Songs like Gloria, FP 144: II. Laudamus te by Francis Poulenc
Based on a tempo of (+/- 10%) and a similar genre
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Anton Bruckner
Ave Maria, WAB 6
139 bpm • A min • 03:04 • -27.03db
18% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Antonín Dvořák
Stabat Mater, Op. 58: X. Quando corpus m...
139 bpm • D Maj • 07:39 • -16.45db
19% Popularity • 18% Danceability • 20% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 20% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
25% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria, FP 144: II. Laudamus te
139 bpm • F Maj • 02:50 • -21db
23% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
23% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Felix Mendelssohn
Overture "A Midsummer Night's Dream", Op...
139 bpm • E Maj • 11:55 • -19.29db
30% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi
138 bpm • C Maj • 04:42 • -24db
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Giovanni Paisiello
Nel cor più non mi sento
138 bpm • F Maj • 02:57 • -24.64db
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Erik Satie
Trois Melodies: La Statue de bronze
138 bpm • F Maj • 01:44 • -17db
11% Popularity • 42% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 42% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Francis Poulenc
Concerto for Organ, Strings and Percussi...
139 bpm • C Maj • 07:06 • -24db
1% Popularity • 14% Danceability • 3% Energy • 19% Liveness
84% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 3% Energy • 19% Liveness
84% Instrumentalness • 4% Positiveness
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Robert Schumann
Frauenliebe und -leben Op. 42: 1. Seit i...
138 bpm • A# Maj • 02:25 • -32db
17% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: Introduction
138 bpm • B Maj • 06:26 • -10.8db
3% Popularity • 30% Danceability • 69% Energy • 34% Liveness
84% Instrumentalness • 5% Positiveness
3% Popularity • 30% Danceability • 69% Energy • 34% Liveness
84% Instrumentalness • 5% Positiveness
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Maurice Ravel
Boléro, M.81 - Excerpt
140 bpm • F Maj • 05:16 • -10.28db
38% Popularity • 47% Danceability • 71% Energy • 22% Liveness
96% Instrumentalness • 66% Positiveness
38% Popularity • 47% Danceability • 71% Energy • 22% Liveness
96% Instrumentalness • 66% Positiveness
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Gioachino Rossini
Petite messe solennelle: Crucifixus
138 bpm • G# Maj • 03:03 • -23.52db
11% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gerald Finzi
Let us garlands bring, Op. 18: It was a ...
138 bpm • A Maj • 02:37 • -21db
9% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Francis Poulenc
Trois mouvements perpétuels, FP 14b: I....
138 bpm • A# Maj • 01:29 • -25.68db
19% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
19% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Gloria in excelsis
143 bpm • C Maj • 04:17 • -26.78db
10% Popularity • 15% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 15% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Carl Orff
Carmina Burana: Ecce gratum
135 bpm • F Maj • 02:55 • -20.49db
0% Popularity • 41% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 41% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: VII....
135 bpm • E Maj • 02:20 • -19.33db
32% Popularity • 25% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 25% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Gerald Finzi
Let us garlands bring, Op. 18: Come away...
142 bpm • D Maj • 03:29 • -26db
8% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Franz Schubert
An die Musik, D.547 (Op. 88/4)
135 bpm • C Maj • 02:37 • -25.98db
12% Popularity • 29% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 29% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Le Bal Masqué - Poèmes de Max Jacob: 6...
137 bpm • F min • 04:20 • -22db
6% Popularity • 46% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
6% Popularity • 46% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
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Ralph Vaughan Williams
Songs of Travel: The Roadside Fire
135 bpm • F# Maj • 02:18 • -21db
15% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
135 bpm • D min • 05:03 • -20.99db
22% Popularity • 18% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Dolly, Op. 56: 3. Le Jardin de Dolly
135 bpm • E Maj • 02:56 • -25db
14% Popularity • 16% Danceability • 8% Energy • 39% Liveness
89% Instrumentalness • 6% Positiveness
14% Popularity • 16% Danceability • 8% Energy • 39% Liveness
89% Instrumentalness • 6% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
134 bpm • F Maj • 09:59 • -22.21db
18% Popularity • 16% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: VI. ...
