Songs like GIRLS by CHANMINA
Based on a tempo of (+/- 10%) and a similar genre
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(sic)boy
Hype's
170 bpm • B Maj • 02:42 • -6.42db
29% Popularity • 47% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 47% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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BE:FIRST
First Step
170 bpm • F# min • 03:20 • -7.32db
46% Popularity • 72% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 72% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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CHANMINA
UR like ME
170 bpm • F# Maj • 04:02 • -3db
31% Popularity • 62% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 62% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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sudannayuzuyully
TEN MADE TOBASO
170 bpm • B Maj • 03:46 • -4db
17% Popularity • 48% Danceability • 85% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 48% Danceability • 85% Energy • 67% Liveness
0% Instrumentalness • 86% Positiveness
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Louis Vision
秋愁
170 bpm • F min • 02:49 • -5.43db
35% Popularity • 59% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 59% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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AYANE
空っぽ
171 bpm • G Maj • 03:03 • -4.97db
36% Popularity • 61% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 61% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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MA55IVE THE RAMPAGE
LIT
170 bpm • G# min • 03:20 • -2.94db
30% Popularity • 64% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 64% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 68% Positiveness
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BE:FIRST
Kick Start
170 bpm • D Maj • 02:59 • -5.13db
49% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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CHANMINA
GIRLS
170 bpm • G# Maj • 03:15 • -5.4db
44% Popularity • 81% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 81% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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SIRUP
Last Lover
172 bpm • C Maj • 04:35 • -5.68db
36% Popularity • 61% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 61% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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HENTAI SHINSHI CLUB
Sorry
168 bpm • A# Maj • 03:40 • -7.91db
43% Popularity • 64% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 64% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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AK-69
Break through the wall
173 bpm • C# Maj • 03:59 • -7.41db
13% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 66% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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AYANE
泣きたい夜
166 bpm • C Maj • 03:20 • -6.86db
46% Popularity • 81% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 81% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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BE:FIRST
Brave Generation
166 bpm • B Maj • 02:47 • -5.44db
43% Popularity • 53% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 53% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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CHANMINA
Who Are You
174 bpm • C min • 03:50 • -5db
39% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 53% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Nissy
Don't let me go
174 bpm • C min • 03:51 • -6db
41% Popularity • 49% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 49% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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ヘラヘラ三銃士
menヘラ
174 bpm • D Maj • 04:10 • -5.27db
18% Popularity • 69% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 69% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Liza
Damn
174 bpm • B Maj • 03:23 • -8.58db
23% Popularity • 63% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 63% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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AYANE
hot coffee
174 bpm • G# Maj • 03:16 • -4.69db
38% Popularity • 66% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 66% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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GENERATIONS from EXILE TRIBE
DREAMERS
176 bpm • G# Maj • 04:33 • -4.61db
37% Popularity • 52% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 52% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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CHANMINA
PAIN IS BEAUTY
166 bpm • B Maj • 03:55 • -4.16db
45% Popularity • 50% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
45% Popularity • 50% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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HENTAI SHINSHI CLUB
蝉
176 bpm • G Maj • 03:26 • -6.81db
33% Popularity • 54% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 54% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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eill
FAKE LOVE/
164 bpm • B Maj • 03:04 • -5.48db
43% Popularity • 68% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 68% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Kana Nishino
Love Is All We Need
164 bpm • F# min • 03:43 • -4.47db
22% Popularity • 60% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 60% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
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BE:FIRST
Be Free
163 bpm • A# Maj • 03:26 • -4.85db
49% Popularity • 75% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 75% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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SHO-SENSEI!!
