Songs like Gila River Sunrise by Robert Tree Cody
Based on a tempo of (+/- 10%) and a similar genre
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Robert Tree Cody
South American Sunrise Song
85 bpm • F# min • 03:35 • -32.69db
25% Popularity • 34% Danceability • 1% Energy • 12% Liveness
85% Instrumentalness • 43% Positiveness
25% Popularity • 34% Danceability • 1% Energy • 12% Liveness
85% Instrumentalness • 43% Positiveness
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Gary Stroutsos
Within You Without You - Edit
85 bpm • F Maj • 03:35 • -19.38db
32% Popularity • 15% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Little Wolf Band
Raven
85 bpm • E Maj • 05:43 • -18.73db
20% Popularity • 34% Danceability • 34% Energy • 13% Liveness
59% Instrumentalness • 19% Positiveness
20% Popularity • 34% Danceability • 34% Energy • 13% Liveness
59% Instrumentalness • 19% Positiveness
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Anthony Wakemen
Chu-Chu
85 bpm • A Maj • 03:09 • -23.98db
42% Popularity • 29% Danceability • 4% Energy • 10% Liveness
53% Instrumentalness • 63% Positiveness
42% Popularity • 29% Danceability • 4% Energy • 10% Liveness
53% Instrumentalness • 63% Positiveness
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Anthony Wakeman
Plains Breeze
85 bpm • C# min • 03:23 • -22.87db
13% Popularity • 39% Danceability • 4% Energy • 8% Liveness
20% Instrumentalness • 96% Positiveness
13% Popularity • 39% Danceability • 4% Energy • 8% Liveness
20% Instrumentalness • 96% Positiveness
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Tony Duncan
Dance of the Coyote
85 bpm • B min • 03:08 • -25.91db
40% Popularity • 35% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 92% Positiveness
40% Popularity • 35% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 92% Positiveness
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Robert Tree Cody
Gila River Sunrise
85 bpm • F Maj • 04:24 • -21.94db
20% Popularity • 34% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
20% Popularity • 34% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
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The inner Harmonies
Patience in Adversity - Flutes & Nature ...
85 bpm • D Maj • 02:38 • -11.99db
22% Popularity • 17% Danceability • 36% Energy • 4% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 36% Energy • 4% Liveness
93% Instrumentalness • 4% Positiveness
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Bill Miller
Prayers From the Forest - Instrumental
85 bpm • G min • 03:32 • -16db
24% Popularity • 45% Danceability • 28% Energy • 10% Liveness
42% Instrumentalness • 42% Positiveness
24% Popularity • 45% Danceability • 28% Energy • 10% Liveness
42% Instrumentalness • 42% Positiveness
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Lawrence Laughing
Water Life
86 bpm • C# Maj • 03:23 • -21.88db
30% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Gary Stroutsos
The Path of Peace
84 bpm • B min • 03:30 • -23.36db
44% Popularity • 24% Danceability • 7% Energy • 13% Liveness
77% Instrumentalness • 3% Positiveness
44% Popularity • 24% Danceability • 7% Energy • 13% Liveness
77% Instrumentalness • 3% Positiveness
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Jessita Reyes & Grupo Yaqui
Flower of the Dark Tree
84 bpm • C# min • 03:22 • -25.59db
24% Popularity • 32% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
24% Popularity • 32% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
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Robert Tree Cody
The Hunters Return
84 bpm • G# Maj • 02:59 • -21.53db
8% Popularity • 43% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 70% Positiveness
8% Popularity • 43% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 70% Positiveness
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Hovia Edwards
Whispering Wind
84 bpm • C# min • 03:48 • -21.1db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
43% Instrumentalness • 89% Positiveness
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
43% Instrumentalness • 89% Positiveness
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Michael Brant DeMaria
Siyotanka Reprise
86 bpm • A# min • 04:09 • -23.2db
22% Popularity • 36% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
22% Popularity • 36% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
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Johnny Whitehorse
Cougar
87 bpm • B min • 03:27 • -23.46db
36% Popularity • 33% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
36% Popularity • 33% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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Mary Youngblood
Caress The Smile
86 bpm • G# Maj • 04:17 • -18.11db
19% Popularity • 41% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
19% Popularity • 41% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
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R. Carlos Nakai
Down To Earth
83 bpm • B min • 03:48 • -16.51db
9% Popularity • 41% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
9% Popularity • 41% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Robert Tree Cody
Remembrance
84 bpm • C Maj • 04:31 • -21.96db
10% Popularity • 40% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 58% Positiveness
10% Popularity • 40% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 58% Positiveness
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Hovia Edwards
The Heavens Above