145 bpm • G Maj • 03:48 • -21.7db
10% Popularity • 21% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 21% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Francis Poulenc
Fantasia, FP 174
141 bpm • G Maj • 01:36 • -28db
6% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Madrigal, Op. 35
134 bpm • D min • 03:23 • -32.18db
14% Popularity • 17% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Erik Satie
Sarabande No. 2
132 bpm • D# min • 03:43 • -19db
25% Popularity • 65% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
25% Popularity • 65% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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John Rutter
Mass of the Children: Finale (Dona nobis...
146 bpm • C Maj • 09:01 • -22.56db
14% Popularity • 15% Danceability • 6% Energy • 7% Liveness
24% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 6% Energy • 7% Liveness
24% Instrumentalness • 4% Positiveness
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Francis Poulenc
4 Motets pour un temps de pénitence, FP...
137 bpm • G# Maj • 03:43 • -27.84db
7% Popularity • 20% Danceability • 3% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 3% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana: Omnia sol temperat
146 bpm • D Maj • 02:45 • -36.1db
0% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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William Walton
Belshazzar's Feast: Thus spake Isaiah
132 bpm • A# Maj • 05:11 • -23.58db
9% Popularity • 18% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VII. Libera me
134 bpm • G min • 04:26 • -22.55db
18% Popularity • 19% Danceability • 8% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 8% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: I. Introit (1961 Version...
132 bpm • F Maj • 03:32 • -30.67db
24% Popularity • 16% Danceability • 4% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 4% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
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Paul Éluard
Cinq Poèmes: Peut-il se reposer
131 bpm • C# Maj • 01:40 • -20.68db
0% Popularity • 40% Danceability • 8% Energy • 9% Liveness
18% Instrumentalness • 7% Positiveness
0% Popularity • 40% Danceability • 8% Energy • 9% Liveness
18% Instrumentalness • 7% Positiveness
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Francis Poulenc
Sextet, FP 100: Divertissement: Andantin...
142 bpm • F min • 04:14 • -24db
14% Popularity • 24% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana: Tempus est iocundum
132 bpm • D Maj • 02:35 • -21.92db
0% Popularity • 52% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 52% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 54% Positiveness
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Robert Schumann
Myrthen, Op. 25: XXIV. Du bist wie eine ...
131 bpm • F# Maj • 01:49 • -30db
13% Popularity • 26% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 26% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pavane, Op. 50
132 bpm • F# min • 06:50 • -28db
28% Popularity • 16% Danceability • 3% Energy • 36% Liveness
85% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 3% Energy • 36% Liveness
85% Instrumentalness • 4% Positiveness
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Anton Bruckner
Equale No. 2, WAB 149
131 bpm • G# Maj • 01:38 • -28.37db
13% Popularity • 16% Danceability • 0% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 0% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Mass in G Major, FP 89: Agnus Dei
134 bpm • G Maj • 03:49 • -35.19db
9% Popularity • 21% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Stabat Mater, Op. 58: VIII. Fac, ut port...
130 bpm • D Maj • 04:21 • -27.24db
18% Popularity • 24% Danceability • 4% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 4% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Ernest Chausson
Le colibri Op.2 N°7
130 bpm • C# Maj • 03:15 • -23db
20% Popularity • 29% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
20% Popularity • 29% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introitus
131 bpm • D min • 01:44 • -27.11db
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Carl Orff
Carmina Burana: Veni, veni, venias
149 bpm • F Maj • 01:01 • -22.95db
0% Popularity • 49% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 49% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
28% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Francis Poulenc
7 Chansons, FP 81: No. 6. Marie (Marie)
134 bpm • B min • 02:09 • -32.56db
7% Popularity • 24% Danceability • 3% Energy • 6% Liveness
45% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 3% Energy • 6% Liveness
45% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IX. In Paradisum (1961 V...
130 bpm • B Maj • 02:52 • -33.58db
17% Popularity • 16% Danceability • 2% Energy • 21% Liveness
83% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 2% Energy • 21% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: II. ...
130 bpm • A# min • 04:38 • -18db
34% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
34% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: Libera Me (Ed. M...
