Songs like Gnossiennes: No. 1. Lent by Erik Satie
Based on a tempo of (+/- 10%) and a similar genre
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G. I. Gurdjieff
Armenian Song
77 bpm • A# min • 02:16 • -27db
30% Popularity • 19% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 19% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Javi Lobe
Gnossiennes: No. 1, Lent
77 bpm • F min • 04:18 • -27.31db
31% Popularity • 43% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
31% Popularity • 43% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Erik Satie
Gnossiennes: No. 1. Lent
77 bpm • F min • 04:19 • -21.88db
34% Popularity • 45% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 13% Positiveness
34% Popularity • 45% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 13% Positiveness
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Christoph Willibald Gluck
Gluck / Arr Siloti: Orphée et Eurydice,...
77 bpm • A# min • 03:15 • -31.54db
34% Popularity • 23% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 23% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Slavonic Dance for Four Hands in E Minor...
77 bpm • C Maj • 03:18 • -24.51db
36% Popularity • 36% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
36% Popularity • 36% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Aron Huxley
Gnossiennes: I. Lent
78 bpm • F min • 04:38 • -19.53db
20% Popularity • 45% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 45% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Erik Satie
Première Gymnopédie
76 bpm • G Maj • 03:24 • -35.42db
55% Popularity • 59% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 31% Positiveness
55% Popularity • 59% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 31% Positiveness
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Eleni Karaindrou
Ulysses' Gaze: 15. Ulysses' Theme - Lent...
78 bpm • C min • 05:29 • -19.2db
20% Popularity • 13% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
20% Popularity • 13% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Krzysztof Penderecki
3 Pieces in Baroque Style: No. 1. Aria
76 bpm • A# Maj • 02:09 • -29.31db
27% Popularity • 16% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Gidon Kremer
Soledad
76 bpm • E min • 07:46 • -25.18db
21% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
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Isaac Albéniz
Mallorca, Op. 202
78 bpm • D min • 07:19 • -18.31db
34% Popularity • 37% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
34% Popularity • 37% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Emma Czaplica
Nocturnes, Op. 55: No. 1 in F Minor
76 bpm • G# Maj • 02:45 • -17db
23% Popularity • 48% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 48% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Erik Satie
Gnossiennes: No. 4: Lent
78 bpm • A min • 02:57 • -22.23db
20% Popularity • 40% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
20% Popularity • 40% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Leonard Cohen
Famous Blue Raincoat (Arr. Metcalfe, Fos...
76 bpm • A min • 03:29 • -20.24db
33% Popularity • 18% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
33% Popularity • 18% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Pavane
76 bpm • F# min • 06:10 • -20.9db
34% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
34% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Håkon Austbø
Gymnopédies : No.1
76 bpm • G Maj • 03:38 • -29.18db
19% Popularity • 47% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
19% Popularity • 47% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
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Alexander Tcherepnin
Jewish Traditional: Song In Remembrance ...
78 bpm • F min • 04:25 • -25.81db
15% Popularity • 21% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
15% Popularity • 21% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
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Martha Argerich
Concierto Para Piano Y Orquesta En Sol M...
78 bpm • E Maj • 08:41 • -18db
24% Popularity • 26% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Erik Satie
3 Gymnopédies: No. 3, Lent et grave
76 bpm • G Maj • 02:34 • -38.69db
34% Popularity • 44% Danceability • 0% Energy • 13% Liveness
97% Instrumentalness • 48% Positiveness
34% Popularity • 44% Danceability • 0% Energy • 13% Liveness
97% Instrumentalness • 48% Positiveness
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Frederic Rzewski
The People United Will Never Be Defeated...
78 bpm • D min • 02:46 • -19.71db
17% Popularity • 31% Danceability • 17% Energy • 7% Liveness
87% Instrumentalness • 11% Positiveness
17% Popularity • 31% Danceability • 17% Energy • 7% Liveness
87% Instrumentalness • 11% Positiveness
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Nino Rota
Rota / Arr. Capelletti & Lenaerts: The G...