ナントカ流星群
179 bpm • G# Maj • 02:51 • -5.85db
33% Popularity • 55% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 55% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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CHANMINA
Can U Love Me
176 bpm • G Maj • 03:07 • -8db
32% Popularity • 74% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 74% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Rude-α
It's only love
180 bpm • A# Maj • 03:26 • -4db
39% Popularity • 70% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 70% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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(sic)boy
Resonance
160 bpm • C# Maj • 03:29 • -4.9db
23% Popularity • 51% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 51% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Reichi
Goodbye, Hello
160 bpm • A Maj • 02:44 • -7db
13% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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eill
((FULLMOON))
160 bpm • D min • 03:05 • -4.97db
29% Popularity • 72% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 72% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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AYANE
Love U
160 bpm • F Maj • 03:29 • -5db
48% Popularity • 75% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 75% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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AK-69
You Mine
160 bpm • B Maj • 04:22 • -3db
47% Popularity • 68% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 68% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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kZm
Aquarius Heaven
160 bpm • F# Maj • 02:52 • -5db
32% Popularity • 61% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 61% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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JP THE WAVY
Dilemma
160 bpm • C Maj • 04:15 • -6.79db
47% Popularity • 60% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 60% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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JUJU
PLAYBACK
159 bpm • F# Maj • 03:21 • -2.55db
44% Popularity • 63% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
44% Popularity • 63% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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LANA
PULL UP
158 bpm • A min • 02:41 • -4.6db
54% Popularity • 64% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 64% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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SPICY CHOCOLATE
HAPPY LOVE
184 bpm • F Maj • 03:13 • -4.27db
26% Popularity • 63% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 63% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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claquepot
ahead
157 bpm • C# Maj • 04:17 • -4.94db
20% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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CHANMINA
Wonderland
156 bpm • D Maj • 03:26 • -5.58db
27% Popularity • 68% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 68% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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ShowMinorSavage
SUPER ICY
157 bpm • F# min • 02:59 • -4.06db
42% Popularity • 78% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 78% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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YENA
SMILEY-Japanese Ver.-
156 bpm • A Maj • 02:56 • -1.16db
42% Popularity • 64% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 64% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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KANGDANIEL
Loser
156 bpm • G Maj • 03:12 • -4.92db
28% Popularity • 65% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 65% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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AYANE
Here I am
186 bpm • E min • 03:41 • -4.33db
24% Popularity • 34% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 34% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Reichi
eyelip
155 bpm • C min • 03:25 • -4.99db
11% Popularity • 80% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 80% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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NOA
Purple Sky
188 bpm • C# Maj • 03:28 • -6.87db
42% Popularity • 64% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 64% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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LANA
Huh? - MaRI
188 bpm • C Maj • 02:16 • -5.08db
51% Popularity • 64% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 64% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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LIL LEAGUE from EXILE TRIBE
Rollah Coaster - Re Recorded
153 bpm • A# Maj • 03:07 • -4.25db
40% Popularity • 76% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 76% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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MACO
End Love?
153 bpm • G# Maj • 05:35 • -3.62db
24% Popularity • 32% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 32% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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AYANE
2gether 4ever
154 bpm • C Maj • 03:23 • -5.64db
33% Popularity • 89% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 89% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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CHANMINA
Like This
190 bpm • G Maj • 02:59 • -5.09db
46% Popularity • 71% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 71% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Liza
Villain
190 bpm • E min • 02:51 • -8db
20% Popularity • 48% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 48% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Ryubi Miyase
AWAKE
152 bpm • C# Maj • 03:35 • -5.05db
36% Popularity • 61% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 61% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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(sic)boy
君がいない世界
152 bpm • C Maj • 02:34 • -4.68db
41% Popularity • 64% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 64% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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claquepot
useless
190 bpm • A# min • 03:47 • -5.26db
17% Popularity • 56% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 56% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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NOA
TAXI
150 bpm • F# min • 02:51 • -5.29db
38% Popularity • 71% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 71% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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CHANMINA
KING
190 bpm • A# min • 02:36 • -7db
40% Popularity • 46% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 46% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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LANA
L7 Blues
150 bpm • F# Maj • 02:21 • -5db
54% Popularity • 82% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 82% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Hilcrhyme
事実愛
150 bpm • F# Maj • 04:10 • -4db
39% Popularity • 58% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 58% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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AK-69
Cut Solo
150 bpm • D Maj • 05:17 • -4db
12% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Z FACTION
Coyote
150 bpm • B Maj • 03:05 • -3.75db
33% Popularity • 67% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 67% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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sudannayuzuyully
MekkaWa
150 bpm • F min • 03:26 • -3.3db
10% Popularity • 70% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 70% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
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NOA
Paradise
150 bpm • C Maj • 02:37 • -5.81db
42% Popularity • 84% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 84% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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CHANMINA
Yesterday
150 bpm • B min • 03:29 • -6.75db
34% Popularity • 70% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 70% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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Yamazaru
Happy Birthday
196 bpm • B Maj • 03:46 • -3db
37% Popularity • 53% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 53% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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claquepot
flying
146 bpm • D# min • 03:51 • -6.99db
19% Popularity • 77% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 77% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Mel
usually
146 bpm • F min • 03:47 • -8.82db
22% Popularity • 62% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 62% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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MA55IVE THE RAMPAGE
夢は夢のまま
145 bpm • G# Maj • 02:51 • -7.41db
35% Popularity • 70% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 70% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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BE:FIRST
Shining One - Re-recorded
145 bpm • A# Maj • 04:03 • -6.53db
50% Popularity • 69% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 69% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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CHANMINA
ルーシー
146 bpm • F min • 02:55 • -5.03db
40% Popularity • 82% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 82% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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GENERATIONS from EXILE TRIBE
One in a Million -奇跡の夜に-
145 bpm • A# Maj • 03:42 • -4.5db
46% Popularity • 75% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 75% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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GENERATIONS from EXILE TRIBE
新しい世界
145 bpm • F Maj • 03:36 • -4.03db
23% Popularity • 59% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 59% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness