Songs like Give It to the Soft Boys by The Soft Boys
Based on a tempo of (+/- 10%) and a similar genre
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Pere Ubu
On the Surface
131 bpm • G Maj • 02:35 • -8.95db
26% Popularity • 62% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 62% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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The Replacements
Johnny's Gonna Die
131 bpm • C Maj • 03:30 • -12db
31% Popularity • 49% Danceability • 55% Energy • 18% Liveness
28% Instrumentalness • 71% Positiveness
31% Popularity • 49% Danceability • 55% Energy • 18% Liveness
28% Instrumentalness • 71% Positiveness
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Mission Of Burma
All World Cowboy Romance
131 bpm • A min • 05:12 • -7.63db
18% Popularity • 20% Danceability • 95% Energy • 9% Liveness
47% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 95% Energy • 9% Liveness
47% Instrumentalness • 12% Positiveness
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The Soft Boys
Give It to the Soft Boys
131 bpm • B min • 02:00 • -6.82db
19% Popularity • 37% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 37% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Suburban Lawns
Not Allowed
131 bpm • G Maj • 02:17 • -10.71db
25% Popularity • 48% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 48% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Swell Maps
Read About Seymour
131 bpm • C# min • 01:29 • -15.88db
18% Popularity • 44% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
18% Popularity • 44% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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Roxy Music
Re-Make/Re-Model
131 bpm • A# min • 05:14 • -7.18db
30% Popularity • 58% Danceability • 92% Energy • 32% Liveness
8% Instrumentalness • 54% Positiveness
30% Popularity • 58% Danceability • 92% Energy • 32% Liveness
8% Instrumentalness • 54% Positiveness
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The Cleaners From Venus
Living on Nerve Ends
131 bpm • C# min • 02:24 • -6.02db
34% Popularity • 76% Danceability • 49% Energy • 22% Liveness
8% Instrumentalness • 33% Positiveness
34% Popularity • 76% Danceability • 49% Energy • 22% Liveness
8% Instrumentalness • 33% Positiveness
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Mission Of Burma
Trem Two
131 bpm • E min • 04:10 • -10db
28% Popularity • 51% Danceability • 69% Energy • 9% Liveness
67% Instrumentalness • 56% Positiveness
28% Popularity • 51% Danceability • 69% Energy • 9% Liveness
67% Instrumentalness • 56% Positiveness
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Gang Of Four
Why Theory?
132 bpm • E Maj • 02:34 • -11.36db
19% Popularity • 67% Danceability • 82% Energy • 9% Liveness
14% Instrumentalness • 96% Positiveness
19% Popularity • 67% Danceability • 82% Energy • 9% Liveness
14% Instrumentalness • 96% Positiveness
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The Velvet Underground
I Can't Stand It
130 bpm • A# Maj • 03:21 • -15db
42% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Swell Maps
Read About Seymour
130 bpm • D Maj • 01:28 • -8.94db
23% Popularity • 32% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 32% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Brian Eno
Needles In The Camel's Eye - 2004 Digita...
132 bpm • C# min • 03:11 • -9.01db
40% Popularity • 30% Danceability • 64% Energy • 76% Liveness
4% Instrumentalness • 20% Positiveness
40% Popularity • 30% Danceability • 64% Energy • 76% Liveness
4% Instrumentalness • 20% Positiveness
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The Cleaners From Venus
Ghosts in Doorways
132 bpm • A# min • 03:05 • -6.41db
19% Popularity • 61% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 61% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Beat Happening
Bewitched
132 bpm • D Maj • 03:06 • -8.07db
22% Popularity • 43% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 43% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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The Dukes Of Stratosphear
Vanishing Girl - 2001 Mix
132 bpm • A Maj • 02:59 • -4.67db
33% Popularity • 56% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 56% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Mekons
Memphis Egypt
132 bpm • E Maj • 03:35 • -6.95db
21% Popularity • 40% Danceability • 98% Energy • 22% Liveness
93% Instrumentalness • 34% Positiveness
21% Popularity • 40% Danceability • 98% Energy • 22% Liveness
93% Instrumentalness • 34% Positiveness
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The Only Ones
Breaking Down - 2008 re-mastered version
132 bpm • F Maj • 04:49 • -8.94db
17% Popularity • 43% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 43% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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The Damned
Stranger on the Town
132 bpm • B min • 05:14 • -6.26db
27% Popularity • 57% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 57% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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The Green Pajamas
Katie Lied
132 bpm • G Maj • 02:27 • -4.59db
13% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Alex Chilton
I've Had It
132 bpm • C# min • 02:23 • -12.71db
27% Popularity • 43% Danceability • 56% Energy • 12% Liveness
79% Instrumentalness • 73% Positiveness
27% Popularity • 43% Danceability • 56% Energy • 12% Liveness
79% Instrumentalness • 73% Positiveness
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Josef K
Sorry for Laughing - Crepuscule Single V...
