • 9% Liveness
40% Instrumentalness • 7% Positiveness
30% Popularity • 11% Danceability • 3% Energy • 9% Liveness
40% Instrumentalness • 7% Positiveness
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DJ Maksy
Answer Me - Slow Waltz / 29 BPM
174 bpm • F Maj • 02:39 • -6.97db
25% Popularity • 12% Danceability • 40% Energy • 20% Liveness
32% Instrumentalness • 18% Positiveness
25% Popularity • 12% Danceability • 40% Energy • 20% Liveness
32% Instrumentalness • 18% Positiveness
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The Imagining Sound Orchestra
Cancion De La India
173 bpm • F Maj • 03:08 • -11.06db
14% Popularity • 34% Danceability • 29% Energy • 11% Liveness
66% Instrumentalness • 60% Positiveness
14% Popularity • 34% Danceability • 29% Energy • 11% Liveness
66% Instrumentalness • 60% Positiveness
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Claudia Hirschfeld
Gospel-Medley
172 bpm • C# Maj • 05:46 • -7.05db
8% Popularity • 40% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 40% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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The City Slickers
Some Sunday Morning
172 bpm • C Maj • 02:39 • -17db
9% Popularity • 62% Danceability • 19% Energy • 36% Liveness
65% Instrumentalness • 87% Positiveness
9% Popularity • 62% Danceability • 19% Energy • 36% Liveness
65% Instrumentalness • 87% Positiveness
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Horst Jankowski
Play A Simple Melody
170 bpm • A# Maj • 02:36 • -12db
36% Popularity • 46% Danceability • 40% Energy • 12% Liveness
29% Instrumentalness • 45% Positiveness
36% Popularity • 46% Danceability • 40% Energy • 12% Liveness
29% Instrumentalness • 45% Positiveness
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Orchestra Grand Cafe
Bummel-Petrus
170 bpm • C Maj • 02:53 • -12.32db
10% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The London Pops Orchestra, Conducted by Nelson Corbin
African Beat
170 bpm • A# Maj • 02:38 • -15.41db
13% Popularity • 49% Danceability • 45% Energy • 5% Liveness
94% Instrumentalness • 78% Positiveness
13% Popularity • 49% Danceability • 45% Energy • 5% Liveness
94% Instrumentalness • 78% Positiveness
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StudioGroup
Thornbirds Theme - Slow Waltz / 29 Bpm
170 bpm • A min • 03:00 • -21.8db
12% Popularity • 8% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 19% Positiveness
12% Popularity • 8% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 19% Positiveness
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Cachito Vargas
Lejanía
170 bpm • G Maj • 04:30 • -6.35db
10% Popularity • 46% Danceability • 46% Energy • 11% Liveness
69% Instrumentalness • 32% Positiveness
10% Popularity • 46% Danceability • 46% Energy • 11% Liveness
69% Instrumentalness • 32% Positiveness
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Frank Chacksfield
Spice of Life
169 bpm • F Maj • 02:17 • -8.62db
12% Popularity • 33% Danceability • 45% Energy • 14% Liveness
83% Instrumentalness • 92% Positiveness
12% Popularity • 33% Danceability • 45% Energy • 14% Liveness
83% Instrumentalness • 92% Positiveness
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楊燦明
世事多變化
169 bpm • A# Maj • 02:15 • -13.28db
13% Popularity • 43% Danceability • 29% Energy • 27% Liveness
10% Instrumentalness • 62% Positiveness
13% Popularity • 43% Danceability • 29% Energy • 27% Liveness
10% Instrumentalness • 62% Positiveness
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Horst Jankowski
Piano Roundtrip - Remastered
168 bpm • G Maj • 02:44 • -6.94db
10% Popularity • 57% Danceability • 66% Energy • 13% Liveness
95% Instrumentalness • 95% Positiveness
10% Popularity • 57% Danceability • 66% Energy • 13% Liveness
95% Instrumentalness • 95% Positiveness
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Bossanova Orquesta
Un Minuto de Amor
168 bpm • D Maj • 02:53 • -10.88db
9% Popularity • 49% Danceability • 36% Energy • 15% Liveness
80% Instrumentalness • 26% Positiveness
9% Popularity • 49% Danceability • 36% Energy • 15% Liveness
80% Instrumentalness • 26% Positiveness
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Empress Orchestra
Mack the Knife
168 bpm • D# Maj • 02:22 • -9.93db
22% Popularity • 47% Danceability • 39% Energy • 10% Liveness
65% Instrumentalness • 78% Positiveness
22% Popularity • 47% Danceability • 39% Energy • 10% Liveness
65% Instrumentalness • 78% Positiveness
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Cachito Vargas
Ñemity
