Songs like Glass by Total Control
Based on a tempo of (+/- 10%) and a similar genre
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Total Control
Glass
122 bpm • G# min • 06:07 • -7db
6% Popularity • 56% Danceability • 94% Energy • 8% Liveness
83% Instrumentalness • 39% Positiveness
6% Popularity • 56% Danceability • 94% Energy • 8% Liveness
83% Instrumentalness • 39% Positiveness
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Section 25
Friendly Fires
122 bpm • D Maj • 03:12 • -8.46db
17% Popularity • 55% Danceability • 90% Energy • 66% Liveness
59% Instrumentalness • 67% Positiveness
17% Popularity • 55% Danceability • 90% Energy • 66% Liveness
59% Instrumentalness • 67% Positiveness
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The Limiñanas
My Black Sabbath
122 bpm • D Maj • 03:12 • -6.5db
30% Popularity • 67% Danceability • 78% Energy • 7% Liveness
87% Instrumentalness • 37% Positiveness
30% Popularity • 67% Danceability • 78% Energy • 7% Liveness
87% Instrumentalness • 37% Positiveness
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Exploded View
Mirror of the Madman
122 bpm • C Maj • 03:46 • -9db
9% Popularity • 55% Danceability • 79% Energy • 3% Liveness
62% Instrumentalness • 53% Positiveness
9% Popularity • 55% Danceability • 79% Energy • 3% Liveness
62% Instrumentalness • 53% Positiveness
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Electrelane
I Want to Be the President
122 bpm • F Maj • 04:46 • -8.9db
23% Popularity • 73% Danceability • 65% Energy • 9% Liveness
31% Instrumentalness • 39% Positiveness
23% Popularity • 73% Danceability • 65% Energy • 9% Liveness
31% Instrumentalness • 39% Positiveness
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Psychic TV
Godstar
122 bpm • C Maj • 03:38 • -7.25db
37% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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NEU!
Dänzing
122 bpm • C# Maj • 05:05 • -7.17db
12% Popularity • 74% Danceability • 77% Energy • 6% Liveness
1% Instrumentalness • 75% Positiveness
12% Popularity • 74% Danceability • 77% Energy • 6% Liveness
1% Instrumentalness • 75% Positiveness
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The Rapture
Out of the Races and Onto the Tracks
122 bpm • A Maj • 04:03 • -5.68db
37% Popularity • 60% Danceability • 78% Energy • 23% Liveness
12% Instrumentalness • 69% Positiveness
37% Popularity • 60% Danceability • 78% Energy • 23% Liveness
12% Instrumentalness • 69% Positiveness
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Ought
Beautiful Blue Sky
123 bpm • G Maj • 07:43 • -6db
36% Popularity • 62% Danceability • 73% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
36% Popularity • 62% Danceability • 73% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
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POW!
Switchboard Scientist
121 bpm • C Maj • 02:22 • -8.12db
20% Popularity • 49% Danceability • 70% Energy • 23% Liveness
84% Instrumentalness • 24% Positiveness
20% Popularity • 49% Danceability • 70% Energy • 23% Liveness
84% Instrumentalness • 24% Positiveness
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Shopping
The Hype
121 bpm • D Maj • 03:55 • -6.04db
27% Popularity • 63% Danceability • 81% Energy • 5% Liveness
59% Instrumentalness • 82% Positiveness
27% Popularity • 63% Danceability • 81% Energy • 5% Liveness
59% Instrumentalness • 82% Positiveness
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Carla dal Forno
No Trace
123 bpm • A min • 04:15 • -13.97db
22% Popularity • 59% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
22% Popularity • 59% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
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Fujiya & Miyagi
Extended Dance Mix
123 bpm • E Maj • 05:50 • -10.24db
20% Popularity • 68% Danceability • 74% Energy • 10% Liveness
56% Instrumentalness • 82% Positiveness
20% Popularity • 68% Danceability • 74% Energy • 10% Liveness
56% Instrumentalness • 82% Positiveness
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Froth
Contact
123 bpm • A Maj • 04:58 • -6db
13% Popularity • 51% Danceability • 68% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
13% Popularity • 51% Danceability • 68% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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Molly Nilsson
The Lonely
121 bpm • D min • 03:36 • -12db
32% Popularity • 84% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 84% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Dinner
Going Out
121 bpm • G# Maj • 04:00 • -5.75db
9% Popularity • 63% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 63% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Liquid Liquid
Optimo
