Songs like Glue Fingers by Hank Crawford
Based on a tempo of (+/- 10%) and a similar genre
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Hank Crawford
I Hear a Symphony
121 bpm • A# Maj • 04:44 • -9.42db
5% Popularity • 68% Danceability • 58% Energy • 7% Liveness
44% Instrumentalness • 97% Positiveness
5% Popularity • 68% Danceability • 58% Energy • 7% Liveness
44% Instrumentalness • 97% Positiveness
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Horace Parlan
Congalegre
121 bpm • F min • 04:24 • -11.89db
32% Popularity • 54% Danceability • 67% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
32% Popularity • 54% Danceability • 67% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
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Gary Bartz
Swing Thing
121 bpm • D min • 06:53 • -4.01db
10% Popularity • 54% Danceability • 87% Energy • 70% Liveness
1% Instrumentalness • 72% Positiveness
10% Popularity • 54% Danceability • 87% Energy • 70% Liveness
1% Instrumentalness • 72% Positiveness
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Larry Willis
Out on the Coast
121 bpm • G min • 04:32 • -10.31db
10% Popularity • 59% Danceability • 70% Energy • 6% Liveness
53% Instrumentalness • 74% Positiveness
10% Popularity • 59% Danceability • 70% Energy • 6% Liveness
53% Instrumentalness • 74% Positiveness
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Herbie Hancock
Swamp Rat
122 bpm • E Maj • 06:24 • -13.21db
25% Popularity • 53% Danceability • 61% Energy • 17% Liveness
44% Instrumentalness • 86% Positiveness
25% Popularity • 53% Danceability • 61% Energy • 17% Liveness
44% Instrumentalness • 86% Positiveness
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Richard "Groove" Holmes
Dumpy Mama
122 bpm • G min • 04:46 • -14.55db
12% Popularity • 66% Danceability • 68% Energy • 21% Liveness
83% Instrumentalness • 95% Positiveness
12% Popularity • 66% Danceability • 68% Energy • 21% Liveness
83% Instrumentalness • 95% Positiveness
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Hank Crawford
Lament
121 bpm • D Maj • 05:08 • -11.69db
7% Popularity • 54% Danceability • 37% Energy • 11% Liveness
40% Instrumentalness • 29% Positiveness
7% Popularity • 54% Danceability • 37% Energy • 11% Liveness
40% Instrumentalness • 29% Positiveness
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The Jazz Crusaders
Eleanor Rigby
120 bpm • B min • 07:43 • -8.01db
19% Popularity • 55% Danceability • 77% Energy • 70% Liveness
39% Instrumentalness • 45% Positiveness
19% Popularity • 55% Danceability • 77% Energy • 70% Liveness
39% Instrumentalness • 45% Positiveness
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Gary Bartz
Dr. Follow's Dance
122 bpm • G min • 10:31 • -12.74db
8% Popularity • 53% Danceability • 62% Energy • 65% Liveness
18% Instrumentalness • 84% Positiveness
8% Popularity • 53% Danceability • 62% Energy • 65% Liveness
18% Instrumentalness • 84% Positiveness
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O'Donel Levy
Misty
122 bpm • G# Maj • 04:27 • -16.33db
18% Popularity • 87% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
18% Popularity • 87% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
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Herbie Hancock
Wiggle Waggle
120 bpm • F min • 05:51 • -9db
36% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Art Farmer
Petite Belle
120 bpm • G min • 09:44 • -14db
32% Popularity • 54% Danceability • 50% Energy • 15% Liveness
93% Instrumentalness • 58% Positiveness
32% Popularity • 54% Danceability • 50% Energy • 15% Liveness
93% Instrumentalness • 58% Positiveness
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Hank Crawford
Madison (Spirit, the Power)
121 bpm • G Maj • 03:55 • -12.42db
3% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Lytle
The Man
120 bpm • F min • 02:42 • -11.37db
14% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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George Duke
Au Right
123 bpm • A# min • 03:24 • -18.17db
35% Popularity • 45% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 82% Positiveness
35% Popularity • 45% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 82% Positiveness
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Yusef Lateef
Eboness
123 bpm • D# Maj • 04:42 • -16.28db
23% Popularity • 64% Danceability • 28% Energy • 35% Liveness
55% Instrumentalness • 75% Positiveness
23% Popularity • 64% Danceability • 28% Energy • 35% Liveness
55% Instrumentalness • 75% Positiveness
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Herbie Hancock
Come Running to Me
122 bpm • D min • 08:24 • -14.87db
