Songs like God and the Policeman (feat. Kacey Musgraves) by The Flaming Lips
Based on a tempo of (+/- 10%) and a similar genre
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Deap Lips
Not a Natural Man
120 bpm • E min • 03:39 • -11.24db
7% Popularity • 71% Danceability • 62% Energy • 16% Liveness
45% Instrumentalness • 50% Positiveness
7% Popularity • 71% Danceability • 62% Energy • 16% Liveness
45% Instrumentalness • 50% Positiveness
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The Flaming Lips
God and the Policeman
120 bpm • B min • 02:28 • -5.92db
20% Popularity • 54% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 54% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Sufjan Stevens
Lamentations
120 bpm • D Maj • 03:42 • -11db
25% Popularity • 65% Danceability • 60% Energy • 15% Liveness
39% Instrumentalness • 21% Positiveness
25% Popularity • 65% Danceability • 60% Energy • 15% Liveness
39% Instrumentalness • 21% Positiveness
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The Fiery Furnaces
Down at the So and So on Somewhere
120 bpm • C Maj • 05:14 • -11db
16% Popularity • 90% Danceability • 49% Energy • 8% Liveness
42% Instrumentalness • 73% Positiveness
16% Popularity • 90% Danceability • 49% Energy • 8% Liveness
42% Instrumentalness • 73% Positiveness
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of Montreal
A Sentence Of Sorts In Kongsvinger
120 bpm • C Maj • 04:56 • -5db
38% Popularity • 70% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 70% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Andy Shauf
Where Are You Judy
120 bpm • G Maj • 03:21 • -9.53db
27% Popularity • 73% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 73% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Deap Lips
There is Know Right There is Know Wrong
120 bpm • C Maj • 04:56 • -6.09db
7% Popularity • 46% Danceability • 84% Energy • 51% Liveness
2% Instrumentalness • 34% Positiveness
7% Popularity • 46% Danceability • 84% Energy • 51% Liveness
2% Instrumentalness • 34% Positiveness
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The Flaming Lips
Brother Eye
120 bpm • C# min • 04:23 • -5.99db
21% Popularity • 59% Danceability • 48% Energy • 8% Liveness
46% Instrumentalness • 11% Positiveness
21% Popularity • 59% Danceability • 48% Energy • 8% Liveness
46% Instrumentalness • 11% Positiveness
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Dirty Projectors
Guarding The Baby
120 bpm • F# Maj • 02:40 • -11.52db
21% Popularity • 72% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 72% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Sufjan Stevens
Die Happy
120 bpm • F min • 05:46 • -8db
25% Popularity • 44% Danceability • 61% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 44% Danceability • 61% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
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Kacey Musgraves
High Horse
120 bpm • B min • 03:33 • -5.25db
64% Popularity • 72% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
64% Popularity • 72% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Deerhunter
Agoraphobia
120 bpm • E Maj • 03:22 • -6.88db
42% Popularity • 58% Danceability • 94% Energy • 66% Liveness
82% Instrumentalness • 39% Positiveness
42% Popularity • 58% Danceability • 94% Energy • 66% Liveness
82% Instrumentalness • 39% Positiveness
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Fleet Foxes
Jara
120 bpm • C Maj • 04:09 • -9.12db
33% Popularity • 59% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 59% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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The Flaming Lips
Children of the Moon
120 bpm • A min • 05:32 • -6db
26% Popularity • 44% Danceability • 90% Energy • 51% Liveness
18% Instrumentalness • 18% Positiveness
26% Popularity • 44% Danceability • 90% Energy • 51% Liveness
18% Instrumentalness • 18% Positiveness
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The Shins
Trapped by the Sea (Fug Yep)
120 bpm • D Maj • 02:24 • -7.8db
12% Popularity • 55% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 55% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Sufjan Stevens
Sugar
120 bpm • G min • 07:36 • -11db
29% Popularity • 56% Danceability • 61% Energy • 23% Liveness
79% Instrumentalness • 42% Positiveness
29% Popularity • 56% Danceability • 61% Energy • 23% Liveness
79% Instrumentalness • 42% Positiveness
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Cass McCombs
Don't (Just) Vote
120 bpm • A Maj • 05:11 • -7.18db
18% Popularity • 59% Danceability • 59% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