123 bpm • G Maj • 02:40 • -6.31db
30% Popularity • 70% Danceability • 96% Energy • 18% Liveness
76% Instrumentalness • 78% Positiveness
30% Popularity • 70% Danceability • 96% Energy • 18% Liveness
76% Instrumentalness • 78% Positiveness
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Total Control
Laughing At The System, Pt. 1
123 bpm • D Maj • 02:24 • -3.38db
8% Popularity • 76% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 76% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jeff & Jane Hudson
Los Alamos
121 bpm • A# Maj • 05:52 • -5.81db
8% Popularity • 41% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 41% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ty Segall
Despoiler of Cadaver
123 bpm • C Maj • 03:52 • -10.53db
23% Popularity • 72% Danceability • 77% Energy • 59% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 72% Danceability • 77% Energy • 59% Liveness
0% Instrumentalness • 93% Positiveness
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Oppenheimer Analysis
Cold War
120 bpm • G Maj • 05:34 • -6db
20% Popularity • 70% Danceability • 96% Energy • 15% Liveness
22% Instrumentalness • 24% Positiveness
20% Popularity • 70% Danceability • 96% Energy • 15% Liveness
22% Instrumentalness • 24% Positiveness
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Good Sad Happy Bad
Blessed
120 bpm • G Maj • 03:36 • -8.31db
28% Popularity • 66% Danceability • 66% Energy • 25% Liveness
35% Instrumentalness • 60% Positiveness
28% Popularity • 66% Danceability • 66% Energy • 25% Liveness
35% Instrumentalness • 60% Positiveness
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Eric Copeland
Motor
124 bpm • B min • 02:37 • -10.43db
12% Popularity • 88% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 98% Positiveness
12% Popularity • 88% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 98% Positiveness
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ESG
Moody - Spaced Out
120 bpm • D Maj • 04:18 • -14.23db
26% Popularity • 73% Danceability • 69% Energy • 15% Liveness
80% Instrumentalness • 50% Positiveness
26% Popularity • 73% Danceability • 69% Energy • 15% Liveness
80% Instrumentalness • 50% Positiveness
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Damaged Bug
Photograph
124 bpm • F# Maj • 03:20 • -5.22db
15% Popularity • 29% Danceability • 79% Energy • 15% Liveness
18% Instrumentalness • 27% Positiveness
15% Popularity • 29% Danceability • 79% Energy • 15% Liveness
18% Instrumentalness • 27% Positiveness
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Sneaks
This Is
120 bpm • F# min • 01:34 • -14.77db
35% Popularity • 93% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 82% Positiveness
35% Popularity • 93% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 82% Positiveness
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Jane Weaver
Did You See Butterflies?
124 bpm • C Maj • 03:45 • -12.58db
24% Popularity • 55% Danceability • 55% Energy • 10% Liveness
8% Instrumentalness • 54% Positiveness
24% Popularity • 55% Danceability • 55% Energy • 10% Liveness
8% Instrumentalness • 54% Positiveness
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Spike Fuck
Tomorrow We Get Healthy
120 bpm • C Maj • 05:03 • -10.69db
31% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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The Vacant Lots
Endless Rain
124 bpm • C# Maj • 03:05 • -6.21db
12% Popularity • 66% Danceability • 72% Energy • 12% Liveness
34% Instrumentalness • 97% Positiveness
12% Popularity • 66% Danceability • 72% Energy • 12% Liveness
34% Instrumentalness • 97% Positiveness
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Peaking Lights
Conga Blue - Vocal
120 bpm • A Maj • 06:49 • -5db
19% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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!!!
Hello? Is This Thing On?
124 bpm • G Maj • 07:33 • -8.24db
22% Popularity • 77% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 77% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Geneva Jacuzzi
God Maker
120 bpm • C Maj • 03:02 • -6.38db
15% Popularity • 67% Danceability • 78% Energy • 90% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 67% Danceability • 78% Energy • 90% Liveness
0% Instrumentalness • 68% Positiveness
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John Maus
Street Light
120 bpm • D min • 02:52 • -5db
27% Popularity • 39% Danceability • 99% Energy • 12% Liveness
95% Instrumentalness • 75% Positiveness
27% Popularity • 39% Danceability • 99% Energy • 12% Liveness
95% Instrumentalness • 75% Positiveness
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Prince Rama
Those Who Live for Love Will Live Foreve...