170 bpm • D# Maj • 02:59 • -8.86db
12% Popularity • 46% Danceability • 40% Energy • 8% Liveness
71% Instrumentalness • 47% Positiveness
12% Popularity • 46% Danceability • 40% Energy • 8% Liveness
71% Instrumentalness • 47% Positiveness
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Joan Garcia Escala
El Silencio
195 bpm • A# Maj • 02:58 • -11.23db
2% Popularity • 27% Danceability • 43% Energy • 27% Liveness
92% Instrumentalness • 25% Positiveness
2% Popularity • 27% Danceability • 43% Energy • 27% Liveness
92% Instrumentalness • 25% Positiveness
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Frank Chacksfield Orchestra
Say Has Anybody Seen My Sweet Gypsy Rose
167 bpm • C# Maj • 02:42 • -12.71db
12% Popularity • 42% Danceability • 30% Energy • 12% Liveness
66% Instrumentalness • 44% Positiveness
12% Popularity • 42% Danceability • 30% Energy • 12% Liveness
66% Instrumentalness • 44% Positiveness
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Alfred Hause
Blumenwalzer
167 bpm • D Maj • 03:42 • -13.96db
24% Popularity • 25% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 51% Positiveness
24% Popularity • 25% Danceability • 29% Energy • 14% Liveness
11% Instrumentalness • 51% Positiveness
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The Intimate Orchestra
The Third Man Theme
167 bpm • C Maj • 03:11 • -8.48db
13% Popularity • 66% Danceability • 72% Energy • 27% Liveness
3% Instrumentalness • 97% Positiveness
13% Popularity • 66% Danceability • 72% Energy • 27% Liveness
3% Instrumentalness • 97% Positiveness
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Kees Broekhuizen
Forro Do Algarve
166 bpm • A min • 02:55 • -24db
12% Popularity • 58% Danceability • 31% Energy • 12% Liveness
95% Instrumentalness • 84% Positiveness
12% Popularity • 58% Danceability • 31% Energy • 12% Liveness
95% Instrumentalness • 84% Positiveness
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Cachito Vargas
Vya'y Yave
169 bpm • F Maj • 05:44 • -8.11db
11% Popularity • 38% Danceability • 39% Energy • 13% Liveness
44% Instrumentalness • 26% Positiveness
11% Popularity • 38% Danceability • 39% Energy • 13% Liveness
44% Instrumentalness • 26% Positiveness
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Orchester Anthony Ventura
San Antonio Rose
166 bpm • D Maj • 02:07 • -13.55db
11% Popularity • 34% Danceability • 58% Energy • 13% Liveness
96% Instrumentalness • 82% Positiveness
11% Popularity • 34% Danceability • 58% Energy • 13% Liveness
96% Instrumentalness • 82% Positiveness
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Hector Delfosse
Ciao Ciao Bambina
166 bpm • D Maj • 02:29 • -11db
38% Popularity • 59% Danceability • 37% Energy • 4% Liveness
94% Instrumentalness • 79% Positiveness
38% Popularity • 59% Danceability • 37% Energy • 4% Liveness
94% Instrumentalness • 79% Positiveness
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Ballroom Orchestra
In the Medley Mood - Instrumental
164 bpm • F Maj • 07:33 • -10.24db
18% Popularity • 48% Danceability • 63% Energy • 18% Liveness
33% Instrumentalness • 76% Positiveness
18% Popularity • 48% Danceability • 63% Energy • 18% Liveness
33% Instrumentalness • 76% Positiveness
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The Andy Ross Orchestra
Can't Buy Me Love
198 bpm • B Maj • 01:51 • -8.37db
11% Popularity • 41% Danceability • 62% Energy • 34% Liveness
73% Instrumentalness • 90% Positiveness
11% Popularity • 41% Danceability • 62% Energy • 34% Liveness
73% Instrumentalness • 90% Positiveness
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KYT-M
夢の中で
200 bpm • G min • 01:51 • -23.55db
17% Popularity • 17% Danceability • 26% Energy • 61% Liveness
98% Instrumentalness • 73% Positiveness
17% Popularity • 17% Danceability • 26% Energy • 61% Liveness
98% Instrumentalness • 73% Positiveness
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Anacapri Band Orchestra
Badù Badù - Jive Bpm 42
164 bpm • A# Maj • 03:19 • -4.89db
0% Popularity • 52% Danceability • 78% Energy • 11% Liveness
26% Instrumentalness • 91% Positiveness
0% Popularity • 52% Danceability • 78% Energy • 11% Liveness
26% Instrumentalness • 91% Positiveness
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Bossanova Orquesta
Se Me Olvidó Otra Vez
200 bpm • A Maj • 02:45 • -10.38db
10% Popularity • 52% Danceability • 50% Energy • 13% Liveness
12% Instrumentalness • 80% Positiveness
10% Popularity • 52% Danceability • 50% Energy • 13% Liveness
12% Instrumentalness • 80% Positiveness
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Zantalino y su Orquesta
