Songs like Gianni Schicchi, SC 88: Rimettiamoci a Schicchi (Live) by Giacomo Puccini
Based on a tempo of (+/- 10%) and a similar genre
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 4, Im Aben...
105 bpm • A# Maj • 07:41 • -25db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "L'amour es...
104 bpm • D Maj • 04:17 • -23.98db
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I, No. 5: U...
104 bpm • E Maj • 06:08 • -20.4db
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Vincenzo Bellini
Norma, Act I: Casta Diva
107 bpm • F Maj • 07:38 • -22.68db
25% Popularity • 24% Danceability • 8% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 8% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Che gelida ...
103 bpm • G# Maj • 04:24 • -22.5db
13% Popularity • 22% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 22% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 2: "Porg...
103 bpm • D# Maj • 03:57 • -21.41db
29% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Katherine Jenkins
The Flower Duet
102 bpm • B Maj • 03:50 • -12.97db
55% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
55% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
102 bpm • A# Maj • 04:04 • -29db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Vincenzo Bellini
I puritani: Qui la voce sua soave
103 bpm • G# Maj • 05:27 • -16db
24% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Pensier profundo!"
102 bpm • B Maj • 01:14 • -23.65db
18% Popularity • 42% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 42% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Ermes Alessandro Mario
Santa Lucia luntana (Arr. Chiaramello)
102 bpm • E Maj • 05:45 • -16.61db
38% Popularity • 26% Danceability • 24% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
38% Popularity • 26% Danceability • 24% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
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Georges Bizet
Les Pêcheurs de Perles, Act I: "Au fond...
102 bpm • D# Maj • 05:47 • -16.47db
18% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
18% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
40% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
40% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
Vaga luna che inargenti
101 bpm • G# Maj • 04:00 • -26db
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 4: "Oh Dio! Mim�...
108 bpm • A Maj • 06:01 • -22db
24% Popularity • 24% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Georges Bizet
Les Pêcheurs de perles, WD 13, Act I: A...
101 bpm • A# Maj • 07:27 • -24.74db
16% Popularity • 27% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 27% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I Scene 1: Arioso "Om...
109 bpm • E Maj • 03:03 • -23.48db
39% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La sonnambula / Act 2: "Ah, non credea m...
109 bpm • A min • 04:17 • -24.42db
20% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "O soave fan...
101 bpm • C Maj • 04:06 • -24.95db
17% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
28% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Act I: Piano, p...
100 bpm • G Maj • 02:57 • -28db
16% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
110 bpm • A# Maj • 02:52 • -12.73db
27% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
99 bpm • A# Maj • 09:09 • -19.52db
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Ed ec...
109 bpm • B min • 05:46 • -16.19db
3% Popularity • 35% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 35% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
39% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
39% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
99 bpm • C Maj • 05:00 • -18db
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Wolfgang Amadeus Mozart
Vado, ma dove? oh Dei!, K. 583
100 bpm • D# Maj • 04:11 • -20db
9% Popularity • 25% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 25% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Giovanni Battista Pergolesi
Tre giorni son che Nina
99 bpm • G min • 01:43 • -19db
26% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: Flower Duet - "D...
112 bpm • B Maj • 04:38 • -19.62db
24% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Chi Il Bel Sogno Di Doretta
101 bpm • F Maj • 03:22 • -19.02db
25% Popularity • 25% Danceability • 20% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
25% Popularity • 25% Danceability • 20% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Dame Joan Sutherland
I Puritani
112 bpm • D Maj • 03:05 • -15.82db
29% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
29% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Philharmonia Orchestra
Pagliacci: Recitar!...Vesti la giubba (A...
98 bpm • E Maj • 03:56 • -19db
12% Popularity • 22% Danceability • 18% Energy • 8% Liveness
22% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 18% Energy • 8% Liveness
22% Instrumentalness • 6% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96 ...
115 bpm • C Maj • 05:15 • -13db
11% Popularity • 27% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
11% Popularity • 27% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Giacomo Puccini
Madama Butterfly: Tu, tu, piccolo iddio
97 bpm • B min • 02:49 • -15db
10% Popularity • 26% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
10% Popularity • 26% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: "Deh ...
97 bpm • F Maj • 03:40 • -32.72db
24% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
29% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Voi lo sapete
96 bpm • E min • 03:15 • -14.07db
28% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
37% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
37% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Turandot / Act 1: "Non piangere Liù"
100 bpm • D# min • 02:17 • -15.71db
18% Popularity • 21% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 21% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
115 bpm • A# Maj • 02:55 • -19db
20% Popularity • 34% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 34% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Georges Bizet
Bizet: Carmen, Act 2: "Votre toast, je p...
