Songs like GO TO HELL by Clinton Kane
Based on a tempo of (+/- 10%) and a similar genre
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Clinton Kane
MEXICO
180 bpm • C# Maj • 02:14 • -6.54db
35% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Madison Beer
Reckless
180 bpm • D# Maj • 03:23 • -6.64db
73% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Olivia Rodrigo
deja vu
181 bpm • D Maj • 03:35 • -7.22db
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Dylan Conrique
i miss you (skin to skin)
181 bpm • G min • 03:22 • -5db
55% Popularity • 27% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
55% Popularity • 27% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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John K
ilym
179 bpm • C# min • 03:56 • -8.14db
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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James TW
Incredible
181 bpm • C Maj • 04:06 • -6.21db
57% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Clinton Kane
this is what a toxic relationship feels ...
181 bpm • G Maj • 03:20 • -8db
35% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Benson Boone
Slow It Down
181 bpm • G# Maj • 02:41 • -4.68db
67% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
67% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Sadie Jean
WYD Now?
181 bpm • C# Maj • 02:24 • -10.99db
68% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Haley Joelle
Jealous of Paris
182 bpm • D# Maj • 02:21 • -9.27db
50% Popularity • 35% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 35% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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John K
ilym
178 bpm • C# min • 03:53 • -7.44db
40% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Olivia O'Brien
hate u love u
177 bpm • F# min • 02:55 • -8.92db
67% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Nessa Barrett
die first
183 bpm • G# min • 02:57 • -6.73db
67% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jon Caryl
Roses Are Red (Violets Are Blue)
178 bpm • F# Maj • 03:32 • -9.65db
55% Popularity • 45% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 45% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Caleb Hearn
Brown Eyes, Brown Hair
184 bpm • D Maj • 03:06 • -10.83db
53% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 39% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Zach Hood
Main Character
176 bpm • B Maj • 03:02 • -5db
42% Popularity • 40% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 40% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Jillian Rossi
under the weather
185 bpm • C# Maj • 02:31 • -8.78db
55% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Joshua Bassett
Smoke Slow
186 bpm • C Maj • 02:43 • -7db
49% Popularity • 34% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 34% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Rosie Darling
Witness
174 bpm • D Maj • 03:55 • -9.76db
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Benson Boone
Ghost Town
174 bpm • C Maj • 03:13 • -10.06db
59% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
59% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Quinn XCII
We Don’t Talk Enough
186 bpm • F Maj • 02:28 • -14.34db
45% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Caleb Hearn
Silhouette
174 bpm • A# Maj • 02:59 • -12db
51% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ber
Meant To Be
174 bpm • C# Maj • 02:43 • -11db
60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Alec Benjamin
If We Have Each Other
173 bpm • A# min • 03:01 • -5.57db
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
84% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
84% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Kodaline
All I Want
187 bpm • C Maj • 05:05 • -9.73db
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
80% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
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Astrid S
It's Ok If You Forget Me
172 bpm • F# Maj • 03:24 • -7.63db
57% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Lukas Graham
Love Someone
172 bpm • A min • 03:25 • -6.58db
70% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
70% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Munn
i don't wanna lose again
172 bpm • C# Maj • 02:44 • -7.59db
43% Popularity • 51% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 51% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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John K
everything
189 bpm • C# Maj • 02:52 • -7.53db
43% Popularity • 45% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 45% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Caleb Hearn
1000 reasons
172 bpm • B Maj • 02:34 • -11.46db
63% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Why Don't We
Grey
171 bpm • D Maj • 04:37 • -8.79db
56% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Calum Scott
You Are The Reason
171 bpm • A# Maj • 03:24 • -7.7db
79% Popularity • 33% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
79% Popularity • 33% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Swift
champagne problems
171 bpm • C Maj • 04:04 • -12.08db
79% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
79% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lewis Capaldi
Pointless
169 bpm • E Maj • 03:51 • -4.03db
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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vaultboy
way after forever
171 bpm • G Maj • 02:53 • -10.29db
57% Popularity • 54% Danceability • 20% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 54% Danceability • 20% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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FINNEAS
I Lost a Friend
169 bpm • B Maj • 03:57 • -11.92db
62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Olivia Rodrigo
happier
169 bpm • F# Maj • 02:55 • -9.72db
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Rosie Darling
Always Almost
167 bpm • C Maj • 03:22 • -8.45db
50% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Jillian Rossi
Give Me A Reason
195 bpm • A Maj • 02:15 • -5.55db
56% Popularity • 33% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
56% Popularity • 33% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Seafret
Atlantis
166 bpm • G# min • 03:49 • -7.99db
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Tom Walker
The Best Is Yet to Come
166 bpm • A Maj • 02:46 • -8db
59% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
79% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
79% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Clinton Kane
ONE MORE DAY WITH YOU
164 bpm • C Maj • 03:10 • -7db
42% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Why Don't We
What Am I
164 bpm • C min • 03:04 • -4.68db
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Henry Moodie
you were there for me
164 bpm • F# Maj • 03:15 • -4.4db
64% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
64% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jamie Miller
It Is What It Is
162 bpm • E Maj • 02:05 • -5.62db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Etham
12:45 - Stripped
164 bpm • F Maj • 02:59 • -10.66db
58% Popularity • 46% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 46% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Clinton Kane
I WISH I COULD HATE YOU FOR BREAKING ME ...
164 bpm • B Maj • 02:14 • -3.17db
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 39% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jessica Baio
trust issues
161 bpm • A Maj • 02:14 • -9db
66% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Tate McRae
she's all i wanna be
160 bpm • D min • 03:27 • -5.32db
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Blake Rose
Movie
160 bpm • F Maj • 04:07 • -9db
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Hansen
break my heart
160 bpm • B min • 02:58 • -5.51db
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Will Linley
miss me (when you're gone)
160 bpm • F# Maj • 03:04 • -5.53db
53% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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JORDY
Close To You
160 bpm • G# Maj • 02:59 • -8db
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Why Don't We
Lotus Inn
156 bpm • D Maj • 03:15 • -5db
50% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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We Three
i wanna love somebody
156 bpm • A Maj • 03:53 • -7.38db
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Benson Boone
Before You
203 bpm • G# min • 03:07 • -7.11db
74% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
74% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Forest Blakk
If You Love Her - Meghan Trainor
156 bpm • C# Maj • 03:35 • -7.16db
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Munn
the reason i hate home
154 bpm • C min • 02:43 • -6.53db
50% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Justin Bieber
Ghost
154 bpm • D Maj • 02:33 • -5.57db
86% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
86% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