30% Popularity • 56% Danceability • 36% Energy • 12% Liveness
26% Instrumentalness • 50% Positiveness
30% Popularity • 56% Danceability • 36% Energy • 12% Liveness
26% Instrumentalness • 50% Positiveness
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Earth, Wind & Fire
Caribou
123 bpm • F Maj • 03:25 • -11.35db
13% Popularity • 48% Danceability • 73% Energy • 35% Liveness
72% Instrumentalness • 87% Positiveness
13% Popularity • 48% Danceability • 73% Energy • 35% Liveness
72% Instrumentalness • 87% Positiveness
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Hank Crawford
Glue Fingers
121 bpm • E min • 04:47 • -10.03db
9% Popularity • 62% Danceability • 51% Energy • 14% Liveness
22% Instrumentalness • 69% Positiveness
9% Popularity • 62% Danceability • 51% Energy • 14% Liveness
22% Instrumentalness • 69% Positiveness
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Junior Mance
A Time and a Place - Single Version
123 bpm • C min • 05:06 • -14.74db
22% Popularity • 63% Danceability • 39% Energy • 16% Liveness
84% Instrumentalness • 43% Positiveness
22% Popularity • 63% Danceability • 39% Energy • 16% Liveness
84% Instrumentalness • 43% Positiveness
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Gerald Wilson
Viva Tirado
123 bpm • D# min • 05:44 • -14.74db
10% Popularity • 53% Danceability • 49% Energy • 30% Liveness
25% Instrumentalness • 69% Positiveness
10% Popularity • 53% Danceability • 49% Energy • 30% Liveness
25% Instrumentalness • 69% Positiveness
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Yusef Lateef
Woodward Avenue
123 bpm • E min • 02:14 • -16db
42% Popularity • 59% Danceability • 48% Energy • 17% Liveness
87% Instrumentalness • 64% Positiveness
42% Popularity • 59% Danceability • 48% Energy • 17% Liveness
87% Instrumentalness • 64% Positiveness
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Horace Silver
I've Had A Little Talk
123 bpm • F# Maj • 03:49 • -6.09db
26% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Roy Ayers Ubiquity
The Third Eye
123 bpm • F min • 06:21 • -15.44db
38% Popularity • 71% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 71% Positiveness
38% Popularity • 71% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 71% Positiveness
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Hank Crawford
Teach Me Tonight
120 bpm • F min • 04:19 • -11.64db
11% Popularity • 47% Danceability • 35% Energy • 14% Liveness
43% Instrumentalness • 13% Positiveness
11% Popularity • 47% Danceability • 35% Energy • 14% Liveness
43% Instrumentalness • 13% Positiveness
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Joe Henderson
Canyon Lady
119 bpm • G# min • 09:06 • -12.45db
20% Popularity • 53% Danceability • 36% Energy • 54% Liveness
79% Instrumentalness • 58% Positiveness
20% Popularity • 53% Danceability • 36% Energy • 54% Liveness
79% Instrumentalness • 58% Positiveness
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Herbie Hancock
Lil' Brother
119 bpm • G# Maj • 04:26 • -10.48db
21% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 52% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Larry Nozero
Reflections Of My Past
119 bpm • C min • 04:01 • -12.58db
11% Popularity • 43% Danceability • 30% Energy • 15% Liveness
24% Instrumentalness • 8% Positiveness
11% Popularity • 43% Danceability • 30% Energy • 15% Liveness
24% Instrumentalness • 8% Positiveness
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Little Beaver
Let's Stick Together
119 bpm • B min • 05:05 • -17.73db
20% Popularity • 76% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 76% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Idris Muhammad
The Saddest Thing
123 bpm • A Maj • 07:06 • -12.95db
19% Popularity • 56% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
19% Popularity • 56% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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Hank Crawford
Please Send Me Someone to Love
123 bpm • F min • 03:30 • -10.14db
1% Popularity • 70% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 70% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Patrice Rushen
Haw-Right Now
119 bpm • C Maj • 08:02 • -13.01db
26% Popularity • 68% Danceability • 63% Energy • 11% Liveness
37% Instrumentalness • 90% Positiveness
26% Popularity • 68% Danceability • 63% Energy • 11% Liveness
37% Instrumentalness • 90% Positiveness
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Johnny "Guitar" Watson
It’s All About You
119 bpm • G min • 04:05 • -8.89db
19% Popularity • 52% Danceability • 45% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 52% Danceability • 45% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
