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Gnossienne: No. 1
Songs like
Gnossienne: No. 1
by
Erik Satie
Based on a tempo of (+/- 10%) and a similar genre
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Erik Satie
Gnossienne: No. 1
124 bpm • F min • 03:34 • -28.35db
63% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 3...
124 bpm • G# min • 00:52 • -41.7db
65% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Kerry Muzzey
The Secret History
124 bpm • D# min • 05:02 • -14.03db
60% Popularity • 23% Danceability • 22% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
49% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Shigeru Umebayashi
Yumeji's Theme
123 bpm • F min • 02:44 • -25db
29% Popularity • 38% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Georges Bizet
Carmen Suite No. 2: Habanera. Allegretto...
125 bpm • G Maj • 02:03 • -21.33db
41% Popularity • 42% Danceability • 9% Energy • 13% Liveness
13% Instrumentalness • 50% Positiveness
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Philip Glass
Orphée Suite: VI. Orphée's Return
125 bpm • F Maj • 07:51 • -23.59db
47% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
67% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
53% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
39% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Joep Beving
Etude
126 bpm • A min • 04:35 • -28db
52% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
126 bpm • D Maj • 05:16 • -25.26db
58% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Balmorhea
Remembrance
121 bpm • F# min • 05:49 • -13db
67% Popularity • 45% Danceability • 13% Energy • 6% Liveness
90% Instrumentalness • 14% Positiveness
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Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
31% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
47% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
60% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
49% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
56% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Lang Lang
Piano Sonata No. 16 in C Major, K. 545 "...
120 bpm • C Maj • 04:54 • -23db
53% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
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Joep Beving
The Gift
128 bpm • C Maj • 03:45 • -24.33db
55% Popularity • 38% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
63% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Ramin Djawadi
Light of the Seven
120 bpm • C min • 09:49 • -16.84db
61% Popularity • 27% Danceability • 10% Energy • 27% Liveness
72% Instrumentalness • 6% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
56% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Max Richter
November
120 bpm • C Maj • 06:07 • -11.44db
56% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Mozart / Arr. Grieg for Two Pianos: Pian...
120 bpm • C Maj • 04:42 • -24.76db
29% Popularity • 36% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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Joep Beving
An Amalgamation Waltz 1839
128 bpm • D min • 04:06 • -30.37db
51% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Mélanie Laurent
Début
119 bpm • C Maj • 02:40 • -30.25db
59% Popularity • 38% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
56% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Jóhann Jóhannsson
Camping
129 bpm • A min • 01:18 • -20db
68% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Ludovico Einaudi
Run
119 bpm • B min • 05:32 • -14.49db
59% Popularity • 34% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Erik Satie
Satie: 6 Gnossiennes: I. Lent
130 bpm • F min • 03:38 • -35db
29% Popularity • 31% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Takashi Yoshimatsu
Gnossienne No. 6
118 bpm • C Maj • 01:53 • -31.89db
10% Popularity • 46% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
60% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
62% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Barbara
Barbara / Arr Tharaud for Piano: J'ai tu...
130 bpm • C Maj • 03:03 • -21.41db
38% Popularity • 56% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Abel Korzeniowski
Satin Birds
130 bpm • C min • 04:29 • -19db
41% Popularity • 42% Danceability • 13% Energy • 10% Liveness
77% Instrumentalness • 12% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
57% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
62% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Erik Satie
Gnossienne No.1: Lent
117 bpm • F min • 03:10 • -26.73db
43% Popularity • 43% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Ludovico Einaudi
Una Mattina
131 bpm • D Maj • 03:23 • -31.54db
73% Popularity • 23% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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Nicholas Britell
Adagio in C Minor
131 bpm • C min • 01:30 • -17.87db
63% Popularity • 16% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Max Richter
The Departure
117 bpm • C min • 01:15 • -39.05db
67% Popularity • 38% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Justin Hurwitz
Mia & Sebastian’s Theme
117 bpm • A Maj • 01:38 • -15.75db
73% Popularity • 48% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Abel Korzeniowski
Table For Two
132 bpm • A# min • 03:23 • -15.99db
56% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
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Erik Satie
Gnossiennes: No. 5, Modéré
132 bpm • G Maj • 04:07 • -32db
30% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Evgeny Grinko
Once Upon a Time
132 bpm • C min • 02:10 • -17.08db
57% Popularity • 31% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Fazıl Say
Kumru, Op.12/2
133 bpm • A min • 02:43 • -23db
33% Popularity • 44% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Ludovico Einaudi
Nuvole Bianche
133 bpm • G# Maj • 05:57 • -25.4db
75% Popularity • 19% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Valeria Szervánszky
Ma mère l'oye, M. 60: 5. Le jardin fée...
116 bpm • C Maj • 03:00 • -24db
45% Popularity • 49% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
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Lang Lang
Bagatelle No. 25 in A Minor, WoO 59 "Fü...
