Songs like Go Go Train by Eddy G. Giles
Based on a tempo of (+/- 10%) and a similar genre
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O.V. Wright
Love The Way You Love
137 bpm • A# min • 02:28 • -5.35db
10% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Mack Rice
Baby I'm Coming Home
137 bpm • G min • 02:30 • -14db
13% Popularity • 70% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 98% Positiveness
13% Popularity • 70% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 98% Positiveness
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Red Prysock
Hide Away
137 bpm • F Maj • 02:20 • -4.59db
7% Popularity • 57% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 57% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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The Intruders
You're My One & Only Baby
137 bpm • D Maj • 02:14 • -6.27db
10% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Sugar Pie DeSanto
Tell Me What's The Matter
137 bpm • G Maj • 02:31 • -5.92db
14% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Stitch
Terp
137 bpm • C Maj • 02:40 • -19.84db
13% Popularity • 64% Danceability • 38% Energy • 16% Liveness
55% Instrumentalness • 86% Positiveness
13% Popularity • 64% Danceability • 38% Energy • 16% Liveness
55% Instrumentalness • 86% Positiveness
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Eddy G. Giles
Go Go Train
137 bpm • C Maj • 01:53 • -6.66db
3% Popularity • 75% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 75% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Allen Toussaint
Omar Khayyam - Remastered
137 bpm • C Maj • 02:15 • -3.96db
19% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Dave Hamilton Set
D.H. Boogaloo
137 bpm • A# min • 03:03 • -9.82db
8% Popularity • 73% Danceability • 82% Energy • 6% Liveness
84% Instrumentalness • 91% Positiveness
8% Popularity • 73% Danceability • 82% Energy • 6% Liveness
84% Instrumentalness • 91% Positiveness
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Dusty Wilson
Can't Do Without You
137 bpm • C Maj • 02:25 • -5.98db
10% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
There's Gonna Be Trouble
137 bpm • A min • 02:53 • -6.15db
9% Popularity • 57% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 57% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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James Carr
Coming Back to Me Baby
137 bpm • C Maj • 01:59 • -7.24db
21% Popularity • 77% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 77% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Baby Washington
A Handful Of Memories
137 bpm • A min • 02:19 • -10.6db
17% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Anna Dukke
Comfortable Crap
136 bpm • F Maj • 02:22 • -5.83db
9% Popularity • 83% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 83% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Little Willie John
(I've Got) Spring Fever
138 bpm • C Maj • 02:10 • -8.94db
13% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Eddie Banks
Sugar Diabetes
136 bpm • C min • 02:39 • -6db
9% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Barbara Lynn
You Don't Have To Go
136 bpm • A# Maj • 03:22 • -12.27db
11% Popularity • 56% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
11% Popularity • 56% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
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The Mellows
It's My Life
136 bpm • G# Maj • 02:22 • -4.58db
13% Popularity • 59% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 59% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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The "5" Royales
Catch That Teardrop
138 bpm • G Maj • 02:25 • -6db
15% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Lee Dorsey
My Old Car Commercial
138 bpm • G Maj • 01:34 • -11.24db
13% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
22% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Albert Washington
I'm the Man
138 bpm • F Maj • 02:43 • -7db
15% Popularity • 80% Danceability • 60% Energy • 7% Liveness
69% Instrumentalness • 88% Positiveness
15% Popularity • 80% Danceability • 60% Energy • 7% Liveness
69% Instrumentalness • 88% Positiveness
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The Contours
Whole Lotta Woman
138 bpm • G# Maj • 02:49 • -10.85db
30% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Angelle
Too Much for You
138 bpm • D# Maj • 03:04 • -4db
10% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 62% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Art Neville
What's Going On
138 bpm • B min • 02:00 • -9db
26% Popularity • 68% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 68% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
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Jimmy Hughes
