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Glasgow Love Theme
Songs like
Glasgow Love Theme
by
Craig Armstrong
Based on a tempo of (+/- 10%) and a similar genre
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Lennie Niehaus
Kate's Theme / End Credits
79 bpm • F Maj • 04:42 • -22.48db
32% Popularity • 12% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Dave Grusin
On Golden Pond - Main Theme
79 bpm • G Maj • 03:52 • -19.17db
34% Popularity • 35% Danceability • 7% Energy • 56% Liveness
82% Instrumentalness • 10% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
54% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
47% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Father Christmas
79 bpm • C# Maj • 03:20 • -20.98db
42% Popularity • 9% Danceability • 7% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Hayley Westenra
Flood
79 bpm • G Maj • 03:08 • -19.22db
24% Popularity • 13% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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John Lunn
Gleam And Sparkle
79 bpm • A min • 02:48 • -16.7db
28% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
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Nicola Piovani
Hungry Hearts
79 bpm • G Maj • 03:58 • -20.31db
35% Popularity • 18% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Philharmonia Orchestra
Octopussy (Arr. C. Egan)
79 bpm • G# Maj • 03:52 • -17.65db
24% Popularity • 8% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Craig Armstrong
Glasgow Love Theme
79 bpm • A Maj • 02:05 • -15.62db
52% Popularity • 31% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
31% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Guy Farley
Jeanne's Death
79 bpm • G min • 01:34 • -15.52db
38% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
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Howard Shore
The Breaking of the Fellowship
79 bpm • D Maj • 07:20 • -20.55db
60% Popularity • 13% Danceability • 14% Energy • 9% Liveness
48% Instrumentalness • 5% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
47% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Michael Nyman
The Promise
80 bpm • A min • 04:16 • -14.84db
52% Popularity • 10% Danceability • 23% Energy • 18% Liveness
90% Instrumentalness • 6% Positiveness
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Craig Armstrong
The Lake Scene
79 bpm • C Maj • 01:35 • -18db
48% Popularity • 17% Danceability • 8% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
38% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Ludovico Einaudi
Cache-cache
80 bpm • D min • 03:51 • -15.66db
37% Popularity • 16% Danceability • 11% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
50% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Laurent Aknin
Le choix du cœur
80 bpm • C min • 03:03 • -16db
34% Popularity • 18% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Alex Heffes
Jamie's Memory
78 bpm • G min • 01:28 • -22db
39% Popularity • 36% Danceability • 15% Energy • 38% Liveness
32% Instrumentalness • 8% Positiveness
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Craig Armstrong
In Love With Karl
78 bpm • G Maj • 00:54 • -19.45db
27% Popularity • 20% Danceability • 4% Energy • 8% Liveness
24% Instrumentalness • 28% Positiveness
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Theodore Shapiro
Secret Garden
80 bpm • C Maj • 02:24 • -23.93db
19% Popularity • 49% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Stuart Earl
Journey To Uppercross
80 bpm • E min • 01:35 • -15db
48% Popularity • 28% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Knopfler
Once Upon A Time / Storybook Love
80 bpm • G Maj • 03:59 • -22.42db
47% Popularity • 26% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Laurent Aknin
Constance thème Londres
80 bpm • E min • 02:12 • -14.44db
40% Popularity • 39% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
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Guy Farley
Maria - Theme
80 bpm • F Maj • 01:29 • -15db
54% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
55% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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London Philharmonic Orchestra
Adagio for Strings, Op. 11a
78 bpm • A# min • 08:22 • -16.3db
49% Popularity • 15% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
The Park - Finding Neverland/Soundtrack ...
80 bpm • C Maj • 01:07 • -16.85db
39% Popularity • 18% Danceability • 16% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
37% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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Martin Phipps
The Wedding
78 bpm • F# Maj • 03:43 • -16.55db
27% Popularity • 17% Danceability • 19% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Engagement Party
80 bpm • D# Maj • 01:27 • -22.61db
61% Popularity • 40% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
41% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Nyman
Big My Secret
77 bpm • D Maj • 02:52 • -23db
45% Popularity • 42% Danceability • 11% Energy • 7% Liveness
84% Instrumentalness • 21% Positiveness
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Fernando Velázquez
The Best Holiday Season Ever
77 bpm • D# Maj • 02:27 • -22db
27% Popularity • 20% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
53% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
34% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Michael Giacchino
Moving On
77 bpm • D Maj • 07:54 • -18.96db
39% Popularity • 19% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Telegram
81 bpm • G# min • 01:44 • -12.98db
33% Popularity • 27% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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Craig Armstrong
PM's Love Theme
81 bpm • C Maj • 02:12 • -9db
41% Popularity • 29% Danceability • 40% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
44% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
33% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Andrea Guerra
Il papa è nostro padre
81 bpm • A min • 02:09 • -20.53db
41% Popularity • 12% Danceability • 13% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
New York
77 bpm • F Maj • 01:09 • -23.96db
50% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Dario Marianelli
Awaken
77 bpm • C min • 04:25 • -18db
46% Popularity • 17% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Epilogue ( Beethoven Piano Co...