18% Popularity • 59% Danceability • 59% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
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White Denim
Queen of the Quarantine
120 bpm • B Maj • 04:01 • -6.69db
8% Popularity • 66% Danceability • 71% Energy • 59% Liveness
1% Instrumentalness • 85% Positiveness
8% Popularity • 66% Danceability • 71% Energy • 59% Liveness
1% Instrumentalness • 85% Positiveness
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![New York [Feat. Yoshiki] cover art](https://i.scdn.co/image/ab67616d00001e02d9f99839d4d25c1e501e2904)
St. Vincent
New York [Yoshiki]
120 bpm • A# Maj • 02:53 • -6.82db
23% Popularity • 31% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 31% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Flaming Lips
Mother I've Taken LSD
120 bpm • C Maj • 03:48 • -4.82db
21% Popularity • 36% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 36% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Stephen Malkmus
Juliefuckingette
120 bpm • C Maj • 03:01 • -7.93db
19% Popularity • 70% Danceability • 64% Energy • 16% Liveness
4% Instrumentalness • 53% Positiveness
19% Popularity • 70% Danceability • 64% Energy • 16% Liveness
4% Instrumentalness • 53% Positiveness
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Kevin Morby
Seven Devils
120 bpm • A Maj • 03:55 • -8.31db
22% Popularity • 45% Danceability • 33% Energy • 11% Liveness
29% Instrumentalness • 12% Positiveness
22% Popularity • 45% Danceability • 33% Energy • 11% Liveness
29% Instrumentalness • 12% Positiveness
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STRFKR
Never The Same
119 bpm • C Maj • 02:32 • -6db
37% Popularity • 64% Danceability • 63% Energy • 11% Liveness
84% Instrumentalness • 51% Positiveness
37% Popularity • 64% Danceability • 63% Energy • 11% Liveness
84% Instrumentalness • 51% Positiveness
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Soccer Mommy
crawling in my skin - Actress Remix
121 bpm • C# min • 04:28 • -8.38db
12% Popularity • 43% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 43% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Sufjan Stevens
Gilgamesh
119 bpm • C min • 03:50 • -10.29db
22% Popularity • 22% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 22% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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The Weather Station
Robber
119 bpm • G min • 05:20 • -9.82db
34% Popularity • 71% Danceability • 62% Energy • 9% Liveness
31% Instrumentalness • 35% Positiveness
34% Popularity • 71% Danceability • 62% Energy • 9% Liveness
31% Instrumentalness • 35% Positiveness
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Kacey Musgraves
there is a light
121 bpm • D min • 03:51 • -7.19db
46% Popularity • 65% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
46% Popularity • 65% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Fleet Foxes
Quiet Air / Gioia
119 bpm • G# min • 04:27 • -10db
30% Popularity • 62% Danceability • 76% Energy • 13% Liveness
72% Instrumentalness • 46% Positiveness
30% Popularity • 62% Danceability • 76% Energy • 13% Liveness
72% Instrumentalness • 46% Positiveness
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of Montreal
You’ve Had Me Everywhere
121 bpm • F# Maj • 04:46 • -7.37db
21% Popularity • 63% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 63% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Soccer Mommy
crawling in my skin
121 bpm • C# min • 04:17 • -6.24db
32% Popularity • 53% Danceability • 84% Energy • 8% Liveness
7% Instrumentalness • 66% Positiveness
32% Popularity • 53% Danceability • 84% Energy • 8% Liveness
7% Instrumentalness • 66% Positiveness
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Clap Your Hands Say Yeah
Where They Perform Miracles
121 bpm • B Maj • 03:52 • -8.46db
18% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Panda Bear
Tropic Of Cancer
121 bpm • G Maj • 06:12 • -9.47db
32% Popularity • 26% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 26% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ariel Pink
Iron Worrier
121 bpm • C# Maj • 03:09 • -11.9db
8% Popularity • 53% Danceability • 52% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
8% Popularity • 53% Danceability • 52% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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The Flaming Lips
You n Me Sellin' Weed
121 bpm • E Maj • 04:56 • -5.41db
20% Popularity • 25% Danceability • 73% Energy • 63% Liveness
17% Instrumentalness • 18% Positiveness
20% Popularity • 25% Danceability • 73% Energy • 63% Liveness
