Songs like Giving It All Away by Leo Sayer
Based on a tempo of (+/- 10%) and a similar genre
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Lenny Kravitz
It Ain't Over 'Til It's Over
160 bpm • F# Maj • 04:02 • -10.74db
78% Popularity • 68% Danceability • 57% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
78% Popularity • 68% Danceability • 57% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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Dan Fogelberg
Longer
158 bpm • G Maj • 03:15 • -24.71db
63% Popularity • 31% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 31% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Paul McCartney
Ebony And Ivory - Remixed 2015
161 bpm • E Maj • 03:46 • -7.88db
61% Popularity • 57% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 57% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Young
Every Time You Go Away - Radio Edit
164 bpm • F Maj • 04:27 • -9db
70% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
70% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Helen Reddy
Delta Dawn
157 bpm • G Maj • 03:10 • -8.36db
44% Popularity • 48% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 48% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Leo Sayer
Sea of Heartbreak
165 bpm • C# Maj • 03:47 • -14.68db
13% Popularity • 69% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 69% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Player
Baby Come Back
156 bpm • F min • 03:34 • -9.9db
61% Popularity • 64% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 64% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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REO Speedwagon
Can't Fight This Feeling
156 bpm • A Maj • 04:54 • -11.02db
74% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
74% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Dr. Hook
Sylvia's Mother
168 bpm • A Maj • 03:48 • -12.72db
60% Popularity • 30% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 30% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Paul Young
Every Time You Go Away
164 bpm • F Maj • 05:24 • -12.29db
62% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Hollies
The Air That I Breathe - 2008 Remaster
168 bpm • E min • 04:17 • -8.38db
72% Popularity • 28% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
72% Popularity • 28% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Marvin Gaye
Let's Get It On
169 bpm • D# Maj • 04:51 • -9.72db
70% Popularity • 54% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
70% Popularity • 54% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Player
Baby Come Back
156 bpm • F min • 04:15 • -10db
70% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
70% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ambrosia
Biggest Part of Me
153 bpm • A# Maj • 05:24 • -8.05db
65% Popularity • 50% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 50% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Carole King
You've Got a Friend
169 bpm • G# Maj • 05:08 • -10.68db
65% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 47% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Styx
Babe
169 bpm • D Maj • 04:25 • -13.71db
65% Popularity • 27% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
65% Popularity • 27% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Helen Reddy
I Am Woman
171 bpm • C Maj • 03:25 • -8.72db
52% Popularity • 39% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 39% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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America
Tin Man
172 bpm • G Maj • 03:29 • -10.79db
62% Popularity • 65% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
62% Popularity • 65% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
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Commodores
Three Times A Lady
151 bpm • G# Maj • 03:35 • -17.29db
54% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Gilbert O'Sullivan
Alone Again (Naturally)
172 bpm • G# min • 03:36 • -8.49db
67% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
67% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Jackson Browne
Doctor My Eyes - 1997 Remaster
150 bpm • F Maj • 03:19 • -8.75db
67% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Van Morrison
Brown Eyed Girl
151 bpm • G Maj • 03:03 • -10.96db
86% Popularity • 49% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
86% Popularity • 49% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
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Christopher Cross
Sailing
150 bpm • D Maj • 04:16 • -13.2db
70% Popularity • 47% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
70% Popularity • 47% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Procol Harum
A Whiter Shade of Pale - Original Single...
150 bpm • C Maj • 04:08 • -6.9db
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Glenn Frey
The Heat Is On
150 bpm • G Maj • 03:47 • -6.37db
64% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
64% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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REO Speedwagon
Keep on Loving You
175 bpm • C Maj • 03:20 • -5.96db
77% Popularity • 31% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
77% Popularity • 31% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Gilbert O'Sullivan
Nothing Rhymed
175 bpm • D# Maj • 03:23 • -9.05db
40% Popularity • 23% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 23% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Seals and Crofts
We May Never Pass This Way (Again)
176 bpm • A Maj • 04:18 • -12.14db
51% Popularity • 34% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 34% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Maxine Nightingale
Right Back Where We Started From
148 bpm • F Maj • 03:12 • -5.72db
66% Popularity • 69% Danceability • 65% Energy • 46% Liveness
1% Instrumentalness • 90% Positiveness
66% Popularity • 69% Danceability • 65% Energy • 46% Liveness
1% Instrumentalness • 90% Positiveness
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Tom Jones
(It Looks Like) I'll Never Fall In Love ...
