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Girl Like Mine
Songs like
Girl Like Mine
by
William Michael Morgan
Based on a tempo of (+/- 10%) and a similar genre
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William Michael Morgan
Girl Like Mine
81 bpm • D Maj • 03:32 • -6.67db
27% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Mikayla Lane
Let It Be Known
81 bpm • G Maj • 03:35 • -7.38db
19% Popularity • 45% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Wade Bowen
Mood Ring
81 bpm • G Maj • 06:40 • -5.08db
34% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Wynn Williams
Yeah Buddy
82 bpm • B min • 03:21 • -4.89db
24% Popularity • 57% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Randall King
Mirror, Mirror
81 bpm • E Maj • 03:15 • -7.77db
56% Popularity • 43% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Bryan
Little Boys Grow Up And Dogs Get Old
82 bpm • D Maj • 03:43 • -6db
36% Popularity • 58% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Tyler Farr
Better in Boots
80 bpm • G Maj • 02:56 • -5db
46% Popularity • 61% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Mike Ryan
Dear Country Music,
82 bpm • C# Maj • 03:25 • -6.94db
42% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Ward
More Than I Deserved
82 bpm • D Maj • 03:17 • -8.44db
31% Popularity • 57% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Daryle Singletary
Love You With The Lights On
80 bpm • F# Maj • 03:50 • -5.6db
29% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jake Worthington
State You Left Me In
80 bpm • A Maj • 05:25 • -5.23db
35% Popularity • 47% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Dustin Sonnier
Drinkin' alone
82 bpm • A Maj • 03:18 • -8.02db
20% Popularity • 47% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Zach Top
Dirt Turns to Gold
82 bpm • E Maj • 03:10 • -5.75db
53% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Mike Ryan
Blink You'll Miss It
82 bpm • G Maj • 04:07 • -6db
38% Popularity • 53% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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SMO
Thing for You
79 bpm • G Maj • 03:20 • -4.34db
13% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Easton Corbin
Tulsa Texas
83 bpm • G Maj • 04:33 • -5db
43% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Mo Pitney
Ain't Bad For A Good Ol' Boy
79 bpm • E Maj • 03:05 • -4.96db
25% Popularity • 58% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Larry Fleet
Lifetime Guarantee
79 bpm • G Maj • 03:19 • -5db
42% Popularity • 47% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Randall King
Shot Glass
83 bpm • D Maj • 03:19 • -7.69db
35% Popularity • 53% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Riley Green
Behind The Times
79 bpm • C Maj • 03:44 • -6.84db
39% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Toby Keith
Huckleberry
83 bpm • C Maj • 03:28 • -7db
38% Popularity • 36% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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William Michael Morgan
Behind Closed Doors
83 bpm • B Maj • 03:08 • -5.43db
21% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Abbott Band
I’m Your Only Flaw
83 bpm • E Maj • 03:10 • -4.39db
38% Popularity • 47% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Jason Cassidy
Cover Your Eyes
84 bpm • G# min • 04:33 • -6.77db
15% Popularity • 22% Danceability • 46% Energy • 25% Liveness
1% Instrumentalness • 9% Positiveness
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Randall King
Burn It At Both Ends
78 bpm • F# Maj • 03:04 • -4.75db
37% Popularity • 56% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
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Curtis Grimes
Irresponsible
78 bpm • C# Maj • 03:59 • -6.25db
38% Popularity • 60% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Mo Pitney
Plain And Simple
85 bpm • F# min • 03:12 • -7db
18% Popularity • 41% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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William Michael Morgan
I Met a Girl
84 bpm • D Maj • 03:21 • -10db
