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Gnossienne No.1: Lent
Songs like
Gnossienne No.1: Lent
by
Erik Satie
Based on a tempo of (+/- 10%) and a similar genre
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Erik Satie
Gnossienne No.1: Lent
117 bpm • F min • 03:10 • -26.73db
40% Popularity • 43% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Alexandre Desplat
River Waltz
116 bpm • A# min • 02:22 • -24db
44% Popularity • 51% Danceability • 6% Energy • 6% Liveness
97% Instrumentalness • 9% Positiveness
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Max Richter
Infra 4
116 bpm • D min • 02:45 • -14db
31% Popularity • 22% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Valeria Szervánszky
Ma mère l'oye, M. 60: 5. Le jardin fée...
116 bpm • C Maj • 03:00 • -24db
43% Popularity • 49% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
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Royal Philharmonic Orchestra
Waltz in A Flat Major Op.39/15
118 bpm • G# Maj • 01:29 • -28db
37% Popularity • 44% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Takashi Yoshimatsu
Romance from the Past
116 bpm • F min • 01:29 • -28.72db
13% Popularity • 35% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Anderson & Roe
Giustino, RV 717, Act II: Sento in seno ...
119 bpm • D# min • 04:06 • -38db
14% Popularity • 50% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Chilly Gonzales
Dot
115 bpm • C# Maj • 02:05 • -24db
41% Popularity • 46% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Max Richter
The Twins (Prague)
116 bpm • C min • 01:58 • -31db
38% Popularity • 37% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
54% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Royal Philharmonic Orchestra
Barry Lyndon: Sarabande
115 bpm • D min • 04:13 • -17db
35% Popularity • 26% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Ludovico Einaudi
Monday
119 bpm • F# min • 05:55 • -25db
43% Popularity • 35% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Takashi Yoshimatsu
Gnossienne No. 6
118 bpm • C Maj • 01:53 • -31.89db
15% Popularity • 46% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Béla Bartók
Roman Nepi Tancok (Romanian Folk Dances)...
115 bpm • B min • 00:50 • -32.58db
21% Popularity • 40% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
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Howard Skempton
Well, well Cornelius
120 bpm • D# Maj • 03:06 • -32db
11% Popularity • 44% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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South German Philharmonic Orchestra
Montagnes And Capulets from Romeo And Ju...
114 bpm • A min • 01:40 • -14.54db
25% Popularity • 41% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Jean-Pierre Armengaud
Six Gnossiennes: Gnossienne No. 1 (Lent)
114 bpm • F min • 03:09 • -25db
8% Popularity • 50% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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dom pub
Gnossiene No. 1
114 bpm • F min • 03:04 • -34db
13% Popularity • 40% Danceability • 0% Energy • 13% Liveness
91% Instrumentalness • 28% Positiveness
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George Enescu
Violin Sonata No. 3, Op. 25: II. Andante...
114 bpm • A Maj • 08:55 • -17.94db
11% Popularity • 29% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach/Alexander Siloti
Prelude in B minor
114 bpm • B min • 03:19 • -31db
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
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Franz Schubert
Serenata
121 bpm • D Maj • 04:14 • -17db
23% Popularity • 22% Danceability • 14% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Concerto in G Minor for 2 Cellos, String...
121 bpm • F# min • 03:19 • -20db
32% Popularity • 44% Danceability • 22% Energy • 40% Liveness
84% Instrumentalness • 55% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Erik Satie
Gnossienne: No. 3
113 bpm • A min • 02:21 • -28db
45% Popularity • 34% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40
112 bpm • G min • 07:08 • -21.22db
34% Popularity • 34% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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London Festival Orchestra
Chopin: Waltz In D Flat, Op. 64/1, "Minu...
111 bpm • C# Maj • 01:56 • -24.19db
43% Popularity • 41% Danceability • 13% Energy • 19% Liveness
90% Instrumentalness • 20% Positiveness
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Arvo Pärt
Tabula Rasa: I. Ludus
112 bpm • F Maj • 10:07 • -15.43db
25% Popularity • 36% Danceability • 30% Energy • 16% Liveness
50% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
62% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Meredith Monk
Monk: Railroad (Travel Song)
111 bpm • E min • 02:06 • -21.31db
27% Popularity • 33% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Erik Satie
3 Gnossiennes: Gnossienne No. 1
111 bpm • F min • 03:16 • -27.81db
14% Popularity • 46% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Lute Concerto in D Major, RV 93 (arr. A....
