Songs like Ghosts of Summers Past by Jeff Pearce
Based on a tempo of (+/- 10%) and a similar genre
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Jeff Pearce
Cold Comfort
105 bpm • G# Maj • 03:28 • -17.7db
15% Popularity • 35% Danceability • 10% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 35% Danceability • 10% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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David Wahler
Lune Mysterieuse
105 bpm • D min • 04:24 • -16.07db
21% Popularity • 60% Danceability • 41% Energy • 9% Liveness
63% Instrumentalness • 15% Positiveness
21% Popularity • 60% Danceability • 41% Energy • 9% Liveness
63% Instrumentalness • 15% Positiveness
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Morouj
Calm Stream
105 bpm • F Maj • 02:24 • -24.83db
39% Popularity • 15% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Rudy Adrian
The Healing Lake
106 bpm • D Maj • 06:45 • -22.74db
22% Popularity • 27% Danceability • 20% Energy • 44% Liveness
92% Instrumentalness • 3% Positiveness
22% Popularity • 27% Danceability • 20% Energy • 44% Liveness
92% Instrumentalness • 3% Positiveness
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Meg Bowles
Chant for a Liquid World
106 bpm • F min • 08:52 • -22.67db
16% Popularity • 16% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Tim Story
Helen of the West
104 bpm • E min • 04:47 • -23.6db
10% Popularity • 20% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Jeff Pearce
Ghosts of Summers Past
105 bpm • F# min • 02:41 • -17.44db
31% Popularity • 26% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Kevin Kendle
Winter Jasmine
104 bpm • C min • 06:39 • -16db
26% Popularity • 23% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Ray Lynch
Falling In The Garden / Ray Lynch
107 bpm • B Maj • 02:47 • -34db
37% Popularity • 53% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
37% Popularity • 53% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Richard Bone
Nagualito
107 bpm • D# Maj • 04:21 • -30.55db
11% Popularity • 16% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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John Serrie
The Ocean Of Night
107 bpm • D# min • 07:01 • -23db
32% Popularity • 26% Danceability • 15% Energy • 29% Liveness
78% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 15% Energy • 29% Liveness
78% Instrumentalness • 4% Positiveness
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Venedel
Awakening
102 bpm • C# Maj • 03:14 • -19.28db
35% Popularity • 16% Danceability • 46% Energy • 94% Liveness
98% Instrumentalness • 11% Positiveness
35% Popularity • 16% Danceability • 46% Energy • 94% Liveness
98% Instrumentalness • 11% Positiveness
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Jeff Pearce
From the Mountain's Dark Side
107 bpm • G min • 04:15 • -19.07db
2% Popularity • 46% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
2% Popularity • 46% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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David Wahler
Ananda
108 bpm • C Maj • 06:29 • -18db
14% Popularity • 60% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
14% Popularity • 60% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
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Meg Bowles
The Fire Sower
109 bpm • F Maj • 08:47 • -24.46db
16% Popularity • 50% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 50% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Tim Story
Pale Litany
110 bpm • F# Maj • 03:19 • -23.8db
17% Popularity • 22% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Jonn Serrie
Breath of the Valley
108 bpm • D min • 09:21 • -19.06db
17% Popularity • 16% Danceability • 26% Energy • 49% Liveness
68% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 26% Energy • 49% Liveness
68% Instrumentalness • 4% Positiveness
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David Arkenstone
Lonely Satellite
100 bpm • D# Maj • 05:06 • -26.82db
8% Popularity • 26% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Jeff Pearce
Until Next Year
108 bpm • D Maj • 05:52 • -26.53db
4% Popularity • 18% Danceability • 5% Energy • 5% Liveness
95% Instrumentalness • 5% Positiveness
4% Popularity • 18% Danceability • 5% Energy • 5% Liveness
95% Instrumentalness • 5% Positiveness
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Kevin Keller
Distanced
110 bpm • A min • 09:24 • -24.62db
2% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
2% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Jeff Oster
Gardens of Varanasi
100 bpm • C Maj • 05:54 • -16db
14% Popularity • 14% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Kirsten Agresta Copely
Daybreak
110 bpm • E min • 06:09 • -23.06db
14% Popularity • 28% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 28% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Hilary Stagg
Prelude to Love
100 bpm • G Maj • 04:35 • -13.84db
31% Popularity • 50% Danceability • 14% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
31% Popularity • 50% Danceability • 14% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Erik Wøllo
Arrow of Time
100 bpm • B min • 04:26 • -16.54db
14% Popularity • 39% Danceability • 23% Energy • 74% Liveness
91% Instrumentalness • 28% Positiveness
14% Popularity • 39% Danceability • 23% Energy • 74% Liveness
91% Instrumentalness • 28% Positiveness
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Meg Bowles
Forest Glade
100 bpm • A min • 10:53 • -23.11db