17% Instrumentalness • 18% Positiveness
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Broken Social Scene
Shampoo Suicide
121 bpm • F Maj • 04:05 • -5.8db
35% Popularity • 58% Danceability • 56% Energy • 20% Liveness
69% Instrumentalness • 39% Positiveness
35% Popularity • 58% Danceability • 56% Energy • 20% Liveness
69% Instrumentalness • 39% Positiveness
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My Morning Jacket
Beautiful Love (Wasn't Enough)
121 bpm • D# Maj • 02:51 • -9.26db
8% Popularity • 65% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 65% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Parquet Courts
Mardi Gras Beads
119 bpm • A Maj • 02:43 • -3.67db
35% Popularity • 43% Danceability • 81% Energy • 18% Liveness
6% Instrumentalness • 58% Positiveness
35% Popularity • 43% Danceability • 81% Energy • 18% Liveness
6% Instrumentalness • 58% Positiveness
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The Magnetic Fields
(I Want to Join A) Biker Gang
118 bpm • G Maj • 02:21 • -6.2db
15% Popularity • 59% Danceability • 85% Energy • 33% Liveness
46% Instrumentalness • 49% Positiveness
15% Popularity • 59% Danceability • 85% Energy • 33% Liveness
46% Instrumentalness • 49% Positiveness
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Clap Your Hands Say Yeah
Thousand Oaks
118 bpm • F# Maj • 04:47 • -5db
21% Popularity • 62% Danceability • 86% Energy • 18% Liveness
39% Instrumentalness • 25% Positiveness
21% Popularity • 62% Danceability • 86% Energy • 18% Liveness
39% Instrumentalness • 25% Positiveness
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Dirty Projectors
Lose Your Love
122 bpm • G# Maj • 02:48 • -4.97db
26% Popularity • 86% Danceability • 53% Energy • 20% Liveness
2% Instrumentalness • 55% Positiveness
26% Popularity • 86% Danceability • 53% Energy • 20% Liveness
2% Instrumentalness • 55% Positiveness
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Westerman
The Line
122 bpm • C Maj • 03:16 • -8.66db
26% Popularity • 82% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
26% Popularity • 82% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Porches
I Wanna Ride
122 bpm • C# min • 02:47 • -8.11db
22% Popularity • 75% Danceability • 40% Energy • 10% Liveness
56% Instrumentalness • 26% Positiveness
22% Popularity • 75% Danceability • 40% Energy • 10% Liveness
56% Instrumentalness • 26% Positiveness
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Madeline Kenney
Double Hearted
122 bpm • A Maj • 02:54 • -7.66db
12% Popularity • 63% Danceability • 67% Energy • 11% Liveness
30% Instrumentalness • 47% Positiveness
12% Popularity • 63% Danceability • 67% Energy • 11% Liveness
30% Instrumentalness • 47% Positiveness
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Rogue Wave
Aesop Rock
122 bpm • C# min • 04:07 • -7.17db
20% Popularity • 68% Danceability • 74% Energy • 21% Liveness
2% Instrumentalness • 74% Positiveness
20% Popularity • 68% Danceability • 74% Energy • 21% Liveness
2% Instrumentalness • 74% Positiveness
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Sufjan Stevens
Run Away With Me
118 bpm • C min • 04:07 • -10.72db
35% Popularity • 50% Danceability • 44% Energy • 4% Liveness
44% Instrumentalness • 14% Positiveness
35% Popularity • 50% Danceability • 44% Energy • 4% Liveness
44% Instrumentalness • 14% Positiveness
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Yo La Tengo
Let's Save Tony Orlando's House
118 bpm • F Maj • 04:59 • -11db
38% Popularity • 58% Danceability • 72% Energy • 26% Liveness
39% Instrumentalness • 21% Positiveness
38% Popularity • 58% Danceability • 72% Energy • 26% Liveness
39% Instrumentalness • 21% Positiveness
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Westerman
Waiting On Design
118 bpm • C Maj • 04:34 • -8.3db
20% Popularity • 75% Danceability • 43% Energy • 12% Liveness
22% Instrumentalness • 35% Positiveness
20% Popularity • 75% Danceability • 43% Energy • 12% Liveness
22% Instrumentalness • 35% Positiveness
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Porches
Lipstick Song
118 bpm • D Maj • 02:57 • -7.43db
18% Popularity • 74% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 74% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Bird
Capital Crimes
122 bpm • E min • 06:30 • -12.37db
18% Popularity • 57% Danceability • 60% Energy • 23% Liveness
10% Instrumentalness • 43% Positiveness
18% Popularity • 57% Danceability • 60% Energy • 23% Liveness
10% Instrumentalness • 43% Positiveness
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The Flaming Lips
Suddenly Everything Has Changed - 2017 R...
