Songs like Getting Over This by Navos
Based on a tempo of (+/- 10%) and a similar genre
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Mike Mago
Cold Groove - Rene Amesz Remix
124 bpm • G Maj • 03:07 • -7db
22% Popularity • 74% Danceability • 87% Energy • 14% Liveness
52% Instrumentalness • 36% Positiveness
22% Popularity • 74% Danceability • 87% Energy • 14% Liveness
52% Instrumentalness • 36% Positiveness
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Hux & Thin
No More
124 bpm • F# Maj • 03:31 • -5.59db
27% Popularity • 76% Danceability • 92% Energy • 34% Liveness
12% Instrumentalness • 71% Positiveness
27% Popularity • 76% Danceability • 92% Energy • 34% Liveness
12% Instrumentalness • 71% Positiveness
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Bissett
Every Single Time - Extended Mix
124 bpm • C Maj • 04:55 • -5db
21% Popularity • 79% Danceability • 70% Energy • 3% Liveness
84% Instrumentalness • 49% Positiveness
21% Popularity • 79% Danceability • 70% Energy • 3% Liveness
84% Instrumentalness • 49% Positiveness
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Navos
Getting Over This
124 bpm • F min • 03:15 • -7.98db
24% Popularity • 80% Danceability • 83% Energy • 18% Liveness
39% Instrumentalness • 20% Positiveness
24% Popularity • 80% Danceability • 83% Energy • 18% Liveness
39% Instrumentalness • 20% Positiveness
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MistaJam
The Recipe
124 bpm • C# Maj • 02:19 • -7.25db
26% Popularity • 67% Danceability • 76% Energy • 20% Liveness
56% Instrumentalness • 40% Positiveness
26% Popularity • 67% Danceability • 76% Energy • 20% Liveness
56% Instrumentalness • 40% Positiveness
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John Summit
Make Me Feel - Mixed
124 bpm • G# Maj • 04:38 • -9db
17% Popularity • 82% Danceability • 71% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
17% Popularity • 82% Danceability • 71% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
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Hugo Doche
I Got The Beat
124 bpm • D Maj • 03:19 • -5.88db
19% Popularity • 86% Danceability • 92% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
19% Popularity • 86% Danceability • 92% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
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Beave
Take Me Back
124 bpm • G# Maj • 02:38 • -6.58db
40% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Jack Wins
Live For Tonight
124 bpm • F min • 02:16 • -5db
24% Popularity • 53% Danceability • 90% Energy • 35% Liveness
5% Instrumentalness • 61% Positiveness
24% Popularity • 53% Danceability • 90% Energy • 35% Liveness
5% Instrumentalness • 61% Positiveness
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Maxinne
Tell Me Something
124 bpm • B min • 03:46 • -6db
24% Popularity • 68% Danceability • 83% Energy • 10% Liveness
34% Instrumentalness • 60% Positiveness
24% Popularity • 68% Danceability • 83% Energy • 10% Liveness
34% Instrumentalness • 60% Positiveness
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Benjamin Barth
Hope You Know
124 bpm • D# min • 03:52 • -4.03db
10% Popularity • 61% Danceability • 97% Energy • 11% Liveness
51% Instrumentalness • 62% Positiveness
10% Popularity • 61% Danceability • 97% Energy • 11% Liveness
51% Instrumentalness • 62% Positiveness
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Kisch
Bright Lights
124 bpm • F# Maj • 02:23 • -6db
49% Popularity • 61% Danceability • 86% Energy • 5% Liveness
11% Instrumentalness • 41% Positiveness
49% Popularity • 61% Danceability • 86% Energy • 5% Liveness
11% Instrumentalness • 41% Positiveness
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DRAY
Take It Back - Extended
124 bpm • G# min • 03:40 • -8.38db
28% Popularity • 73% Danceability • 77% Energy • 2% Liveness
1% Instrumentalness • 53% Positiveness
28% Popularity • 73% Danceability • 77% Energy • 2% Liveness
1% Instrumentalness • 53% Positiveness
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Mark Knight
Givin' Up
124 bpm • C Maj • 04:23 • -3.62db
31% Popularity • 77% Danceability • 94% Energy • 42% Liveness
52% Instrumentalness • 68% Positiveness
31% Popularity • 77% Danceability • 94% Energy • 42% Liveness
52% Instrumentalness • 68% Positiveness
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Faul & Wad
Changes - Zonderling Remix
124 bpm • D# min • 03:09 • -5db
39% Popularity • 81% Danceability • 85% Energy • 13% Liveness
52% Instrumentalness • 20% Positiveness
39% Popularity • 81% Danceability • 85% Energy • 13% Liveness
52% Instrumentalness • 20% Positiveness
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Maxinne
I Need You
124 bpm • D# min • 03:56 • -4db
27% Popularity • 80% Danceability • 95% Energy • 6% Liveness
6% Instrumentalness • 65% Positiveness
27% Popularity • 80% Danceability • 95% Energy • 6% Liveness
6% Instrumentalness • 65% Positiveness
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Future Kings
Is It Enough?