50% Popularity • 51% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Randy Rogers Band
Lost And Found
77 bpm • A Maj • 03:33 • -5db
42% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Karen Waldrup
Me Again
85 bpm • A Maj • 03:25 • -8.69db
21% Popularity • 34% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Easton Corbin
A Little More Country Than That
85 bpm • B Maj • 02:52 • -8.53db
62% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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William Clark Green
She Loves Horses
85 bpm • D Maj • 03:46 • -6db
31% Popularity • 45% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Larry Fleet
Earned It
77 bpm • G# Maj • 03:20 • -5.01db
47% Popularity • 49% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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William Michael Morgan
Not Letting Go
78 bpm • A Maj • 03:58 • -6.06db
38% Popularity • 64% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Mike Ryan
When I Drink Beer
77 bpm • E Maj • 03:54 • -7db
40% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Ward
One More Shot of Whiskey
77 bpm • D Maj • 03:58 • -8db
37% Popularity • 57% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Eric Church
Those I've Loved
76 bpm • A# Maj • 05:03 • -6db
40% Popularity • 50% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Glen Templeton
Code of a Cowboy
76 bpm • C Maj • 03:51 • -5.47db
22% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Tyler Booth
Long Comes a Girl
76 bpm • D Maj • 03:23 • -5db
28% Popularity • 51% Danceability • 69% Energy • 16% Liveness
5% Instrumentalness • 57% Positiveness
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William Michael Morgan
Baby Don't Get Hooked on Me
77 bpm • G Maj • 03:21 • -6.79db
18% Popularity • 63% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Josh Thompson
Something's Gonna Get Us All
76 bpm • D Maj • 03:09 • -5.28db
40% Popularity • 50% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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David Adam Byrnes
Old School
76 bpm • A# Maj • 02:54 • -5.87db
33% Popularity • 64% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Eric Church
These Boots
86 bpm • A# Maj • 03:48 • -10.46db
49% Popularity • 61% Danceability • 63% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
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Ian Munsick
If I Was a Gun
76 bpm • G Maj • 03:17 • -7.23db
38% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Zach Top
Use Me
87 bpm • G Maj • 03:56 • -6.68db
49% Popularity • 42% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Daryle Singletary
Amen Kind of Love
87 bpm • E Maj • 03:26 • -6.59db
36% Popularity • 57% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Toby Keith
My List
87 bpm • C# min • 03:20 • -6.51db
50% Popularity • 63% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Larry Fleet
Workin' Hard
75 bpm • G Maj • 02:56 • -4.91db
46% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Triston Marez
Whole Lotta You
87 bpm • C Maj • 03:17 • -5.41db
25% Popularity • 49% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Ward
Between An Old Memory & Me
75 bpm • G# Maj • 04:01 • -7.01db
38% Popularity • 48% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Walker McGuire
Mama's Kitchen Table
75 bpm • B Maj • 03:15 • -6db
28% Popularity • 50% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Randall King
Takin’ Me a Heartbreak
75 bpm • E Maj • 03:34 • -7db
46% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jon Wolfe
Play Me Something I Can Drink To
88 bpm • C Maj • 03:28 • -7.01db
44% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Travis Tritt
Love of a Woman
74 bpm • G Maj • 03:37 • -5.65db
46% Popularity • 32% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Kevin Fowler
That Girl
74 bpm • G Maj • 03:28 • -3.24db
37% Popularity • 38% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Tony Jackson
Old Porch Swing
88 bpm • D# Maj • 03:40 • -7.01db
29% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Frankie Ballard
It All Started With a Beer - Single Vers...