11% Popularity • 20% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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David Wahler
Mosaic
100 bpm • C min • 05:56 • -16.24db
18% Popularity • 51% Danceability • 26% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
18% Popularity • 51% Danceability • 26% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Richard Bone
Waters of Assiyah
100 bpm • C min • 05:38 • -20.55db
10% Popularity • 62% Danceability • 13% Energy • 34% Liveness
96% Instrumentalness • 32% Positiveness
10% Popularity • 62% Danceability • 13% Energy • 34% Liveness
96% Instrumentalness • 32% Positiveness
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Darshan Ambient
Cluster
100 bpm • C min • 04:06 • -14.14db
11% Popularity • 29% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
11% Popularity • 29% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Patrick O'Hearn
Espana
100 bpm • D# Maj • 04:50 • -18.49db
15% Popularity • 20% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Amaranth Cove
The Space Between Us
100 bpm • C# Maj • 02:52 • -21.46db
38% Popularity • 18% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Mars Lasar
Lost Coast Trail
100 bpm • C Maj • 04:36 • -15.57db
13% Popularity • 19% Danceability • 28% Energy • 61% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 28% Energy • 61% Liveness
96% Instrumentalness • 4% Positiveness
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David Wahler
Bhakti Heart
100 bpm • C Maj • 04:32 • -26db
33% Popularity • 51% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 51% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Erik Wøllo
Morning Dew
111 bpm • F# min • 02:07 • -29.73db
20% Popularity • 16% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Jonn Serrie
The Stargazer's Journey
111 bpm • D Maj • 08:47 • -25.5db
26% Popularity • 21% Danceability • 13% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
26% Popularity • 21% Danceability • 13% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Michael Whalen
Kiss the Quiet
111 bpm • C Maj • 06:07 • -17.33db
12% Popularity • 38% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 38% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Michel LeBond
Amygdala
99 bpm • G# Maj • 03:38 • -23.95db
32% Popularity • 13% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
32% Popularity • 13% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Parijat
Celestial
99 bpm • D Maj • 06:30 • -23.81db
28% Popularity • 16% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
28% Popularity • 16% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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David Wahler
Mystic Voyage
100 bpm • A# min • 04:22 • -20.12db
22% Popularity • 48% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
22% Popularity • 48% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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Marcey Hamm
Inward Harmony
112 bpm • B Maj • 04:38 • -28.45db
28% Popularity • 19% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Jonn Serrie
Vista Range
111 bpm • D Maj • 06:39 • -23.7db
17% Popularity • 16% Danceability • 8% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 8% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Erik Wøllo
Ody At Sea
99 bpm • C min • 03:38 • -29.89db
30% Popularity • 17% Danceability • 6% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 17% Danceability • 6% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Eugene Kush
I Can't See When My Eyes Open - Original...
98 bpm • A min • 03:42 • -19.87db
12% Popularity • 16% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 16% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Mars Lasar
Wilderness Trail
97 bpm • C Maj • 04:19 • -17.07db
27% Popularity • 40% Danceability • 11% Energy • 32% Liveness
85% Instrumentalness • 7% Positiveness
27% Popularity • 40% Danceability • 11% Energy • 32% Liveness
85% Instrumentalness • 7% Positiveness
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Dean Evenson
Sweet Surrender
97 bpm • A min • 05:46 • -16.52db
15% Popularity • 18% Danceability • 19% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
15% Popularity • 18% Danceability • 19% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
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Jeff Pearce
Shadow of Surrender
97 bpm • F Maj • 04:04 • -22.53db
10% Popularity • 17% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Jonn Serrie
Gentle, The Night
112 bpm • G min • 07:37 • -22.75db
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
22% Popularity • 35% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Erik Wøllo
Sea
113 bpm • E Maj • 03:11 • -17.98db
19% Popularity • 23% Danceability • 37% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
19% Popularity • 23% Danceability • 37% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Meg Bowles
Berceuse for a Star Child
97 bpm • C# Maj • 05:51 • -26.21db
11% Popularity • 19% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Michael Whalen
Swimming In A Lovely Sea Of You
114 bpm • C min • 04:33 • -26.79db
26% Popularity • 22% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
26% Popularity • 22% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Dr. Sounds
Spacelight
114 bpm • G min • 03:42 • -14.8db
21% Popularity • 17% Danceability • 32% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 32% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
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David Helpling
Rain Falls
115 bpm • C# min • 04:30 • -17.16db