124 bpm • C min • 05:04 • -7.99db
18% Popularity • 59% Danceability • 83% Energy • 93% Liveness
51% Instrumentalness • 18% Positiveness
18% Popularity • 59% Danceability • 83% Energy • 93% Liveness
51% Instrumentalness • 18% Positiveness
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Silver Apples
The Edge Of Wonder
120 bpm • G Maj • 03:58 • -21.05db
11% Popularity • 62% Danceability • 31% Energy • 8% Liveness
56% Instrumentalness • 42% Positiveness
11% Popularity • 62% Danceability • 31% Energy • 8% Liveness
56% Instrumentalness • 42% Positiveness
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Insecure Men
Teenage Toy
120 bpm • C Maj • 04:17 • -7.89db
17% Popularity • 58% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 58% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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!!!
Take Ecstasy With Me
120 bpm • C Maj • 07:41 • -7db
15% Popularity • 60% Danceability • 79% Energy • 12% Liveness
80% Instrumentalness • 39% Positiveness
15% Popularity • 60% Danceability • 79% Energy • 12% Liveness
80% Instrumentalness • 39% Positiveness
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Geneva Jacuzzi
Macho Island
120 bpm • D min • 03:39 • -6.58db
18% Popularity • 72% Danceability • 60% Energy • 6% Liveness
80% Instrumentalness • 93% Positiveness
18% Popularity • 72% Danceability • 60% Energy • 6% Liveness
80% Instrumentalness • 93% Positiveness
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PVA
Divine Intervention
120 bpm • G Maj • 03:46 • -6db
23% Popularity • 63% Danceability • 84% Energy • 5% Liveness
8% Instrumentalness • 34% Positiveness
23% Popularity • 63% Danceability • 84% Energy • 5% Liveness
8% Instrumentalness • 34% Positiveness
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Prince Rama
No Way Back (Channeling Nu Fighters)
124 bpm • F min • 03:17 • -6.79db
9% Popularity • 44% Danceability • 86% Energy • 58% Liveness
1% Instrumentalness • 36% Positiveness
9% Popularity • 44% Danceability • 86% Energy • 58% Liveness
1% Instrumentalness • 36% Positiveness
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Total Control
Luxury Vacuum
120 bpm • D Maj • 04:46 • -6.25db
12% Popularity • 70% Danceability • 68% Energy • 10% Liveness
46% Instrumentalness • 33% Positiveness
12% Popularity • 70% Danceability • 68% Energy • 10% Liveness
46% Instrumentalness • 33% Positiveness
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Moon Duo
The Death Set
120 bpm • B min • 06:36 • -7.26db
20% Popularity • 44% Danceability • 86% Energy • 42% Liveness
77% Instrumentalness • 32% Positiveness
20% Popularity • 44% Danceability • 86% Energy • 42% Liveness
77% Instrumentalness • 32% Positiveness
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Sneaks
Look Like That
120 bpm • G Maj • 03:17 • -7.67db
39% Popularity • 81% Danceability • 73% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
39% Popularity • 81% Danceability • 73% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
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Chandra
Kate
124 bpm • G Maj • 05:49 • -8db
28% Popularity • 56% Danceability • 62% Energy • 18% Liveness
18% Instrumentalness • 62% Positiveness
28% Popularity • 56% Danceability • 62% Energy • 18% Liveness
18% Instrumentalness • 62% Positiveness
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CC Dust
Never Going to Die
124 bpm • C Maj • 03:50 • -5.8db
19% Popularity • 60% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 60% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Exploded View
Raven Raven
120 bpm • C# Maj • 03:32 • -8.75db
10% Popularity • 50% Danceability • 90% Energy • 51% Liveness
84% Instrumentalness • 72% Positiveness
10% Popularity • 50% Danceability • 90% Energy • 51% Liveness
84% Instrumentalness • 72% Positiveness
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Wire
The 15th - 2006 Remastered Version
124 bpm • A Maj • 03:05 • -6db
38% Popularity • 52% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
38% Popularity • 52% Danceability • 85% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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Holy Shit
Written All Over Your Face
125 bpm • E min • 03:37 • -7.19db
15% Popularity • 67% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 67% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Hookworms
Negative Space
125 bpm • C Maj • 06:56 • -12db
21% Popularity • 58% Danceability • 34% Energy • 41% Liveness
89% Instrumentalness • 34% Positiveness
21% Popularity • 58% Danceability • 34% Energy • 41% Liveness