76 bpm • C min • 05:32 • -22.08db
15% Popularity • 17% Danceability • 6% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
15% Popularity • 17% Danceability • 6% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Carnaval des Animaux, Aquarium
76 bpm • A min • 02:14 • -19db
19% Popularity • 28% Danceability • 27% Energy • 11% Liveness
47% Instrumentalness • 8% Positiveness
19% Popularity • 28% Danceability • 27% Energy • 11% Liveness
47% Instrumentalness • 8% Positiveness
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Amy Beach
By the Still Waters, Op. 114
76 bpm • C# Maj • 03:07 • -43db
59% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
59% Popularity • 22% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Franz Schubert
Ständchen, D. 889
76 bpm • D Maj • 03:48 • -26.73db
41% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Erik Satie
Trois Gymnopédies: lll. "Lent et grave"
78 bpm • A min • 02:26 • -39.7db
40% Popularity • 55% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 39% Positiveness
40% Popularity • 55% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 39% Positiveness
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Takashi Yoshimatsu
Gymnopedie No. 2
76 bpm • D min • 02:56 • -35.78db
16% Popularity • 45% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
16% Popularity • 45% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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![Concierto de Aranjuez: II. Adagio [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
Joaquín Rodrigo
Concierto de Aranjuez: II. Adagio [Excer...
76 bpm • B min • 02:47 • -27.3db
30% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
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Arvo Pärt
Spiegel im Spiegel - Version for Violin ...
79 bpm • F Maj • 09:48 • -42.65db
28% Popularity • 20% Danceability • 0% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 0% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz.56: III. Andant...
75 bpm • D min • 01:17 • -40db
27% Popularity • 25% Danceability • 1% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
27% Popularity • 25% Danceability • 1% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
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Franz Schubert
Piano Trio No. 2 in E-Flat Major, D. 929...
75 bpm • C min • 09:45 • -22db
38% Popularity • 22% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 6% Positiveness
38% Popularity • 22% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 6% Positiveness
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
76 bpm • G Maj • 03:30 • -32.78db
45% Popularity • 47% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
45% Popularity • 47% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Gabriel Yared
Rearranging Furniture
79 bpm • E min • 02:37 • -19.62db
44% Popularity • 21% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
44% Popularity • 21% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
44% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Francisco Tárrega
Recuerdos de la Alhambra
79 bpm • A Maj • 05:16 • -24db
32% Popularity • 25% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
32% Popularity • 25% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
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Arvo Pärt
Spiegel im Spiegel
75 bpm • F Maj • 10:21 • -38db
33% Popularity • 13% Danceability • 0% Energy • 5% Liveness
1% Instrumentalness • 7% Positiveness
33% Popularity • 13% Danceability • 0% Energy • 5% Liveness
1% Instrumentalness • 7% Positiveness
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Balanescu Quartet
Butterflies
75 bpm • G# min • 03:36 • -18.81db
24% Popularity • 14% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Erik Satie
Satie: 6 Gnossiennes: No. 3, Lent
79 bpm • A min • 02:32 • -24.82db
6% Popularity • 41% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
6% Popularity • 41% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Federico Mompou
Canción y danza
79 bpm • D# min • 05:12 • -25db
12% Popularity • 27% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
12% Popularity • 27% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Gabriel Yared
Des orages pour la nuit
79 bpm • G min • 03:17 • -25db
30% Popularity • 28% Danceability • 4% Energy • 11% Liveness
31% Instrumentalness • 52% Positiveness
30% Popularity • 28% Danceability • 4% Energy • 11% Liveness
31% Instrumentalness • 52% Positiveness
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Carlos D'Alessio
India Song (piano)
75 bpm • D# Maj • 02:46 • -33db
31% Popularity • 41% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
31% Popularity • 41% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Juilliard String Quartet
Piano Quintet in E-flat Major, Op. 44: I...