It Ain't What You Got
135 bpm • G# Maj • 02:13 • -5db
26% Popularity • 72% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 72% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Jessie Hill
Scoop Scoobie Doobie
136 bpm • A Maj • 02:53 • -5.84db
8% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Yvonne Fair
Say Yeah Yeah
135 bpm • G min • 02:22 • -6.4db
18% Popularity • 47% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 47% Danceability • 69% Energy • 76% Liveness
0% Instrumentalness • 91% Positiveness
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The Mar-Keys
Philly Dog
135 bpm • D# Maj • 02:18 • -13db
19% Popularity • 91% Danceability • 56% Energy • 9% Liveness
85% Instrumentalness • 97% Positiveness
19% Popularity • 91% Danceability • 56% Energy • 9% Liveness
85% Instrumentalness • 97% Positiveness
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The "5" Royales
Thirty Second Lover
135 bpm • C# Maj • 02:27 • -12db
13% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Charles Sheffield
I Got Fever
139 bpm • D min • 02:16 • -9db
19% Popularity • 64% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 64% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Barbara Lynn
You Don't Sleep At Night
139 bpm • D# Maj • 02:24 • -7.54db
15% Popularity • 64% Danceability • 60% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 64% Danceability • 60% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
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Little Beaver
Do It to Me One More Time
139 bpm • C min • 02:15 • -4.7db
8% Popularity • 61% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 61% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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The Valentinos
I'll Make It Alright
135 bpm • A Maj • 02:14 • -6.8db
10% Popularity • 54% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 54% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
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King Coleman
(Do The) Mashed Potatoes
135 bpm • G Maj • 01:42 • -6.65db
9% Popularity • 72% Danceability • 89% Energy • 7% Liveness
52% Instrumentalness • 97% Positiveness
9% Popularity • 72% Danceability • 89% Energy • 7% Liveness
52% Instrumentalness • 97% Positiveness
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Sam & Dave
You Ain't No Big Thing Baby
140 bpm • G Maj • 02:30 • -7.15db
13% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Mable John
Ain't Giving It Up
140 bpm • C Maj • 02:49 • -10.36db
11% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Little Sonny
Wade In The Water - Instrumental
140 bpm • D min • 03:15 • -11.68db
8% Popularity • 59% Danceability • 62% Energy • 52% Liveness
84% Instrumentalness • 73% Positiveness
8% Popularity • 59% Danceability • 62% Energy • 52% Liveness
84% Instrumentalness • 73% Positiveness
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The Edsels
Twenty Four Hours
134 bpm • G# Maj • 02:00 • -8.45db
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Mitty Collier
Do It With Confidence
134 bpm • F Maj • 02:15 • -9.46db
8% Popularity • 56% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 56% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Earl King
Come On, Pt. 1
134 bpm • A Maj • 02:32 • -7db
30% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Percy Milem
Call on Me
140 bpm • A min • 02:20 • -6.27db
16% Popularity • 64% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 64% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Ike Turner
I'm Tore Up
134 bpm • A min • 02:23 • -8.72db
13% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Bo
Dinky Doo
134 bpm • D# Maj • 02:16 • -10.65db
14% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Barbara Lynn
Nice and Easy
140 bpm • D Maj • 01:53 • -9.88db
35% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Danny White
Keep My Woman Home
134 bpm • G# Maj • 02:24 • -7db
12% Popularity • 65% Danceability • 55% Energy • 13% Liveness
14% Instrumentalness • 96% Positiveness
12% Popularity • 65% Danceability • 55% Energy • 13% Liveness
14% Instrumentalness • 96% Positiveness
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Freddie King
Sittin` On The Boatdock
134 bpm • F Maj • 01:56 • -9.43db
14% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Huey "Piano" Smith
Havin a Good Time
134 bpm • G Maj • 02:32 • -7.93db
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
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LaBrenda Ben & The Beljeans
The Chaperone - Single Version
134 bpm • C# Maj • 02:46 • -2.79db
11% Popularity • 60% Danceability • 93% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 60% Danceability • 93% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
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Roscoe Shelton