116 bpm • F Maj • 04:52 • -14db
24% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
24% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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José Carreras
Mattinata
117 bpm • E Maj • 02:14 • -12.18db
40% Popularity • 27% Danceability • 25% Energy • 24% Liveness
11% Instrumentalness • 14% Positiveness
40% Popularity • 27% Danceability • 25% Energy • 24% Liveness
11% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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George Frideric Handel
Handel: Il trionfo del Tempo e del Disin...
94 bpm • E Maj • 06:29 • -25db
18% Popularity • 20% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Tosca: Act III: E lucevan le stelle … ...
110 bpm • B min • 03:00 • -27db
36% Popularity • 20% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 20% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
96 bpm • A Maj • 03:19 • -13db
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Jules Massenet
Thaïs / Acte Trois: C'est toi, mon pèr...
94 bpm • D Maj • 05:21 • -15.77db
7% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: Intermezzo
93 bpm • E Maj • 03:26 • -23.2db
21% Popularity • 11% Danceability • 7% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
21% Popularity • 11% Danceability • 7% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114, B. 203, Act I: MesÃck...
93 bpm • F# Maj • 06:54 • -22.13db
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
La Bohème / Act 2: "Quando m'en vo'" (M...
100 bpm • A Maj • 05:06 • -16.3db
26% Popularity • 32% Danceability • 30% Energy • 46% Liveness
2% Instrumentalness • 11% Positiveness
26% Popularity • 32% Danceability • 30% Energy • 46% Liveness
2% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
23% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
18% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Contes d'Hoffmann: Les oiseaux dans la c...
93 bpm • G# Maj • 06:06 • -16.22db
16% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Gioachino Rossini
Sinfonia
92 bpm • E Maj • 07:02 • -17.8db
22% Popularity • 37% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 34% Positiveness
22% Popularity • 37% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 34% Positiveness
► Preview
Johannes Brahms
Wiegenlied, Op. 49, No. 4
92 bpm • D# Maj • 02:04 • -26db
29% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
29% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 1: Non piangere Liù
111 bpm • D# min • 05:03 • -12.13db
33% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
119 bpm • A# Maj • 02:50 • -20db
39% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Reynaldo Hahn
Si mes vers avaient des ailes
92 bpm • E Maj • 02:19 • -27db
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
► Preview
Nicolai Ghiaurov
Mozart: Don Giovanni: La ci darem la man...
91 bpm • A# Maj • 03:13 • -15.9db
20% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
91 bpm • C Maj • 01:48 • -21db
25% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied
92 bpm • D# Maj • 02:13 • -32.09db
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
► Preview
Giacomo Puccini
O Mio Babbino Caro
112 bpm • G# Maj • 02:30 • -17.83db
49% Popularity • 25% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
49% Popularity • 25% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
90 bpm • C# Maj • 05:26 • -23db
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 1: "L'amour est un o...
122 bpm • G Maj • 04:15 • -20.05db
11% Popularity • 35% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 35% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
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Celine Byrne
Puccini: Un bel di, vedremo, Madama Butt...
90 bpm • C# Maj • 04:17 • -15.72db
7% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 25% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Quest...
98 bpm • C Maj • 04:36 • -19db
6% Popularity • 39% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 39% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act I: No. 4, Mada...
90 bpm • D Maj • 05:37 • -18.63db
20% Popularity • 33% Danceability • 23% Energy • 6% Liveness
15% Instrumentalness • 33% Positiveness
20% Popularity • 33% Danceability • 23% Energy • 6% Liveness
15% Instrumentalness • 33% Positiveness
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George Frideric Handel
Serse / Act I HWV40: "Ombra mai fu"
90 bpm • E Maj • 03:03 • -21.78db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
34% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Séguedille...
90 bpm • G Maj • 04:15 • -20.02db
12% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Gianni Schicchi: O mio babbino caro
98 bpm • G# Maj • 02:49 • -21.23db
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
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Leonard Bernstein
West Side Story: V. Maria
90 bpm • D# Maj • 02:58 • -18.84db
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
28% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: "Di r...
89 bpm • C# Maj • 03:03 • -13db
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 2: "Che v...
113 bpm • F# Maj • 05:23 • -21.91db
2% Popularity • 32% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 32% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Habanera. "...
124 bpm • D Maj • 04:35 • -22db
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act 1
90 bpm • A Maj • 09:46 • -29.14db
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 35% Liveness
96% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620 / Act 2: "Pa-Pa...
123 bpm • D Maj • 02:17 • -18.22db
16% Popularity • 52% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
16% Popularity • 52% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
31% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
Nabucco: Chorus of the Hebrew Slaves, "V...
124 bpm • C# Maj • 04:59 • -16.48db
35% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
35% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Vieni...
117 bpm • D min • 02:46 • -20db
7% Popularity • 33% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 33% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Sean Barrett
Life and Works: Rusalka (Act I: Song to ...
126 bpm • F# Maj • 05:50 • -25db
24% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 3% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
