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Give a Little Bit
Songs like
Give a Little Bit
by
Supersonic
Based on a tempo of (+/- 10%) and a similar genre
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Troublemakers
Everyday Is an Extension of Yesterday
93 bpm • E min • 06:07 • -8.89db
11% Popularity • 40% Danceability • 55% Energy • 20% Liveness
4% Instrumentalness • 9% Positiveness
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Henri Texier
Le sage, le singe et les petits enfants
93 bpm • B min • 07:58 • -15.9db
12% Popularity • 32% Danceability • 34% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
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Diggs Duke
Gettin' Up
93 bpm • D# min • 03:25 • -9.67db
9% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Marc Moulin
Welcome to the Club
93 bpm • A Maj • 03:38 • -13.02db
16% Popularity • 60% Danceability • 40% Energy • 12% Liveness
22% Instrumentalness • 40% Positiveness
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Supersonic
Give a Little Bit
93 bpm • D Maj • 03:21 • -12.88db
0% Popularity • 50% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Bumcello
Jacaranda
93 bpm • D min • 04:32 • -12.27db
11% Popularity • 66% Danceability • 59% Energy • 10% Liveness
14% Instrumentalness • 40% Positiveness
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Mulatu Astatke
Azmari
93 bpm • G Maj • 05:00 • -13.67db
12% Popularity • 70% Danceability • 68% Energy • 9% Liveness
92% Instrumentalness • 80% Positiveness
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Mardi Gras.BB
Kung Fu Fighting
93 bpm • G Maj • 03:54 • -7.14db
10% Popularity • 66% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 54% Positiveness
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Laurent Bardainne
Dancing in the Dark (Awaking of the Whit...
93 bpm • A min • 05:35 • -16.46db
14% Popularity • 33% Danceability • 2% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
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The Banjo Lounge 4
Mundian to Bach Ke
94 bpm • G Maj • 03:58 • -8.45db
8% Popularity • 61% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
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Limousine
Boonghusa
94 bpm • C Maj • 06:04 • -8.65db
11% Popularity • 69% Danceability • 78% Energy • 19% Liveness
84% Instrumentalness • 72% Positiveness
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Henri Texier
Soweto Sorrow
94 bpm • D min • 04:07 • -11db
27% Popularity • 55% Danceability • 46% Energy • 26% Liveness
57% Instrumentalness • 35% Positiveness
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Mulatu Astatke
Hager Fiker
92 bpm • A# min • 06:08 • -12.91db
19% Popularity • 68% Danceability • 68% Energy • 9% Liveness
88% Instrumentalness • 95% Positiveness
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Julien Lourau
The Saloon (Life Is Just a Game)
94 bpm • A# min • 04:20 • -9db
18% Popularity • 62% Danceability • 52% Energy • 9% Liveness
89% Instrumentalness • 48% Positiveness
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Laurent Bardainne
The Sign, Pt. 2
92 bpm • C Maj • 05:01 • -12.35db
16% Popularity • 23% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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The Souljazz Orchestra
Black Orchid
92 bpm • D min • 04:14 • -6.95db
22% Popularity • 73% Danceability • 79% Energy • 11% Liveness
88% Instrumentalness • 75% Positiveness
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Saturne
Orion
92 bpm • G min • 02:35 • -13.13db
12% Popularity • 63% Danceability • 51% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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Eric Legnini
Snow Falls
92 bpm • B min • 04:25 • -11db
7% Popularity • 62% Danceability • 50% Energy • 8% Liveness
61% Instrumentalness • 50% Positiveness
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Brad Mehldau
Gainsbourg
92 bpm • C# Maj • 07:52 • -11.79db
15% Popularity • 69% Danceability • 79% Energy • 7% Liveness
44% Instrumentalness • 30% Positiveness
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Portico Quartet
Clipper
94 bpm • C min • 06:32 • -14.39db
18% Popularity • 41% Danceability • 52% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Supersonic
I`m Alright
92 bpm • A min • 04:04 • -3.52db
0% Popularity • 79% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Michel Portal
Mino-Miro
94 bpm • C Maj • 05:18 • -11.53db
13% Popularity • 47% Danceability • 47% Energy • 8% Liveness
88% Instrumentalness • 66% Positiveness
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Tony Allen
Afro KungFu Beat
94 bpm • A# min • 06:09 • -6.67db
16% Popularity • 62% Danceability • 88% Energy • 14% Liveness
74% Instrumentalness • 85% Positiveness
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Adam Ben Ezra
Can't Stop Running
92 bpm • D Maj • 05:00 • -12.08db
