Songs like Get Some by Lykke Li
Based on a tempo of (+/- 10%) and a similar genre
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Regina Spektor
On the Radio
102 bpm • C Maj • 03:20 • -8db
49% Popularity • 88% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 88% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Zella Day
Sweet Ophelia
102 bpm • E min • 03:09 • -3.77db
45% Popularity • 57% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 57% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Lykke Li
I Know Places
102 bpm • G min • 06:26 • -14.04db
46% Popularity • 37% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
46% Popularity • 37% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Chromatics
Lady
101 bpm • A# Maj • 05:07 • -7.01db
38% Popularity • 69% Danceability • 80% Energy • 12% Liveness
15% Instrumentalness • 51% Positiveness
38% Popularity • 69% Danceability • 80% Energy • 12% Liveness
15% Instrumentalness • 51% Positiveness
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Those Dancing Days
Help Me Close My Eyes
101 bpm • G Maj • 03:17 • -6.82db
26% Popularity • 60% Danceability • 66% Energy • 10% Liveness
29% Instrumentalness • 40% Positiveness
26% Popularity • 60% Danceability • 66% Energy • 10% Liveness
29% Instrumentalness • 40% Positiveness
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MGMT
Time to Pretend
101 bpm • D Maj • 04:21 • -3.25db
79% Popularity • 44% Danceability • 94% Energy • 30% Liveness
8% Instrumentalness • 42% Positiveness
79% Popularity • 44% Danceability • 94% Energy • 30% Liveness
8% Instrumentalness • 42% Positiveness
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Warpaint
Billie Holiday
101 bpm • A min • 06:45 • -11.13db
47% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Röyksopp
Happy Up Here
104 bpm • A# Maj • 02:43 • -3.85db
43% Popularity • 68% Danceability • 88% Energy • 26% Liveness
19% Instrumentalness • 68% Positiveness
43% Popularity • 68% Danceability • 88% Energy • 26% Liveness
19% Instrumentalness • 68% Positiveness
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Lykke Li
Get Some
102 bpm • A# min • 03:22 • -5db
44% Popularity • 57% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 61% Positiveness
44% Popularity • 57% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 61% Positiveness
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Chromatics
Running Up That Hill
101 bpm • C min • 06:06 • -5.74db
46% Popularity • 65% Danceability • 91% Energy • 12% Liveness
31% Instrumentalness • 62% Positiveness
46% Popularity • 65% Danceability • 91% Energy • 12% Liveness
31% Instrumentalness • 62% Positiveness
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The xx
Intro
100 bpm • A min • 02:07 • -8.87db
73% Popularity • 62% Danceability • 78% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
73% Popularity • 62% Danceability • 78% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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MGMT
Electric Feel
103 bpm • C# Maj • 03:49 • -3.71db
81% Popularity • 76% Danceability • 80% Energy • 35% Liveness
28% Instrumentalness • 56% Positiveness
81% Popularity • 76% Danceability • 80% Energy • 35% Liveness
28% Instrumentalness • 56% Positiveness
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Spoon
I Turn My Camera On
100 bpm • A# Maj • 03:32 • -6.42db
55% Popularity • 94% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 94% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Broken Bells
The Ghost Inside
104 bpm • D Maj • 03:18 • -4.97db
59% Popularity • 87% Danceability • 70% Energy • 7% Liveness
41% Instrumentalness • 98% Positiveness
59% Popularity • 87% Danceability • 70% Energy • 7% Liveness
41% Instrumentalness • 98% Positiveness
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Susanne Sundfør
Delirious
100 bpm • D Maj • 04:55 • -6.55db
39% Popularity • 27% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
39% Popularity • 27% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Zola Jesus
Night
100 bpm • D# Maj • 03:37 • -6db
30% Popularity • 42% Danceability • 70% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
30% Popularity • 42% Danceability • 70% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Phantogram
Don't Move
100 bpm • F min • 04:18 • -5.21db
56% Popularity • 56% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 47% Positiveness
56% Popularity • 56% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 47% Positiveness
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Tei Shi
Bassically
100 bpm • F# min • 04:51 • -9.55db
29% Popularity • 61% Danceability • 63% Energy • 14% Liveness
79% Instrumentalness • 47% Positiveness
29% Popularity • 61% Danceability • 63% Energy • 14% Liveness
79% Instrumentalness • 47% Positiveness
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Glass Candy
Candy Castle
100 bpm • E min • 05:27 • -4db
32% Popularity • 68% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 64% Positiveness