89% Instrumentalness • 34% Positiveness
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Broadcast
Corporeal
125 bpm • D Maj • 03:55 • -10db
39% Popularity • 63% Danceability • 60% Energy • 21% Liveness
63% Instrumentalness • 26% Positiveness
39% Popularity • 63% Danceability • 60% Energy • 21% Liveness
63% Instrumentalness • 26% Positiveness
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Automatic
Calling It
119 bpm • D Maj • 02:29 • -6.15db
40% Popularity • 68% Danceability • 73% Energy • 37% Liveness
60% Instrumentalness • 66% Positiveness
40% Popularity • 68% Danceability • 73% Energy • 37% Liveness
60% Instrumentalness • 66% Positiveness
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Damaged Bug
Eggs at Night
119 bpm • B min • 02:58 • -6.41db
26% Popularity • 70% Danceability • 90% Energy • 75% Liveness
81% Instrumentalness • 76% Positiveness
26% Popularity • 70% Danceability • 90% Energy • 75% Liveness
81% Instrumentalness • 76% Positiveness
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Beak>
Brean Down
125 bpm • D# Maj • 03:51 • -8.29db
30% Popularity • 69% Danceability • 54% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
30% Popularity • 69% Danceability • 54% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
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Ulrika Spacek
Beta Male
125 bpm • D min • 06:20 • -7.5db
16% Popularity • 56% Danceability • 91% Energy • 29% Liveness
58% Instrumentalness • 44% Positiveness
16% Popularity • 56% Danceability • 91% Energy • 29% Liveness
58% Instrumentalness • 44% Positiveness
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Jaakko Eino Kalevi
Fade Away
125 bpm • B min • 03:28 • -10.85db
17% Popularity • 78% Danceability • 47% Energy • 35% Liveness
50% Instrumentalness • 45% Positiveness
17% Popularity • 78% Danceability • 47% Energy • 35% Liveness
50% Instrumentalness • 45% Positiveness
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Arthur Russell
Get Around To It
125 bpm • F min • 04:58 • -12db
30% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Fat White Family
Satisfied
119 bpm • F# min • 03:40 • -6.16db
19% Popularity • 52% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 52% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Solid Space
Contemplation
125 bpm • E min • 03:15 • -6.3db
21% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Drahla
Fictional Decision
126 bpm • C Maj • 03:53 • -12.89db
30% Popularity • 65% Danceability • 54% Energy • 7% Liveness
56% Instrumentalness • 30% Positiveness
30% Popularity • 65% Danceability • 54% Energy • 7% Liveness
56% Instrumentalness • 30% Positiveness
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Young Marble Giants
N.I.T.A.
119 bpm • F Maj • 03:31 • -14.37db
34% Popularity • 58% Danceability • 39% Energy • 11% Liveness
59% Instrumentalness • 55% Positiveness
34% Popularity • 58% Danceability • 39% Energy • 11% Liveness
59% Instrumentalness • 55% Positiveness
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Drinking Electricity
Good Times
118 bpm • G Maj • 03:34 • -12.71db
11% Popularity • 91% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 91% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Sparks
Tryouts For The Human Race
126 bpm • E min • 06:08 • -6.65db
31% Popularity • 60% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
31% Popularity • 60% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Lazarus Kane
Narcissus
126 bpm • C Maj • 07:29 • -5.19db
12% Popularity • 60% Danceability • 87% Energy • 9% Liveness
21% Instrumentalness • 91% Positiveness
12% Popularity • 60% Danceability • 87% Energy • 9% Liveness
21% Instrumentalness • 91% Positiveness
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Solid Space
New Statue
119 bpm • F# Maj • 05:42 • -6.29db
24% Popularity • 72% Danceability • 70% Energy • 24% Liveness
73% Instrumentalness • 60% Positiveness
24% Popularity • 72% Danceability • 70% Energy • 24% Liveness
73% Instrumentalness • 60% Positiveness
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John Maus
1987
126 bpm • G# min • 03:10 • -7db
20% Popularity • 61% Danceability • 87% Energy • 54% Liveness
42% Instrumentalness • 46% Positiveness
20% Popularity • 61% Danceability • 87% Energy • 54% Liveness
42% Instrumentalness • 46% Positiveness
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Scraps
Touch Blue
118 bpm • C# Maj • 06:47 • -10.09db
14% Popularity • 72% Danceability • 37% Energy • 9% Liveness
74% Instrumentalness • 62% Positiveness
14% Popularity • 72% Danceability • 37% Energy • 9% Liveness