El Danubio Azul - Le Beau Danube Bleu
163 bpm • D# Maj • 03:56 • -6.07db
14% Popularity • 55% Danceability • 47% Energy • 14% Liveness
5% Instrumentalness • 49% Positiveness
14% Popularity • 55% Danceability • 47% Energy • 14% Liveness
5% Instrumentalness • 49% Positiveness
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Jean Paques
On the Street Where You Live
163 bpm • D min • 02:43 • -16.52db
26% Popularity • 49% Danceability • 28% Energy • 11% Liveness
77% Instrumentalness • 52% Positiveness
26% Popularity • 49% Danceability • 28% Energy • 11% Liveness
77% Instrumentalness • 52% Positiveness
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Peter Kreuder
Ramona / Tennessee-Waltz / Limelight
202 bpm • F Maj • 03:04 • -12.46db
9% Popularity • 35% Danceability • 14% Energy • 13% Liveness
84% Instrumentalness • 24% Positiveness
9% Popularity • 35% Danceability • 14% Energy • 13% Liveness
84% Instrumentalness • 24% Positiveness
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Charles Barlow & His Orchestra
42nd Street, Quickstep, 50 MPM, 2:02
202 bpm • F min • 02:09 • -10.45db
9% Popularity • 43% Danceability • 44% Energy • 3% Liveness
84% Instrumentalness • 87% Positiveness
9% Popularity • 43% Danceability • 44% Energy • 3% Liveness
84% Instrumentalness • 87% Positiveness
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DJ Maksy
Southern Nights - Quickstep / 51 BPM
202 bpm • C Maj • 02:26 • -7.97db
14% Popularity • 48% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 48% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Lester Lanin
Blue Danube-Slow Viennese Waltz
161 bpm • D Maj • 01:52 • -10.86db
23% Popularity • 51% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
23% Popularity • 51% Danceability • 20% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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Música del cielo
Ángeles que hemos escuchado en lo alto
203 bpm • F Maj • 03:51 • -9.41db
3% Popularity • 6% Danceability • 64% Energy • 93% Liveness
49% Instrumentalness • 67% Positiveness
3% Popularity • 6% Danceability • 64% Energy • 93% Liveness
49% Instrumentalness • 67% Positiveness
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The Len Phillips Big Band
My Favourite Things (Quickstep)
204 bpm • A# min • 02:41 • -12.01db
9% Popularity • 42% Danceability • 23% Energy • 8% Liveness
14% Instrumentalness • 72% Positiveness
9% Popularity • 42% Danceability • 23% Energy • 8% Liveness
14% Instrumentalness • 72% Positiveness
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Hartmut Kamper
Blue berry hills - Saxophon
160 bpm • A# Maj • 03:54 • -7.19db
14% Popularity • 37% Danceability • 64% Energy • 7% Liveness
8% Instrumentalness • 65% Positiveness
14% Popularity • 37% Danceability • 64% Energy • 7% Liveness
8% Instrumentalness • 65% Positiveness
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Kurt Edelhagen
Quickstep: 52 Takte Pro Minute - Spatzen...
208 bpm • D# Maj • 03:50 • -9.79db
22% Popularity • 52% Danceability • 72% Energy • 28% Liveness
89% Instrumentalness • 95% Positiveness
22% Popularity • 52% Danceability • 72% Energy • 28% Liveness
89% Instrumentalness • 95% Positiveness
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Stef Meeder
Everbody Loves Somebody, Make Believe, S...
160 bpm • G Maj • 03:32 • -14.28db
10% Popularity • 55% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 77% Positiveness
10% Popularity • 55% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 77% Positiveness
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Lester Lanin
Organ Twist - Twist
161 bpm • D# Maj • 02:13 • -13.85db
10% Popularity • 71% Danceability • 49% Energy • 27% Liveness
90% Instrumentalness • 97% Positiveness
10% Popularity • 71% Danceability • 49% Energy • 27% Liveness
90% Instrumentalness • 97% Positiveness
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Liubomyr Zgurskyi
Дзінь Дзілінь (Колядк�...
157 bpm • C Maj • 02:54 • -8.83db
8% Popularity • 80% Danceability • 70% Energy • 13% Liveness
34% Instrumentalness • 99% Positiveness
8% Popularity • 80% Danceability • 70% Energy • 13% Liveness
34% Instrumentalness • 99% Positiveness
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London Symphony Orchestra
All My Loving
157 bpm • E Maj • 03:10 • -17.47db
11% Popularity • 30% Danceability • 26% Energy • 33% Liveness
93% Instrumentalness • 54% Positiveness
11% Popularity • 30% Danceability • 26% Energy • 33% Liveness
93% Instrumentalness • 54% Positiveness