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Herbie Hancock
Butterfly
119 bpm • F min • 11:17 • -12.63db
34% Popularity • 51% Danceability • 53% Energy • 5% Liveness
84% Instrumentalness • 80% Positiveness
34% Popularity • 51% Danceability • 53% Energy • 5% Liveness
84% Instrumentalness • 80% Positiveness
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Bobby McFerrin
Moondance
124 bpm • C Maj • 05:20 • -15.38db
19% Popularity • 61% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 61% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Idris Muhammad
Super Bad
119 bpm • C Maj • 05:29 • -12.71db
23% Popularity • 71% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 71% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Hank Crawford
The Peeper
124 bpm • G Maj • 03:09 • -9.55db
1% Popularity • 69% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
1% Popularity • 69% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Eddie Henderson
Acuphuncture
124 bpm • A# min • 03:42 • -8.31db
13% Popularity • 71% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 78% Positiveness
13% Popularity • 71% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 78% Positiveness
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Charles Earland
Aquarius - Instrumental
124 bpm • A min • 08:01 • -9.2db
16% Popularity • 55% Danceability • 80% Energy • 31% Liveness
2% Instrumentalness • 77% Positiveness
16% Popularity • 55% Danceability • 80% Energy • 31% Liveness
2% Instrumentalness • 77% Positiveness
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Herbie Hancock
Tell Me a Bedtime Story
119 bpm • E min • 05:01 • -16.59db
48% Popularity • 40% Danceability • 53% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
48% Popularity • 40% Danceability • 53% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
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Little Beaver
A Tribute To Wes
124 bpm • G Maj • 03:59 • -6.47db
24% Popularity • 59% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 78% Positiveness
24% Popularity • 59% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 78% Positiveness
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Gil Scott-Heron
Combinations
124 bpm • A min • 03:39 • -17.41db
23% Popularity • 58% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
23% Popularity • 58% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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O'Donel Levy
Where Is the Love
118 bpm • F Maj • 02:35 • -12.39db
27% Popularity • 57% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 95% Positiveness
27% Popularity • 57% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 95% Positiveness
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Hank Crawford
Baby This Love I Have
118 bpm • G min • 03:38 • -12.85db
2% Popularity • 61% Danceability • 69% Energy • 15% Liveness
87% Instrumentalness • 96% Positiveness
2% Popularity • 61% Danceability • 69% Energy • 15% Liveness
87% Instrumentalness • 96% Positiveness
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The Counts
Tecalli
118 bpm • F min • 04:08 • -11.1db
26% Popularity • 77% Danceability • 46% Energy • 16% Liveness
90% Instrumentalness • 83% Positiveness
26% Popularity • 77% Danceability • 46% Energy • 16% Liveness
90% Instrumentalness • 83% Positiveness
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Andy Bey
Rosemary Blue
124 bpm • F min • 03:22 • -12.26db
9% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Roy Ayers Ubiquity
Sweet Tears
125 bpm • D min • 03:32 • -15db
21% Popularity • 50% Danceability • 56% Energy • 9% Liveness
24% Instrumentalness • 27% Positiveness
21% Popularity • 50% Danceability • 56% Energy • 9% Liveness
24% Instrumentalness • 27% Positiveness
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Eddie Harris
Boogie Woogie Bossa Nova
117 bpm • C# Maj • 06:19 • -19.08db
11% Popularity • 45% Danceability • 26% Energy • 12% Liveness
68% Instrumentalness • 49% Positiveness
11% Popularity • 45% Danceability • 26% Energy • 12% Liveness
68% Instrumentalness • 49% Positiveness
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Ronnie Laws
Stay Still
126 bpm • G min • 07:24 • -8.55db
15% Popularity • 40% Danceability • 54% Energy • 53% Liveness
35% Instrumentalness • 44% Positiveness
15% Popularity • 40% Danceability • 54% Energy • 53% Liveness
35% Instrumentalness • 44% Positiveness
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Hank Crawford
Tico Rico
117 bpm • F Maj • 07:52 • -10.3db
11% Popularity • 73% Danceability • 67% Energy • 7% Liveness
84% Instrumentalness • 84% Positiveness