74% Instrumentalness • 62% Positiveness
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Shopping
You Are a Sort (Don't Call Me)
126 bpm • C Maj • 02:20 • -4.95db
9% Popularity • 52% Danceability • 93% Energy • 10% Liveness
66% Instrumentalness • 88% Positiveness
9% Popularity • 52% Danceability • 93% Energy • 10% Liveness
66% Instrumentalness • 88% Positiveness
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Medium Medium
Hungry, So Angry
126 bpm • E Maj • 03:59 • -10.18db
33% Popularity • 81% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 81% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Warmduscher
Disco Peanuts
118 bpm • A# min • 03:45 • -7db
32% Popularity • 69% Danceability • 74% Energy • 42% Liveness
8% Instrumentalness • 93% Positiveness
32% Popularity • 69% Danceability • 74% Energy • 42% Liveness
8% Instrumentalness • 93% Positiveness
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Von Südenfed
The Rhinohead
126 bpm • C Maj • 04:16 • -3.97db
19% Popularity • 62% Danceability • 93% Energy • 6% Liveness
2% Instrumentalness • 30% Positiveness
19% Popularity • 62% Danceability • 93% Energy • 6% Liveness
2% Instrumentalness • 30% Positiveness
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Alex Cameron
Gone South
118 bpm • F# min • 03:19 • -8.57db
21% Popularity • 67% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
21% Popularity • 67% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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!!!
Me and Guiliani Down by the School Yard ...
126 bpm • G Maj • 09:02 • -6db
28% Popularity • 78% Danceability • 81% Energy • 7% Liveness
71% Instrumentalness • 81% Positiveness
28% Popularity • 78% Danceability • 81% Energy • 7% Liveness
71% Instrumentalness • 81% Positiveness
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The Vacant Lots
Rescue
126 bpm • A# min • 03:02 • -5.96db
14% Popularity • 43% Danceability • 93% Energy • 34% Liveness
53% Instrumentalness • 61% Positiveness
14% Popularity • 43% Danceability • 93% Energy • 34% Liveness
53% Instrumentalness • 61% Positiveness
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Klaus Johann Grobe
Geschichten aus erster Hand
118 bpm • B min • 04:03 • -8.14db
15% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 71% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Total Control
Liberal Party
126 bpm • B min • 03:35 • -8.39db
1% Popularity • 67% Danceability • 55% Energy • 25% Liveness
19% Instrumentalness • 76% Positiveness
1% Popularity • 67% Danceability • 55% Energy • 25% Liveness
19% Instrumentalness • 76% Positiveness
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BODEGA
Name Escape
126 bpm • B Maj • 03:43 • -5.51db
32% Popularity • 92% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 92% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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SUUNS
UN-NO
118 bpm • C Maj • 03:43 • -11.11db
27% Popularity • 72% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
27% Popularity • 72% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
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The Fall
Dedication Not Medication
118 bpm • B Maj • 04:47 • -10db
14% Popularity • 64% Danceability • 66% Energy • 11% Liveness
18% Instrumentalness • 37% Positiveness
14% Popularity • 64% Danceability • 66% Energy • 11% Liveness
18% Instrumentalness • 37% Positiveness
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Snapped Ankles
Director's Nostalgia
118 bpm • E min • 02:55 • -9db
27% Popularity • 34% Danceability • 73% Energy • 9% Liveness
20% Instrumentalness • 22% Positiveness
27% Popularity • 34% Danceability • 73% Energy • 9% Liveness
20% Instrumentalness • 22% Positiveness
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Dinner
Turn Me On
118 bpm • D min • 04:23 • -6.52db
10% Popularity • 64% Danceability • 86% Energy • 25% Liveness
2% Instrumentalness • 64% Positiveness
10% Popularity • 64% Danceability • 86% Energy • 25% Liveness
2% Instrumentalness • 64% Positiveness
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Sneaks
PBNJ
126 bpm • G Maj • 02:38 • -10db
38% Popularity • 80% Danceability • 82% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
38% Popularity • 80% Danceability • 82% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
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Suburban Lawns
Flavor Crystals
118 bpm • F Maj • 03:47 • -11db
29% Popularity • 80% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 80% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 97% Positiveness