123 bpm • G# min • 03:54 • -10.11db
29% Popularity • 29% Danceability • 48% Energy • 17% Liveness
2% Instrumentalness • 7% Positiveness
29% Popularity • 29% Danceability • 48% Energy • 17% Liveness
2% Instrumentalness • 7% Positiveness
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Chromatics
Teacher
117 bpm • A# min • 04:17 • -8.68db
23% Popularity • 67% Danceability • 70% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
23% Popularity • 67% Danceability • 70% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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Ariel Pink
Burned Out Love
123 bpm • C min • 05:02 • -8.46db
16% Popularity • 26% Danceability • 75% Energy • 63% Liveness
47% Instrumentalness • 37% Positiveness
16% Popularity • 26% Danceability • 75% Energy • 63% Liveness
47% Instrumentalness • 37% Positiveness
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Blake Mills
Vanishing Twin
117 bpm • F# Maj • 06:16 • -11db
22% Popularity • 38% Danceability • 15% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
22% Popularity • 38% Danceability • 15% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
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My Morning Jacket
Spinning My Wheels
117 bpm • G Maj • 04:47 • -12db
10% Popularity • 45% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 36% Positiveness
10% Popularity • 45% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 36% Positiveness
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Jeff Tweedy
Gwendolyn
123 bpm • F Maj • 03:25 • -7.12db
25% Popularity • 79% Danceability • 69% Energy • 9% Liveness
61% Instrumentalness • 79% Positiveness
25% Popularity • 79% Danceability • 69% Energy • 9% Liveness
61% Instrumentalness • 79% Positiveness
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PJ Harvey
To Bring You My Love - Demo
117 bpm • G Maj • 04:51 • -17.86db
18% Popularity • 38% Danceability • 23% Energy • 9% Liveness
69% Instrumentalness • 6% Positiveness
18% Popularity • 38% Danceability • 23% Energy • 9% Liveness
69% Instrumentalness • 6% Positiveness
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The Avalanches
Interstellar Love
116 bpm • D Maj • 03:38 • -6.78db
44% Popularity • 45% Danceability • 83% Energy • 65% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 45% Danceability • 83% Energy • 65% Liveness
0% Instrumentalness • 27% Positiveness
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Dirty Projectors
Empty Vessel
124 bpm • G Maj • 02:19 • -9.38db
15% Popularity • 66% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
15% Popularity • 66% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Sufjan Stevens
Make Me An Offer I Cannot Refuse
124 bpm • C# min • 05:18 • -7.59db
29% Popularity • 54% Danceability • 81% Energy • 18% Liveness
17% Instrumentalness • 39% Positiveness
29% Popularity • 54% Danceability • 81% Energy • 18% Liveness
17% Instrumentalness • 39% Positiveness
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of Montreal
Gypsy That Remains
124 bpm • C# min • 04:18 • -5.41db
17% Popularity • 60% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 60% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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The Flaming Lips
Vein of Stars
124 bpm • A# Maj • 04:15 • -7.07db
16% Popularity • 33% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 31% Positiveness
16% Popularity • 33% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 31% Positiveness
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Father John Misty
Main Man
124 bpm • C Maj • 03:22 • -7.51db
28% Popularity • 72% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 72% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Warpaint
Paralysed
116 bpm • B min • 02:51 • -9.88db
32% Popularity • 70% Danceability • 56% Energy • 14% Liveness