87 bpm • E Maj • 04:35 • -23.43db
20% Popularity • 42% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 86% Positiveness
20% Popularity • 42% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 86% Positiveness
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Andrew Vasquez
We Shall Follow Our Brothers
87 bpm • G Maj • 03:26 • -22.43db
25% Popularity • 31% Danceability • 24% Energy • 12% Liveness
73% Instrumentalness • 19% Positiveness
25% Popularity • 31% Danceability • 24% Energy • 12% Liveness
73% Instrumentalness • 19% Positiveness
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Robert Mirabal
Rainsong
83 bpm • F# min • 03:29 • -22.78db
16% Popularity • 27% Danceability • 27% Energy • 61% Liveness
40% Instrumentalness • 17% Positiveness
16% Popularity • 27% Danceability • 27% Energy • 61% Liveness
40% Instrumentalness • 17% Positiveness
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Mary Youngblood
Echoes
83 bpm • B min • 02:57 • -24.33db
23% Popularity • 31% Danceability • 5% Energy • 8% Liveness
24% Instrumentalness • 24% Positiveness
23% Popularity • 31% Danceability • 5% Energy • 8% Liveness
24% Instrumentalness • 24% Positiveness
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J. Reuben Silverbird
Nature
83 bpm • F# min • 05:00 • -19.62db
9% Popularity • 65% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
9% Popularity • 65% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Robert Tree Cody
Corn Grinding
86 bpm • B min • 03:30 • -30.82db
10% Popularity • 28% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 80% Positiveness
10% Popularity • 28% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 80% Positiveness
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Keith Bear
Take Up the Cross
83 bpm • C min • 01:32 • -21.02db
31% Popularity • 37% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 97% Positiveness
31% Popularity • 37% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 97% Positiveness
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Joseph Fire Crow
Woman Comes First
87 bpm • B Maj • 03:08 • -26.34db
39% Popularity • 24% Danceability • 7% Energy • 7% Liveness
97% Instrumentalness • 44% Positiveness
39% Popularity • 24% Danceability • 7% Energy • 7% Liveness
97% Instrumentalness • 44% Positiveness
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Bill Miller
Wind Spirit
83 bpm • G min • 02:55 • -21.64db
36% Popularity • 47% Danceability • 20% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
36% Popularity • 47% Danceability • 20% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
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Hovia Edwards
Howl of Coyote
83 bpm • E min • 02:47 • -18.74db
22% Popularity • 28% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 40% Positiveness
22% Popularity • 28% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 40% Positiveness
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Will Clipman
Udu Spirit
82 bpm • B min • 04:53 • -12.25db
1% Popularity • 78% Danceability • 45% Energy • 9% Liveness
76% Instrumentalness • 71% Positiveness
1% Popularity • 78% Danceability • 45% Energy • 9% Liveness
76% Instrumentalness • 71% Positiveness
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Mesa Music Consort
Grandfather Crow's Joke
88 bpm • A# min • 04:14 • -17db
12% Popularity • 48% Danceability • 21% Energy • 28% Liveness
73% Instrumentalness • 10% Positiveness
12% Popularity • 48% Danceability • 21% Energy • 28% Liveness
73% Instrumentalness • 10% Positiveness
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Ann Licater
Emergence
82 bpm • F Maj • 02:41 • -16.07db
22% Popularity • 28% Danceability • 4% Energy • 11% Liveness
71% Instrumentalness • 59% Positiveness
22% Popularity • 28% Danceability • 4% Energy • 11% Liveness
71% Instrumentalness • 59% Positiveness
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Joseph Fire Crow
Young Wolves
88 bpm • C# Maj • 03:45 • -20.2db
27% Popularity • 50% Danceability • 18% Energy • 13% Liveness
77% Instrumentalness • 35% Positiveness
27% Popularity • 50% Danceability • 18% Energy • 13% Liveness
77% Instrumentalness • 35% Positiveness
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Joseph FireCrow
The Young Wolves
88 bpm • C# Maj • 03:39 • -23db
27% Popularity • 59% Danceability • 13% Energy • 11% Liveness
81% Instrumentalness • 39% Positiveness
27% Popularity • 59% Danceability • 13% Energy • 11% Liveness
81% Instrumentalness • 39% Positiveness
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Hovia Edwards
Chopaka
88 bpm • B Maj • 03:30 • -23.92db
14% Popularity • 35% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 68% Positiveness
14% Popularity • 35% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 68% Positiveness
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Robert Mirabal
Taos Summer Nights
82 bpm • F min • 04:48 • -20.98db
38% Popularity • 43% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 67% Positiveness
38% Popularity • 43% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 67% Positiveness
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Native American Flute Works
Invoking The Hawk's Spirit
82 bpm • E min • 05:29 • -17db
17% Popularity • 28% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
17% Popularity • 28% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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AH*NEE*MAH
Dream Catcher
82 bpm • F# min • 05:09 • -15.71db
