Songs like girl in new york by ROLE MODEL
Based on a tempo of (+/- 10%) and a similar genre
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Matt DiMona
companions <3
92 bpm • F Maj • 03:39 • -12db
28% Popularity • 79% Danceability • 32% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
28% Popularity • 79% Danceability • 32% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
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K. Roosevelt
Blinding My Vision
92 bpm • C Maj • 04:16 • -6db
36% Popularity • 78% Danceability • 63% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
36% Popularity • 78% Danceability • 63% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
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Chiiild
Pirouette
92 bpm • F min • 02:57 • -7.5db
46% Popularity • 74% Danceability • 60% Energy • 32% Liveness
12% Instrumentalness • 63% Positiveness
46% Popularity • 74% Danceability • 60% Energy • 32% Liveness
12% Instrumentalness • 63% Positiveness
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Thomas Headon
Butterflies
92 bpm • G# Maj • 03:06 • -10.59db
32% Popularity • 73% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 73% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Nate Traveller
You
92 bpm • C# Maj • 02:09 • -11.47db
49% Popularity • 78% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 78% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Dominic Fike
Açaà Bowl
92 bpm • D Maj • 02:57 • -8.35db
56% Popularity • 69% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 69% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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ROLE MODEL
girl in new york
92 bpm • A Maj • 03:31 • -7.85db
49% Popularity • 62% Danceability • 56% Energy • 11% Liveness
15% Instrumentalness • 8% Positiveness
49% Popularity • 62% Danceability • 56% Energy • 11% Liveness
15% Instrumentalness • 8% Positiveness
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BETWEEN FRIENDS
iloveyou
92 bpm • G min • 02:46 • -6.94db
55% Popularity • 63% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 63% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Chiiild
Weightless
92 bpm • D# Maj • 03:04 • -8.29db
48% Popularity • 68% Danceability • 56% Energy • 22% Liveness
12% Instrumentalness • 44% Positiveness
48% Popularity • 68% Danceability • 56% Energy • 22% Liveness
12% Instrumentalness • 44% Positiveness
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Thomas Headon
Clean Me Up
92 bpm • C Maj • 02:45 • -10.05db
42% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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The Neighbourhood
Cherry Flavoured
92 bpm • F# Maj • 03:28 • -9.77db
64% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
64% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Dominic Fike
Westcoast Collective
92 bpm • C# min • 01:47 • -7.17db
64% Popularity • 68% Danceability • 57% Energy • 34% Liveness
1% Instrumentalness • 54% Positiveness
64% Popularity • 68% Danceability • 57% Energy • 34% Liveness
1% Instrumentalness • 54% Positiveness
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Peach Pit
Seventeen
92 bpm • B Maj • 03:36 • -5.19db
54% Popularity • 56% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
54% Popularity • 56% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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ROLE MODEL
a little more time - Sped Up
91 bpm • F min • 03:04 • -6.95db
6% Popularity • 60% Danceability • 57% Energy • 22% Liveness
2% Instrumentalness • 35% Positiveness
6% Popularity • 60% Danceability • 57% Energy • 22% Liveness
2% Instrumentalness • 35% Positiveness
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Cautious Clay
Dying in the Subtlety
91 bpm • A Maj • 02:19 • -8db
40% Popularity • 72% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 72% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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The Backseat Lovers
Just a Boy
93 bpm • E Maj • 04:10 • -7.09db
58% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 59% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Wallows
These Days
93 bpm • C Maj • 03:22 • -6.73db
63% Popularity • 66% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 87% Positiveness
63% Popularity • 66% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 87% Positiveness
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Dominic Fike
Wurli
92 bpm • B Maj • 02:30 • -3.7db
62% Popularity • 48% Danceability • 84% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
62% Popularity • 48% Danceability • 84% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
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Your Neighbors
Chicken
93 bpm • A# min • 03:27 • -8.19db
54% Popularity • 57% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 57% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
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Kevin Abstract
American Boyfriend
93 bpm • C# Maj • 03:58 • -4.46db
45% Popularity • 46% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 46% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Cautious Clay
Agreeable
93 bpm • C Maj • 02:15 • -5.94db
39% Popularity • 68% Danceability • 66% Energy • 13% Liveness
7% Instrumentalness • 67% Positiveness
39% Popularity • 68% Danceability • 66% Energy • 13% Liveness
7% Instrumentalness • 67% Positiveness
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Jaden
Summertime In Paris
91 bpm • A Maj • 04:30 • -4.12db
64% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
64% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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BETWEEN FRIENDS
affection
91 bpm • D Maj • 03:55 • -7.26db
68% Popularity • 39% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 39% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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ROLE MODEL
super model
93 bpm • D Maj • 03:56 • -7.21db
30% Popularity • 57% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 57% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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The MarÃas
