Songs like Girl Go by Chrissy Metz
Based on a tempo of (+/- 10%) and a similar genre
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Whitney Duncan
You and the Horse
146 bpm • F Maj • 02:40 • -2.41db
11% Popularity • 51% Danceability • 91% Energy • 46% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 51% Danceability • 91% Energy • 46% Liveness
0% Instrumentalness • 82% Positiveness
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Madeline Merlo
It Didn't
146 bpm • A# Maj • 02:58 • -5db
45% Popularity • 59% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 59% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Chrissy Metz
Girl Go
146 bpm • D Maj • 03:11 • -5.33db
24% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Little Big Town
Questions
146 bpm • C# Maj • 03:03 • -7db
32% Popularity • 51% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 51% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Smithfield
Something Sexy
146 bpm • C Maj • 03:14 • -4.08db
40% Popularity • 62% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 62% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Tenille Arts
Sweet Sixteen
146 bpm • C# Maj • 03:14 • -4.07db
19% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Sarah Darling
Song Still Gets Me
146 bpm • C Maj • 03:44 • -8.47db
8% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 46% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Tenille Townes
Stupid Boy
146 bpm • G Maj • 04:12 • -6.13db
26% Popularity • 45% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 45% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Nicolle Galyon
winner.
146 bpm • F Maj • 02:58 • -9db
17% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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HunterGirl
One Day
146 bpm • A# Maj • 03:09 • -6.78db
19% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Renee Blair
Get the Girl
146 bpm • D Maj • 03:15 • -5.4db
14% Popularity • 56% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 56% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Tenille Arts
Butterfly Effect
146 bpm • C Maj • 02:28 • -6.69db
35% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Sarahbeth Taite
Thick Skin
146 bpm • G Maj • 03:55 • -7.04db
19% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Amanda Jordan
Love You to Pieces
147 bpm • C Maj • 02:57 • -6.15db
24% Popularity • 53% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 53% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Spencer Crandall
Nothing to Do with You
146 bpm • G# Maj • 03:00 • -8.5db
22% Popularity • 44% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 44% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Priscilla Block
Sad Girls Do Sad Things
147 bpm • F# Maj • 03:45 • -6.43db
25% Popularity • 49% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 49% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Lindsay James
Behind
145 bpm • B min • 03:00 • -4.75db
21% Popularity • 60% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 60% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Avalon Kali
Kitchen Dance Floor
145 bpm • F Maj • 04:20 • -11.05db
16% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Sarahbeth Taite
Famous Last Night Words
146 bpm • A# Maj • 03:17 • -6.13db
11% Popularity • 54% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 54% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Britnee Kellogg
Someone Somebody Loves
147 bpm • G Maj • 03:54 • -7.49db
19% Popularity • 40% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 40% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Janelle Arthur
Hand Me Downs
148 bpm • C Maj • 03:25 • -5.55db
19% Popularity • 31% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 31% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Priscilla Block
Just About Over You - Acoustic Version
145 bpm • E Maj • 03:08 • -6.89db
31% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Lauren Duski
The Weather (Grandpa's Song)
148 bpm • F Maj • 03:52 • -11db
24% Popularity • 58% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 58% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Kelsey Lamb
Never Like This
148 bpm • F Maj • 03:09 • -4.72db
22% Popularity • 46% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 46% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Kat & Alex
How Many Times
144 bpm • A# Maj • 03:25 • -7.22db
30% Popularity • 51% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 51% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Lee Brice
Hey World
144 bpm • G Maj • 03:17 • -10db
32% Popularity • 48% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 48% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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HunterGirl
Hometown Out Of Me
148 bpm • D# Maj • 03:09 • -6.59db
22% Popularity • 48% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 48% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Chrissy Metz
Talking To God
148 bpm • F# Maj • 03:07 • -3.79db
33% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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FINMAR
Homegrown
144 bpm • C Maj • 02:51 • -5db
30% Popularity • 76% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 76% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
55% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Fancy Hagood
Southern Curiosity
144 bpm • C Maj • 04:41 • -6.16db
14% Popularity • 48% Danceability • 80% Energy • 71% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 48% Danceability • 80% Energy • 71% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Dodds