75 bpm • F min • 08:37 • -21db
6% Popularity • 25% Danceability • 8% Energy • 11% Liveness
48% Instrumentalness • 20% Positiveness
6% Popularity • 25% Danceability • 8% Energy • 11% Liveness
48% Instrumentalness • 20% Positiveness
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Olga Scheps
Memories of a Promenade II
74 bpm • C min • 03:26 • -28.35db
55% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
55% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Arr. for Cello and Piano...
80 bpm • F# min • 05:26 • -26.08db
18% Popularity • 18% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
18% Popularity • 18% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Erik Satie
3 Gymnopédies: No. 1 Lent et douloureux
74 bpm • G Maj • 03:39 • -36.5db
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
57% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
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Remo Giazotto
Adagio in G Minor
80 bpm • C min • 08:37 • -15db
42% Popularity • 10% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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G. I. Gurdjieff
Duduki
74 bpm • A Maj • 06:14 • -29.46db
17% Popularity • 14% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Franz Schubert
Piano Sonata No. 20 in A Major, D. 959: ...
74 bpm • F# min • 07:47 • -24.52db
29% Popularity • 25% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
29% Popularity • 25% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
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Antonín Dvořák
Danse Slave N°2 en Mi Mineur, Opus 46
74 bpm • C Maj • 03:24 • -18.69db
17% Popularity • 30% Danceability • 10% Energy • 29% Liveness
1% Instrumentalness • 14% Positiveness
17% Popularity • 30% Danceability • 10% Energy • 29% Liveness
1% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Fauré: Pelléas et Mélisande, Op. 80: ...
74 bpm • D# Maj • 04:01 • -32.63db
27% Popularity • 18% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
27% Popularity • 18% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
36% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 3
74 bpm • A min • 02:17 • -36.85db
17% Popularity • 49% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
17% Popularity • 49% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Camille Saint-Saëns
Le Carnaval des animaux, R. 125: XIII. L...
80 bpm • G Maj • 02:43 • -28db
23% Popularity • 8% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Francisco Tárrega
Recuerdos de la Alhambra
74 bpm • A Maj • 04:00 • -30.47db
24% Popularity • 5% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 22% Positiveness
24% Popularity • 5% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 22% Positiveness
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Arvo Pärt
Pärt: Spiegel im Spiegel
80 bpm • F Maj • 08:14 • -33.21db
33% Popularity • 16% Danceability • 1% Energy • 5% Liveness
34% Instrumentalness • 9% Positiveness
33% Popularity • 16% Danceability • 1% Energy • 5% Liveness
34% Instrumentalness • 9% Positiveness
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Earl Wild
Grand Fantasy on Porgy and Bess: Summert...
74 bpm • G# min • 03:29 • -26db
24% Popularity • 28% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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René Berman
Spiegel im Spiegel, für Violoncello und...
80 bpm • F Maj • 09:40 • -25db
24% Popularity • 8% Danceability • 4% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 4% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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David Lang
David Lang: World To Come Iv
74 bpm • D min • 04:01 • -20.88db
25% Popularity • 19% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
25% Popularity • 19% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
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Francisco Tárrega
Capricho Árabe
74 bpm • D Maj • 05:55 • -30.92db
27% Popularity • 24% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Takashi Yoshimatsu
Gnossienne No. 3
74 bpm • A min • 02:50 • -34.61db
14% Popularity • 28% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Chilly Gonzales
The Tearjerker Returns
81 bpm • G min • 03:32 • -23.13db
46% Popularity • 35% Danceability • 1% Energy • 10% Liveness
67% Instrumentalness • 12% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 10% Liveness
67% Instrumentalness • 12% Positiveness
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Eric Whitacre
The Seal Lullaby (Arr. Parkin)
81 bpm • C# Maj • 03:38 • -24.16db
32% Popularity • 15% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 10% Positiveness
32% Popularity • 15% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 10% Positiveness
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Erik Satie
Satie: 6 Gnossiennes: No. 1, Lent
74 bpm • F min • 03:25 • -28.02db
32% Popularity • 40% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 40% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Luciano Berio
6 Encores: No. 3, Wasserklavier
81 bpm • A# min • 02:10 • -31db
21% Popularity • 31% Danceability • 3% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
21% Popularity • 31% Danceability • 3% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
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Takashi Yoshimatsu
Gymnopedie No. 3
74 bpm • A min • 02:42 • -35.95db
23% Popularity • 44% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
23% Popularity • 44% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Nitin Sawhney
Breathing Light
73 bpm • A# min • 02:32 • -22.04db
17% Popularity • 22% Danceability • 20% Energy • 14% Liveness
89% Instrumentalness • 30% Positiveness
17% Popularity • 22% Danceability • 20% Energy • 14% Liveness
89% Instrumentalness • 30% Positiveness
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Joaquín Rodrigo
Rodrigo / Arr Lenaerts: Concierto de Ara...