74 bpm • D Maj • 03:57 • -8.07db
47% Popularity • 54% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Randall King
The One You're Waiting On
74 bpm • A Maj • 03:18 • -6.87db
37% Popularity • 39% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Wolfe
I Don't Dance
73 bpm • G Maj • 03:20 • -3.97db
42% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Shenandoah
The Moon Over Georgia
89 bpm • A Maj • 03:12 • -9.92db
47% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Drew Parker
I’ll Love You Longer
90 bpm • C Maj • 03:07 • -5.17db
39% Popularity • 54% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Joe Diffie
It's Always Somethin'
90 bpm • A Maj • 02:58 • -5db
38% Popularity • 61% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Dierks Bentley
My Last Name
72 bpm • D Maj • 03:30 • -10.58db
37% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Randall King
Freightline
90 bpm • A Maj • 02:59 • -5db
45% Popularity • 60% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 49% Positiveness
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Jon Wolfe
Heart to Steal Tonight
90 bpm • A Maj • 03:18 • -5db
30% Popularity • 52% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jake Worthington
A Lot of Room to Talk
72 bpm • D Maj • 03:51 • -9.18db
23% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Mo Pitney
'Til I Get Back To You
92 bpm • E Maj • 02:54 • -8db
18% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Curtis Grimes
Still A Little Country Left
92 bpm • C# Maj • 03:21 • -3.67db
30% Popularity • 58% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Eric Church
Lightning
92 bpm • A# Maj • 05:16 • -10.88db
39% Popularity • 52% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Randall King
Hang of Hangin’ On
91 bpm • C Maj • 03:16 • -7.14db
37% Popularity • 53% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Abbott Band
Real Damn Good
93 bpm • G Maj • 03:02 • -3.23db
45% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Marty Heddin
A Little Less Lonely
93 bpm • G Maj • 03:09 • -5.79db
22% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Mo Pitney
Old Stuff Better
71 bpm • A Maj • 03:14 • -8.23db
16% Popularity • 33% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Thompson
Gotta Go to Heaven
71 bpm • B Maj • 03:35 • -6.4db
19% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Eric Church
Pledge Allegiance To The Hag
93 bpm • B Maj • 04:25 • -9.21db
44% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Chris Cagle
I Breathe In, I Breathe Out
93 bpm • G Maj • 04:04 • -8db
41% Popularity • 52% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Casey Donahew
Telling on My Heart
70 bpm • C# Maj • 03:37 • -6db
40% Popularity • 59% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Riley Green
Numbers On The Cars
70 bpm • D Maj • 03:39 • -6.91db
45% Popularity • 34% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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Toby Keith
A Few More Cowboys
94 bpm • D Maj • 03:23 • -5.63db
34% Popularity • 58% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Dustin Sonnier
I See the Want to in Your Eyes
94 bpm • F# Maj • 03:02 • -7.25db
22% Popularity • 60% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Wade Bowen
Sun Shines on a Dreamer
95 bpm • C Maj • 04:13 • -5db
39% Popularity • 48% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Tony Justice
Ramblin' Fever
95 bpm • G Maj • 03:37 • -4db
19% Popularity • 58% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Janson
Holdin' Her
96 bpm • D Maj • 04:04 • -5.13db
42% Popularity • 30% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Daryle Singletary
I Let Her Lie
96 bpm • E Maj • 02:58 • -9.27db
48% Popularity • 66% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Jake Worthington
I Ain't Goin Anywhere
96 bpm • E Maj • 03:05 • -4.72db
28% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Dierks Bentley
I Wanna Make You Close Your Eyes
96 bpm • C# Maj • 03:59 • -5.75db
42% Popularity • 60% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Ryan
Easy
96 bpm • G Maj • 02:47 • -6db
39% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Mo Pitney
Right Now With You
96 bpm • D Maj • 03:28 • -7.33db
23% Popularity • 70% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Kolby Cooper
My Love
96 bpm • A Maj • 04:01 • -4.36db
49% Popularity • 62% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Scotty McCreery
Slow Dance
96 bpm • G Maj • 03:18 • -6.03db
51% Popularity • 48% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Riley Green
Trouble With You
96 bpm • F# Maj • 02:48 • -6.92db
42% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Janson
Everybody
96 bpm • D Maj • 02:52 • -6db
39% Popularity • 64% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Billy Currington
Like My Dog
97 bpm • A# Maj • 02:46 • -4db
52% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Jake Worthington
That's When
97 bpm • F Maj • 03:24 • -6.08db
30% Popularity • 57% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Brooks & Dunn
Ain't Nothing 'Bout You - with Brett You...
97 bpm • G# min • 04:01 • -6db
48% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Daryle Singletary
Spilled Whiskey
97 bpm • C# Maj • 03:31 • -6.03db
21% Popularity • 60% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Chad Cooke Band
Señorita Sky
97 bpm • A Maj • 03:09 • -6.47db
33% Popularity • 58% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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William Michael Morgan
Lonesomeville
98 bpm • F Maj • 03:15 • -8.32db
24% Popularity • 54% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kyle Park
Leavin' Stephenville
98 bpm • G Maj • 03:28 • -3.89db
39% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Triston Marez
Where Rivers Are Red and Cowboys Are Blu...
98 bpm • D# Maj • 03:42 • -6.02db
28% Popularity • 56% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Girl Like Mine