129 bpm • F Maj • 03:03 • -13db
27% Popularity • 42% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 42% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Dream Syndicate
Definitely Clean
133 bpm • E min • 03:30 • -7.12db
10% Popularity • 51% Danceability • 96% Energy • 24% Liveness
19% Instrumentalness • 50% Positiveness
10% Popularity • 51% Danceability • 96% Energy • 24% Liveness
19% Instrumentalness • 50% Positiveness
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Pylon
Cool - Extra
129 bpm • C Maj • 03:19 • -7.4db
24% Popularity • 67% Danceability • 71% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
24% Popularity • 67% Danceability • 71% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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The Nerves
Working Too Hard
129 bpm • A Maj • 01:53 • -6.43db
27% Popularity • 76% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 76% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Hüsker Dü
Terms Of Psychic Warfare
129 bpm • C Maj • 02:19 • -10.25db
27% Popularity • 39% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 39% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Soft Boys
Rock 'n' Roll Toilet (Mark 2)
133 bpm • G Maj • 02:43 • -6.59db
7% Popularity • 45% Danceability • 87% Energy • 34% Liveness
30% Instrumentalness • 80% Positiveness
7% Popularity • 45% Danceability • 87% Energy • 34% Liveness
30% Instrumentalness • 80% Positiveness
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Young Marble Giants
Include Me Out
133 bpm • G Maj • 02:00 • -10db
32% Popularity • 76% Danceability • 62% Energy • 7% Liveness
83% Instrumentalness • 94% Positiveness
32% Popularity • 76% Danceability • 62% Energy • 7% Liveness
83% Instrumentalness • 94% Positiveness
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Flamin' Groovies
I'll Cry Alone
129 bpm • G Maj • 02:15 • -11.78db
20% Popularity • 44% Danceability • 73% Energy • 6% Liveness
68% Instrumentalness • 58% Positiveness
20% Popularity • 44% Danceability • 73% Energy • 6% Liveness
68% Instrumentalness • 58% Positiveness
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X
Adult Books
133 bpm • G Maj • 03:19 • -7.79db
13% Popularity • 63% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 63% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Pylon
Gravity - Remastered
134 bpm • A min • 02:37 • -7.32db
26% Popularity • 62% Danceability • 87% Energy • 11% Liveness
73% Instrumentalness • 61% Positiveness
26% Popularity • 62% Danceability • 87% Energy • 11% Liveness
73% Instrumentalness • 61% Positiveness
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Gang Of Four
Paralysed
129 bpm • A min • 03:23 • -10.04db
31% Popularity • 67% Danceability • 64% Energy • 7% Liveness
74% Instrumentalness • 70% Positiveness
31% Popularity • 67% Danceability • 64% Energy • 7% Liveness
74% Instrumentalness • 70% Positiveness
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The Soft Boys
Tonight
129 bpm • C Maj • 03:44 • -7.83db
19% Popularity • 68% Danceability • 70% Energy • 26% Liveness
20% Instrumentalness • 60% Positiveness
19% Popularity • 68% Danceability • 70% Energy • 26% Liveness
20% Instrumentalness • 60% Positiveness
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Mekons
Hello Cruel World
134 bpm • D# Maj • 03:14 • -4db
11% Popularity • 36% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 37% Positiveness
11% Popularity • 36% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 37% Positiveness
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Flamin' Groovies
Don't Put Me On
128 bpm • F Maj • 04:12 • -11db
18% Popularity • 63% Danceability • 59% Energy • 37% Liveness
12% Instrumentalness • 58% Positiveness
18% Popularity • 63% Danceability • 59% Energy • 37% Liveness
12% Instrumentalness • 58% Positiveness
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Tom Verlaine
Breakin' My Heart
134 bpm • D Maj • 06:06 • -11db
22% Popularity • 55% Danceability • 84% Energy • 10% Liveness