123 bpm • D Maj • 04:52 • -35.09db
26% Popularity • 42% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 22% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
111 bpm • F min • 04:39 • -15.34db
42% Popularity • 47% Danceability • 26% Energy • 32% Liveness
87% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Ludovico Einaudi
Nightbook
124 bpm • F# min • 05:50 • -16.3db
47% Popularity • 60% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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John Corigliano
II. Vienna, The Monastery
124 bpm • D min • 01:05 • -21.47db
31% Popularity • 58% Danceability • 14% Energy • 17% Liveness
96% Instrumentalness • 88% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
The Rach. 3 (Part One)
124 bpm • C min • 04:19 • -14.38db
23% Popularity • 39% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
111 bpm • E Maj • 03:09 • -12.82db
46% Popularity • 54% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
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Filharmonie Brno
Requiem for my Friend: Lacrimosa Day of ...
124 bpm • D min • 01:36 • -19.04db
35% Popularity • 17% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 21% Positiveness
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Erik Satie
Gnossiennes: No. 1, Lent
110 bpm • F min • 03:44 • -32.24db
36% Popularity • 38% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Claude Debussy
La Fille aux Cheveux de Lin, L. 33
110 bpm • F# Maj • 02:27 • -36.58db
50% Popularity • 36% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 18% Positiveness
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Isaac Albéniz
Suite Española No. 1, Op. 47: No. 5, As...
110 bpm • E min • 06:08 • -22.39db
28% Popularity • 31% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
65% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Nandor Gotz
3 Gnossiennes: Gnossienne No. 1 (arr. N....
109 bpm • F min • 03:16 • -33db
30% Popularity • 32% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Death of Aas...
109 bpm • G Maj • 04:09 • -25db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
126 bpm • G min • 04:11 • -13db
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
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Claude Debussy
2 Arabesques, L. 66: No. 1 in E Major
109 bpm • E Maj • 04:33 • -31.91db
52% Popularity • 25% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
George's Waltz
108 bpm • D min • 03:18 • -13.46db
30% Popularity • 42% Danceability • 13% Energy • 11% Liveness
24% Instrumentalness • 11% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
48% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Pyotr Ilyich Tchaikovsky
Six Pieces, Op. 51, TH 143: VI. Valse se...
108 bpm • C# Maj • 02:21 • -26.18db
60% Popularity • 25% Danceability • 6% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
Eyes Shut - Nocturne in C Minor
107 bpm • C min • 06:41 • -25db
36% Popularity • 22% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Claude Debussy
2 Arabesques: No. 1 in E Major
128 bpm • E Maj • 05:04 • -32.38db
11% Popularity • 30% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 8% Positiveness
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Orchestra Di Padova E Del Veneto & Peter Maag
Symphony No. 7 Op. 92: II. Allegretto (B...
128 bpm • E min • 08:43 • -24db
29% Popularity • 26% Danceability • 2% Energy • 7% Liveness
25% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
29% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Johannes Brahms
Symphony No.3 In F Major Op.90 - 3rd Mov...
129 bpm • C min • 05:49 • -18db
18% Popularity • 20% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
10 Preludes, Op. 23: No. 5 in G Minor: A...
106 bpm • G min • 03:57 • -13.65db
38% Popularity • 36% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608 - Arr. Cello: 4. Cu...
106 bpm • G min • 05:14 • -27.82db
50% Popularity • 16% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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John Williams
The Chairman's Waltz
106 bpm • E min • 02:39 • -18.49db
44% Popularity • 21% Danceability • 18% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
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Déodat de Séverac
En vacances, Vol. 1: VI. Où l'on entend...
106 bpm • A# Maj • 01:16 • -31.06db
23% Popularity • 35% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
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Erik Satie
Gnossiennes: No. 3 - Lent
129 bpm • A min • 04:05 • -41.8db
29% Popularity • 35% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Gabriela Montero
Montero: Adagio (Improvisation after Gia...
106 bpm • B min • 07:01 • -30.87db
7% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: II. Aases...