131 bpm • D min • 04:48 • -21.63db
9% Popularity • 18% Danceability • 13% Energy • 17% Liveness
69% Instrumentalness • 6% Positiveness
9% Popularity • 18% Danceability • 13% Energy • 17% Liveness
69% Instrumentalness • 6% Positiveness
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Franz Schubert
Mass No.2 in G Major, D.167: II. Gloria
129 bpm • D Maj • 02:51 • -19.89db
14% Popularity • 27% Danceability • 13% Energy • 17% Liveness
61% Instrumentalness • 15% Positiveness
14% Popularity • 27% Danceability • 13% Energy • 17% Liveness
61% Instrumentalness • 15% Positiveness
► Preview
Gioacchino Rossini
Rossini: Petite messe solennelle: III. G...
129 bpm • F Maj • 02:30 • -21db
8% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Francis Poulenc
Gloria, FP 144: III. Domine Deus
130 bpm • G Maj • 04:35 • -24.74db
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Joseph Haydn
Missa in angustiis "Nelson Mass", Hob. X...
128 bpm • D Maj • 02:27 • -18.69db
16% Popularity • 39% Danceability • 22% Energy • 47% Liveness
76% Instrumentalness • 44% Positiveness
16% Popularity • 39% Danceability • 22% Energy • 47% Liveness
76% Instrumentalness • 44% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle (1863 chamber ve...
129 bpm • C Maj • 02:16 • -33db
19% Popularity • 22% Danceability • 4% Energy • 6% Liveness
94% Instrumentalness • 12% Positiveness
19% Popularity • 22% Danceability • 4% Energy • 6% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Antonín Dvořák
Mass in D major, Op. 86: 2. Gloria
128 bpm • D Maj • 08:39 • -19.93db
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Carl Orff
Carmina Burana: Ave formosissima
128 bpm • E min • 01:44 • -17.82db
0% Popularity • 21% Danceability • 16% Energy • 69% Liveness
14% Instrumentalness • 24% Positiveness
0% Popularity • 21% Danceability • 16% Energy • 69% Liveness
14% Instrumentalness • 24% Positiveness
► Preview
Maurice Ravel
Valses nobles et sentimentales, M.61: 5....
127 bpm • G# min • 01:25 • -28.31db
17% Popularity • 17% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
ホルン協奏曲第3番変ホ長調 K....
127 bpm • D# Maj • 06:38 • -20.84db
22% Popularity • 39% Danceability • 8% Energy • 21% Liveness
90% Instrumentalness • 33% Positiveness
22% Popularity • 39% Danceability • 8% Energy • 21% Liveness
90% Instrumentalness • 33% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Magnificat in D Major, BWV 243: II. Et e...
127 bpm • C# Maj • 02:31 • -25.63db
22% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: II. Glori...
127 bpm • A Maj • 02:54 • -14.64db
11% Popularity • 33% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
11% Popularity • 33% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
► Preview
Antonín Dvořák
Klid, Op. 68 No. 5, B. 182 (Silent Woods...
127 bpm • C# Maj • 06:19 • -29.58db
15% Popularity • 17% Danceability • 4% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Olivier Messiaen
Turangalîla Symphonie: Développement d...
153 bpm • F# Maj • 11:33 • -8.25db
1% Popularity • 24% Danceability • 50% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 50% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Paul Éluard
Le travail du peintre: Joan Miro
126 bpm • D Maj • 01:41 • -16.94db
1% Popularity • 37% Danceability • 16% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
1% Popularity • 37% Danceability • 16% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
► Preview
Anton Bruckner
Te Deum, WAB. 45: I. Te Deum laudamus
126 bpm • C min • 05:58 • -16db
15% Popularity • 21% Danceability • 22% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 22% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 1. Exsultate...
125 bpm • F Maj • 04:21 • -14db
18% Popularity • 40% Danceability • 20% Energy • 34% Liveness
5% Instrumentalness • 33% Positiveness
18% Popularity • 40% Danceability • 20% Energy • 34% Liveness
5% Instrumentalness • 33% Positiveness
► Preview
Felix Mendelssohn
Paulus: I. Teil: Nr. 1 Chor "Herr, der d...
125 bpm • A Maj • 04:30 • -17.54db
19% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
19% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 2. Cujus animam ge...