16% Popularity • 51% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 51% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Jonn Serrie
And the Stars Go with You
114 bpm • F# min • 04:20 • -17.65db
24% Popularity • 18% Danceability • 30% Energy • 25% Liveness
63% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 30% Energy • 25% Liveness
63% Instrumentalness • 3% Positiveness
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Erik Scott
Breathing Room
96 bpm • A Maj • 05:34 • -13.02db
3% Popularity • 36% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
3% Popularity • 36% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Erik Wøllo
Destiny
98 bpm • E min • 07:02 • -16.68db
14% Popularity • 56% Danceability • 46% Energy • 7% Liveness
89% Instrumentalness • 31% Positiveness
14% Popularity • 56% Danceability • 46% Energy • 7% Liveness
89% Instrumentalness • 31% Positiveness
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Lauge
Pine Trees Covered in Fog
96 bpm • F# min • 05:45 • -18.05db
15% Popularity • 16% Danceability • 32% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
15% Popularity • 16% Danceability • 32% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
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Michael Gettel
Tale Of The Whales
96 bpm • F Maj • 06:52 • -17.02db
22% Popularity • 43% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 43% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Jeff Pearce
The Emergence
95 bpm • C Maj • 06:19 • -21.04db
2% Popularity • 12% Danceability • 16% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
2% Popularity • 12% Danceability • 16% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Meg Bowles
Walk Softly into the Night
116 bpm • E min • 06:56 • -29.51db
17% Popularity • 18% Danceability • 10% Energy • 9% Liveness
98% Instrumentalness • 15% Positiveness
17% Popularity • 18% Danceability • 10% Energy • 9% Liveness
98% Instrumentalness • 15% Positiveness
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Tim Story
Beguiled
116 bpm • G min • 04:46 • -25.61db
20% Popularity • 26% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 9% Positiveness
20% Popularity • 26% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 9% Positiveness
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Patrick O'Hearn
Under Weigh
116 bpm • D min • 02:48 • -25.11db
21% Popularity • 46% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 28% Positiveness
21% Popularity • 46% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 28% Positiveness
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Mars Lasar
Mindscapes Vol.4 - Divine Spark
95 bpm • F Maj • 08:01 • -27.09db
9% Popularity • 12% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Richard Bone
Sugar Dust Sunday
95 bpm • F Maj • 04:45 • -24.31db
10% Popularity • 39% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
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Jeff Pearce
Everything in Time
95 bpm • G min • 02:01 • -18.95db
4% Popularity • 29% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
4% Popularity • 29% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
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v e n n
On the Verge
116 bpm • D Maj • 02:53 • -25.81db
10% Popularity • 24% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 13% Positiveness
10% Popularity • 24% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 13% Positiveness
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Tim Story
After 4 O'Clock
116 bpm • A min • 03:48 • -18.33db
20% Popularity • 19% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Antarctic Wastelands
The Forests Come Alive
117 bpm • C Maj • 02:50 • -21.7db
8% Popularity • 25% Danceability • 11% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
8% Popularity • 25% Danceability • 11% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
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David Helpling
End of an Era
94 bpm • C# Maj • 04:16 • -19.26db
19% Popularity • 40% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
19% Popularity • 40% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Tigerforest
Passages
117 bpm • C Maj • 04:02 • -16.48db
27% Popularity • 17% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Jeff Pearce
In the Quiet Days Before
94 bpm • G# Maj • 03:38 • -19.22db
3% Popularity • 20% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
3% Popularity • 20% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Richard Bone
Why Lithia Flies
94 bpm • A# Maj • 05:24 • -21.08db
9% Popularity • 42% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
9% Popularity • 42% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 18% Positiveness
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Patrick O'Hearn
Intension And Objective
94 bpm • E min • 02:15 • -25db
23% Popularity • 32% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 32% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Good Weather For An Airstrike
An Ode To Fring
118 bpm • F Maj • 08:41 • -37.17db
20% Popularity • 17% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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David Helpling
Divine Whisper
94 bpm • G min • 05:41 • -14.61db
10% Popularity • 38% Danceability • 50% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
10% Popularity • 38% Danceability • 50% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Clifford Carter
Earthdream
93 bpm • E Maj • 05:50 • -21.89db
22% Popularity • 32% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