42% Instrumentalness • 91% Positiveness
22% Popularity • 55% Danceability • 84% Energy • 10% Liveness
42% Instrumentalness • 91% Positiveness
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Josef K
Sorry for Laughing
128 bpm • C Maj • 03:11 • -7.22db
14% Popularity • 42% Danceability • 96% Energy • 21% Liveness
9% Instrumentalness • 86% Positiveness
14% Popularity • 42% Danceability • 96% Energy • 21% Liveness
9% Instrumentalness • 86% Positiveness
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Gang Of Four
If I Could Keep It for Myself
128 bpm • F# min • 04:09 • -6.91db
17% Popularity • 54% Danceability • 83% Energy • 27% Liveness
16% Instrumentalness • 89% Positiveness
17% Popularity • 54% Danceability • 83% Energy • 27% Liveness
16% Instrumentalness • 89% Positiveness
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Wire
Fragile - 2006 Remastered Version
134 bpm • B min • 01:18 • -9.02db
53% Popularity • 66% Danceability • 54% Energy • 13% Liveness
2% Instrumentalness • 97% Positiveness
53% Popularity • 66% Danceability • 54% Energy • 13% Liveness
2% Instrumentalness • 97% Positiveness
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The Soft Boys
Over You
128 bpm • D Maj • 04:01 • -8.44db
7% Popularity • 47% Danceability • 58% Energy • 6% Liveness
85% Instrumentalness • 54% Positiveness
7% Popularity • 47% Danceability • 58% Energy • 6% Liveness
85% Instrumentalness • 54% Positiveness
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DEVO
Blockhead
134 bpm • A Maj • 03:00 • -13.91db
26% Popularity • 88% Danceability • 63% Energy • 10% Liveness
23% Instrumentalness • 60% Positiveness
26% Popularity • 88% Danceability • 63% Energy • 10% Liveness
23% Instrumentalness • 60% Positiveness
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Mekons
Country
134 bpm • A Maj • 02:54 • -8.36db
11% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Sebadoh
The Freed Pig
134 bpm • F min • 03:07 • -7.28db
25% Popularity • 35% Danceability • 93% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
25% Popularity • 35% Danceability • 93% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
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The Slits
FM
128 bpm • A Maj • 03:33 • -9.31db
26% Popularity • 61% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 61% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Brian Eno
The True Wheel - 2004 Digital Remaster
128 bpm • B Maj • 05:11 • -10.21db
28% Popularity • 56% Danceability • 75% Energy • 44% Liveness
2% Instrumentalness • 70% Positiveness
28% Popularity • 56% Danceability • 75% Energy • 44% Liveness
2% Instrumentalness • 70% Positiveness
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The Soft Boys
He's a Reptile
134 bpm • C Maj • 04:28 • -7.83db
13% Popularity • 42% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 42% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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The Only Ones
Out There In The Night
134 bpm • G Maj • 03:01 • -12db
20% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Orange Juice
Moscow
134 bpm • G Maj • 02:01 • -11.6db
23% Popularity • 38% Danceability • 74% Energy • 33% Liveness
46% Instrumentalness • 50% Positiveness
23% Popularity • 38% Danceability • 74% Energy • 33% Liveness
46% Instrumentalness • 50% Positiveness
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Mekons
Last Dance
134 bpm • C Maj • 03:13 • -6db
18% Popularity • 40% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 40% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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The Monochrome Set
Eine Symphonie des Grauens
135 bpm • D Maj • 02:21 • -7db
34% Popularity • 53% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 53% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Marbles
Red Lights
135 bpm • G Maj • 03:01 • -4.92db
9% Popularity • 49% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 49% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Magazine