124 bpm • B min • 03:03 • -7db
30% Popularity • 69% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 80% Positiveness
30% Popularity • 69% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 80% Positiveness
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Kisch
Rock With Me
124 bpm • C# Maj • 02:44 • -5db
45% Popularity • 78% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 78% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Shadow Child
Climbin' (Piano Weapon) - Nicky Night Ti...
124 bpm • A# min • 05:18 • -5.1db
19% Popularity • 78% Danceability • 85% Energy • 60% Liveness
1% Instrumentalness • 66% Positiveness
19% Popularity • 78% Danceability • 85% Energy • 60% Liveness
1% Instrumentalness • 66% Positiveness
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Duke Dumont
Alter Ego - Endor Remix
124 bpm • B Maj • 03:33 • -9db
18% Popularity • 81% Danceability • 90% Energy • 8% Liveness
68% Instrumentalness • 96% Positiveness
18% Popularity • 81% Danceability • 90% Energy • 8% Liveness
68% Instrumentalness • 96% Positiveness
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Jack Wins
Out of My Head
124 bpm • B Maj • 02:42 • -5.03db
44% Popularity • 55% Danceability • 95% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
44% Popularity • 55% Danceability • 95% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Robbie Rivera
Switch It
124 bpm • E min • 03:18 • -7.04db
23% Popularity • 63% Danceability • 88% Energy • 18% Liveness
18% Instrumentalness • 75% Positiveness
23% Popularity • 63% Danceability • 88% Energy • 18% Liveness
18% Instrumentalness • 75% Positiveness
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Gettoblaster
H O U S E - Edit
124 bpm • C min • 02:42 • -6.12db
21% Popularity • 77% Danceability • 74% Energy • 9% Liveness
55% Instrumentalness • 75% Positiveness
21% Popularity • 77% Danceability • 74% Energy • 9% Liveness
55% Instrumentalness • 75% Positiveness
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James Haskell
You Need It
124 bpm • G Maj • 03:00 • -2.06db
16% Popularity • 63% Danceability • 98% Energy • 6% Liveness
9% Instrumentalness • 93% Positiveness
16% Popularity • 63% Danceability • 98% Energy • 6% Liveness
9% Instrumentalness • 93% Positiveness
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Hilit Kolet
Techno Disco
124 bpm • E min • 02:04 • -6.75db
32% Popularity • 84% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 84% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Voost
Trust
124 bpm • F min • 02:40 • -5.87db
19% Popularity • 57% Danceability • 91% Energy • 33% Liveness
25% Instrumentalness • 69% Positiveness
19% Popularity • 57% Danceability • 91% Energy • 33% Liveness
25% Instrumentalness • 69% Positiveness
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Ashibah
On the Line
124 bpm • B Maj • 03:26 • -10.3db
21% Popularity • 80% Danceability • 94% Energy • 3% Liveness
89% Instrumentalness • 70% Positiveness
21% Popularity • 80% Danceability • 94% Energy • 3% Liveness
89% Instrumentalness • 70% Positiveness
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JKAY
You & I
124 bpm • C Maj • 03:04 • -4.73db
37% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Airwolf Paradise
Endlessly
124 bpm • C# Maj • 02:42 • -6.01db
12% Popularity • 76% Danceability • 87% Energy • 36% Liveness
25% Instrumentalness • 82% Positiveness
12% Popularity • 76% Danceability • 87% Energy • 36% Liveness
25% Instrumentalness • 82% Positiveness
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Anto
Back 2 U
124 bpm • B min • 02:40 • -5.1db
20% Popularity • 58% Danceability • 97% Energy • 24% Liveness
8% Instrumentalness • 35% Positiveness
20% Popularity • 58% Danceability • 97% Energy • 24% Liveness
8% Instrumentalness • 35% Positiveness
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Nalestar
Outlaw (Inspired by 'The Outlaw Ocean' a...