14% Popularity • 62% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 52% Positiveness
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Nostalgia 77
50 Degrees
92 bpm • A Maj • 04:17 • -7.21db
10% Popularity • 64% Danceability • 87% Energy • 19% Liveness
78% Instrumentalness • 74% Positiveness
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Bobby McFerrin
Joshua
95 bpm • G# min • 04:04 • -10.74db
28% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Supersonic
Everyone will sing
94 bpm • F# Maj • 04:12 • -4.79db
0% Popularity • 43% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Mamadou Barry
Africa Five
95 bpm • D min • 05:47 • -5.74db
10% Popularity • 69% Danceability • 82% Energy • 11% Liveness
46% Instrumentalness • 67% Positiveness
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Sly & Robbie
Rock-Stone Noah Bingie
91 bpm • F min • 05:32 • -12.6db
9% Popularity • 47% Danceability • 67% Energy • 11% Liveness
77% Instrumentalness • 78% Positiveness
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Anthony Joseph
Milligan (The Ocean)
95 bpm • F# min • 08:26 • -6.06db
11% Popularity • 65% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Girls in Airports
Pirates and Tankers
95 bpm • C min • 06:44 • -12.13db
10% Popularity • 67% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 47% Positiveness
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Shalosh
Take on Me
91 bpm • D Maj • 04:32 • -12.56db
8% Popularity • 28% Danceability • 60% Energy • 14% Liveness
87% Instrumentalness • 29% Positiveness
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Limousine
Interno rubato
95 bpm • D Maj • 03:41 • -11.17db
9% Popularity • 44% Danceability • 70% Energy • 20% Liveness
62% Instrumentalness • 36% Positiveness
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Macha Gharibian
Fight
95 bpm • G Maj • 03:40 • -12.28db
9% Popularity • 39% Danceability • 52% Energy • 18% Liveness
88% Instrumentalness • 54% Positiveness
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Bojan Zulfikarpašić
Don't Buy Ivory, Anymore
91 bpm • G Maj • 05:34 • -22.34db
12% Popularity • 33% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Supersonic
Só Não Pode Vacilar
95 bpm • F# Maj • 03:21 • -3.1db
0% Popularity • 62% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Ezéchiel Pailhès
Cornetto
95 bpm • E min • 04:01 • -9.36db
14% Popularity • 79% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Jowee Omicil
Wè wè wè wè (La grev Baré mwen)
95 bpm • A min • 04:58 • -14.3db
12% Popularity • 68% Danceability • 38% Energy • 8% Liveness
51% Instrumentalness • 39% Positiveness
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Shalosh
Jerusalem State of Mind
91 bpm • G Maj • 06:05 • -12.51db
10% Popularity • 32% Danceability • 57% Energy • 43% Liveness
63% Instrumentalness • 41% Positiveness
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Airelle Besson
No Time to Think
96 bpm • D min • 05:26 • -11.06db
19% Popularity • 72% Danceability • 44% Energy • 7% Liveness
96% Instrumentalness • 61% Positiveness
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Sandra Nkaké
Happy
96 bpm • C min • 03:31 • -8.03db
17% Popularity • 61% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Supersonic
Endless Love
96 bpm • A# Maj • 04:14 • -9.34db
0% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ben Williams
Smells Like Teen Spirit
96 bpm • F# min • 03:20 • -31.32db
11% Popularity • 62% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Thomas de Pourquery
Mermaids
96 bpm • A min • 05:31 • -4.74db
3% Popularity • 39% Danceability • 75% Energy • 11% Liveness
50% Instrumentalness • 26% Positiveness
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Black Flower
Upwards
96 bpm • C min • 04:58 • -5.47db
9% Popularity • 51% Danceability • 90% Energy • 28% Liveness
63% Instrumentalness • 69% Positiveness
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Saturne
Exotica
96 bpm • C min • 03:27 • -11.53db
12% Popularity • 60% Danceability • 49% Energy • 8% Liveness
68% Instrumentalness • 12% Positiveness
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Julien Lourau
Bulkamer
96 bpm • A# Maj • 07:42 • -9.85db
8% Popularity • 40% Danceability • 54% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Roberto Fonseca
Motown
90 bpm • C Maj • 03:25 • -14.19db
13% Popularity • 67% Danceability • 54% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
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Airelle Besson
Candy Parties
96 bpm • G Maj • 03:24 • -13.37db
20% Popularity • 82% Danceability • 56% Energy • 25% Liveness
74% Instrumentalness • 76% Positiveness
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Nguyên Lê
Eleanor Rigby
90 bpm • E min • 07:04 • -9.87db
9% Popularity • 47% Danceability • 51% Energy • 10% Liveness
12% Instrumentalness • 28% Positiveness
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Supersonic
O Que Interessa
