Songs like Gloria in excelsis Deo by Guillaume de Machaut
Based on a tempo of (+/- 10%) and a similar genre
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"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Gloria in excelsis Deo
134 bpm • B Maj • 04:59 • -23db
7% Popularity • 22% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 22% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Rosa d...
134 bpm • C Maj • 04:46 • -22.47db
12% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Léonin
Viderunt omnes No. 3: ...fines terre sal...
134 bpm • C# Maj • 00:58 • -21.59db
21% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Capella de Ministrers
Amoroso
134 bpm • A min • 03:00 • -17.17db
9% Popularity • 35% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
9% Popularity • 35% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
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Johannes Ockeghem
Missa L'homme arme: Kyrie (Missa L' homm...
134 bpm • B Maj • 02:20 • -27.64db
8% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Anónimo
Joam Rodriguiz foi desmar a Balteira
134 bpm • D Maj • 03:36 • -23db
11% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Blondel De Nesle
A l'entrant d'este
133 bpm • C Maj • 04:09 • -27.52db
11% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
11% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
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Guillaume de Machaut
Tant doucement me sens emprisonnez, Rond...
135 bpm • A min • 01:05 • -27.27db
4% Popularity • 18% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
4% Popularity • 18% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
19% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
24% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Heinrich Isaac
Innsbruck, ich muß dich lassen
135 bpm • C Maj • 01:57 • -29.02db
16% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
16% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Francesco Landini
Non avra ma'pieta questa mia donna
133 bpm • C Maj • 04:18 • -15db
8% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
11% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
11% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Guillaume de Machaut
Liement me deport
135 bpm • D# min • 05:30 • -20.83db
5% Popularity • 55% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 55% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Orlande de Lassus
La nuict froide & sombre
132 bpm • C# min • 02:29 • -35.07db
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Unicorn Ensemble
Lamento Di Tristano - La Rotta
136 bpm • G Maj • 06:19 • -19db
20% Popularity • 33% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 33% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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Guillaume de Machaut
Remede de Fortune (Excerpts): Qui n'aroi...
132 bpm • D# Maj • 11:00 • -21.09db
1% Popularity • 33% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 33% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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John Dowland
Mistresse Nichols Almand
132 bpm • A# Maj • 00:52 • -24.27db
32% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
14% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
14% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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Piffaro
Greyner, Zanner
132 bpm • A Maj • 01:16 • -17db
20% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
20% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Sanctus
132 bpm • A min • 04:55 • -23db
17% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Elthin
Je vivroie liement
132 bpm • G Maj • 04:24 • -7.05db
13% Popularity • 47% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 47% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Jacob de Senleches
La harpe de melodie (Virelai)
132 bpm • F Maj • 03:35 • -23.71db
7% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Men's Choir of the Valaam Singing Culture Institute
Let My Prayer Be Set Forth in Thy Sight
136 bpm • A# min • 07:31 • -25.34db
24% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
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Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
23% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
23% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Amour me fait désirer
136 bpm • G Maj • 05:11 • -16.16db
3% Popularity • 56% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 35% Positiveness
3% Popularity • 56% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 35% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
17% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
17% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Instru...
137 bpm • A min • 04:34 • -22db
8% Popularity • 40% Danceability • 29% Energy • 31% Liveness
5% Instrumentalness • 25% Positiveness
8% Popularity • 40% Danceability • 29% Energy • 31% Liveness
5% Instrumentalness • 25% Positiveness
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Kassia
Troparion for Holy Wednesday
137 bpm • C Maj • 05:51 • -24db
11% Popularity • 24% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Berenguier de Palou
Tan m'abelis
137 bpm • C# Maj • 05:26 • -24db
13% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Gilles Binchois
Veni Creator Spiritus
130 bpm • C Maj • 02:06 • -26.07db
9% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Diego Pisador
La mananna de San Juan
131 bpm • A min • 04:44 • -20.68db
9% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Anónimo
Se eu no mundo fiz algum cantar
130 bpm • G Maj • 03:17 • -24.52db
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
34% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
34% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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anon arr Alan Crumpler
Horse's bransle
129 bpm • A min • 01:40 • -27.99db
10% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
10% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
19% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
19% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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Bartolomeo Tromboncino
A la guerra a la guerra
138 bpm • D# min • 03:12 • -21db
15% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
15% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
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Oxford Camerata
Ego Flos Campi
139 bpm • F# Maj • 06:00 • -27.83db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Philippe de Vitry
Tuba sacre fidei - In arboris (Arr. Harr...
139 bpm • G Maj • 02:17 • -19.88db
10% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
139 bpm • A min • 10:27 • -17db
7% Popularity • 18% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 18% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Le jugement du roi de Navarre: "Si que c...
129 bpm • A min • 03:17 • -28.58db
3% Popularity • 52% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 52% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Guillaume Dufay
Isorhythmic Motets: O sancte Sebastiane ...