22% Popularity • 32% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Venedel
Sea of Light
94 bpm • G# Maj • 04:25 • -15.63db
34% Popularity • 11% Danceability • 23% Energy • 65% Liveness
98% Instrumentalness • 3% Positiveness
34% Popularity • 11% Danceability • 23% Energy • 65% Liveness
98% Instrumentalness • 3% Positiveness
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Jeff Pearce
A Secret to Hide
93 bpm • A min • 05:05 • -21.23db
15% Popularity • 27% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
15% Popularity • 27% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Shastro
Gift Of Light
119 bpm • G Maj • 08:43 • -20db
29% Popularity • 21% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 21% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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City of Dawn
Solace
120 bpm • D# Maj • 03:44 • -17.67db
27% Popularity • 23% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Dakini Mandarava
Deep Relaxation 2
120 bpm • A# min • 06:36 • -22.02db
30% Popularity • 19% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 19% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Massimo de Francisco
High Spirits
120 bpm • D min • 03:38 • -13.27db
19% Popularity • 22% Danceability • 27% Energy • 7% Liveness
69% Instrumentalness • 3% Positiveness
19% Popularity • 22% Danceability • 27% Energy • 7% Liveness
69% Instrumentalness • 3% Positiveness
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Kevin Kendle
Pileus
120 bpm • G Maj • 07:30 • -14.63db
10% Popularity • 50% Danceability • 29% Energy • 37% Liveness
75% Instrumentalness • 15% Positiveness
10% Popularity • 50% Danceability • 29% Energy • 37% Liveness
75% Instrumentalness • 15% Positiveness
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Jeff Pearce
First Healing
93 bpm • A Maj • 04:07 • -20.34db
1% Popularity • 30% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
1% Popularity • 30% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Chronotope Project
Geosynchronous
92 bpm • D min • 05:26 • -17.36db
9% Popularity • 33% Danceability • 19% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
9% Popularity • 33% Danceability • 19% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Project Divinity
Second Awakening
92 bpm • D Maj • 05:20 • -24.98db
16% Popularity • 18% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Cheryl B. Engelhardt
M. Aurora
92 bpm • C Maj • 06:17 • -31.85db
12% Popularity • 15% Danceability • 1% Energy • 34% Liveness
91% Instrumentalness • 5% Positiveness
12% Popularity • 15% Danceability • 1% Energy • 34% Liveness
91% Instrumentalness • 5% Positiveness
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Echo Grid
Asgard
120 bpm • C# Maj • 06:56 • -28.6db
13% Popularity • 57% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
13% Popularity • 57% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Kevin Kendle
Cumulus
120 bpm • F Maj • 07:32 • -14.85db
13% Popularity • 56% Danceability • 31% Energy • 32% Liveness
92% Instrumentalness • 16% Positiveness
13% Popularity • 56% Danceability • 31% Energy • 32% Liveness
92% Instrumentalness • 16% Positiveness
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David Helpling
Promise
120 bpm • F min • 05:09 • -19db
12% Popularity • 52% Danceability • 21% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
12% Popularity • 52% Danceability • 21% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Jeff Pearce
Almost the Moon
119 bpm • D min • 03:06 • -19.58db
2% Popularity • 34% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 28% Positiveness
2% Popularity • 34% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 28% Positiveness
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Dakini Mandarava
Dreamtime
120 bpm • C# Maj • 04:49 • -21.56db
18% Popularity • 38% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
18% Popularity • 38% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Chronotope Project
Zazen
120 bpm • F# Maj • 06:41 • -24.1db
9% Popularity • 22% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Rudy Adrian
Ancestral Legacy
120 bpm • D Maj • 04:15 • -18.56db
22% Popularity • 23% Danceability • 21% Energy • 35% Liveness
32% Instrumentalness • 3% Positiveness
22% Popularity • 23% Danceability • 21% Energy • 35% Liveness
32% Instrumentalness • 3% Positiveness
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Kevin Kendle
Timeless Valley
120 bpm • D Maj • 06:06 • -17.64db
11% Popularity • 28% Danceability • 31% Energy • 19% Liveness
90% Instrumentalness • 17% Positiveness
11% Popularity • 28% Danceability • 31% Energy • 19% Liveness
90% Instrumentalness • 17% Positiveness
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Patrick O'Hearn
Like So Much Lost Time
92 bpm • G# Maj • 03:56 • -31.8db
20% Popularity • 11% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Jeff Pearce
A Secret to Hide
92 bpm • A min • 04:34 • -17.67db
2% Popularity • 20% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
2% Popularity • 20% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Mars Lasar
Sentinel Meadow
92 bpm • C Maj • 02:33 • -26.03db
39% Popularity • 10% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Darshan Ambient
Slow Drift
120 bpm • C# min • 06:00 • -26.36db
11% Popularity • 30% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
11% Popularity • 30% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Meg Bowles
Undulant Sea
91 bpm • E min • 07:01 • -21.54db
12% Popularity • 21% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