Running for My Life
134 bpm • G Maj • 02:28 • -13.22db
7% Popularity • 83% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 83% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Swingin' Tomatoes
Get It
133 bpm • A# Maj • 02:45 • -8db
9% Popularity • 74% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 74% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Peppermint Harris
Wait Until It Happens to You
133 bpm • F min • 02:06 • -9db
12% Popularity • 61% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 61% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Andre Williams
You Got It & I Want It
141 bpm • F min • 02:17 • -5.04db
9% Popularity • 62% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 62% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Clifton Chenier
Ti Na Na
141 bpm • D# Maj • 03:15 • -8.39db
11% Popularity • 44% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 44% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Baby Washington
Hush Heart
141 bpm • C# Maj • 02:11 • -12db
13% Popularity • 69% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 69% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Faye Adams
Johnnie Lee
141 bpm • A Maj • 02:14 • -5.1db
9% Popularity • 74% Danceability • 80% Energy • 2% Liveness
6% Instrumentalness • 74% Positiveness
9% Popularity • 74% Danceability • 80% Energy • 2% Liveness
6% Instrumentalness • 74% Positiveness
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Little Steve and The Big Beat
Teasin' Without Pleasin'
133 bpm • G min • 03:00 • -6.27db
8% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Little Jewel
I Want To
141 bpm • F Maj • 02:42 • -3.49db
11% Popularity • 51% Danceability • 94% Energy • 7% Liveness
4% Instrumentalness • 84% Positiveness
11% Popularity • 51% Danceability • 94% Energy • 7% Liveness
4% Instrumentalness • 84% Positiveness
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Rodger Collins
She's Looking Good
141 bpm • B min • 02:20 • -7.12db
13% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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LaVern Baker
You Said
141 bpm • F Maj • 02:17 • -12.02db
13% Popularity • 73% Danceability • 38% Energy • 89% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 73% Danceability • 38% Energy • 89% Liveness
0% Instrumentalness • 96% Positiveness
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B.B. King
Beautician Blues
133 bpm • G# Maj • 02:03 • -11.56db
9% Popularity • 65% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 65% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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The Mar-Keys
Morning After
133 bpm • C Maj • 02:14 • -7.64db
23% Popularity • 59% Danceability • 59% Energy • 16% Liveness
76% Instrumentalness • 94% Positiveness
23% Popularity • 59% Danceability • 59% Energy • 16% Liveness
76% Instrumentalness • 94% Positiveness
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Mary Ann Fisher
Put On My Shoes
133 bpm • F# Maj • 02:28 • -9.61db
15% Popularity • 48% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 48% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Lee Dorsey
A Place Where We Can Be Free
132 bpm • C min • 02:46 • -11.65db
8% Popularity • 86% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 86% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Clarence "Frogman" Henry
It Went to Your Head
132 bpm • G Maj • 02:10 • -11.55db
11% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Screamin' Jay Hawkins
Move Me
142 bpm • C Maj • 03:01 • -9.17db
16% Popularity • 53% Danceability • 54% Energy • 12% Liveness
11% Instrumentalness • 77% Positiveness
16% Popularity • 53% Danceability • 54% Energy • 12% Liveness
11% Instrumentalness • 77% Positiveness
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Art Neville
When My Baby Went Away
142 bpm • F Maj • 01:50 • -16.11db
17% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Bo
Every Dog Got His Day
142 bpm • G# Maj • 02:17 • -6.71db
26% Popularity • 76% Danceability • 90% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
26% Popularity • 76% Danceability • 90% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
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Barrett Strong
You Knows What To Do - Single Version
132 bpm • C Maj • 02:42 • -7db
12% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Gene Vincent
Poor Man's Prison
132 bpm • F Maj • 02:30 • -9.5db
13% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Barbara Lynn
I Don't Want a Playboy
132 bpm • B min • 02:07 • -9.28db
25% Popularity • 65% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 65% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Sherri Taylor
Oh Lover - Single Version
132 bpm • F min • 02:55 • -4db
9% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Art Neville
The Dummy
132 bpm • G# Maj • 01:53 • -9db
12% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Garnet Mimms
There Goes My Baby
132 bpm • F# min • 02:24 • -10.9db
10% Popularity • 56% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 56% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Bo
Every Dog Has Its Day
142 bpm • G# Maj • 02:11 • -6.87db
12% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
12% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
Use What You Got
132 bpm • F Maj • 02:40 • -8.02db
28% Popularity • 66% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 66% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Dorothy Williams
The Well's Gone Dry
132 bpm • D# Maj • 02:29 • -7.2db
11% Popularity • 76% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 76% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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The "5" Royales
Right Around The Corner
132 bpm • D# Maj • 02:28 • -12db
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Clippers
Third House From the Corner
132 bpm • G# Maj • 02:48 • -10db
9% Popularity • 75% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 75% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Prince La La
Things Have Changed
143 bpm • C min • 02:26 • -6.82db
10% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Varetta Dillard
That's Why I Cry - Alternate Take
143 bpm • D min • 02:31 • -6.16db
7% Popularity • 41% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 41% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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Little Willie John
Take My Love (I Want To Give It All To Y...
131 bpm • C# Maj • 02:44 • -12.65db
9% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Barrett Strong
Sugar Daddy
131 bpm • F# Maj • 02:43 • -6.23db
11% Popularity • 71% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 71% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Jessie Hill
Ooh Poo Pah Doo, Pts. 1 & 2
131 bpm • A Maj • 04:25 • -13db
11% Popularity • 56% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 56% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
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Big Jay McNeely
... Back... Shack... Track
143 bpm • F# Maj • 02:39 • -9.84db
11% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Bobby "Blue" Bland
These Hands (Small But Mighty) - Single ...
131 bpm • G# Maj • 02:20 • -7db
10% Popularity • 73% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 73% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Harmonica George
You Make Me Tick
131 bpm • D# Maj • 02:42 • -7.73db
7% Popularity • 75% Danceability • 60% Energy • 30% Liveness
21% Instrumentalness • 85% Positiveness
7% Popularity • 75% Danceability • 60% Energy • 30% Liveness
21% Instrumentalness • 85% Positiveness
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Little Willie John
Look What You've Done To Me
131 bpm • A# min • 02:13 • -6.66db
10% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
10% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
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Ernie K-Doe
a Certain Girl
131 bpm • C# Maj • 02:49 • -9db
11% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Ike Turner
Cubano Jump
131 bpm • G# Maj • 02:17 • -5.82db
9% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
9% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
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Irma Thomas
Hittin' On Nothing
144 bpm • D min • 02:17 • -10.44db
32% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Allen Toussaint
If You Love Her - Remastered
130 bpm • F Maj • 02:30 • -4.55db
8% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Lonnie Lester
You Can't Go
130 bpm • A min • 02:21 • -3.93db
11% Popularity • 67% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 67% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Barbara Lynn
You Left the Water Running
130 bpm • A min • 02:11 • -8.5db
31% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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The Egyptians
Party Stomp
130 bpm • D Maj • 02:30 • -2.08db
1% Popularity • 50% Danceability • 100% Energy • 19% Liveness
2% Instrumentalness • 70% Positiveness
1% Popularity • 50% Danceability • 100% Energy • 19% Liveness
2% Instrumentalness • 70% Positiveness
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Barbara Stephens
Wait A Minute
144 bpm • A# Maj • 02:24 • -7.85db
17% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Mo' Flow
Tell Em'
130 bpm • F# Maj • 02:19 • -9.54db
10% Popularity • 50% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 50% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