Clueless
94 bpm • D Maj • 03:47 • -12.68db
54% Popularity • 83% Danceability • 30% Energy • 30% Liveness
22% Instrumentalness • 52% Positiveness
54% Popularity • 83% Danceability • 30% Energy • 30% Liveness
22% Instrumentalness • 52% Positiveness
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Christian Leave
No Use
94 bpm • G# Maj • 03:16 • -9.04db
34% Popularity • 82% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 82% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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carwash
supermarket
90 bpm • G# Maj • 02:25 • -6.09db
50% Popularity • 45% Danceability • 84% Energy • 28% Liveness
87% Instrumentalness • 92% Positiveness
50% Popularity • 45% Danceability • 84% Energy • 28% Liveness
87% Instrumentalness • 92% Positiveness
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COIN
Let It All Out (10:05)
94 bpm • D# Maj • 03:40 • -11db
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
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Dre'es
Warm
94 bpm • G# Maj • 04:15 • -14.53db
60% Popularity • 66% Danceability • 30% Energy • 12% Liveness
11% Instrumentalness • 43% Positiveness
60% Popularity • 66% Danceability • 30% Energy • 12% Liveness
11% Instrumentalness • 43% Positiveness
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ROLE MODEL
say it first
94 bpm • A Maj • 02:39 • -5.84db
44% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bennett Coast
Moonboy
90 bpm • A Maj • 02:12 • -10.64db
45% Popularity • 51% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
45% Popularity • 51% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Yeek
The Left
90 bpm • G Maj • 04:23 • -7.77db
33% Popularity • 81% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 81% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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MyKey
Untitled Unloved
90 bpm • E min • 03:25 • -8.62db
34% Popularity • 76% Danceability • 53% Energy • 27% Liveness
2% Instrumentalness • 42% Positiveness
34% Popularity • 76% Danceability • 53% Energy • 27% Liveness
2% Instrumentalness • 42% Positiveness
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Paul McCartney
The Kiss Of Venus (Dominic Fike)
90 bpm • G# Maj • 02:23 • -6.67db
62% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Aidan Bissett
Communication
90 bpm • B Maj • 03:07 • -7.02db
43% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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ROLE MODEL
Oh, Gemini
90 bpm • A# Maj • 02:44 • -8.24db
61% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Peach Pit
Techno Show
89 bpm • C# min • 03:46 • -7.73db
56% Popularity • 60% Danceability • 72% Energy • 11% Liveness
43% Instrumentalness • 90% Positiveness
56% Popularity • 60% Danceability • 72% Energy • 11% Liveness
43% Instrumentalness • 90% Positiveness
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Yeek
Cosmic Freeway
90 bpm • F min • 06:02 • -12.09db
38% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Jye
Ridin' with You
95 bpm • D# min • 03:06 • -12db
33% Popularity • 78% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
33% Popularity • 78% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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Dijon
Skin
95 bpm • G Maj • 03:50 • -3.47db
60% Popularity • 67% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 67% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Reaper
TERRORS
95 bpm • G Maj • 03:32 • -6.34db
32% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Ritt Momney
HEADSTART
95 bpm • F Maj • 03:10 • -7.51db
45% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Julia Michaels
Fucked Up, Kinda
95 bpm • F# min • 02:33 • -5.78db
36% Popularity • 85% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 85% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Current Blue
Valentine
95 bpm • C Maj • 03:19 • -7.39db
33% Popularity • 70% Danceability • 56% Energy • 8% Liveness
12% Instrumentalness • 65% Positiveness
33% Popularity • 70% Danceability • 56% Energy • 8% Liveness
12% Instrumentalness • 65% Positiveness
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Summer Salt
Candy Wrappers
95 bpm • F Maj • 03:12 • -9.39db
50% Popularity • 72% Danceability • 51% Energy • 26% Liveness
1% Instrumentalness • 49% Positiveness
50% Popularity • 72% Danceability • 51% Energy • 26% Liveness
1% Instrumentalness • 49% Positiveness
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Clarence James
Ronson Princess
95 bpm • B Maj • 04:54 • -7.7db
45% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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marcos g
dancefloor
95 bpm • C# Maj • 03:18 • -7db
42% Popularity • 79% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 79% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Ryan Woods
Bad Texter
95 bpm • B Maj • 03:13 • -7db
52% Popularity • 60% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 60% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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BETWEEN FRIENDS
more
95 bpm • C Maj • 03:13 • -9.22db
46% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kyle Lux
Rollin' Stone
96 bpm • A min • 03:14 • -6.9db
46% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Current Blue
fever dream
96 bpm • E min • 01:56 • -11.34db
56% Popularity • 86% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 86% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Charlie Burg
Lancaster Nights
96 bpm • C# min • 03:10 • -12.84db
56% Popularity • 74% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
56% Popularity • 74% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
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Orion Sun
Coffee For Dinner
96 bpm • C# min • 02:52 • -7.2db
42% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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SALES
Your Own
96 bpm • D Maj • 02:57 • -11db
47% Popularity • 76% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 76% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Dori Valentine
INC.