26% Popularity • 27% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
26% Popularity • 27% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Tony Duncan
Denzhone - 'Beautiful'
82 bpm • E min • 03:42 • -22.58db
23% Popularity • 43% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
23% Popularity • 43% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Jonathan Mantras
Solitude With Nature
81 bpm • C Maj • 03:25 • -28.19db
34% Popularity • 8% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Robert Tree Cody
Grandfather's Breath
81 bpm • F Maj • 06:32 • -23.47db
17% Popularity • 24% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
17% Popularity • 24% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Bryan Akipa
Through The Rain
81 bpm • F# min • 04:30 • -21.36db
12% Popularity • 26% Danceability • 10% Energy • 22% Liveness
44% Instrumentalness • 58% Positiveness
12% Popularity • 26% Danceability • 10% Energy • 22% Liveness
44% Instrumentalness • 58% Positiveness
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Joe Yeatman
Canyon Carvers
89 bpm • G# min • 06:10 • -29.19db
17% Popularity • 22% Danceability • 9% Energy • 34% Liveness
39% Instrumentalness • 9% Positiveness
17% Popularity • 22% Danceability • 9% Energy • 34% Liveness
39% Instrumentalness • 9% Positiveness
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Robert Mirabal
Homage To Sand Creek
81 bpm • D# min • 04:27 • -15.72db
14% Popularity • 16% Danceability • 36% Energy • 37% Liveness
67% Instrumentalness • 8% Positiveness
14% Popularity • 16% Danceability • 36% Energy • 37% Liveness
67% Instrumentalness • 8% Positiveness
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Hovia Edwards
Song of Friendship
89 bpm • G min • 03:34 • -22.95db
39% Popularity • 29% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 88% Positiveness
39% Popularity • 29% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 88% Positiveness
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Native Spirit
Sacred Ground (Percussion Only)
81 bpm • D# min • 01:59 • -23db
30% Popularity • 84% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
30% Popularity • 84% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Mary Youngblood
Flute Circle
81 bpm • F# Maj • 02:50 • -21.42db
25% Popularity • 34% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
25% Popularity • 34% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Bryan Akipa
Lake That Speaks
81 bpm • A min • 05:59 • -11db
14% Popularity • 35% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 26% Positiveness
14% Popularity • 35% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 26% Positiveness
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Chaitanya Hari Deuter
Wind of Dawn
89 bpm • A min • 02:43 • -23.88db
19% Popularity • 22% Danceability • 6% Energy • 5% Liveness
76% Instrumentalness • 16% Positiveness
19% Popularity • 22% Danceability • 6% Energy • 5% Liveness
76% Instrumentalness • 16% Positiveness
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Douglas Spotted Eagle
Tears Alone
81 bpm • G Maj • 03:26 • -26.79db
32% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 29% Positiveness
32% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 29% Positiveness
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Filtered Light
Rain Down
89 bpm • C min • 01:51 • -21.24db
43% Popularity • 10% Danceability • 33% Energy • 86% Liveness
37% Instrumentalness • 14% Positiveness
43% Popularity • 10% Danceability • 33% Energy • 86% Liveness
37% Instrumentalness • 14% Positiveness
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Anthony Wakeman
Chu-Chu
90 bpm • A Maj • 03:09 • -23.97db
14% Popularity • 29% Danceability • 4% Energy • 8% Liveness
41% Instrumentalness • 63% Positiveness
14% Popularity • 29% Danceability • 4% Energy • 8% Liveness
41% Instrumentalness • 63% Positiveness
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Robert Tree Cody
Assiniboine Lullaby
81 bpm • E Maj • 02:55 • -30.19db
11% Popularity • 27% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 51% Positiveness
11% Popularity • 27% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 51% Positiveness
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Bryan Akipa
Dakota Meditations
89 bpm • F# min • 07:20 • -22.43db
30% Popularity • 25% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 61% Positiveness
30% Popularity • 25% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 61% Positiveness
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Joseph FireCrow
Wear the Land
80 bpm • D min • 04:05 • -31.7db
11% Popularity • 28% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
11% Popularity • 28% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
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Douglas Spotted Eagle
Tears for Mother Earth
81 bpm • B Maj • 01:05 • -26db
37% Popularity • 22% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 10% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 10% Positiveness
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Verdell Primeaux
Earth Drone
90 bpm • G# Maj • 03:24 • -19.89db
24% Popularity • 22% Danceability • 10% Energy • 9% Liveness
58% Instrumentalness • 8% Positiveness
24% Popularity • 22% Danceability • 10% Energy • 9% Liveness
58% Instrumentalness • 8% Positiveness
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Joseph Fire Crow
Coming Home
90 bpm • G# min • 02:06 • -29.4db
30% Popularity • 28% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 89% Positiveness