124 bpm • G# min • 02:22 • -7.29db
37% Popularity • 72% Danceability • 94% Energy • 34% Liveness
6% Instrumentalness • 86% Positiveness
37% Popularity • 72% Danceability • 94% Energy • 34% Liveness
6% Instrumentalness • 86% Positiveness
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MOTi
Won't Leave
124 bpm • F# Maj • 03:44 • -4.67db
33% Popularity • 63% Danceability • 96% Energy • 29% Liveness
5% Instrumentalness • 46% Positiveness
33% Popularity • 63% Danceability • 96% Energy • 29% Liveness
5% Instrumentalness • 46% Positiveness
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Navos
You & I - Emily Nash Remix
124 bpm • B min • 02:52 • -6.39db
39% Popularity • 63% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 63% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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MESZCA
Everything U Do
124 bpm • C# Maj • 02:44 • -5.5db
26% Popularity • 57% Danceability • 98% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
26% Popularity • 57% Danceability • 98% Energy • 7% Liveness
93% Instrumentalness • 55% Positiveness
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Bissett
The Way I Feel
124 bpm • B min • 04:23 • -5.88db
21% Popularity • 87% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
21% Popularity • 87% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Jack Wins
Yes!
124 bpm • A Maj • 02:36 • -5.96db
19% Popularity • 59% Danceability • 87% Energy • 10% Liveness
31% Instrumentalness • 65% Positiveness
19% Popularity • 59% Danceability • 87% Energy • 10% Liveness
31% Instrumentalness • 65% Positiveness
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Jay Pryor
Make Luv
124 bpm • C min • 02:48 • -6.3db
47% Popularity • 66% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
47% Popularity • 66% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Sam Girling
Why Won’t Your Heart
124 bpm • F# Maj • 03:39 • -6.21db
13% Popularity • 66% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 66% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Sigala
Stay The Night - Alex Chapman Remix
124 bpm • C Maj • 02:38 • -6.77db
15% Popularity • 72% Danceability • 90% Energy • 14% Liveness
29% Instrumentalness • 44% Positiveness
15% Popularity • 72% Danceability • 90% Energy • 14% Liveness
29% Instrumentalness • 44% Positiveness
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Becky Hill
Last Time - Route 94 Remix
124 bpm • B Maj • 05:12 • -6.56db
22% Popularity • 76% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 76% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Galoski
Casualty
124 bpm • F min • 02:32 • -5.27db
29% Popularity • 77% Danceability • 92% Energy • 36% Liveness
21% Instrumentalness • 45% Positiveness
29% Popularity • 77% Danceability • 92% Energy • 36% Liveness
21% Instrumentalness • 45% Positiveness
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Welshy
All for You
124 bpm • B min • 03:13 • -5.71db
32% Popularity • 70% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 70% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Shane Codd
Same Mistake
124 bpm • D# min • 02:50 • -4db
37% Popularity • 67% Danceability • 91% Energy • 30% Liveness
36% Instrumentalness • 62% Positiveness
37% Popularity • 67% Danceability • 91% Energy • 30% Liveness
36% Instrumentalness • 62% Positiveness
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Josh Long
Love You
124 bpm • G# min • 02:33 • -5.2db
23% Popularity • 64% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 64% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Kaleena Zanders
RELOAD (reloaded by Lee Wilson)
124 bpm • B min • 03:56 • -5.58db
12% Popularity • 64% Danceability • 83% Energy • 11% Liveness
29% Instrumentalness • 88% Positiveness
12% Popularity • 64% Danceability • 83% Energy • 11% Liveness
29% Instrumentalness • 88% Positiveness
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Clavette
Never Stop
124 bpm • C min • 02:58 • -5.21db
15% Popularity • 67% Danceability • 91% Energy • 43% Liveness
30% Instrumentalness • 30% Positiveness
15% Popularity • 67% Danceability • 91% Energy • 43% Liveness
30% Instrumentalness • 30% Positiveness
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Dallerium
Won't Be Walking Away
124 bpm • F min • 02:56 • -8.81db
34% Popularity • 76% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 76% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Oliver Heldens