81 bpm • B Maj • 03:57 • -29.33db
28% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
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Craig Armstrong
Saucy Minx / Aurelia Arrives
77 bpm • C Maj • 01:52 • -23.78db
33% Popularity • 26% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
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John Debney
Father Talk - Score
81 bpm • C Maj • 01:00 • -33.42db
39% Popularity • 12% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
37% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Anne Dudley
How the Tide Rushes In
77 bpm • E min • 03:03 • -16db
36% Popularity • 22% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Clint Eastwood
They're Amateurs
81 bpm • G Maj • 01:16 • -23.08db
40% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Martin Phipps
New Start
81 bpm • G Maj • 03:41 • -17.54db
44% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
The Wardrobe
81 bpm • C# min • 02:54 • -26.4db
53% Popularity • 8% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Stanley Myers
The Deer Hunter - Cavatina
82 bpm • E Maj • 03:33 • -18db
45% Popularity • 53% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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Craig Armstrong
Natalie At The School
82 bpm • C Maj • 01:27 • -14.69db
27% Popularity • 39% Danceability • 19% Energy • 7% Liveness
94% Instrumentalness • 23% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
51% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Samuel Sim
Blind Endeavours
82 bpm • G Maj • 03:15 • -19db
29% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
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John Lunn
A Royal Command
82 bpm • A min • 04:49 • -16.24db
31% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Luciano Pavarotti
The Apology/Nessun Dorma
82 bpm • D Maj • 03:16 • -20.62db
31% Popularity • 14% Danceability • 7% Energy • 17% Liveness
82% Instrumentalness • 6% Positiveness
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Calum Martin
Ballantyne (Movement 2 The Edge of the S...
82 bpm • F Maj • 02:52 • -14.32db
17% Popularity • 9% Danceability • 23% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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Craig Armstrong
Croissants In France
76 bpm • C Maj • 01:07 • -23.13db
57% Popularity • 22% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
24% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
32% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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John Lunn
A New Era
76 bpm • G# min • 05:22 • -13.62db
29% Popularity • 20% Danceability • 29% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
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Andrea Guerra
Cross tempo
82 bpm • G# Maj • 01:55 • -36db
48% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Doe Eyes (Love Theme from the Bridges of...
82 bpm • C Maj • 05:00 • -21db
38% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Craig Armstrong
Natalie Revealed / Karen Confronts Harry
82 bpm • B Maj • 01:49 • -20.26db
25% Popularity • 8% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Panu Aaltio
Boys Decide to Stay
82 bpm • F min • 01:34 • -23.55db
48% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
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André Rieu
Love Theme
76 bpm • G min • 03:44 • -13.58db
58% Popularity • 24% Danceability • 22% Energy • 23% Liveness
84% Instrumentalness • 8% Positiveness
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John Lunn
Mr. Chambers
82 bpm • F Maj • 01:47 • -11db
22% Popularity • 26% Danceability • 30% Energy • 35% Liveness
84% Instrumentalness • 5% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
46% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Claudio Capponi
Infanzia di Jane
76 bpm • D min • 01:10 • -22.6db
25% Popularity • 65% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 30% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
51% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Nicola Piovani
Buongiorno Principessa
82 bpm • A Maj • 03:23 • -31db
48% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
43% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Ludovico Einaudi
The Earth Prelude
82 bpm • G Maj • 05:01 • -19.02db
49% Popularity • 12% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Philippe Rombi
Une amitié
83 bpm • C Maj • 01:30 • -14.94db
44% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
34% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Craig Armstrong
Discovery Of Kiss / Press Conference
82 bpm • C Maj • 02:22 • -18.56db
29% Popularity • 30% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
51% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Cambridge, 1963
83 bpm • A# Maj • 01:41 • -16.91db
60% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
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Harry Gregson-Williams
Only The Beginning of The Adventure
83 bpm • G# Maj • 05:32 • -18.08db
55% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Laruan
Pretty Woman - He Sleeps - James Newton ...
83 bpm • G Maj • 02:40 • -11db
31% Popularity • 14% Danceability • 17% Energy • 14% Liveness
8% Instrumentalness • 10% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
45% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Craig Armstrong
Harry & Mia
82 bpm • D# min • 01:08 • -22.92db
28% Popularity • 22% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Video On The Bed
83 bpm • A min • 01:21 • -26.69db
43% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Francis Lai
Theme From Love Story
75 bpm • A min • 03:20 • -20.67db
48% Popularity • 31% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 15% Positiveness
► Preview
Harry Gregson-Williams
From Western Woods to Beaversdam
75 bpm • F min • 03:34 • -23.76db
45% Popularity • 9% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Alexis Ffrench
Bluebird
75 bpm • A# Maj • 03:24 • -20.61db
61% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Christopher Gunning
The Rosemary and Thyme Caprice
84 bpm • E min • 04:04 • -29db
16% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 29% Positiveness
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Craig Armstrong
Sam & Joanna
83 bpm • C Maj • 01:14 • -15.37db
29% Popularity • 18% Danceability • 12% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Ludovico Einaudi
I giorni (Arr. For Violin, Piano And Str...
75 bpm • D Maj • 05:36 • -18.87db
35% Popularity • 10% Danceability • 10% Energy • 17% Liveness
3% Instrumentalness • 8% Positiveness
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Randy Edelman
Jack And Lucy
84 bpm • C Maj • 02:59 • -17.01db
22% Popularity • 15% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 17% Positiveness
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Dario Marianelli
Yes!
84 bpm • C min • 02:01 • -15db
45% Popularity • 15% Danceability • 24% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Calum Martin
Ballantyne (Movement 5 Your Shadow)
75 bpm • D# Maj • 02:32 • -22.33db
36% Popularity • 17% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
50% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Craig Armstrong
On The Bench
75 bpm • D# min • 00:58 • -23.66db
31% Popularity • 20% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Arvo Pärt
Spiegel im Spiegel, for Cello & Piano
84 bpm • F Maj • 09:33 • -39.22db
38% Popularity • 23% Danceability • 0% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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William Joseph
Cinema Paradiso
84 bpm • C min • 04:57 • -16.64db
39% Popularity • 19% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Glasgow Love Theme