30% Popularity • 28% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 89% Positiveness
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Robert Tree Cody
Canyon Spirits
90 bpm • A min • 03:58 • -29.31db
22% Popularity • 33% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
22% Popularity • 33% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
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Tony Duncan
Battle for Night
90 bpm • A# min • 03:01 • -24.86db
16% Popularity • 40% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
16% Popularity • 40% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
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Stephen DeRuby
Devotion
80 bpm • C Maj • 05:27 • -20.87db
14% Popularity • 53% Danceability • 12% Energy • 6% Liveness
93% Instrumentalness • 10% Positiveness
14% Popularity • 53% Danceability • 12% Energy • 6% Liveness
93% Instrumentalness • 10% Positiveness
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Keith Bear
Along The River
90 bpm • F min • 05:22 • -20.71db
15% Popularity • 26% Danceability • 19% Energy • 55% Liveness
42% Instrumentalness • 44% Positiveness
15% Popularity • 26% Danceability • 19% Energy • 55% Liveness
42% Instrumentalness • 44% Positiveness
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J. Reuben Silverbird
Four Winds
80 bpm • G# Maj • 06:42 • -18.8db
13% Popularity • 36% Danceability • 21% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
13% Popularity • 36% Danceability • 21% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Hovia Edwards
Sacred Waters Flow
90 bpm • C# min • 02:57 • -21.61db
24% Popularity • 38% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 86% Positiveness
24% Popularity • 38% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 86% Positiveness
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Robert Tree Cody
Zuni Dawn
80 bpm • F# min • 03:52 • -24.77db
13% Popularity • 23% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Gary Stroutsos
A Night at Walpi
80 bpm • B min • 03:49 • -22.77db
40% Popularity • 21% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
40% Popularity • 21% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Nawang Khechog
Tibetan Dream Journey
80 bpm • A# min • 09:08 • -16.01db
6% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
6% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
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Joseph Fire Crow
Standing Rock
91 bpm • G# min • 03:14 • -22.36db
20% Popularity • 24% Danceability • 10% Energy • 9% Liveness
99% Instrumentalness • 91% Positiveness
20% Popularity • 24% Danceability • 10% Energy • 9% Liveness
99% Instrumentalness • 91% Positiveness
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Filtered Light
Lean Not
80 bpm • A min • 02:55 • -28.48db
42% Popularity • 24% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
42% Popularity • 24% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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R. Carlos Nakai
A Breath of Peace
91 bpm • G Maj • 04:01 • -19.48db
15% Popularity • 38% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
15% Popularity • 38% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Robert Tree Cody
Water Spirit Song
91 bpm • E Maj • 03:18 • -23.29db
13% Popularity • 55% Danceability • 7% Energy • 10% Liveness
14% Instrumentalness • 84% Positiveness
13% Popularity • 55% Danceability • 7% Energy • 10% Liveness
14% Instrumentalness • 84% Positiveness
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Gary Stroutsos
I Know the Trees: Massage Meditations
80 bpm • E min • 04:04 • -15.68db
30% Popularity • 16% Danceability • 42% Energy • 40% Liveness
49% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 42% Energy • 40% Liveness
49% Instrumentalness • 12% Positiveness
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Ruben Romero
Passing Storm
79 bpm • A min • 03:29 • -13.35db
1% Popularity • 34% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 36% Positiveness
1% Popularity • 34% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 36% Positiveness
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Joseph Fire Crow
The Mist
91 bpm • B Maj • 03:04 • -21.75db
18% Popularity • 37% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 79% Positiveness
18% Popularity • 37% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 79% Positiveness
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Indian Spirit
New Day
91 bpm • C Maj • 05:28 • -8.63db
15% Popularity • 14% Danceability • 52% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 52% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Mary Youngblood
Re-Kindle The Fire
79 bpm • B min • 02:05 • -20.4db
28% Popularity • 52% Danceability • 4% Energy • 6% Liveness
83% Instrumentalness • 88% Positiveness
28% Popularity • 52% Danceability • 4% Energy • 6% Liveness
83% Instrumentalness • 88% Positiveness
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Robert Tree Cody
Kokopelli Wandering Song
79 bpm • E min • 04:05 • -31db
15% Popularity • 28% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 88% Positiveness
15% Popularity • 28% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 88% Positiveness
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Mesa Music Consort
Dreams of the Healing Rain
91 bpm • A Maj • 04:36 • -15db