32% Popularity • 68% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 64% Positiveness
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Arcade Fire
Sprawl II (Mountains Beyond Mountains)
100 bpm • G# Maj • 05:25 • -6.43db
56% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Susanne Sundfør
Fade Away
100 bpm • B Maj • 03:18 • -5.79db
49% Popularity • 57% Danceability • 80% Energy • 14% Liveness
20% Instrumentalness • 64% Positiveness
49% Popularity • 57% Danceability • 80% Energy • 14% Liveness
20% Instrumentalness • 64% Positiveness
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YACHT
Dystopia (The Earth Is On Fire)
100 bpm • C Maj • 04:01 • -6.51db
27% Popularity • 76% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 76% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Warpaint
Undertow
104 bpm • F# min • 05:53 • -9.34db
41% Popularity • 50% Danceability • 49% Energy • 10% Liveness
40% Instrumentalness • 37% Positiveness
41% Popularity • 50% Danceability • 49% Energy • 10% Liveness
40% Instrumentalness • 37% Positiveness
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St. Vincent
Los Ageless
99 bpm • F min • 04:41 • -6.03db
53% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Phèdre
In Decay
105 bpm • C Maj • 03:37 • -5.42db
29% Popularity • 52% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 52% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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The Dandy Warhols
We Used To Be Friends
105 bpm • F# min • 03:19 • -4.88db
56% Popularity • 71% Danceability • 66% Energy • 31% Liveness
19% Instrumentalness • 59% Positiveness
56% Popularity • 71% Danceability • 66% Energy • 31% Liveness
19% Instrumentalness • 59% Positiveness
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HAERTS
Wings
98 bpm • G Maj • 04:58 • -6db
36% Popularity • 53% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
36% Popularity • 53% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
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Lykke Li
No Rest for the Wicked
99 bpm • G Maj • 03:03 • -6.2db
27% Popularity • 62% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 62% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Phantogram
You Don’t Get Me High Anymore
98 bpm • G Maj • 03:39 • -4.63db
50% Popularity • 50% Danceability • 94% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 50% Danceability • 94% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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St. Vincent
Digital Witness
105 bpm • F Maj • 03:22 • -7db
38% Popularity • 78% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
38% Popularity • 78% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Chromatics
Shadow
107 bpm • B min • 03:44 • -9.37db
51% Popularity • 59% Danceability • 54% Energy • 29% Liveness
59% Instrumentalness • 55% Positiveness
51% Popularity • 59% Danceability • 54% Energy • 29% Liveness
59% Instrumentalness • 55% Positiveness
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Phoenix
Lisztomania
98 bpm • C Maj • 04:01 • -6.69db
70% Popularity • 64% Danceability • 79% Energy • 53% Liveness
0% Instrumentalness • 31% Positiveness
70% Popularity • 64% Danceability • 79% Energy • 53% Liveness
0% Instrumentalness • 31% Positiveness
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The Kills
Damned If She Do
107 bpm • C# Maj • 03:52 • -4.78db
25% Popularity • 74% Danceability • 76% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
25% Popularity • 74% Danceability • 76% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Lykke Li
No Rest for the Wicked
98 bpm • B min • 03:42 • -7.2db
49% Popularity • 31% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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La Roux
Tropical Chancer
97 bpm • G Maj • 03:31 • -9.98db
41% Popularity • 79% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 44% Positiveness
41% Popularity • 79% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 44% Positiveness
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Peter Bjorn and John
Amsterdam
97 bpm • B min • 03:37 • -4.28db
48% Popularity • 68% Danceability • 84% Energy • 66% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 68% Danceability • 84% Energy • 66% Liveness
0% Instrumentalness • 78% Positiveness
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BANKS
Beggin For Thread
108 bpm • F min • 04:09 • -6.2db
57% Popularity • 60% Danceability • 70% Energy • 26% Liveness
7% Instrumentalness • 40% Positiveness
57% Popularity • 60% Danceability • 70% Energy • 26% Liveness
7% Instrumentalness • 40% Positiveness
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Florence + The Machine
Shake It Out
107 bpm • A# Maj • 04:37 • -4.21db
68% Popularity • 52% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
68% Popularity • 52% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Chew Lips
Two Hands
108 bpm • G Maj • 02:36 • -9.24db