148 bpm • E Maj • 04:17 • -13.08db
57% Popularity • 32% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 32% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Engelbert Humperdinck
Quando Quando Quando
176 bpm • C Maj • 03:21 • -8.96db
63% Popularity • 37% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 37% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Starland Vocal Band
Afternoon Delight
147 bpm • F Maj • 03:13 • -11.73db
62% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Joel
She's Always a Woman
177 bpm • D# Maj • 03:21 • -12db
77% Popularity • 29% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
77% Popularity • 29% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Don Henley
The Boys Of Summer
177 bpm • F# Maj • 04:48 • -13.74db
78% Popularity • 52% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 91% Positiveness
78% Popularity • 52% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 91% Positiveness
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John Denver
Annie's Song
146 bpm • D Maj • 03:00 • -10.88db
72% Popularity • 30% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
72% Popularity • 30% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Bread
Lost Without Your Love
146 bpm • A# Maj • 02:56 • -11.48db
61% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Phil Collins
A Groovy Kind of Love
144 bpm • D Maj • 03:30 • -9.63db
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Peter Cetera
Glory of Love
145 bpm • F Maj • 04:18 • -7.94db
74% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
74% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Orleans
Still the One
144 bpm • E Maj • 03:54 • -10.79db
61% Popularity • 56% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 56% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Dusty Springfield
Son Of A Preacher Man
180 bpm • E Maj • 02:28 • -12.33db
80% Popularity • 40% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
80% Popularity • 40% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Drifters
Save the Last Dance for Me
143 bpm • E Maj • 02:34 • -10.58db
65% Popularity • 54% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
65% Popularity • 54% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Bread
Baby I'm-a Want You
144 bpm • G# Maj • 02:30 • -16.53db
68% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
68% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Andy Gibb
(Our Love) Don't Throw It All Away
143 bpm • F Maj • 04:10 • -13.19db
58% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Commodores
Sail On
143 bpm • C# Maj • 05:32 • -18db
41% Popularity • 49% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 49% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Kenny Rogers
She Believes In Me
143 bpm • A# Maj • 04:18 • -12.47db
63% Popularity • 32% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 32% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Boz Scaggs
Lido Shuffle (2023 Remaster)
141 bpm • A# Maj • 03:43 • -9.81db
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Ocean
Love Really Hurts Without You
141 bpm • F Maj • 02:59 • -3.73db
71% Popularity • 52% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
71% Popularity • 52% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Bread
Guitar Man
143 bpm • E min • 03:46 • -13.27db
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Don McLean
Crying
141 bpm • C Maj • 03:50 • -12db
46% Popularity • 30% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 30% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Bolton
How Am I Supposed to Live Without You
140 bpm • A# Maj • 04:15 • -12.21db
71% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Gary Wright
Dream Weaver
140 bpm • E Maj • 04:16 • -13.68db
59% Popularity • 27% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
59% Popularity • 27% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
70% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Leo Sayer
Raining in My Heart
185 bpm • C Maj • 03:13 • -7.77db
26% Popularity • 38% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 38% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Eagles
Take It Easy - 2013 Remaster
139 bpm • G Maj • 03:31 • -10.39db
80% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
80% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Dr. Hook
A Little Bit More - Single Version
186 bpm • G Maj • 02:54 • -13db
52% Popularity • 30% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 30% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Gino Vannelli
I Just Wanna Stop
139 bpm • A Maj • 03:38 • -13.45db
62% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
72% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
72% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Carly Simon
Coming Around Again
139 bpm • F Maj • 03:38 • -14.49db
65% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Rupert Holmes
Escape (The Pina Colada Song)
139 bpm • C Maj • 04:36 • -13.67db
77% Popularity • 84% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
77% Popularity • 84% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Seals and Crofts
Diamond Girl
138 bpm • E min • 04:13 • -12db
55% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Don McLean
American Pie
138 bpm • E min • 08:36 • -11.71db
77% Popularity • 53% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 53% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Little River Band
Reminiscing - Remastered 2010
189 bpm • G Maj • 04:17 • -11.01db
69% Popularity • 35% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 35% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Gladys Knight & The Pips
Best Thing That Ever Happened to Me
189 bpm • C# min • 03:44 • -11.94db
52% Popularity • 35% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 46% Positiveness
52% Popularity • 35% Danceability • 55% Energy • 11% Liveness
6% Instrumentalness • 46% Positiveness
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David Soul
Don't give up on us
199 bpm • A Maj • 03:38 • -13.59db
64% Popularity • 26% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
64% Popularity • 26% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
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Billy Paul
Me and Mrs. Jones
201 bpm • G# Maj • 04:44 • -10db
67% Popularity • 29% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
67% Popularity • 29% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Foreigner
Waiting for a Girl like You
201 bpm • A# min • 04:52 • -9.29db
73% Popularity • 33% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
73% Popularity • 33% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
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England Dan & John Ford Coley
Love Is the Answer
202 bpm • C min • 04:44 • -14db
54% Popularity • 39% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 39% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Pilot
Magic
203 bpm • A min • 03:06 • -7db
63% Popularity • 39% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 39% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Glenn Frey
True Love
204 bpm • C Maj • 04:39 • -12db
45% Popularity • 56% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 56% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Carole King
It's Too Late
208 bpm • A min • 03:53 • -12.72db
71% Popularity • 45% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
71% Popularity • 45% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