139 bpm • D min • 04:45 • -19db
8% Popularity • 22% Danceability • 11% Energy • 6% Liveness
25% Instrumentalness • 14% Positiveness
8% Popularity • 22% Danceability • 11% Energy • 6% Liveness
25% Instrumentalness • 14% Positiveness
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Elthin
Comment qu'Ã moy lonteinne
129 bpm • G Maj • 03:04 • -11.29db
13% Popularity • 51% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 51% Danceability • 19% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
39% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Piffaro
Alla Caccia
129 bpm • D Maj • 01:22 • -17db
10% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
10% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
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Guillaume de Machaut
Je ne cesse de prier "Le lay de la fonte...
129 bpm • D Maj • 01:03 • -28.5db
2% Popularity • 33% Danceability • 2% Energy • 49% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 33% Danceability • 2% Energy • 49% Liveness
0% Instrumentalness • 30% Positiveness
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Guillaume Dufay
Missa L'homme arme: Illumina faciem tuam
129 bpm • C# min • 01:03 • -26.93db
13% Popularity • 26% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 26% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Elthin
Douce dame jolie
140 bpm • G Maj • 03:55 • -11.24db
23% Popularity • 40% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 40% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Unicorn Ensemble
Tre Fontane
140 bpm • D Maj • 04:58 • -16.64db
13% Popularity • 62% Danceability • 24% Energy • 27% Liveness
53% Instrumentalness • 63% Positiveness
13% Popularity • 62% Danceability • 24% Energy • 27% Liveness
53% Instrumentalness • 63% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Juan Arañés
Una sarao de la chacona, "A la vida bona...
140 bpm • F# Maj • 01:58 • -20.35db
14% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
14% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
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Guillaume de Machaut
Je ne cesse de prier "Le lay de la fonte...
129 bpm • C Maj • 01:59 • -24.02db
2% Popularity • 31% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 31% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Francesco de la Torre
Danza alta
140 bpm • A min • 01:42 • -21db
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
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Ensemble Project Ars Nova
Biaute Paree De Valour
128 bpm • C Maj • 02:08 • -27db
15% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
15% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
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Adam de Saint Victor
Jubilemus salvatori
141 bpm • A# Maj • 03:35 • -22db
7% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
141 bpm • C# Maj • 02:09 • -23.08db
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
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Guillaume de Machaut
Chanson: Rose, liz, printemps, verdure
128 bpm • C Maj • 04:25 • -26db
10% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Bartolino da Padova
Qual Lege Move
141 bpm • E Maj • 04:10 • -23.06db
9% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Juan del Encina
Oy comamos y bebamos: Hoy comamos y beba...
142 bpm • D Maj • 04:07 • -17.66db
11% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Monteverdi Choir
Missa Orbis factor: I. Kyrie eleison
127 bpm • G Maj • 01:16 • -32.48db
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 1, Introï...
126 bpm • D Maj • 02:50 • -25db
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Francesco Spinacino
Rececar
127 bpm • A# Maj • 01:36 • -31.37db
22% Popularity • 42% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
22% Popularity • 42% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
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Guillaume de Machaut
Dis tans plus qu'il ne faudroit flours (...
127 bpm • C# Maj • 01:13 • -22.15db
0% Popularity • 51% Danceability • 6% Energy • 26% Liveness
64% Instrumentalness • 42% Positiveness
0% Popularity • 51% Danceability • 6% Energy • 26% Liveness
64% Instrumentalness • 42% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
35% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
35% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Philippe de Vitry
Cum statua Nabucodonasor - Hugo, Hugo, p...
125 bpm • C Maj • 01:34 • -24db
12% Popularity • 26% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 26% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
34% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
34% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Joan Ambrosio Dalza
Intabolatura de lauto, Book 4: Calata al...
126 bpm • A# Maj • 02:06 • -25.91db
38% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
38% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
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Guillaume de Machaut
Hé, dame de valour, Virelai 11 a 1: II....
126 bpm • C min • 00:58 • -24.41db
3% Popularity • 44% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 44% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
32% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
32% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Francesco da Milano
Fantasia sexta
123 bpm • F Maj • 02:00 • -30db
23% Popularity • 48% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
23% Popularity • 48% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria: Nenbressete Mad...
123 bpm • A# min • 01:55 • -20.69db
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Guillaume de Machaut
Tant doucement me sens emprisonnez, Rond...
142 bpm • A min • 01:19 • -28.26db
3% Popularity • 15% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
3% Popularity • 15% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Tylman Susato
Danserye: Ronde: Il estoit une filette
123 bpm • F Maj • 01:36 • -25db
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
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Joan Ambrosio Dalza
Pavana alla venetiana
147 bpm • D Maj • 03:26 • -27.48db
24% Popularity • 42% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
24% Popularity • 42% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 50% Positiveness
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Francesco da Milano
Fantasia 31
145 bpm • G Maj • 01:13 • -32.14db
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