28% Instrumentalness • 71% Positiveness
32% Popularity • 70% Danceability • 56% Energy • 14% Liveness
28% Instrumentalness • 71% Positiveness
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Dirty Projectors
Inner World
116 bpm • D Maj • 02:22 • -7.66db
19% Popularity • 71% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 71% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Thao
Temple
116 bpm • D Maj • 04:10 • -8db
32% Popularity • 67% Danceability • 64% Energy • 37% Liveness
12% Instrumentalness • 44% Positiveness
32% Popularity • 67% Danceability • 64% Energy • 37% Liveness
12% Instrumentalness • 44% Positiveness
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Sufjan Stevens
My Rajneesh
124 bpm • D min • 10:29 • -11db
29% Popularity • 30% Danceability • 52% Energy • 13% Liveness
60% Instrumentalness • 18% Positiveness
29% Popularity • 30% Danceability • 52% Energy • 13% Liveness
60% Instrumentalness • 18% Positiveness
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Woods
Where Do You Go When You Dream
116 bpm • A min • 05:51 • -7.8db
31% Popularity • 68% Danceability • 74% Energy • 37% Liveness
1% Instrumentalness • 84% Positiveness
31% Popularity • 68% Danceability • 74% Energy • 37% Liveness
1% Instrumentalness • 84% Positiveness
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Fruit Bats
Gullwing Doors
116 bpm • C Maj • 04:35 • -10.39db
16% Popularity • 54% Danceability • 48% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
16% Popularity • 54% Danceability • 48% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Panda Bear
Ponytail
116 bpm • A Maj • 02:06 • -17.46db
36% Popularity • 43% Danceability • 46% Energy • 10% Liveness
98% Instrumentalness • 66% Positiveness
36% Popularity • 43% Danceability • 46% Energy • 10% Liveness
98% Instrumentalness • 66% Positiveness
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Yo La Tengo
My Heart's Not In It
125 bpm • A Maj • 02:48 • -9.8db
42% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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St. Vincent
Pay Your Way In Pain
125 bpm • A Maj • 03:03 • -6.8db
42% Popularity • 68% Danceability • 83% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 68% Danceability • 83% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
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Clap Your Hands Say Yeah
Details of the War
125 bpm • C Maj • 03:30 • -6.32db
31% Popularity • 28% Danceability • 68% Energy • 61% Liveness
2% Instrumentalness • 14% Positiveness
31% Popularity • 28% Danceability • 68% Energy • 61% Liveness
2% Instrumentalness • 14% Positiveness
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The Weather Station
Atlantic
125 bpm • C Maj • 03:53 • -9.57db
25% Popularity • 62% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 46% Positiveness
25% Popularity • 62% Danceability • 60% Energy • 11% Liveness
41% Instrumentalness • 46% Positiveness
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Hamilton Leithauser
The Garbage Men
125 bpm • G Maj • 03:17 • -7db
18% Popularity • 44% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 44% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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MGMT
In The Afternoon
115 bpm • A# min • 03:46 • -5.17db
43% Popularity • 58% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
43% Popularity • 58% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Porridge Radio
Pop Song
125 bpm • A min • 05:02 • -7.58db
21% Popularity • 51% Danceability • 46% Energy • 10% Liveness
9% Instrumentalness • 15% Positiveness
21% Popularity • 51% Danceability • 46% Energy • 10% Liveness
9% Instrumentalness • 15% Positiveness
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Deap Lips
One Thousand Sisters with Aluminum Foil ...