124 bpm • F min • 00:56 • -20.37db
16% Popularity • 46% Danceability • 19% Energy • 16% Liveness
54% Instrumentalness • 17% Positiveness
16% Popularity • 46% Danceability • 19% Energy • 16% Liveness
54% Instrumentalness • 17% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: Joie du sang des...
126 bpm • C# Maj • 06:26 • -5.77db
2% Popularity • 32% Danceability • 88% Energy • 10% Liveness
34% Instrumentalness • 23% Positiveness
2% Popularity • 32% Danceability • 88% Energy • 10% Liveness
34% Instrumentalness • 23% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
124 bpm • D# Maj • 05:11 • -20.94db
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
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Anton Bruckner
Mass No. 2 in E Minor, WAB 27: IV. Sanct...
125 bpm • E min • 02:18 • -16.32db
10% Popularity • 23% Danceability • 12% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 12% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe": ...
124 bpm • C Maj • 02:04 • -19.97db
11% Popularity • 25% Danceability • 13% Energy • 22% Liveness
67% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 13% Energy • 22% Liveness
67% Instrumentalness • 14% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
123 bpm • E Maj • 04:22 • -20db
22% Popularity • 36% Danceability • 12% Energy • 37% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 36% Danceability • 12% Energy • 37% Liveness
88% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: II. Cujus animam g...
124 bpm • A# min • 01:11 • -11db
12% Popularity • 34% Danceability • 28% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 28% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Laudamus te
123 bpm • F# Maj • 02:09 • -21db
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Joseph Haydn
Insanae et vanae curae
124 bpm • C# min • 06:42 • -19.79db
11% Popularity • 28% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
11% Popularity • 28% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Carl Orff
Carmina Burana: Fortune plango vulnera
123 bpm • A min • 02:49 • -21.25db
0% Popularity • 45% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 45% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Henry Purcell
Purcell: Funeral Sentences: Thou Know'st...
158 bpm • A# Maj • 02:20 • -24.29db
15% Popularity • 14% Danceability • 6% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 6% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet / Arr. Guiraud: Carmen Suite No. 2...
122 bpm • D Maj • 02:06 • -28.76db
28% Popularity • 46% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
28% Popularity • 46% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Francis Poulenc
Les animaux modèles Suite, FP 111: VI. ...
123 bpm • F# min • 03:42 • -19.48db
16% Popularity • 17% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Amy Beach
Symphony in E Minor, Op. 32, "Gaelic Sym...
122 bpm • F Maj • 07:26 • -28db
17% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
121 bpm • F min • 11:34 • -18.28db
36% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
36% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Carl Orff
Carmina Burana: Tanz
122 bpm • C Maj • 01:57 • -21.72db
0% Popularity • 46% Danceability • 15% Energy • 42% Liveness
89% Instrumentalness • 32% Positiveness
0% Popularity • 46% Danceability • 15% Energy • 42% Liveness
89% Instrumentalness • 32% Positiveness
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Antonio Vivaldi
Gloria: Cum Sancto Spiritu
121 bpm • C# Maj • 02:47 • -15.06db
29% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
29% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 1. Exsultate...
121 bpm • F Maj • 04:38 • -24db
13% Popularity • 34% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 34% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 8. Fac ut ardeat
160 bpm • C# Maj • 02:03 • -29.92db
13% Popularity • 13% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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![Ancient Airs And Dances, Suite No. 1, [P. 109]: 1. Balletto detto](https://i.scdn.co/image/ab67616d00001e02f1c034ef8797c1f097318070)
Ottorino Respighi
Ancient Airs And Dances, Suite No. 1, [P...
120 bpm • D Maj • 03:01 • -21.55db
15% Popularity • 31% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 31% Positiveness
15% Popularity • 31% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 31% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E Flat Major, S....
120 bpm • G# min • 05:31 • -20.41db
28% Popularity • 34% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
28% Popularity • 34% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: IV. Wie l...
120 bpm • D# Maj • 05:02 • -26.38db
13% Popularity • 19% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
13% Popularity • 19% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Dona Nobis Pacem: Beat! Beat! Drums!
120 bpm • F Maj • 03:31 • -16.29db
17% Popularity • 35% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
17% Popularity • 35% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