She Goes To Work
144 bpm • G# Maj • 03:30 • -7db
28% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lauren Alaina
I'm Not Sad Anymore
144 bpm • C Maj • 03:20 • -5.01db
25% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kat & Alex
Most Nights
148 bpm • F Maj • 03:18 • -4.79db
21% Popularity • 47% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 47% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Ashley Cooke
Jealous Of The Sky
144 bpm • A Maj • 03:23 • -8db
30% Popularity • 64% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 64% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Gone West
When To Say Goodbye
144 bpm • D# Maj • 03:41 • -7db
23% Popularity • 57% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 57% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Kyler Fisher
Slippin Away
144 bpm • D# Maj • 03:13 • -5.29db
11% Popularity • 54% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 54% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Jake Hoot
B4U
144 bpm • C Maj • 03:08 • -6db
10% Popularity • 49% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 49% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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The Swon Brothers
Mommas
144 bpm • G# Maj • 03:29 • -6.18db
26% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lauren Alaina
Change My Mind
144 bpm • C Maj • 03:42 • -6.59db
25% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Summer Overstreet
Get My Shit Together
148 bpm • E Maj • 03:26 • -3.16db
27% Popularity • 50% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 50% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Smithfield
New Town
144 bpm • C min • 03:12 • -4.45db
25% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Ashley Cooke
Jealous Of The Sky - Stripped
144 bpm • A Maj • 03:22 • -8.99db
16% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Rachel Wammack
Like Me
148 bpm • G Maj • 03:42 • -4.86db
11% Popularity • 43% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 43% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Carly Pearce
Never Wanted To Be That Girl - Acoustic ...
148 bpm • C# Maj • 03:31 • -7.88db
36% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Lexie Hayden
Take Me Home
144 bpm • F# Maj • 03:26 • -3.63db
18% Popularity • 44% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 44% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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HunterGirl
Heartbreak Down
144 bpm • C Maj • 03:13 • -4.96db
29% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Lindsay James
Suit Yourself
144 bpm • F Maj • 03:56 • -6db
17% Popularity • 48% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 48% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Gone West
What Could've Been - Acoustic
144 bpm • A# Maj • 04:01 • -7.51db
26% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Montana Taylor
Man of Few Words
144 bpm • B Maj • 02:57 • -5.98db
26% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Tenille Arts
Tears
144 bpm • C Maj • 03:12 • -6.02db
18% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Caitlyn Shadbolt
Two Lost Lovers
143 bpm • C Maj • 03:45 • -6.63db
12% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Kat & Alex
Heartbreak Tour
143 bpm • F Maj • 02:58 • -6.52db
14% Popularity • 54% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 54% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Callista Clark
Real To Me
150 bpm • G# Maj • 03:16 • -5.29db
16% Popularity • 55% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 55% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Buck Twenty
Big Shoes
150 bpm • E Maj • 02:58 • -6.95db
22% Popularity • 50% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 50% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Jana Kramer
The Story
150 bpm • D Maj • 03:06 • -5.95db
39% Popularity • 47% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 47% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Priscilla Block
Just About Over You - Radio Edit
150 bpm • E Maj • 03:08 • -4db
36% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Chrissy Metz
When I Talk to God
142 bpm • E min • 02:37 • -10.16db
30% Popularity • 50% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 50% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Jaden Michaels
Every Last Thing
150 bpm • C min • 02:44 • -5.09db
22% Popularity • 47% Danceability • 66% Energy • 34% Liveness
3% Instrumentalness • 35% Positiveness
22% Popularity • 47% Danceability • 66% Energy • 34% Liveness
3% Instrumentalness • 35% Positiveness
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Gabrielle Mooney
Come On In
150 bpm • C min • 03:36 • -5.6db
11% Popularity • 70% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 70% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Madeline Merlo
Kiss Kiss
150 bpm • F Maj • 03:12 • -5.38db
29% Popularity • 60% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 60% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Brittany Moore
Jesus and Janis
150 bpm • G Maj • 03:32 • -7.77db
22% Popularity • 56% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 56% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Runaway June
Down The Middle
150 bpm • A Maj • 03:38 • -5.02db
14% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Old Dominion
Make You Miss Me
141 bpm • G Maj • 03:36 • -9db
37% Popularity • 51% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 51% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Callista Clark
Sad
141 bpm • G# Maj • 03:15 • -4db