11% Popularity • 73% Danceability • 67% Energy • 7% Liveness
84% Instrumentalness • 84% Positiveness
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The Three Sounds
Popsicle Pimp
117 bpm • A min • 02:55 • -10db
17% Popularity • 72% Danceability • 43% Energy • 9% Liveness
59% Instrumentalness • 60% Positiveness
17% Popularity • 72% Danceability • 43% Energy • 9% Liveness
59% Instrumentalness • 60% Positiveness
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George Freeman
The Bump
117 bpm • G min • 07:58 • -10.32db
12% Popularity • 55% Danceability • 76% Energy • 49% Liveness
45% Instrumentalness • 64% Positiveness
12% Popularity • 55% Danceability • 76% Energy • 49% Liveness
45% Instrumentalness • 64% Positiveness
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John Klemmer
All The Children Cried
116 bpm • D# min • 03:17 • -13.51db
12% Popularity • 35% Danceability • 28% Energy • 10% Liveness
65% Instrumentalness • 18% Positiveness
12% Popularity • 35% Danceability • 28% Energy • 10% Liveness
65% Instrumentalness • 18% Positiveness
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The RH Factor
The Stroke
126 bpm • F# Maj • 04:28 • -12.93db
30% Popularity • 62% Danceability • 41% Energy • 21% Liveness
48% Instrumentalness • 28% Positiveness
30% Popularity • 62% Danceability • 41% Energy • 21% Liveness
48% Instrumentalness • 28% Positiveness
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Eddie Harris
Tryin' Ain't Dyin'
126 bpm • B Maj • 07:30 • -9.05db
8% Popularity • 49% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 49% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Hank Crawford
I'll Move You No Mountain
117 bpm • F Maj • 04:07 • -11.32db
5% Popularity • 66% Danceability • 67% Energy • 11% Liveness
65% Instrumentalness • 90% Positiveness
5% Popularity • 66% Danceability • 67% Energy • 11% Liveness
65% Instrumentalness • 90% Positiveness
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Art Blakey & The Jazz Messengers
Stretching
126 bpm • C# Maj • 06:14 • -11.7db
13% Popularity • 55% Danceability • 48% Energy • 11% Liveness
4% Instrumentalness • 68% Positiveness
13% Popularity • 55% Danceability • 48% Energy • 11% Liveness
4% Instrumentalness • 68% Positiveness
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Gil Scott-Heron
You Could Be My Brother
126 bpm • F Maj • 06:22 • -17.21db
16% Popularity • 69% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
16% Popularity • 69% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Miles Davis
The Man With the Horn (2022 Remaster)
126 bpm • B Maj • 06:32 • -8db
30% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Gerald Wilson
Blues For Yna Yna
116 bpm • D min • 06:52 • -14.84db
13% Popularity • 43% Danceability • 35% Energy • 8% Liveness
12% Instrumentalness • 32% Positiveness
13% Popularity • 43% Danceability • 35% Energy • 8% Liveness
12% Instrumentalness • 32% Positiveness
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Richard "Groove" Holmes
Groove's Groove - Rudy Van Gelder Remast...
115 bpm • C min • 07:03 • -11.97db
15% Popularity • 66% Danceability • 42% Energy • 7% Liveness
72% Instrumentalness • 27% Positiveness
15% Popularity • 66% Danceability • 42% Energy • 7% Liveness
72% Instrumentalness • 27% Positiveness
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Hank Crawford
Lorelei's Lament
116 bpm • G Maj • 05:37 • -13.39db
0% Popularity • 32% Danceability • 1% Energy • 15% Liveness
81% Instrumentalness • 12% Positiveness
0% Popularity • 32% Danceability • 1% Energy • 15% Liveness
81% Instrumentalness • 12% Positiveness
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David Axelrod
Don't You Worry 'Bout A Thing
127 bpm • C min • 03:42 • -11.39db
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
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Mandrill
Cohelo
115 bpm • G Maj • 01:45 • -8.64db
36% Popularity • 74% Danceability • 53% Energy • 45% Liveness
76% Instrumentalness • 87% Positiveness
36% Popularity • 74% Danceability • 53% Energy • 45% Liveness
76% Instrumentalness • 87% Positiveness
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Gil Scott-Heron
Morning Thoughts
115 bpm • E min • 04:40 • -14.56db
26% Popularity • 51% Danceability • 40% Energy • 36% Liveness
31% Instrumentalness • 24% Positiveness
26% Popularity • 51% Danceability • 40% Energy • 36% Liveness
31% Instrumentalness • 24% Positiveness
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Little Beaver
Party Down - Pt. 2
128 bpm • F min • 03:34 • -15db
28% Popularity • 82% Danceability • 43% Energy • 11% Liveness
60% Instrumentalness • 95% Positiveness