133 bpm • A min • 03:26 • -27.7db
52% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
132 bpm • G Maj • 04:10 • -34db
34% Popularity • 59% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
56% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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Justin Hurwitz
Armstrong Cabin
116 bpm • G min • 01:15 • -27.18db
69% Popularity • 44% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
133 bpm • C# Maj • 04:39 • -27db
60% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Fantasia in D Minor, K. 397
133 bpm • D Maj • 05:36 • -25.98db
28% Popularity • 40% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Nils Frahm
Because This Must Be
133 bpm • C min • 02:45 • -29.62db
63% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
46% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Isaac Albéniz
Albéniz: Suite Española No. 1, Op. 47:...
133 bpm • C min • 05:08 • -22db
45% Popularity • 31% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Erik Satie
Gnossiennes: 1. Lent
133 bpm • F min • 03:22 • -35.49db
35% Popularity • 38% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Royal Philharmonic Orchestra
Barry Lyndon: Sarabande
115 bpm • D min • 04:13 • -17db
37% Popularity • 26% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Lang Lang
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C Maj • 02:19 • -25.42db
64% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Max Richter
Vladimir's Blues
115 bpm • A Maj • 01:18 • -22db
68% Popularity • 38% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Joep Beving
Zoetrope
134 bpm • D min • 03:53 • -28db
49% Popularity • 44% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Friedrich Nietzsche
Heldenklage
135 bpm • D Maj • 01:56 • -29.83db
33% Popularity • 45% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Erik Satie
Gnossiennes: No. 3. Lent
134 bpm • A min • 02:56 • -23.33db
24% Popularity • 46% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Agnes Obel
September Song - Bonus Track
135 bpm • C Maj • 03:24 • -27.04db
62% Popularity • 23% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
Prelude in G Minor, Op. 23, No. 5 - Live...
114 bpm • G min • 03:52 • -17db
44% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
27% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Joep Beving
Midwayer
135 bpm • C Maj • 05:45 • -25db
53% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Symphony No. 40 in G Minor, K. 5...
114 bpm • G min • 07:12 • -18.09db
54% Popularity • 36% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
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Erik Satie
3 Gymnopédies: Gymnopédie nr 3 (Arr. A...
135 bpm • A min • 02:49 • -35.54db
37% Popularity • 49% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 44% Positiveness
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Frédéric Chopin
Chopin: Fantaisie-impromptu in C-Sharp M...
135 bpm • C# Maj • 05:03 • -19.03db
41% Popularity • 28% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
136 bpm • G min • 03:03 • -14db
53% Popularity • 35% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 67% Positiveness
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Jóhann Jóhannsson
Epilogue
136 bpm • A min • 01:48 • -24.71db
67% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Joep Beving
Ab Ovo
135 bpm • A min • 04:48 • -25.73db
54% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 7. Aqua...
136 bpm • A min • 02:31 • -35.4db
56% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Erik Satie
3 Gymnopedies: No. 3. Lent et grave
136 bpm • A min • 02:53 • -37.47db
24% Popularity • 52% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 43% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
66% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Philip Glass
String Quartet No. 3, "Mishima": VI. Mis...
136 bpm • C min • 03:14 • -29.89db
56% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Max Richter
Written on the Sky
136 bpm • A# min • 01:40 • -25.23db
64% Popularity • 35% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Fauré: Sicilienne, Op. 78
137 bpm • D# Maj • 03:52 • -27.4db
38% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
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Franz Gordon
The Art Teacher
112 bpm • B min • 03:35 • -18.84db
55% Popularity • 47% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Erik Satie
Gnossienne: No. 3
113 bpm • A min • 02:21 • -28db
47% Popularity • 34% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 1 in E Ma...
112 bpm • E Maj • 03:22 • -17db
52% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
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Orchestra of the Swan
Gnossiennes No. 1 - Arr. David le Page
137 bpm • F min • 03:26 • -22db
23% Popularity • 25% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Ólafur Arnalds
Reminiscence
112 bpm • C# min • 04:28 • -17.79db
56% Popularity • 18% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
61% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Eleni Karaindrou
By The Sea
138 bpm • A# min • 01:56 • -25.33db
47% Popularity • 34% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Erik Satie
3 Gnossiennes: Gnossienne No. 1
137 bpm • F min • 03:40 • -31db
28% Popularity • 41% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 24 in ...
111 bpm • A min • 04:28 • -17.63db
58% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
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Fazıl Say
Sevenlere dair, Op. 12/3
111 bpm • B min • 04:12 • -19.38db
20% Popularity • 31% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 10% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
50% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
66% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Fabrizio Paterlini
Rue des trois frères
139 bpm • C# Maj • 01:51 • -18.45db
71% Popularity • 35% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Johannes Brahms
Hungarian Dance No. 5
111 bpm • G min • 02:40 • -14db
54% Popularity • 41% Danceability • 24% Energy • 6% Liveness
9% Instrumentalness • 36% Positiveness
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Jacob LaVallee
Somewhere in Between
139 bpm • E min • 03:01 • -19.73db
61% Popularity • 42% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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Jóhann Jóhannsson
A Sparrow Alighted upon our Shoulder
139 bpm • F# min • 02:27 • -21.14db
56% Popularity • 19% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Erik Satie
Mercure, Scene 1: La nuit
139 bpm • C Maj • 01:13 • -35.36db
60% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Viola d'amore Concerto in A Minor, RV 39...
139 bpm • G# min • 03:10 • -17.66db
47% Popularity • 49% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Gnossienne: No. 1