Motorcade
135 bpm • A Maj • 05:44 • -8.62db
15% Popularity • 31% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 31% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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The Soft Boys
I Wanna Destroy You
127 bpm • G Maj • 02:53 • -4.45db
34% Popularity • 26% Danceability • 96% Energy • 31% Liveness
5% Instrumentalness • 24% Positiveness
34% Popularity • 26% Danceability • 96% Energy • 31% Liveness
5% Instrumentalness • 24% Positiveness
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Wire
Outdoor Miner
127 bpm • B min • 02:54 • -7.82db
38% Popularity • 56% Danceability • 76% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
38% Popularity • 56% Danceability • 76% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
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Big Star
When My Baby's Beside Me
127 bpm • C Maj • 03:23 • -7.94db
35% Popularity • 44% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 44% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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The Gun Club
Ghost on the Highway
135 bpm • E Maj • 02:46 • -6.83db
28% Popularity • 44% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 44% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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The Nerves
Many Roads to Follow - Demo
127 bpm • E Maj • 02:14 • -11db
35% Popularity • 55% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
35% Popularity • 55% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Magazine
Recoil
135 bpm • D Maj • 02:52 • -8.48db
14% Popularity • 49% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 49% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Gang Of Four
Outside the Trains Don't Run on Time
127 bpm • C Maj • 03:18 • -7.85db
20% Popularity • 53% Danceability • 87% Energy • 29% Liveness
2% Instrumentalness • 47% Positiveness
20% Popularity • 53% Danceability • 87% Energy • 29% Liveness
2% Instrumentalness • 47% Positiveness
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The Velvet Underground
What Goes On
127 bpm • D Maj • 08:54 • -9.85db
26% Popularity • 37% Danceability • 72% Energy • 12% Liveness
82% Instrumentalness • 68% Positiveness
26% Popularity • 37% Danceability • 72% Energy • 12% Liveness
82% Instrumentalness • 68% Positiveness
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The Dream Syndicate
Until Lately
127 bpm • A Maj • 06:50 • -6.9db
6% Popularity • 46% Danceability • 87% Energy • 64% Liveness
54% Instrumentalness • 40% Positiveness
6% Popularity • 46% Danceability • 87% Energy • 64% Liveness
54% Instrumentalness • 40% Positiveness
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Alex Chilton
Boogie Shoes
127 bpm • E Maj • 02:32 • -10.16db
22% Popularity • 62% Danceability • 65% Energy • 10% Liveness
8% Instrumentalness • 94% Positiveness
22% Popularity • 62% Danceability • 65% Energy • 10% Liveness
8% Instrumentalness • 94% Positiveness
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The Soft Boys
Do the Chisel
135 bpm • A Maj • 03:05 • -6.49db
4% Popularity • 23% Danceability • 80% Energy • 22% Liveness
83% Instrumentalness • 21% Positiveness
4% Popularity • 23% Danceability • 80% Energy • 22% Liveness
83% Instrumentalness • 21% Positiveness
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Magazine
Burst
135 bpm • F Maj • 05:01 • -8.26db
13% Popularity • 29% Danceability • 56% Energy • 61% Liveness
2% Instrumentalness • 18% Positiveness
13% Popularity • 29% Danceability • 56% Energy • 61% Liveness
2% Instrumentalness • 18% Positiveness
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Wire
Blessed State - 2006 Remastered Version
127 bpm • B min • 03:28 • -9.01db
31% Popularity • 75% Danceability • 66% Energy • 13% Liveness
52% Instrumentalness • 70% Positiveness
31% Popularity • 75% Danceability • 66% Energy • 13% Liveness
52% Instrumentalness • 70% Positiveness