28% Popularity • 82% Danceability • 43% Energy • 11% Liveness
60% Instrumentalness • 95% Positiveness
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Richard "Groove" Holmes
Groovin' For Mr. G - Remastered
127 bpm • A# min • 04:13 • -10db
39% Popularity • 65% Danceability • 86% Energy • 9% Liveness
77% Instrumentalness • 95% Positiveness
39% Popularity • 65% Danceability • 86% Energy • 9% Liveness
77% Instrumentalness • 95% Positiveness
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Gary Bartz
Sea Gypsy
115 bpm • A# min • 06:17 • -5.47db
20% Popularity • 39% Danceability • 88% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
20% Popularity • 39% Danceability • 88% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
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Hank Crawford
The Stripper
126 bpm • D min • 04:01 • -11.25db
1% Popularity • 54% Danceability • 68% Energy • 31% Liveness
63% Instrumentalness • 86% Positiveness
1% Popularity • 54% Danceability • 68% Energy • 31% Liveness
63% Instrumentalness • 86% Positiveness
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The Blackbyrds
A Heavy Town
115 bpm • F Maj • 03:01 • -11.85db
17% Popularity • 34% Danceability • 16% Energy • 6% Liveness
98% Instrumentalness • 13% Positiveness
17% Popularity • 34% Danceability • 16% Energy • 6% Liveness
98% Instrumentalness • 13% Positiveness
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The Jazz Crusaders
Tough Talk
128 bpm • A# Maj • 02:38 • -7db
29% Popularity • 68% Danceability • 70% Energy • 16% Liveness
21% Instrumentalness • 97% Positiveness
29% Popularity • 68% Danceability • 70% Energy • 16% Liveness
21% Instrumentalness • 97% Positiveness
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Oscar Peterson Quartet
Teenager
114 bpm • C Maj • 05:47 • -12.69db
13% Popularity • 52% Danceability • 61% Energy • 14% Liveness
16% Instrumentalness • 97% Positiveness
13% Popularity • 52% Danceability • 61% Energy • 14% Liveness
16% Instrumentalness • 97% Positiveness
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Richard "Groove" Holmes
Song For My Father
114 bpm • A# min • 06:04 • -13.22db
21% Popularity • 78% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
21% Popularity • 78% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
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Roy Ayers Ubiquity
Fire Weaver
114 bpm • F min • 03:40 • -11.94db
11% Popularity • 40% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 40% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Hank Crawford
Love Won't Let Me Wait
116 bpm • G# Maj • 04:02 • -14.65db
6% Popularity • 44% Danceability • 16% Energy • 13% Liveness
4% Instrumentalness • 7% Positiveness
6% Popularity • 44% Danceability • 16% Energy • 13% Liveness
4% Instrumentalness • 7% Positiveness
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Charles Earland
'Cause I Love Her
129 bpm • D min • 09:39 • -8.92db
13% Popularity • 63% Danceability • 65% Energy • 7% Liveness
87% Instrumentalness • 66% Positiveness
13% Popularity • 63% Danceability • 65% Energy • 7% Liveness
87% Instrumentalness • 66% Positiveness
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Gene Harris & The Three Sounds
Your Love Is Just Too Much
114 bpm • A min • 02:42 • -10.64db
28% Popularity • 67% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
28% Popularity • 67% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
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Yusef Lateef
Raymond Winchester
114 bpm • A min • 02:36 • -13.8db
20% Popularity • 52% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
20% Popularity • 52% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
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O'Donel Levy
Watch What Happens
129 bpm • A# Maj • 03:34 • -15.1db
32% Popularity • 68% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
32% Popularity • 68% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 76% Positiveness
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The Beginning Of The End
When She Made Me Promise
113 bpm • A min • 04:17 • -9db
37% Popularity • 65% Danceability • 90% Energy • 37% Liveness
11% Instrumentalness • 90% Positiveness
37% Popularity • 65% Danceability • 90% Energy • 37% Liveness
11% Instrumentalness • 90% Positiveness
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Hank Crawford
Hang It On the Ceiling
115 bpm • F Maj • 04:13 • -11.19db
5% Popularity • 70% Danceability • 58% Energy • 4% Liveness
4% Instrumentalness • 97% Positiveness
5% Popularity • 70% Danceability • 58% Energy • 4% Liveness
4% Instrumentalness • 97% Positiveness