Believe In Ghosts
124 bpm • D Maj • 02:46 • -7.31db
38% Popularity • 70% Danceability • 83% Energy • 30% Liveness
4% Instrumentalness • 48% Positiveness
38% Popularity • 70% Danceability • 83% Energy • 30% Liveness
4% Instrumentalness • 48% Positiveness
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HØNEST
Your Heart Beating
124 bpm • F min • 03:12 • -10.49db
34% Popularity • 78% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 78% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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GW Harrison
Out My Mind
124 bpm • B min • 03:03 • -3.94db
38% Popularity • 64% Danceability • 96% Energy • 38% Liveness
1% Instrumentalness • 35% Positiveness
38% Popularity • 64% Danceability • 96% Energy • 38% Liveness
1% Instrumentalness • 35% Positiveness
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DAM
Like I Do
124 bpm • F min • 04:29 • -7.37db
34% Popularity • 67% Danceability • 78% Energy • 38% Liveness
4% Instrumentalness • 25% Positiveness
34% Popularity • 67% Danceability • 78% Energy • 38% Liveness
4% Instrumentalness • 25% Positiveness
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Noizu
More Love
124 bpm • F# min • 03:11 • -4.57db
53% Popularity • 57% Danceability • 95% Energy • 32% Liveness
5% Instrumentalness • 28% Positiveness
53% Popularity • 57% Danceability • 95% Energy • 32% Liveness
5% Instrumentalness • 28% Positiveness
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Goodboys
Black & Blue - WEISS Remix
124 bpm • A min • 02:17 • -4.9db
19% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Bissett
Let It Go - Radio Edit
124 bpm • B min • 02:52 • -9.22db
34% Popularity • 92% Danceability • 55% Energy • 6% Liveness
7% Instrumentalness • 67% Positiveness
34% Popularity • 92% Danceability • 55% Energy • 6% Liveness
7% Instrumentalness • 67% Positiveness
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AZ2A
Superstar
124 bpm • D# min • 02:57 • -4.65db
45% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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French Original
Over Think It
124 bpm • G Maj • 02:55 • -5.2db
11% Popularity • 76% Danceability • 95% Energy • 9% Liveness
86% Instrumentalness • 66% Positiveness
11% Popularity • 76% Danceability • 95% Energy • 9% Liveness
86% Instrumentalness • 66% Positiveness
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Coldabank
Without You
124 bpm • A# min • 02:47 • -4.87db
30% Popularity • 68% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 68% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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BTAY
Get Together
124 bpm • C Maj • 02:52 • -6.42db
20% Popularity • 76% Danceability • 79% Energy • 39% Liveness
8% Instrumentalness • 45% Positiveness
20% Popularity • 76% Danceability • 79% Energy • 39% Liveness
8% Instrumentalness • 45% Positiveness
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Hayden James
Hold Tight
124 bpm • G# min • 02:56 • -6.03db
41% Popularity • 71% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 71% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Charli XCX
Good Ones - THAT KIND Remix
124 bpm • G min • 02:40 • -5.34db
33% Popularity • 82% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 82% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Kane Lane
Nowhere To Go - Radio Edit
124 bpm • B min • 03:23 • -7.59db
21% Popularity • 76% Danceability • 71% Energy • 31% Liveness
39% Instrumentalness • 38% Positiveness
21% Popularity • 76% Danceability • 71% Energy • 31% Liveness
39% Instrumentalness • 38% Positiveness
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Aluna
Envious - Kiddy Smile Remix
124 bpm • B Maj • 03:41 • -5.81db
22% Popularity • 63% Danceability • 91% Energy • 13% Liveness
72% Instrumentalness • 25% Positiveness
22% Popularity • 63% Danceability • 91% Energy • 13% Liveness
72% Instrumentalness • 25% Positiveness
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CHANEY
Bring Me Up
124 bpm • C Maj • 02:36 • -5.76db
17% Popularity • 70% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 70% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Ashibah
My Eyes Only
124 bpm • A# min • 03:38 • -7.37db
30% Popularity • 73% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