18% Popularity • 53% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 53% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Lykke Li
Gunshot
107 bpm • C min • 03:24 • -5.54db
42% Popularity • 52% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 52% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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La Roux
Cover My Eyes
108 bpm • D# min • 04:32 • -3.71db
36% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Eels
Fresh Blood
96 bpm • C Maj • 04:24 • -4.27db
43% Popularity • 66% Danceability • 91% Energy • 8% Liveness
68% Instrumentalness • 79% Positiveness
43% Popularity • 66% Danceability • 91% Energy • 8% Liveness
68% Instrumentalness • 79% Positiveness
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Noisettes
Don't Give Up
108 bpm • G# Maj • 02:31 • -2db
34% Popularity • 56% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 56% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Chromatics
Into The Black
109 bpm • A min • 05:22 • -8.76db
52% Popularity • 61% Danceability • 38% Energy • 8% Liveness
44% Instrumentalness • 13% Positiveness
52% Popularity • 61% Danceability • 38% Energy • 8% Liveness
44% Instrumentalness • 13% Positiveness
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The xx
Together
96 bpm • C# min • 05:25 • -9db
50% Popularity • 61% Danceability • 32% Energy • 10% Liveness
74% Instrumentalness • 12% Positiveness
50% Popularity • 61% Danceability • 32% Energy • 10% Liveness
74% Instrumentalness • 12% Positiveness
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Indiana
Solo Dancing
109 bpm • F# Maj • 04:14 • -7.58db
32% Popularity • 78% Danceability • 69% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
32% Popularity • 78% Danceability • 69% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Phoenix
Everything Is Everything
109 bpm • F# Maj • 02:58 • -7.63db
48% Popularity • 70% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
48% Popularity • 70% Danceability • 81% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
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Peter Bjorn and John
Nothing To Worry About
95 bpm • C Maj • 02:56 • -7db
38% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Mackintosh Braun
Made for Us
95 bpm • A min • 04:46 • -7.67db
29% Popularity • 56% Danceability • 80% Energy • 15% Liveness
3% Instrumentalness • 30% Positiveness
29% Popularity • 56% Danceability • 80% Energy • 15% Liveness
3% Instrumentalness • 30% Positiveness
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Metric
Speed The Collapse
95 bpm • E min • 03:42 • -5db
46% Popularity • 47% Danceability • 90% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
46% Popularity • 47% Danceability • 90% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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The xx
Infinity
109 bpm • A Maj • 05:13 • -13.96db
50% Popularity • 63% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
50% Popularity • 63% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Lorde
Yellow Flicker Beat
95 bpm • C# Maj • 03:52 • -8.39db
58% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
58% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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CHVRCHES
Dead Air
95 bpm • B Maj • 03:14 • -5.16db
43% Popularity • 63% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 63% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Jack Peñate
Pull My Heart Away
95 bpm • C Maj • 04:07 • -2.91db
36% Popularity • 50% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 50% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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FKA twigs
Two Weeks
110 bpm • C Maj • 04:07 • -6.66db
55% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Howls
Hammock
110 bpm • F# min • 02:59 • -6.4db
15% Popularity • 55% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
15% Popularity • 55% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
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The xx
VCR
109 bpm • C Maj • 02:57 • -12.73db
59% Popularity • 76% Danceability • 48% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
59% Popularity • 76% Danceability • 48% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
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Bombay Bicycle Club
Shuffle
110 bpm • G Maj • 03:55 • -4.74db
57% Popularity • 63% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
57% Popularity • 63% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Florence + The Machine
You've Got The Love
110 bpm • F# Maj • 02:48 • -4.7db
76% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Tove Lo
Habits (Stay High)
110 bpm • F Maj • 03:29 • -3.54db
76% Popularity • 73% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
76% Popularity • 73% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Foster The People
Houdini
110 bpm • G# Maj • 03:22 • -3.51db
68% Popularity • 63% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