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The Three O'Clock
In My Own Time
135 bpm • D Maj • 02:08 • -8.32db
31% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 66% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Pere Ubu
Dub Housing
127 bpm • G min • 03:39 • -9.31db
18% Popularity • 58% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 58% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Bell
I Got Kinda Lost
127 bpm • E Maj • 02:46 • -5.28db
12% Popularity • 45% Danceability • 91% Energy • 8% Liveness
8% Instrumentalness • 70% Positiveness
12% Popularity • 45% Danceability • 91% Energy • 8% Liveness
8% Instrumentalness • 70% Positiveness
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The Dream Syndicate
Halloween
126 bpm • G Maj • 06:10 • -7.96db
13% Popularity • 46% Danceability • 87% Energy • 11% Liveness
71% Instrumentalness • 67% Positiveness
13% Popularity • 46% Danceability • 87% Energy • 11% Liveness
71% Instrumentalness • 67% Positiveness
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Magazine
Sweetheart Contract - Remastered 2007
127 bpm • A Maj • 03:20 • -10.34db
25% Popularity • 68% Danceability • 88% Energy • 43% Liveness
4% Instrumentalness • 97% Positiveness
25% Popularity • 68% Danceability • 88% Energy • 43% Liveness
4% Instrumentalness • 97% Positiveness
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The Soft Boys
Kingdom of Love
136 bpm • A Maj • 04:11 • -6.42db
25% Popularity • 57% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
25% Popularity • 57% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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XTC
Respectable Street - 2001 Remaster
126 bpm • B min • 03:37 • -6.52db
36% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Beat Happening
You Turn Me On
136 bpm • E Maj • 04:10 • -7.17db
21% Popularity • 48% Danceability • 94% Energy • 9% Liveness
69% Instrumentalness • 77% Positiveness
21% Popularity • 48% Danceability • 94% Energy • 9% Liveness
69% Instrumentalness • 77% Positiveness
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The Monochrome Set
Alphaville - Bonus Track
126 bpm • F Maj • 02:53 • -12.11db
14% Popularity • 50% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 50% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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The Stooges
Loose
136 bpm • D Maj • 03:33 • -6.81db
41% Popularity • 36% Danceability • 90% Energy • 36% Liveness
79% Instrumentalness • 71% Positiveness
41% Popularity • 36% Danceability • 90% Energy • 36% Liveness
79% Instrumentalness • 71% Positiveness
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Magazine
I'm A Party - Remastered 2007
136 bpm • C Maj • 03:05 • -8.35db
20% Popularity • 50% Danceability • 84% Energy • 44% Liveness
2% Instrumentalness • 73% Positiveness
20% Popularity • 50% Danceability • 84% Energy • 44% Liveness
2% Instrumentalness • 73% Positiveness
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Tom Verlaine
Always
136 bpm • A Maj • 03:58 • -7.07db
15% Popularity • 59% Danceability • 83% Energy • 14% Liveness
30% Instrumentalness • 63% Positiveness
15% Popularity • 59% Danceability • 83% Energy • 14% Liveness
30% Instrumentalness • 63% Positiveness
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The Soft Boys
Only the Stones Remain
126 bpm • A Maj • 02:50 • -5.42db
15% Popularity • 50% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 50% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Beat Happening
Red Head Walking
126 bpm • B min • 02:07 • -10.33db
27% Popularity • 70% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
27% Popularity • 70% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
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X
White Girl
136 bpm • G Maj • 03:27 • -6.71db
20% Popularity • 35% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 35% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Camper Van Beethoven
Oh No!