30% Popularity • 73% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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L'Tric
All My Life
124 bpm • B min • 03:07 • -4.09db
20% Popularity • 51% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 51% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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KOLIDESCOPES
When Friday Comes
124 bpm • B Maj • 03:01 • -5.38db
36% Popularity • 78% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 78% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Seamus D
Like That
124 bpm • D# min • 03:00 • -8db
51% Popularity • 72% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
51% Popularity • 72% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
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PBH & JACK
Jealousy
124 bpm • B Maj • 03:01 • -5.46db
8% Popularity • 68% Danceability • 68% Energy • 24% Liveness
1% Instrumentalness • 78% Positiveness
8% Popularity • 68% Danceability • 68% Energy • 24% Liveness
1% Instrumentalness • 78% Positiveness
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Jason Herd
I Love My Girl
124 bpm • G Maj • 02:55 • -5.02db
16% Popularity • 80% Danceability • 91% Energy • 10% Liveness
11% Instrumentalness • 84% Positiveness
16% Popularity • 80% Danceability • 91% Energy • 10% Liveness
11% Instrumentalness • 84% Positiveness
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Bissett
Every Single Time
124 bpm • C Maj • 02:58 • -4.29db
44% Popularity • 74% Danceability • 87% Energy • 34% Liveness
28% Instrumentalness • 71% Positiveness
44% Popularity • 74% Danceability • 87% Energy • 34% Liveness
28% Instrumentalness • 71% Positiveness
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Sam Divine
I Want You
124 bpm • D min • 03:10 • -5.54db
32% Popularity • 64% Danceability • 92% Energy • 34% Liveness
1% Instrumentalness • 24% Positiveness
32% Popularity • 64% Danceability • 92% Energy • 34% Liveness
1% Instrumentalness • 24% Positiveness
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HARLEE
Reset
124 bpm • F# Maj • 02:39 • -2.91db
35% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Becky Hill
Last Time - PS1 Remix
124 bpm • D min • 03:35 • -4.23db
23% Popularity • 63% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 63% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Drove
Do To Me
124 bpm • A# min • 02:25 • -8.08db
22% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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MistaJam
Good
124 bpm • G min • 02:58 • -4.78db
28% Popularity • 61% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 61% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Revelries
Heatwave - George Z Remix
124 bpm • E min • 03:12 • -4.07db
19% Popularity • 56% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 56% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Maur
Go
124 bpm • F# min • 03:19 • -6.97db
24% Popularity • 58% Danceability • 94% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
24% Popularity • 58% Danceability • 94% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
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Soul Speech
Talking About Her
124 bpm • G# min • 03:16 • -7.39db
15% Popularity • 72% Danceability • 85% Energy • 34% Liveness
8% Instrumentalness • 66% Positiveness
15% Popularity • 72% Danceability • 85% Energy • 34% Liveness
8% Instrumentalness • 66% Positiveness
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Antony Craven
You & Me
124 bpm • A Maj • 02:53 • -9.16db
26% Popularity • 69% Danceability • 83% Energy • 7% Liveness
79% Instrumentalness • 38% Positiveness
26% Popularity • 69% Danceability • 83% Energy • 7% Liveness
79% Instrumentalness • 38% Positiveness
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Future Kings
Something New
124 bpm • F# Maj • 02:45 • -6.99db
13% Popularity • 60% Danceability • 95% Energy • 2% Liveness
53% Instrumentalness • 69% Positiveness
13% Popularity • 60% Danceability • 95% Energy • 2% Liveness
53% Instrumentalness • 69% Positiveness
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Emily Nash
Pressure
124 bpm • D# min • 03:48 • -5.16db
26% Popularity • 70% Danceability • 86% Energy • 7% Liveness
23% Instrumentalness • 86% Positiveness
26% Popularity • 70% Danceability • 86% Energy • 7% Liveness
23% Instrumentalness • 86% Positiveness
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Rain Radio
He Goes Down