15% Popularity • 19% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 19% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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Tony Duncan
Ancient Stories
79 bpm • D# min • 02:44 • -22.27db
24% Popularity • 45% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 69% Positiveness
24% Popularity • 45% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 69% Positiveness
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Bryan Akipa
Song of the Aspen
79 bpm • G min • 05:32 • -14.21db
16% Popularity • 26% Danceability • 20% Energy • 18% Liveness
66% Instrumentalness • 5% Positiveness
16% Popularity • 26% Danceability • 20% Energy • 18% Liveness
66% Instrumentalness • 5% Positiveness
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Joseph Fire Crow
First Flute Song
92 bpm • B Maj • 01:13 • -20.2db
38% Popularity • 44% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
38% Popularity • 44% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Douglas Spotted Eagle
Dreamwalk
92 bpm • D Maj • 04:22 • -21.78db
11% Popularity • 17% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Robert Tree Cody
Reflections
79 bpm • A# Maj • 04:10 • -23.92db
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
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Mesa Music Consort
Love Vision
79 bpm • F# min • 01:18 • -19.08db
28% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 81% Positiveness
28% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 81% Positiveness
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Shastro
Mysteries
92 bpm • A min • 06:49 • -11.94db
15% Popularity • 59% Danceability • 34% Energy • 9% Liveness
39% Instrumentalness • 19% Positiveness
15% Popularity • 59% Danceability • 34% Energy • 9% Liveness
39% Instrumentalness • 19% Positiveness
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Keith Bear
Mandan Love Flute
78 bpm • F min • 02:24 • -23.41db
29% Popularity • 39% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 78% Positiveness
29% Popularity • 39% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 78% Positiveness
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Joseph Fire Crow
Water Song
92 bpm • C# Maj • 02:43 • -32db
27% Popularity • 32% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 97% Positiveness
27% Popularity • 32% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 97% Positiveness
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Thalamin
Mystic Lake
78 bpm • C Maj • 02:32 • -17.34db
42% Popularity • 14% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 14% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Tree Cody
In Camps of Times Past
92 bpm • C# min • 05:54 • -22.7db
13% Popularity • 28% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 28% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Michael G. Ronstadt
Brand New Era
92 bpm • G Maj • 06:53 • -14.44db
0% Popularity • 63% Danceability • 38% Energy • 9% Liveness
79% Instrumentalness • 50% Positiveness
0% Popularity • 63% Danceability • 38% Energy • 9% Liveness
79% Instrumentalness • 50% Positiveness
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American Native Orchestra
Apparition
78 bpm • D Maj • 04:34 • -17.29db
16% Popularity • 14% Danceability • 2% Energy • 9% Liveness
40% Instrumentalness • 3% Positiveness
16% Popularity • 14% Danceability • 2% Energy • 9% Liveness
40% Instrumentalness • 3% Positiveness
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R. Carlos Nakai
Daybreak Vision
78 bpm • G min • 01:49 • -28.97db
45% Popularity • 33% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 44% Positiveness
45% Popularity • 33% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 44% Positiveness
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Anthony Wakeman
The Gift
93 bpm • G Maj • 02:59 • -27db
19% Popularity • 42% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 80% Positiveness
19% Popularity • 42% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 80% Positiveness
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Nawang Khechog
Om Mani Padme Hoong
78 bpm • A# min • 06:24 • -18.3db
12% Popularity • 25% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
12% Popularity • 25% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
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Shamanic Drumming World / Spiritual Enlightenment Unit
Sounds from the Past
78 bpm • G Maj • 03:28 • -27.46db
25% Popularity • 54% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 18% Positiveness
25% Popularity • 54% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 18% Positiveness
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Steve Gordon
Emerging Power
93 bpm • F# min • 07:42 • -11.95db
19% Popularity • 65% Danceability • 69% Energy • 23% Liveness
92% Instrumentalness • 58% Positiveness
19% Popularity • 65% Danceability • 69% Energy • 23% Liveness
92% Instrumentalness • 58% Positiveness
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Bryan Akipa
Beautiful Prairie Rose
78 bpm • C min • 06:59 • -17.79db
18% Popularity • 25% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
18% Popularity • 25% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 39% Positiveness
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Filtered Light
In the Lord
77 bpm • F Maj • 02:35 • -27.55db
40% Popularity • 16% Danceability • 0% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
40% Popularity • 16% Danceability • 0% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