90 bpm • F# Maj • 02:26 • -5.11db
0% Popularity • 51% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Bobby McFerrin
Thinkin' About Your Body - Live
96 bpm • C min • 03:15 • -19.34db
29% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Theon Cross
Brockley
90 bpm • D# Maj • 03:36 • -11.03db
19% Popularity • 41% Danceability • 69% Energy • 9% Liveness
52% Instrumentalness • 34% Positiveness
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Archie Shepp
Attica Blues
90 bpm • A# Maj • 04:47 • -11db
24% Popularity • 38% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Ray Lema
Fantani
90 bpm • A# min • 04:28 • -17.23db
23% Popularity • 53% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
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Thomas de Pourquery
From Planet to Planet
96 bpm • D# min • 06:41 • -7.05db
3% Popularity • 24% Danceability • 64% Energy • 7% Liveness
12% Instrumentalness • 24% Positiveness
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Tony Paeleman
The Fuse
90 bpm • A# min • 05:12 • -10.6db
12% Popularity • 63% Danceability • 53% Energy • 14% Liveness
91% Instrumentalness • 39% Positiveness
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Bobby McFerrin
Turtle Shoes - Live
90 bpm • E min • 03:34 • -15.58db
16% Popularity • 68% Danceability • 26% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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Anthony Joseph
She Is the Sea
97 bpm • E min • 08:09 • -7.26db
9% Popularity • 63% Danceability • 68% Energy • 32% Liveness
7% Instrumentalness • 78% Positiveness
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Chassol
Reich & Darwin
97 bpm • A Maj • 06:05 • -11.94db
16% Popularity • 50% Danceability • 51% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Florian Pellissier Quintet
The Hipster
97 bpm • A# Maj • 05:28 • -12.25db
11% Popularity • 42% Danceability • 58% Energy • 15% Liveness
86% Instrumentalness • 76% Positiveness
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Lionel Suarez
Silencio
89 bpm • B min • 07:47 • -15.38db
11% Popularity • 50% Danceability • 27% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
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Laurent Bardainne
Apaches
97 bpm • F# Maj • 05:32 • -8.51db
10% Popularity • 32% Danceability • 49% Energy • 55% Liveness
74% Instrumentalness • 50% Positiveness
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Get The Blessing
Little Ease
89 bpm • E min • 04:19 • -9.38db
13% Popularity • 46% Danceability • 44% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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Tony Allen
Night In Tunisia
97 bpm • D Maj • 06:06 • -10db
14% Popularity • 70% Danceability • 51% Energy • 9% Liveness
87% Instrumentalness • 51% Positiveness
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Kutiman
Once You're Near Me
97 bpm • E Maj • 04:33 • -10.05db
9% Popularity • 61% Danceability • 74% Energy • 9% Liveness
54% Instrumentalness • 66% Positiveness
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Yaron Herman Trio
Layla Layla
97 bpm • D min • 05:25 • -15.43db
12% Popularity • 40% Danceability • 45% Energy • 17% Liveness
94% Instrumentalness • 8% Positiveness
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Eddy Louiss
Sentimental Feeling
97 bpm • D min • 04:53 • -12.83db
8% Popularity • 86% Danceability • 37% Energy • 11% Liveness
87% Instrumentalness • 72% Positiveness
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Baptiste Trotignon
Sugar Man
97 bpm • D Maj • 03:32 • -10.28db
12% Popularity • 60% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
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Thomas de Pourquery
Joy
89 bpm • D# Maj • 05:13 • -8.45db
17% Popularity • 26% Danceability • 81% Energy • 10% Liveness
34% Instrumentalness • 34% Positiveness
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Gato Barbieri
Bolivia
89 bpm • G min • 07:55 • -16.75db
14% Popularity • 47% Danceability • 24% Energy • 8% Liveness
67% Instrumentalness • 64% Positiveness
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Richard Galliano
Mozambique
89 bpm • C# Maj • 05:35 • -12.26db
8% Popularity • 53% Danceability • 40% Energy • 67% Liveness
74% Instrumentalness • 62% Positiveness
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Sons Of Kemet
Play Mass
98 bpm • C# Maj • 05:04 • -8db
29% Popularity • 70% Danceability • 84% Energy • 9% Liveness
14% Instrumentalness • 74% Positiveness
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Chlorine Free
Lifelines
98 bpm • G min • 04:36 • -10.81db
13% Popularity • 81% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 46% Positiveness
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Michel Portal
Mozambic
88 bpm • G min • 08:43 • -13.8db
14% Popularity • 40% Danceability • 39% Energy • 28% Liveness
9% Instrumentalness • 29% Positiveness