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Danton's Voice
I Hear the Bells
118 bpm • C Maj • 05:46 • -12.32db
11% Popularity • 80% Danceability • 46% Energy • 10% Liveness
62% Instrumentalness • 68% Positiveness
11% Popularity • 80% Danceability • 46% Energy • 10% Liveness
62% Instrumentalness • 68% Positiveness
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Country Teasers
Golden Apples
126 bpm • A Maj • 03:28 • -8.43db
33% Popularity • 81% Danceability • 68% Energy • 10% Liveness
58% Instrumentalness • 75% Positiveness
33% Popularity • 81% Danceability • 68% Energy • 10% Liveness
58% Instrumentalness • 75% Positiveness
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Section 25
Looking from a Hilltop
118 bpm • F# Maj • 04:23 • -10.79db
27% Popularity • 73% Danceability • 97% Energy • 31% Liveness
62% Instrumentalness • 70% Positiveness
27% Popularity • 73% Danceability • 97% Energy • 31% Liveness
62% Instrumentalness • 70% Positiveness
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Meatraffle
The Horseshoe
127 bpm • G Maj • 04:40 • -7db
11% Popularity • 49% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 49% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Damaged Bug
The Mirror
117 bpm • A# min • 02:59 • -8db
23% Popularity • 76% Danceability • 54% Energy • 15% Liveness
83% Instrumentalness • 50% Positiveness
23% Popularity • 76% Danceability • 54% Energy • 15% Liveness
83% Instrumentalness • 50% Positiveness
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Goat
It's Time For Fun
127 bpm • E min • 03:58 • -10.02db
17% Popularity • 51% Danceability • 95% Energy • 8% Liveness
50% Instrumentalness • 45% Positiveness
17% Popularity • 51% Danceability • 95% Energy • 8% Liveness
50% Instrumentalness • 45% Positiveness
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Singapore Sling
Let it Roll, Let it Rise
127 bpm • D Maj • 03:03 • -5db
24% Popularity • 49% Danceability • 95% Energy • 4% Liveness
62% Instrumentalness • 62% Positiveness
24% Popularity • 49% Danceability • 95% Energy • 4% Liveness
62% Instrumentalness • 62% Positiveness
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Klaus Johann Grobe
Ein guter Tag
117 bpm • G Maj • 04:55 • -7.87db
20% Popularity • 56% Danceability • 58% Energy • 17% Liveness
89% Instrumentalness • 94% Positiveness
20% Popularity • 56% Danceability • 58% Energy • 17% Liveness
89% Instrumentalness • 94% Positiveness
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Severed Heads
Lamborghini
128 bpm • C Maj • 03:49 • -12.14db
18% Popularity • 57% Danceability • 84% Energy • 18% Liveness
50% Instrumentalness • 72% Positiveness
18% Popularity • 57% Danceability • 84% Energy • 18% Liveness
50% Instrumentalness • 72% Positiveness
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Loose Meat
Daisy Chain
117 bpm • D Maj • 04:40 • -9.95db
15% Popularity • 63% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
15% Popularity • 63% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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LCD Soundsystem
Seconds - electric lady sessions
128 bpm • D Maj • 05:09 • -7.49db
33% Popularity • 44% Danceability • 97% Energy • 52% Liveness
2% Instrumentalness • 65% Positiveness
33% Popularity • 44% Danceability • 97% Energy • 52% Liveness
2% Instrumentalness • 65% Positiveness
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Red Axes
What Is In Your Head
128 bpm • A Maj • 03:01 • -6.07db
18% Popularity • 48% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 48% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Bush Tetras
You Can't Be Funky
128 bpm • C Maj • 02:45 • -5db
30% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Xeno & Oaklander
Marble
128 bpm • D# min • 04:38 • -9.07db
11% Popularity • 54% Danceability • 70% Energy • 30% Liveness
92% Instrumentalness • 39% Positiveness
11% Popularity • 54% Danceability • 70% Energy • 30% Liveness
92% Instrumentalness • 39% Positiveness
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Nation of Language
Friend Machine
128 bpm • B min • 04:27 • -6.18db
38% Popularity • 70% Danceability • 58% Energy • 9% Liveness
11% Instrumentalness • 67% Positiveness
38% Popularity • 70% Danceability • 58% Energy • 9% Liveness
11% Instrumentalness • 67% Positiveness
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Light Asylum
A Certain Person
116 bpm • C Maj • 04:26 • -2.57db
29% Popularity • 65% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 65% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