96 bpm • A# Maj • 03:46 • -6.67db
44% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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ODIE
Phenomenon
96 bpm • C Maj • 03:01 • -15.46db
50% Popularity • 62% Danceability • 31% Energy • 11% Liveness
73% Instrumentalness • 12% Positiveness
50% Popularity • 62% Danceability • 31% Energy • 11% Liveness
73% Instrumentalness • 12% Positiveness
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Molokai
Phil
88 bpm • A# Maj • 04:41 • -6.24db
23% Popularity • 70% Danceability • 54% Energy • 8% Liveness
27% Instrumentalness • 67% Positiveness
23% Popularity • 70% Danceability • 54% Energy • 8% Liveness
27% Instrumentalness • 67% Positiveness
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BETWEEN FRIENDS
suburban wonderland
88 bpm • D Maj • 04:26 • -8db
48% Popularity • 62% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 62% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Bren Joy
Henny in the Hamptons
88 bpm • C# min • 03:17 • -6.79db
46% Popularity • 63% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 63% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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The Backseat Lovers
Watch Your Mouth
88 bpm • D Maj • 04:31 • -10.93db
62% Popularity • 57% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
62% Popularity • 57% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Del Water Gap
Ode to a Conversation Stuck in Your Thro...
88 bpm • B Maj • 03:19 • -6.78db
71% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Yeek
Lumbago
87 bpm • C Maj • 02:08 • -8db
42% Popularity • 55% Danceability • 58% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
42% Popularity • 55% Danceability • 58% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
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Alexander 23
Dirty AF1s
87 bpm • G# Maj • 02:17 • -6db
45% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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MICHELLE
SUNRISE
87 bpm • G Maj • 02:56 • -5.95db
50% Popularity • 82% Danceability • 44% Energy • 30% Liveness
2% Instrumentalness • 68% Positiveness
50% Popularity • 82% Danceability • 44% Energy • 30% Liveness
2% Instrumentalness • 68% Positiveness
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Monsune
OUTTA MY MIND
87 bpm • D min • 03:46 • -8.12db
59% Popularity • 69% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 69% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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almost monday
is it too late?
87 bpm • D Maj • 02:39 • -4.5db
38% Popularity • 44% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 44% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Mac
All She Want Is Gold
97 bpm • F# Maj • 03:15 • -12.54db
29% Popularity • 81% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 81% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Yeek
I'm Trying
97 bpm • C# Maj • 02:43 • -6.72db
43% Popularity • 80% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 80% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Summer Salt
Sweet to Me
97 bpm • A Maj • 03:24 • -6.75db
50% Popularity • 56% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 56% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Ritt Momney
Paper News
97 bpm • F Maj • 04:21 • -12db
39% Popularity • 44% Danceability • 39% Energy • 19% Liveness
5% Instrumentalness • 12% Positiveness
39% Popularity • 44% Danceability • 39% Energy • 19% Liveness
5% Instrumentalness • 12% Positiveness
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Sports
Panama
98 bpm • F Maj • 03:18 • -8.58db
61% Popularity • 62% Danceability • 72% Energy • 21% Liveness
46% Instrumentalness • 45% Positiveness
61% Popularity • 62% Danceability • 72% Energy • 21% Liveness
46% Instrumentalness • 45% Positiveness
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Jamws
Toronto
87 bpm • C Maj • 04:13 • -8db
44% Popularity • 66% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
44% Popularity • 66% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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Dominic Fike
Vampire
98 bpm • C min • 03:06 • -4.81db
62% Popularity • 79% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
62% Popularity • 79% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Old Man Canyon
It Just Comes and Goes
86 bpm • G# min • 03:34 • -7.56db
44% Popularity • 44% Danceability • 66% Energy • 10% Liveness
67% Instrumentalness • 33% Positiveness
44% Popularity • 44% Danceability • 66% Energy • 10% Liveness
67% Instrumentalness • 33% Positiveness
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remy
leading me on but i'm not mad about it
98 bpm • C# Maj • 02:54 • -7.49db
42% Popularity • 83% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 83% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Remi Wolf
Woo!