68% Popularity • 63% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Lykke Li
Just Like a Dream
94 bpm • D Maj • 04:08 • -6db
36% Popularity • 50% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 50% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Electric Guest
Awake
111 bpm • F# Maj • 05:00 • -7.3db
24% Popularity • 57% Danceability • 58% Energy • 12% Liveness
7% Instrumentalness • 81% Positiveness
24% Popularity • 57% Danceability • 58% Energy • 12% Liveness
7% Instrumentalness • 81% Positiveness
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Arcade Fire
Reflektor
112 bpm • B min • 07:30 • -8.38db
55% Popularity • 58% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
55% Popularity • 58% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
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Anya Marina
High on the Ceiling
112 bpm • A Maj • 03:43 • -6.1db
17% Popularity • 83% Danceability • 73% Energy • 7% Liveness
66% Instrumentalness • 85% Positiveness
17% Popularity • 83% Danceability • 73% Energy • 7% Liveness
66% Instrumentalness • 85% Positiveness
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The Big Pink
Future This
93 bpm • C Maj • 03:56 • -8.18db
15% Popularity • 59% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 59% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Miss Li
Devil's Taken Her Man
112 bpm • A min • 04:01 • -9.96db
16% Popularity • 69% Danceability • 48% Energy • 48% Liveness
72% Instrumentalness • 36% Positiveness
16% Popularity • 69% Danceability • 48% Energy • 48% Liveness
72% Instrumentalness • 36% Positiveness
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Lykke Li
After Laughter
111 bpm • B min • 03:40 • -7.76db
8% Popularity • 60% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 60% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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The Mynabirds
Wolf Mother
112 bpm • B Maj • 03:14 • -4.55db
14% Popularity • 36% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 36% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Findlay
Greasy Love
93 bpm • C# Maj • 03:30 • -2.52db
15% Popularity • 47% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 47% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Kate Boy
The Way We Are
113 bpm • C# Maj • 04:13 • -8db
22% Popularity • 72% Danceability • 84% Energy • 9% Liveness
5% Instrumentalness • 75% Positiveness
22% Popularity • 72% Danceability • 84% Energy • 9% Liveness
5% Instrumentalness • 75% Positiveness
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Lissie
Worried About
92 bpm • B min • 04:24 • -5.45db
27% Popularity • 68% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 68% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Santigold
This Isn't Our Parade
92 bpm • A min • 03:53 • -6.84db
26% Popularity • 75% Danceability • 57% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
26% Popularity • 75% Danceability • 57% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Lykke Li
Heart of Steel
112 bpm • E min • 03:54 • -6.47db
25% Popularity • 53% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 53% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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La Roux
Let Me Down Gently
114 bpm • D min • 05:40 • -6.59db
39% Popularity • 48% Danceability • 63% Energy • 9% Liveness
17% Instrumentalness • 23% Positiveness
39% Popularity • 48% Danceability • 63% Energy • 9% Liveness
17% Instrumentalness • 23% Positiveness
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The Mynabirds
Body of Work
91 bpm • G Maj • 03:00 • -6.23db
26% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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St. Vincent
Fast Slow Disco
114 bpm • A# min • 03:17 • -7.51db
49% Popularity • 61% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 61% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Florence + The Machine
What Kind Of Man
115 bpm • B min • 03:36 • -4.68db
57% Popularity • 31% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 31% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Santigold
The Riot's Gone
114 bpm • C Maj • 03:29 • -7db
27% Popularity • 69% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 69% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Wye Oak
Civilian
91 bpm • G# min • 03:40 • -7db
57% Popularity • 39% Danceability • 70% Energy • 14% Liveness
22% Instrumentalness • 40% Positiveness
57% Popularity • 39% Danceability • 70% Energy • 14% Liveness
22% Instrumentalness • 40% Positiveness
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Lykke Li
Time in a Bottle
92 bpm • A min • 02:22 • -6.65db
34% Popularity • 58% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 58% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Ladytron
Runaway
115 bpm • B Maj • 04:49 • -6.78db
31% Popularity • 57% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 57% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Röyksopp
What Else Is There?
