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Girl Like You
Songs like
Girl Like You
by
Clayton Shay
Based on a tempo of (+/- 10%) and a similar genre
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Blake Wood
Being Without You
184 bpm • C# min • 03:25 • -7.28db
30% Popularity • 62% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Clayton Shay
Girl Like You
184 bpm • D# Maj • 02:54 • -3.38db
27% Popularity • 48% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Cooper Alan
Should've Known Better Days
186 bpm • D Maj • 02:48 • -8db
40% Popularity • 49% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Bryce Mauldin
Feel It in the Morning
188 bpm • F# Maj • 03:49 • -4.07db
13% Popularity • 41% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Mac
Outta My League
190 bpm • B Maj • 03:01 • -7.27db
30% Popularity • 38% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Adam Sanders
All About That
177 bpm • B Maj • 02:52 • -2.66db
24% Popularity • 46% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Dylan Wolfe
Drive
176 bpm • G# Maj • 03:12 • -7.83db
27% Popularity • 40% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Nate Kenyon
Steal A Tractor
176 bpm • E min • 03:13 • -5.49db
16% Popularity • 44% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Walker Montgomery
She Don't Know
176 bpm • C# Maj • 03:49 • -4.28db
39% Popularity • 44% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Bryce Mauldin
Callin' my Name
180 bpm • D# Maj • 03:08 • -3.7db
11% Popularity • 39% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Justin Holt
Good Lookin' Waste of Time
176 bpm • C# Maj • 03:35 • -10.94db
25% Popularity • 57% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Ty March.
Call Girl
176 bpm • E min • 02:35 • -5.38db
21% Popularity • 46% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Michael Pace
Gettin' here
176 bpm • D Maj • 03:10 • -6.74db
11% Popularity • 45% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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SixForty1
Somebody's Gonna
176 bpm • C# Maj • 02:58 • -5.66db
35% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Ruediger
Good for Leaving
176 bpm • B Maj • 03:03 • -5.8db
24% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Sean Stemaly
If This Truck Could Talk
174 bpm • A# Maj • 03:12 • -4.2db
30% Popularity • 42% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Cooper Alan
Came After You
174 bpm • A Maj • 02:48 • -6.47db
46% Popularity • 52% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Hunter & Jordan
Burnin' up a Bench Seat
198 bpm • F# Maj • 02:40 • -5.57db
11% Popularity • 38% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Wes Garcia
Small Town Blood
172 bpm • G# Maj • 03:15 • -10.93db
15% Popularity • 48% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Montgomery
Windows Down
170 bpm • G# Maj • 03:14 • -4.19db
22% Popularity • 41% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Bryan Andrews
Homewrecker
170 bpm • F# min • 03:58 • -9.79db
39% Popularity • 35% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Trent Tomlinson
Quit on Me
170 bpm • G# Maj • 03:04 • -3.02db
26% Popularity • 52% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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The Tuten Brothers
Make a Little Life
170 bpm • G Maj • 03:09 • -5db
29% Popularity • 49% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Mason Horne
Jager and Luck
170 bpm • E Maj • 03:03 • -7.02db
18% Popularity • 25% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Eric Burgett
Angel to Save Me
169 bpm • F Maj • 02:42 • -4db
28% Popularity • 45% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Ty March.