115 bpm • B min • 02:59 • -10.33db
11% Popularity • 26% Danceability • 50% Energy • 25% Liveness
64% Instrumentalness • 6% Positiveness
11% Popularity • 26% Danceability • 50% Energy • 25% Liveness
64% Instrumentalness • 6% Positiveness
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STRFKR
Dear Stranger
115 bpm • D Maj • 04:31 • -8.32db
45% Popularity • 54% Danceability • 75% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
45% Popularity • 54% Danceability • 75% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
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Cass McCombs
The Wine of Lebanon
125 bpm • C# Maj • 03:45 • -10db
13% Popularity • 48% Danceability • 41% Energy • 19% Liveness
27% Instrumentalness • 36% Positiveness
13% Popularity • 48% Danceability • 41% Energy • 19% Liveness
27% Instrumentalness • 36% Positiveness
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Animal Collective
Rain In Cups
115 bpm • A Maj • 08:07 • -11.25db
12% Popularity • 40% Danceability • 62% Energy • 6% Liveness
63% Instrumentalness • 24% Positiveness
12% Popularity • 40% Danceability • 62% Energy • 6% Liveness
63% Instrumentalness • 24% Positiveness
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Deerhoof
Future Teenage Cave Artists
114 bpm • D Maj • 03:26 • -5.19db
21% Popularity • 33% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 33% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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LCD Soundsystem
Never as Tired as When I'm Waking Up
126 bpm • D Maj • 04:49 • -6.63db
46% Popularity • 65% Danceability • 48% Energy • 20% Liveness
2% Instrumentalness • 36% Positiveness
46% Popularity • 65% Danceability • 48% Energy • 20% Liveness
2% Instrumentalness • 36% Positiveness
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Deap Lips
Home Thru Hell
115 bpm • E min • 03:31 • -5.34db
15% Popularity • 54% Danceability • 92% Energy • 66% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 54% Danceability • 92% Energy • 66% Liveness
0% Instrumentalness • 24% Positiveness
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The Flaming Lips
Assassins of Youth
126 bpm • B min • 04:12 • -4db
22% Popularity • 32% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 32% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Purr
Avenue Bliss
114 bpm • C# min • 03:41 • -6.66db
18% Popularity • 55% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 55% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Animal Collective
Banshee Beat
114 bpm • A Maj • 08:22 • -13db
37% Popularity • 35% Danceability • 49% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
37% Popularity • 35% Danceability • 49% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
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Jeff Tweedy
Bad Day Lately
126 bpm • A Maj • 03:09 • -12.13db
17% Popularity • 74% Danceability • 12% Energy • 11% Liveness
37% Instrumentalness • 22% Positiveness
17% Popularity • 74% Danceability • 12% Energy • 11% Liveness
37% Instrumentalness • 22% Positiveness
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Dawes
I Will Run
114 bpm • G Maj • 05:43 • -11.11db
4% Popularity • 62% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
4% Popularity • 62% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Woods
Just to Fall Asleep
114 bpm • A min • 05:44 • -9.71db
15% Popularity • 87% Danceability • 45% Energy • 11% Liveness
22% Instrumentalness • 94% Positiveness
15% Popularity • 87% Danceability • 45% Energy • 11% Liveness
22% Instrumentalness • 94% Positiveness
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M. Ward
Along the Santa Fe Trail
113 bpm • C Maj • 03:08 • -11.53db
15% Popularity • 50% Danceability • 64% Energy • 18% Liveness
3% Instrumentalness • 71% Positiveness
15% Popularity • 50% Danceability • 64% Energy • 18% Liveness
3% Instrumentalness • 71% Positiveness
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Whitney
Bank Head
127 bpm • E min • 03:25 • -11.87db
21% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Magnetic Fields
I've Got a Date With Jesus
127 bpm • D Maj • 02:16 • -10.03db
12% Popularity • 43% Danceability • 40% Energy • 11% Liveness
28% Instrumentalness • 34% Positiveness
12% Popularity • 43% Danceability • 40% Energy • 11% Liveness
28% Instrumentalness • 34% Positiveness
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Waxahatchee
Ruby Falls
127 bpm • G Maj • 03:51 • -13.33db
36% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Spoon
Lines in the Suit - 30 Minutes Old - 199...
113 bpm • A min • 02:17 • -9.74db
14% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Woods
Before They Pass By
114 bpm • C Maj • 02:50 • -7.45db
15% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Grizzly Bear
Service Bell
113 bpm • A min • 02:23 • -11.73db
36% Popularity • 60% Danceability • 28% Energy • 11% Liveness
25% Instrumentalness • 26% Positiveness
36% Popularity • 60% Danceability • 28% Energy • 11% Liveness
25% Instrumentalness • 26% Positiveness
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My Morning Jacket
Still Thinkin
113 bpm • C min • 04:13 • -9.37db
8% Popularity • 58% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
8% Popularity • 58% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