115 bpm • A Maj • 05:17 • -7.16db
57% Popularity • 70% Danceability • 93% Energy • 32% Liveness
11% Instrumentalness • 34% Positiveness
57% Popularity • 70% Danceability • 93% Energy • 32% Liveness
11% Instrumentalness • 34% Positiveness
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Austra
Painful Like
115 bpm • F min • 03:59 • -6db
26% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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St. Vincent
Cruel
115 bpm • C# Maj • 03:34 • -8.32db
46% Popularity • 57% Danceability • 70% Energy • 9% Liveness
46% Instrumentalness • 44% Positiveness
46% Popularity • 57% Danceability • 70% Energy • 9% Liveness
46% Instrumentalness • 44% Positiveness
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Tilly And The Wall
Beat Control
115 bpm • D Maj • 02:53 • -7db
26% Popularity • 64% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 64% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Kiki
Birds - A Cappella
115 bpm • D Maj • 03:53 • -10.63db
10% Popularity • 29% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 29% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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Peter Bjorn and John
The Chills
90 bpm • D# Maj • 03:48 • -7db
48% Popularity • 63% Danceability • 88% Energy • 32% Liveness
35% Instrumentalness • 72% Positiveness
48% Popularity • 63% Danceability • 88% Energy • 32% Liveness
35% Instrumentalness • 72% Positiveness
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Karen Elson
The Ghost Who Walks
90 bpm • C min • 03:02 • -6db
40% Popularity • 48% Danceability • 76% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
40% Popularity • 48% Danceability • 76% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Beatrice Eli
It's Over
90 bpm • F Maj • 02:23 • -4.32db
17% Popularity • 68% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 68% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The xx
Basic Space
116 bpm • A min • 03:08 • -15.24db
46% Popularity • 94% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 15% Positiveness
46% Popularity • 94% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 15% Positiveness
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Arcade Fire
Afterlife
116 bpm • B Maj • 05:53 • -5.53db
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
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Django Django
Default
116 bpm • C# Maj • 03:05 • -6db
50% Popularity • 75% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 75% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Broken Bells
After the Disco
116 bpm • A Maj • 03:39 • -5.44db
51% Popularity • 73% Danceability • 74% Energy • 13% Liveness
3% Instrumentalness • 97% Positiveness
51% Popularity • 73% Danceability • 74% Energy • 13% Liveness
3% Instrumentalness • 97% Positiveness
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The Kills
Tape Song
116 bpm • A Maj • 03:37 • -4db
40% Popularity • 98% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 98% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Magic Wands
Black Magic
116 bpm • B Maj • 02:33 • -4.79db
45% Popularity • 61% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 61% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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RóisÃn Murphy
Dear Miami
116 bpm • C min • 03:40 • -7db
46% Popularity • 91% Danceability • 52% Energy • 8% Liveness
13% Instrumentalness • 70% Positiveness
46% Popularity • 91% Danceability • 52% Energy • 8% Liveness
13% Instrumentalness • 70% Positiveness
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Karen Elson
Pretty Babies
116 bpm • A min • 03:25 • -7db
16% Popularity • 53% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 53% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