124 bpm • A# min • 02:38 • -5.22db
44% Popularity • 80% Danceability • 91% Energy • 36% Liveness
7% Instrumentalness • 50% Positiveness
44% Popularity • 80% Danceability • 91% Energy • 36% Liveness
7% Instrumentalness • 50% Positiveness
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James Haskell
Up On Love
124 bpm • E min • 03:40 • -9.67db
14% Popularity • 66% Danceability • 77% Energy • 17% Liveness
69% Instrumentalness • 45% Positiveness
14% Popularity • 66% Danceability • 77% Energy • 17% Liveness
69% Instrumentalness • 45% Positiveness
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Belters Only
I Will Survive
124 bpm • A# min • 02:30 • -5db
55% Popularity • 64% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 64% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Friend Within
Know Each Other
124 bpm • A# min • 02:48 • -6.21db
16% Popularity • 69% Danceability • 83% Energy • 46% Liveness
1% Instrumentalness • 62% Positiveness
16% Popularity • 69% Danceability • 83% Energy • 46% Liveness
1% Instrumentalness • 62% Positiveness
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Seamus D
In The Club
124 bpm • E min • 04:40 • -13.12db
18% Popularity • 74% Danceability • 49% Energy • 10% Liveness
12% Instrumentalness • 46% Positiveness
18% Popularity • 74% Danceability • 49% Energy • 10% Liveness
12% Instrumentalness • 46% Positiveness
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84 Controller
U & Me
124 bpm • G min • 03:32 • -5.8db
26% Popularity • 63% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 63% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
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STIKMATIK
Finer Things
124 bpm • C# Maj • 02:08 • -6.5db
23% Popularity • 72% Danceability • 67% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 72% Danceability • 67% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
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Siwell
Make It Hot
124 bpm • G min • 03:00 • -4.47db
19% Popularity • 64% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 64% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Belters Only
Call Me
124 bpm • D min • 02:57 • -4.17db
41% Popularity • 73% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 73% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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MistaJam
When
124 bpm • C min • 02:13 • -5.83db
26% Popularity • 88% Danceability • 84% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
26% Popularity • 88% Danceability • 84% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
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THAT KIND
Better Off Alone
124 bpm • C# min • 02:33 • -4.19db
39% Popularity • 73% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 73% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Duke & Jones
Lucid - Öwnboss Remix
124 bpm • G# min • 02:57 • -5.06db
14% Popularity • 69% Danceability • 93% Energy • 39% Liveness
1% Instrumentalness • 35% Positiveness
14% Popularity • 69% Danceability • 93% Energy • 39% Liveness
1% Instrumentalness • 35% Positiveness
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ESTO
Need Your Lovin'
124 bpm • A# min • 02:27 • -7.22db
13% Popularity • 68% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 68% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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D.V.R.X
Want Someone
124 bpm • C# Maj • 02:43 • -8.62db
14% Popularity • 64% Danceability • 77% Energy • 13% Liveness
20% Instrumentalness • 19% Positiveness
14% Popularity • 64% Danceability • 77% Energy • 13% Liveness
20% Instrumentalness • 19% Positiveness
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System.Inc
Mirrors
124 bpm • C# Maj • 03:08 • -6.99db
22% Popularity • 62% Danceability • 82% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
22% Popularity • 62% Danceability • 82% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Welshy
All Day
124 bpm • C Maj • 03:02 • -5.11db
51% Popularity • 71% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 71% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Emily Nash
Gift of Life
124 bpm • F# min • 03:54 • -7.18db
11% Popularity • 78% Danceability • 88% Energy • 9% Liveness
79% Instrumentalness • 26% Positiveness
11% Popularity • 78% Danceability • 88% Energy • 9% Liveness
79% Instrumentalness • 26% Positiveness