105 bpm • B min • 03:45 • -18.91db
15% Popularity • 62% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
58% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Maurice Ravel
À La Manière De Borodine
105 bpm • C# Maj • 01:30 • -24db
40% Popularity • 28% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Alberto Iglesias
Los Vestidos Desgarrados
105 bpm • C min • 02:33 • -13.59db
24% Popularity • 33% Danceability • 28% Energy • 12% Liveness
59% Instrumentalness • 62% Positiveness
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Erik Satie
3 Gymnopédies: Gymnopedie No. 3
106 bpm • A min • 02:01 • -30.82db
31% Popularity • 49% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 31% Positiveness
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Sylvia Capova
Prelude No.4 Op.28 E Minor
130 bpm • F Maj • 02:08 • -33db
31% Popularity • 42% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
50% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
130 bpm • A min • 04:27 • -22db
22% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
105 bpm • D# Maj • 04:25 • -21.54db
29% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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Erik Satie
3 Gymnopédies: Gymnopedie No. 1
131 bpm • E min • 03:56 • -40db
11% Popularity • 53% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Vitalij Margulis
Étude Op. 25, No. 9, "Butterfly": Alleg...
105 bpm • C# Maj • 01:08 • -17.45db
28% Popularity • 44% Danceability • 30% Energy • 14% Liveness
85% Instrumentalness • 71% Positiveness
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Sergei Prokofiev
Lieutenant Kijé, Symphonic Suite, Op. 6...
105 bpm • G min • 04:31 • -30.72db
27% Popularity • 19% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Howard Skempton
Saltaire Melody
131 bpm • E Maj • 01:00 • -31.32db
18% Popularity • 46% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Tomaso Albinoni
Albinoni / Arr. Giazotto: Adagio in G Mi...
104 bpm • C min • 08:13 • -18.77db
28% Popularity • 16% Danceability • 14% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
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Arvo Pärt
Für Alina: Fur Alina (For Alena)
131 bpm • B min • 02:20 • -31.74db
11% Popularity • 54% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Javi Lobe
Gnossiennes: No. 3, Lent
131 bpm • E min • 03:25 • -26.2db
28% Popularity • 44% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Takashi Yoshimatsu
Caresse
132 bpm • C Maj • 01:51 • -34.82db
12% Popularity • 54% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
132 bpm • F# min • 04:31 • -29db
46% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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François Dompierre
Les Beautés Du Diable
132 bpm • E min • 03:15 • -22.52db
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
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Fazıl Say
Kumru, Op.12/2
133 bpm • A min • 02:43 • -23db
32% Popularity • 44% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78 (arr. for orchestra)
103 bpm • D# Maj • 03:46 • -28db
28% Popularity • 18% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Shigeru Umebayashi
George's Waltz
133 bpm • D min • 01:39 • -15.28db
42% Popularity • 23% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
3 Gymnopédies: No. 2, Lent et triste
133 bpm • F Maj • 02:32 • -35.85db
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Maurice Ravel
Ravel : Le Tombeau de Couperin : VI Tocc...
133 bpm • E Maj • 04:00 • -20.97db
9% Popularity • 30% Danceability • 17% Energy • 6% Liveness
88% Instrumentalness • 15% Positiveness
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Isaac Albéniz
Albéniz: Suite Española No. 1, Op. 47:...
133 bpm • C min • 05:08 • -22db
43% Popularity • 31% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Steve Reich
Reich: Nagoya Marimbas, for 2 Marimbas
103 bpm • A min • 04:54 • -20.68db
25% Popularity • 68% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 67% Positiveness
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Gabriel Fauré
Après un rêve (Arr. by Söllscher)
103 bpm • F min • 03:03 • -23db
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Dustin O'Halloran
Opus No. 12
133 bpm • G# min • 03:08 • -13.38db
17% Popularity • 48% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Erik Satie
Gnossiennes: 1. Lent
133 bpm • F min • 03:22 • -35.49db
33% Popularity • 38% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux: Aquarium
134 bpm • A min • 02:35 • -36db
29% Popularity • 19% Danceability • 1% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: I....
102 bpm • B Maj • 02:39 • -20db
35% Popularity • 46% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
X. October - Autumn Song
134 bpm • D min • 05:43 • -34db
24% Popularity • 42% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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David Lang
Light Moving
102 bpm • E min • 02:55 • -30.67db
26% Popularity • 66% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
Olivier Messiaen
Preludes: La colombe (The Dove)
135 bpm • F# min • 02:04 • -35db
37% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
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Gnossienne No.1: Lent