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Idris Muhammad
Don’t Knock My Love
113 bpm • A# Maj • 04:53 • -16.74db
19% Popularity • 57% Danceability • 42% Energy • 8% Liveness
26% Instrumentalness • 88% Positiveness
19% Popularity • 57% Danceability • 42% Energy • 8% Liveness
26% Instrumentalness • 88% Positiveness
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Billy Brooks
Fourty Days
113 bpm • F Maj • 06:17 • -9.12db
31% Popularity • 58% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
31% Popularity • 58% Danceability • 57% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
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Yusef Lateef
Eastern Market
114 bpm • F min • 04:19 • -11.04db
26% Popularity • 55% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 55% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Dee Felice Trio
There Was A Time - Instrumental
113 bpm • C Maj • 02:58 • -10.34db
30% Popularity • 69% Danceability • 52% Energy • 8% Liveness
12% Instrumentalness • 87% Positiveness
30% Popularity • 69% Danceability • 52% Energy • 8% Liveness
12% Instrumentalness • 87% Positiveness
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Roy Ayers Ubiquity
This Side Of Sunshine
130 bpm • C# Maj • 03:16 • -13db
26% Popularity • 35% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 35% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Hank Crawford
I'm Just a Lucky so and So
128 bpm • G Maj • 06:52 • -15.11db
3% Popularity • 52% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
3% Popularity • 52% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
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MFSB
Lay In Low
113 bpm • C min • 03:43 • -12db
22% Popularity • 61% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 52% Positiveness
22% Popularity • 61% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 52% Positiveness
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Tarika Blue
Truth Is The Key
130 bpm • D min • 06:49 • -14.2db
27% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Eddie Harris
Hip Hoppin'
130 bpm • G Maj • 02:34 • -13.06db
17% Popularity • 64% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 64% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Horace Silver
Won't You Open Up Your Senses
113 bpm • A# min • 03:57 • -6.72db
22% Popularity • 54% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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David "Fathead" Newman
Foxy Brown
130 bpm • E min • 04:58 • -10.34db
10% Popularity • 78% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
10% Popularity • 78% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
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Hank Crawford
Stand By Me
114 bpm • G# Maj • 05:48 • -16.78db
0% Popularity • 73% Danceability • 42% Energy • 2% Liveness
90% Instrumentalness • 86% Positiveness
0% Popularity • 73% Danceability • 42% Energy • 2% Liveness
90% Instrumentalness • 86% Positiveness
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Gene Harris & The Three Sounds
(Sock It To Me) Harper Valley P.T.A.
112 bpm • G Maj • 02:45 • -9.26db
28% Popularity • 80% Danceability • 71% Energy • 11% Liveness
35% Instrumentalness • 95% Positiveness
28% Popularity • 80% Danceability • 71% Energy • 11% Liveness
35% Instrumentalness • 95% Positiveness
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Kool & The Gang
Stop, Look, Listen (To Your Heart) / Blo...
130 bpm • C min • 08:20 • -14.14db
16% Popularity • 58% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 33% Positiveness
16% Popularity • 58% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 33% Positiveness
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Johnny Lytle
The Village Caller
112 bpm • D# Maj • 04:29 • -14db
4% Popularity • 72% Danceability • 37% Energy • 24% Liveness
2% Instrumentalness • 52% Positiveness
4% Popularity • 72% Danceability • 37% Energy • 24% Liveness
2% Instrumentalness • 52% Positiveness
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Herbie Hancock
Sun Touch
112 bpm • A Maj • 05:08 • -19db
32% Popularity • 52% Danceability • 37% Energy • 13% Liveness
86% Instrumentalness • 60% Positiveness
32% Popularity • 52% Danceability • 37% Energy • 13% Liveness
86% Instrumentalness • 60% Positiveness
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O'Donel Levy
Bad, Bad, Simba
131 bpm • C Maj • 07:14 • -10.42db
32% Popularity • 52% Danceability • 68% Energy • 10% Liveness
66% Instrumentalness • 76% Positiveness
32% Popularity • 52% Danceability • 68% Energy • 10% Liveness
66% Instrumentalness • 76% Positiveness