136 bpm • B Maj • 01:54 • -11.31db
24% Popularity • 42% Danceability • 80% Energy • 36% Liveness
86% Instrumentalness • 67% Positiveness
24% Popularity • 42% Danceability • 80% Energy • 36% Liveness
86% Instrumentalness • 67% Positiveness
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Magazine
The Light Pours Out Of Me
136 bpm • A Maj • 04:36 • -10.21db
32% Popularity • 58% Danceability • 66% Energy • 18% Liveness
11% Instrumentalness • 87% Positiveness
32% Popularity • 58% Danceability • 66% Energy • 18% Liveness
11% Instrumentalness • 87% Positiveness
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The Dream Syndicate
That's What You Always Say
126 bpm • A min • 03:12 • -7db
24% Popularity • 61% Danceability • 92% Energy • 8% Liveness
8% Instrumentalness • 73% Positiveness
24% Popularity • 61% Danceability • 92% Energy • 8% Liveness
8% Instrumentalness • 73% Positiveness
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Flamin' Groovies
You Tore Me Down
126 bpm • D Maj • 02:52 • -11.53db
22% Popularity • 48% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 48% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Beat Happening
Drive Car Girl
136 bpm • D Maj • 02:00 • -8.3db
12% Popularity • 62% Danceability • 98% Energy • 33% Liveness
7% Instrumentalness • 59% Positiveness
12% Popularity • 62% Danceability • 98% Energy • 33% Liveness
7% Instrumentalness • 59% Positiveness
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The Neon Boys
That's All I Know (Right Now) - 2013 Rem...
137 bpm • A Maj • 02:39 • -3.39db
15% Popularity • 26% Danceability • 100% Energy • 32% Liveness
67% Instrumentalness • 15% Positiveness
15% Popularity • 26% Danceability • 100% Energy • 32% Liveness
67% Instrumentalness • 15% Positiveness
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Tom Verlaine
There's a Reason
137 bpm • B min • 03:39 • -8.6db
17% Popularity • 40% Danceability • 84% Energy • 11% Liveness
76% Instrumentalness • 29% Positiveness
17% Popularity • 40% Danceability • 84% Energy • 11% Liveness
76% Instrumentalness • 29% Positiveness
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The Soft Boys
Bloat (Extract)
137 bpm • C min • 01:03 • -14.91db
6% Popularity • 61% Danceability • 65% Energy • 34% Liveness
80% Instrumentalness • 31% Positiveness
6% Popularity • 61% Danceability • 65% Energy • 34% Liveness
80% Instrumentalness • 31% Positiveness
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X
The New World
125 bpm • A Maj • 03:25 • -6.5db
21% Popularity • 52% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
21% Popularity • 52% Danceability • 71% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
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Flamin' Groovies
Shake Some Action
137 bpm • G# Maj • 04:33 • -12.94db
42% Popularity • 50% Danceability • 63% Energy • 24% Liveness
3% Instrumentalness • 38% Positiveness
42% Popularity • 50% Danceability • 63% Energy • 24% Liveness
3% Instrumentalness • 38% Positiveness
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The Dream Syndicate
The Days of Wine and Roses
125 bpm • E min • 07:30 • -6db
13% Popularity • 54% Danceability • 97% Energy • 2% Liveness
8% Instrumentalness • 42% Positiveness
13% Popularity • 54% Danceability • 97% Energy • 2% Liveness
8% Instrumentalness • 42% Positiveness
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Beat Happening
Foggy Eyes
136 bpm • E Maj • 02:46 • -10db
19% Popularity • 72% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 72% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Orange Juice
Consolation Prize
125 bpm • A Maj • 02:52 • -7db
21% Popularity • 32% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 32% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Soft Boys
Insanely Jealous
137 bpm • F# Maj • 05:03 • -14.84db
4% Popularity • 35% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
4% Popularity • 35% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Buzzcocks
Something's Gone Wrong Again - 2001 Rema...
137 bpm • B Maj • 04:33 • -8db
24% Popularity • 68% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 68% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Pylon
Stop It - Remastered
137 bpm • C Maj • 03:06 • -6.24db
26% Popularity • 44% Danceability • 90% Energy • 7% Liveness
87% Instrumentalness • 60% Positiveness
26% Popularity • 44% Danceability • 90% Energy • 7% Liveness
87% Instrumentalness • 60% Positiveness
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Tom Verlaine
Mr. Blur
125 bpm • D Maj • 03:24 • -10.55db
10% Popularity • 58% Danceability • 71% Energy • 36% Liveness
46% Instrumentalness • 83% Positiveness
10% Popularity • 58% Danceability • 71% Energy • 36% Liveness
46% Instrumentalness • 83% Positiveness
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Magazine
Definitive Gaze
137 bpm • D Maj • 04:28 • -9.97db
27% Popularity • 44% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
27% Popularity • 44% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