73 bpm • B min • 10:36 • -21db
15% Popularity • 23% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
Gnossiennes: No. 1 - Lent
74 bpm • F min • 04:34 • -31.16db
32% Popularity • 37% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: 8. La fille ...
73 bpm • D# min • 02:30 • -38.22db
52% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
52% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 09:03 • -31.19db
20% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
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G. I. Gurdjieff
Bayaty
73 bpm • A min • 04:18 • -27.77db
19% Popularity • 18% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
19% Popularity • 18% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
44% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
44% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Erik Satie
Satie: 6 Gnossiennes: No. 4, Lent
74 bpm • A min • 02:21 • -31.77db
24% Popularity • 15% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Anouar Brahem
Leila au pays du carrousel
73 bpm • G min • 06:37 • -22.85db
30% Popularity • 21% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Chilly Gonzales
Manifesto
73 bpm • D# min • 03:08 • -24.98db
40% Popularity • 51% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 34% Positiveness
40% Popularity • 51% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 34% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Yann Tiersen
La Plage
73 bpm • A min • 01:57 • -23.24db
43% Popularity • 34% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
43% Popularity • 34% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Alexandre Desplat
Desplat: Girl with a Pearl Earring
81 bpm • D min • 07:26 • -19db
21% Popularity • 14% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
21% Popularity • 14% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Baldassare Galuppi
Piano Sonata No. 9 in F Minor: I. Andant...
73 bpm • F min • 02:05 • -33db
38% Popularity • 24% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
38% Popularity • 24% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act III: Barcaro...
73 bpm • D Maj • 03:21 • -22.76db
31% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Lang Lang
6 Pieces for Piano, Vol. 2: No. 4, La va...
73 bpm • C Maj • 02:50 • -20.13db
43% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
43% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Franz Schubert
Piano Sonata No. 20 In A Major, D.959: I...
82 bpm • F# min • 07:36 • -22db
26% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
26% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Eleni Karaindrou
Notes II
72 bpm • G min • 02:33 • -37.56db
33% Popularity • 36% Danceability • 0% Energy • 16% Liveness
91% Instrumentalness • 14% Positiveness
33% Popularity • 36% Danceability • 0% Energy • 16% Liveness
91% Instrumentalness • 14% Positiveness
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Amy Turk
Toccata and Fugue in D Minor, BWV 565
82 bpm • D min • 09:12 • -20.26db
17% Popularity • 30% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
17% Popularity • 30% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30: Melodie (Arr....
82 bpm • D min • 03:04 • -31.67db
25% Popularity • 34% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
25% Popularity • 34% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
82 bpm • G Maj • 03:10 • -38db
52% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
52% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Antonín Dvořák
From the Bohemian Forest, Op. 68: V. Sil...
82 bpm • C# Maj • 06:57 • -12.79db
17% Popularity • 18% Danceability • 23% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
17% Popularity • 18% Danceability • 23% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Olga Scheps
Armellodie
72 bpm • D Maj • 04:40 • -26.76db
42% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
42% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Ólafur Arnalds
Written In Stone
82 bpm • E min • 03:27 • -16db
32% Popularity • 20% Danceability • 23% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
32% Popularity • 20% Danceability • 23% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Vladimir Martynov
Martynov: "Come in!", Movement II
82 bpm • A Maj • 04:21 • -22db
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 6% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