12% Popularity • 62% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 62% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Maggie Baugh
Drinking to the Broken Hearts
152 bpm • A# Maj • 03:30 • -6db
28% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Jimmie Allen
Made For These
152 bpm • D# Maj • 03:45 • -6.16db
26% Popularity • 46% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 46% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Smithfield
Sunday Best - Acoustic
152 bpm • C Maj • 02:47 • -4.59db
40% Popularity • 55% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 55% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Lexie Hayden
You Heard Right
152 bpm • G# Maj • 03:34 • -4.54db
13% Popularity • 46% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 46% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Chevel Shepherd
Good Boy
152 bpm • F Maj • 03:21 • -3.74db
23% Popularity • 52% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 52% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Caroline Jones
No Daylight
152 bpm • D# Maj • 04:18 • -6.44db
16% Popularity • 65% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 65% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Spencer Crandall
Never Really Gone
152 bpm • G# Maj • 03:41 • -7.28db
24% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Callista Clark
Change My Mind
152 bpm • C Maj • 03:09 • -2.32db
11% Popularity • 55% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 55% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Allie Colleen
Best Friend
152 bpm • A Maj • 04:02 • -4.84db
12% Popularity • 51% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 51% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Amanda Jordan
Driving in the Dark
152 bpm • C Maj • 02:48 • -4db
20% Popularity • 49% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 49% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Lane
Big, Big Plans (Acoustic)
140 bpm • G# Maj • 03:21 • -6.47db
28% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Tiera Kennedy
Gentleman
140 bpm • F# Maj • 03:05 • -5.5db
26% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Lauren Duski
Heart Hurt Good
140 bpm • A# Maj • 03:11 • -5.72db
32% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Rachel Wiggins
used to it
140 bpm • B Maj • 02:54 • -7.23db
11% Popularity • 67% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 67% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Ryan Hurd
Palm Trees in Ohio
140 bpm • F Maj • 03:35 • -6.78db
26% Popularity • 70% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 70% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Renee Blair
Soon As I'm Happy
140 bpm • G# Maj • 03:30 • -4db
23% Popularity • 71% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 71% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Teigen Gayse
I Don't Wanna Fall In Love Anymore
140 bpm • D# Maj • 02:59 • -3.92db
18% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Whitney Duncan
Me, Myself and the Highway
140 bpm • F Maj • 03:11 • -2.83db
8% Popularity • 45% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 45% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Lindsay James
Pick Me
140 bpm • D Maj • 03:06 • -5.12db
22% Popularity • 56% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 56% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Sophia Scott
Girls Need Girls
153 bpm • D# Maj • 03:16 • -4.1db
32% Popularity • 49% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 49% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Danielle Bradbery
Girls In My Hometown
139 bpm • D Maj • 03:13 • -8.29db
21% Popularity • 57% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 57% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Shelton
We Can Reach the Stars
140 bpm • C# Maj • 03:36 • -6.06db
25% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Brittney Spencer
Sorrys Don't Work No More
139 bpm • B Maj • 03:45 • -13.62db
20% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Leah Mason
Far Boy
154 bpm • A Maj • 03:06 • -7.26db
27% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Brooke Eden
No Shade
154 bpm • A Maj • 02:48 • -6.27db
33% Popularity • 53% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 53% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Madison Kozak
First Last Name
154 bpm • D Maj • 03:23 • -6.72db
24% Popularity • 53% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 53% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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RaeLynn
Only In A Small Town
154 bpm • A Maj • 03:12 • -4.32db
26% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Dan + Shay
Lying
154 bpm • G# Maj • 02:26 • -5.25db
46% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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John Morgan
Right In The Middle
138 bpm • B Maj • 03:30 • -3.92db
28% Popularity • 56% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 56% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Hailey Whitters
How To Break A Heart
138 bpm • C Maj • 03:24 • -5db
18% Popularity • 69% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 69% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Allie Colleen
Playin' House
138 bpm • C Maj • 03:22 • -5.5db
11% Popularity • 54% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 54% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Caitlyn Smith
I Can't (Acoustic)
138 bpm • C Maj • 03:31 • -5db
19% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Chrissy Metz
Actress
138 bpm • D Maj • 03:35 • -6.33db
21% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