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Bazbaz
Amicalement vôtre
98 bpm • B min • 02:50 • -6.46db
10% Popularity • 64% Danceability • 54% Energy • 14% Liveness
81% Instrumentalness • 28% Positiveness
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Henri Texier
Laguna Veneta
98 bpm • E min • 04:48 • -16.29db
16% Popularity • 44% Danceability • 21% Energy • 9% Liveness
33% Instrumentalness • 25% Positiveness
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Guillaume Perret
En Good
98 bpm • G# Maj • 04:32 • -11.44db
11% Popularity • 81% Danceability • 43% Energy • 5% Liveness
88% Instrumentalness • 60% Positiveness
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Supersonic
Superman
88 bpm • F# min • 03:59 • -13.29db
0% Popularity • 49% Danceability • 57% Energy • 67% Liveness
3% Instrumentalness • 82% Positiveness
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Shai Maestro
Vertigo
88 bpm • B Maj • 04:03 • -9.87db
10% Popularity • 51% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
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Grégory Privat
Ki Tan
99 bpm • A# Maj • 04:03 • -15.54db
10% Popularity • 45% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Tribeqa
Better Days
99 bpm • C# min • 02:49 • -7.99db
13% Popularity • 70% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Balaphonics
Chewing-Gum
99 bpm • A# Maj • 04:06 • -10.19db
16% Popularity • 80% Danceability • 60% Energy • 5% Liveness
33% Instrumentalness • 93% Positiveness
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Sinclair
Le fonk
99 bpm • A Maj • 04:12 • -5.32db
11% Popularity • 73% Danceability • 92% Energy • 14% Liveness
39% Instrumentalness • 98% Positiveness
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The Mighty Mocambos
French Vanilla Skies
99 bpm • D Maj • 02:56 • -7.33db
8% Popularity • 73% Danceability • 56% Energy • 22% Liveness
76% Instrumentalness • 67% Positiveness
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Bumcello
Time Bum
99 bpm • G Maj • 03:18 • -12.67db
21% Popularity • 73% Danceability • 42% Energy • 6% Liveness
86% Instrumentalness • 62% Positiveness
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Trilok Gurtu
Cherry Town
87 bpm • A Maj • 05:16 • -12.93db
12% Popularity • 57% Danceability • 58% Energy • 10% Liveness
59% Instrumentalness • 93% Positiveness
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Quincy Jones
Superstition
99 bpm • B min • 04:30 • -10.49db
19% Popularity • 56% Danceability • 75% Energy • 16% Liveness
1% Instrumentalness • 56% Positiveness
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Henri Texier
Don't Buy Ivory, Anymore !
99 bpm • C Maj • 05:17 • -16.31db
13% Popularity • 44% Danceability • 32% Energy • 11% Liveness
69% Instrumentalness • 50% Positiveness
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Ahmad Jamal
Marseille
87 bpm • A min • 08:14 • -20.04db
10% Popularity • 64% Danceability • 25% Energy • 13% Liveness
14% Instrumentalness • 26% Positiveness
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Booster
Manzana
87 bpm • F min • 09:01 • -12.31db
9% Popularity • 48% Danceability • 44% Energy • 28% Liveness
71% Instrumentalness • 32% Positiveness
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Roudoudou
Tiki Walk
87 bpm • C min • 04:08 • -6.81db
11% Popularity • 72% Danceability • 89% Energy • 17% Liveness
45% Instrumentalness • 82% Positiveness
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Sly & Robbie
Norwegian Sword Fish
87 bpm • B min • 04:36 • -13.56db
15% Popularity • 67% Danceability • 48% Energy • 17% Liveness
91% Instrumentalness • 72% Positiveness
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Forever Pavot
Les cordes
87 bpm • D Maj • 02:38 • -8.47db
18% Popularity • 56% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Esbjörn Svensson Trio
In My Garage
100 bpm • F min • 04:18 • -12.03db
27% Popularity • 60% Danceability • 65% Energy • 9% Liveness
90% Instrumentalness • 65% Positiveness
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Theon Cross
Ciya
87 bpm • G Maj • 08:27 • -14.6db
12% Popularity • 59% Danceability • 42% Energy • 6% Liveness
88% Instrumentalness • 76% Positiveness
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China Moses
Running
100 bpm • G Maj • 03:36 • -5.99db
15% Popularity • 56% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Push Up!
What Goes Through Your Eyes?
100 bpm • B min • 04:07 • -11db
8% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Candido
Ghana Spice (Part One)
100 bpm • G min • 03:06 • -14.63db
12% Popularity • 71% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
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Eric Legnini
Here Comes The Beat Man
100 bpm • D Maj • 04:15 • -8.32db
11% Popularity • 76% Danceability • 84% Energy • 6% Liveness
48% Instrumentalness • 92% Positiveness
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Give a Little Bit