86 bpm • C min • 03:16 • -5.09db
51% Popularity • 78% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 78% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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COIN
I Want It All
85 bpm • B Maj • 02:51 • -6db
52% Popularity • 27% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 27% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Clubhouse
Weekend
99 bpm • F# min • 03:08 • -9db
49% Popularity • 92% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 92% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Isaac Lewis
80 Degrees
85 bpm • D Maj • 03:25 • -6.21db
37% Popularity • 75% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 75% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Ritt Momney
Not Around
99 bpm • G min • 02:40 • -6.01db
36% Popularity • 37% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 37% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Bakar
Stop Selling Her Drugs
85 bpm • F Maj • 02:53 • -6.44db
60% Popularity • 85% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 85% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Current Blue
Nervous
85 bpm • A min • 02:58 • -7.88db
32% Popularity • 79% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 79% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Walters
Life
85 bpm • B min • 03:20 • -10db
46% Popularity • 44% Danceability • 38% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
46% Popularity • 44% Danceability • 38% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Remi Wolf
Disco Man
85 bpm • F# min • 03:12 • -7.66db
65% Popularity • 69% Danceability • 68% Energy • 43% Liveness
1% Instrumentalness • 85% Positiveness
65% Popularity • 69% Danceability • 68% Energy • 43% Liveness
1% Instrumentalness • 85% Positiveness
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Isaac Lewis
Lost My Head (Remastered)
85 bpm • C Maj • 03:12 • -13.04db
11% Popularity • 64% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 64% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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BENEE
Want Me Back
85 bpm • A Maj • 03:54 • -6.45db
50% Popularity • 54% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 54% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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boy pablo
hey girl
100 bpm • F# Maj • 03:07 • -10.04db
51% Popularity • 58% Danceability • 49% Energy • 9% Liveness
6% Instrumentalness • 89% Positiveness
51% Popularity • 58% Danceability • 49% Energy • 9% Liveness
6% Instrumentalness • 89% Positiveness
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Current Blue
Los Santos
85 bpm • E min • 02:17 • -7.34db
61% Popularity • 80% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 80% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Bennett Coast
Mateo Bridge
100 bpm • E Maj • 03:03 • -10.59db
29% Popularity • 32% Danceability • 36% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
29% Popularity • 32% Danceability • 36% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
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ROLE MODEL
thank you for coming
100 bpm • A min • 02:45 • -6.82db
35% Popularity • 71% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 71% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Myles Cameron
Caged Bird
100 bpm • C# Maj • 03:55 • -14db
38% Popularity • 58% Danceability • 35% Energy • 10% Liveness
44% Instrumentalness • 45% Positiveness
38% Popularity • 58% Danceability • 35% Energy • 10% Liveness
44% Instrumentalness • 45% Positiveness
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ODIE
North Face
100 bpm • A# Maj • 03:16 • -7.36db
63% Popularity • 80% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 58% Positiveness
63% Popularity • 80% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 58% Positiveness
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pizzagirl
seabirds
100 bpm • F# Maj • 04:58 • -7.68db
42% Popularity • 62% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
42% Popularity • 62% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Steve Lacy
C U Girl
100 bpm • B min • 02:09 • -8.91db
82% Popularity • 41% Danceability • 47% Energy • 13% Liveness
5% Instrumentalness • 41% Positiveness
82% Popularity • 41% Danceability • 47% Energy • 13% Liveness
5% Instrumentalness • 41% Positiveness
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Isaac Dunbar
scorton's creek - re-imagined by filous
100 bpm • E min • 02:59 • -7.57db
46% Popularity • 80% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 80% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Grady
Pressure
100 bpm • F# Maj • 04:31 • -9db
27% Popularity • 77% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 72% Positiveness
27% Popularity • 77% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 72% Positiveness
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Dominic Fike
10x Stronger
100 bpm • E min • 01:15 • -6.45db
62% Popularity • 42% Danceability • 39% Energy • 43% Liveness
64% Instrumentalness • 13% Positiveness
62% Popularity • 42% Danceability • 39% Energy • 43% Liveness
64% Instrumentalness • 13% Positiveness
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Roy Blair
Dennis
100 bpm • C# Maj • 03:14 • -6.41db
42% Popularity • 83% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 83% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