Little Less Talk
168 bpm • D# min • 02:48 • -6.25db
27% Popularity • 59% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Brantley Gilbert
Never Gonna Be Alone
168 bpm • C# Maj • 03:08 • -5.25db
31% Popularity • 46% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Lakeview
Eyes Closed
168 bpm • F Maj • 02:58 • -6.22db
26% Popularity • 45% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Austin Michael
Country Cred
168 bpm • F# Maj • 03:12 • -3.36db
24% Popularity • 47% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmie Allen
Livin’ Man
168 bpm • F Maj • 03:26 • -2.84db
22% Popularity • 44% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Justin Champagne
Do It Again
167 bpm • E Maj • 02:45 • -5.56db
22% Popularity • 54% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Cooper Alan
Climate Change
166 bpm • A# Maj • 03:26 • -6.41db
40% Popularity • 53% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Sanders
What If I'm Right (Stripped)
168 bpm • A min • 02:44 • -5db
26% Popularity • 48% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Holdyn Barder
Backroad Baby
166 bpm • G Maj • 02:48 • -8.15db
20% Popularity • 54% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Ryan Robinette
Tailgate Down Town
164 bpm • G Maj • 02:55 • -3db
34% Popularity • 56% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Murphy Elmore
Damn Good Kisser
164 bpm • G Maj • 03:08 • -4db
25% Popularity • 42% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Sean Williams
Two Lane
164 bpm • A# min • 03:26 • -6.9db
13% Popularity • 46% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Cooper Alan
Let Her Talk
164 bpm • A Maj • 02:57 • -8db
44% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Stell
Chase it Down
162 bpm • G min • 03:06 • -5.12db
21% Popularity • 45% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Andrew Hyatt
Neverland
162 bpm • D Maj • 03:26 • -8.33db
28% Popularity • 47% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Shawn Austin
What Do I Know
164 bpm • C# Maj • 03:00 • -5db
34% Popularity • 48% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Justin Lee
Me and You
162 bpm • B Maj • 03:20 • -5.07db
18% Popularity • 50% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Rayne Johnson
Last Name
160 bpm • F# Maj • 03:30 • -4db
25% Popularity • 61% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Drew Baldridge
It's Your Loss
160 bpm • F# Maj • 03:03 • -3.54db
23% Popularity • 62% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Jonah Prill
You Remind Me
160 bpm • C Maj • 03:15 • -3.61db
13% Popularity • 40% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Jasper Charles
17 in a Chevy
160 bpm • G Maj • 02:57 • -6.9db
30% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Kane Brown
BFE
160 bpm • A# Maj • 03:00 • -3.45db
34% Popularity • 48% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Justin Lee
Last Call
161 bpm • G# Maj • 03:22 • -2.64db
35% Popularity • 44% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Garrett Biggs
Break Up
160 bpm • F min • 03:41 • -5.94db
8% Popularity • 46% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Lee Brice
Farmer
160 bpm • G Maj • 02:58 • -7db
34% Popularity • 52% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Jordan Rowe
Can't in a Car
160 bpm • E Maj • 03:30 • -4.1db
21% Popularity • 54% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Roman Alexander
Bad for Me
160 bpm • D Maj • 03:09 • -5.28db
28% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Stephen Paul
Over a Girl
160 bpm • F# Maj • 03:02 • -5.63db
16% Popularity • 43% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Justin Lee
Better Than This
160 bpm • G# Maj • 03:42 • -6db
23% Popularity • 45% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Trea Landon
Get the Girl
160 bpm • C# Maj • 03:27 • -4db
31% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Rich
Adrenaline
160 bpm • F# Maj • 03:26 • -5.17db
28% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Jordan Rager
Somebody's Summer
160 bpm • B Maj • 03:21 • -3.65db
17% Popularity • 42% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Brantley Gilbert
Breaks Down
160 bpm • C Maj • 03:09 • -7.01db
35% Popularity • 55% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Laine Hardy
For a Girl
160 bpm • C Maj • 03:12 • -4.11db
37% Popularity • 46% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Nate Haller
Grew Up On
158 bpm • G Maj • 03:01 • -3.58db
19% Popularity • 48% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Clay Barker
Wings
158 bpm • C# Maj • 03:02 • -7.65db
21% Popularity • 48% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Stell
Better Than That
158 bpm • A min • 03:18 • -3.37db
34% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Sam Riggs
Kentucky Always Wins
158 bpm • G Maj • 03:20 • -5.55db
21% Popularity • 53% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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The Band Steele
Waitin' on Sunshine
158 bpm • G# Maj • 03:46 • -5db
23% Popularity • 45% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Logan Michael
Closure In This Bar
158 bpm • G Maj • 03:31 • -6.2db
21% Popularity • 41% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Adam Sanders
My Kinda People
158 bpm • G# Maj • 02:58 • -4.15db
18% Popularity • 59% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Lane
Summer Job Money
156 bpm • G Maj • 03:09 • -4.08db
32% Popularity • 46% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Granger Smith
Anything Like Me
156 bpm • F# Maj • 02:50 • -4.87db
29% Popularity • 49% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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David J
Love Hangover
156 bpm • G Maj • 03:23 • -6.59db
22% Popularity • 48% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Dylan Schneider
Bad Thing About A Backroad
156 bpm • A Maj • 03:13 • -5.18db
31% Popularity • 55% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Adam Sanders
Sippin' on the Good Times
156 bpm • E Maj • 03:08 • -7.97db
32% Popularity • 51% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Girl Like You