Songs like God, Beyond All Names by Bernadette Farrell
Based on a tempo of (+/- 10%) and a similar genre
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Jesse Manibusan
Gracious God
88 bpm • E Maj • 03:45 • -11.57db
20% Popularity • 50% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 50% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Bernadette Farrell
Come to Set Us Free
88 bpm • D min • 02:52 • -16.42db
5% Popularity • 53% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
5% Popularity • 53% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Joncas
On Eagle's Wings
88 bpm • D Maj • 02:31 • -15.04db
21% Popularity • 30% Danceability • 24% Energy • 11% Liveness
15% Instrumentalness • 13% Positiveness
21% Popularity • 30% Danceability • 24% Energy • 11% Liveness
15% Instrumentalness • 13% Positiveness
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Curtis Stephan
Lamb of God
88 bpm • F Maj • 01:20 • -9.38db
24% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
O Lord, I Am Not Worthy
88 bpm • A# Maj • 01:39 • -24.24db
14% Popularity • 27% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 27% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Jeffrey Honore
Earthen Vessels
89 bpm • A Maj • 02:14 • -12.9db
14% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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GIA Singers
Keep in Mind
87 bpm • C Maj • 03:21 • -19.75db
23% Popularity • 18% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
23% Popularity • 18% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Bernadette Farrell
God, Beyond All Names
88 bpm • G min • 03:48 • -22db
16% Popularity • 31% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 31% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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William Ferris Chorale
Celtic Song of Farewell
89 bpm • D Maj • 01:41 • -15.48db
19% Popularity • 18% Danceability • 22% Energy • 12% Liveness
64% Instrumentalness • 26% Positiveness
19% Popularity • 18% Danceability • 22% Energy • 12% Liveness
64% Instrumentalness • 26% Positiveness
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John Bacchus Dykes
Shepherd of Souls
87 bpm • G Maj • 01:37 • -11.98db
13% Popularity • 31% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 31% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
O Worship The King
89 bpm • G Maj • 02:30 • -25db
25% Popularity • 21% Danceability • 15% Energy • 14% Liveness
12% Instrumentalness • 22% Positiveness
25% Popularity • 21% Danceability • 15% Energy • 14% Liveness
12% Instrumentalness • 22% Positiveness
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David Haas
Song of the Body of Christ
89 bpm • F Maj • 06:15 • -13.16db
27% Popularity • 35% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 35% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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GIA Singers
Eye Has Not Seen
87 bpm • D Maj • 05:09 • -17.28db
27% Popularity • 17% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 17% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Bernadette Farrell
Restless Is the Heart
89 bpm • G# Maj • 04:17 • -23.18db
6% Popularity • 14% Danceability • 15% Energy • 15% Liveness
3% Instrumentalness • 7% Positiveness
6% Popularity • 14% Danceability • 15% Energy • 15% Liveness
3% Instrumentalness • 7% Positiveness
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The Songs of Taize Session Singers
In The Lord
87 bpm • F Maj • 02:27 • -21.55db
22% Popularity • 21% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 21% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Joslin Grove Choral Society
The Lord Is My Shepherd I'll Not Want
87 bpm • C Maj • 02:21 • -12.45db
18% Popularity • 28% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 28% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Samuel Sebastian Wesley
The Church's one foundation
87 bpm • D# Maj • 02:45 • -26.68db
22% Popularity • 15% Danceability • 11% Energy • 24% Liveness
26% Instrumentalness • 5% Positiveness
22% Popularity • 15% Danceability • 11% Energy • 24% Liveness
26% Instrumentalness • 5% Positiveness
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Williams Croft
St. Anne "O God, Our Help in Ages Past"
87 bpm • C Maj • 02:36 • -19db
23% Popularity • 21% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 20% Positiveness
23% Popularity • 21% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 20% Positiveness
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Christopher Walker
The Lord Is My Light
87 bpm • C Maj • 03:01 • -13.67db
27% Popularity • 16% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 16% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Bernadette Farrell
Your Words Are Spirit and Life
89 bpm • D# Maj • 02:54 • -16.12db
13% Popularity • 14% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 14% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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David Haas
The God of Second Chances
89 bpm • D Maj • 04:30 • -16.05db
25% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
25% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Jaime Cortez
Rain Down
87 bpm • F Maj • 03:46 • -5.66db
21% Popularity • 36% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 36% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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John Michael Talbot
One Bread, One Body
87 bpm • D Maj • 04:38 • -12.11db
47% Popularity • 15% Danceability • 28% Energy • 11% Liveness
30% Instrumentalness • 21% Positiveness
47% Popularity • 15% Danceability • 28% Energy • 11% Liveness
30% Instrumentalness • 21% Positiveness
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Daughters Of St. Paul
Daily, Daily Sing to Mary
89 bpm • F Maj • 03:19 • -20.41db
18% Popularity • 21% Danceability • 9% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 21% Danceability • 9% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
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Kim Orabona
Shepherd Me, O God
89 bpm • C min • 03:45 • -17.59db
12% Popularity • 17% Danceability • 10% Energy • 16% Liveness
11% Instrumentalness • 20% Positiveness
12% Popularity • 17% Danceability • 10% Energy • 16% Liveness
11% Instrumentalness • 20% Positiveness
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Fredrick William Faber
There's a Wideness in God's Mercy
89 bpm • G Maj • 01:49 • -13.58db
22% Popularity • 16% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 16% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Cantus
E'en So, Lord Jesus, Quickly Come
90 bpm • D# min • 02:32 • -22db
9% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Bernadette Farrell
Praise to You, O Christ, Our Savior
90 bpm • E min • 03:23 • -17.04db
9% Popularity • 28% Danceability • 21% Energy • 10% Liveness
22% Instrumentalness • 35% Positiveness
9% Popularity • 28% Danceability • 21% Energy • 10% Liveness
22% Instrumentalness • 35% Positiveness
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Alessandra Sorace
O Sacred Head Now Wounded
90 bpm • A min • 04:09 • -8.46db
11% Popularity • 20% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 20% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Katherine K. Davis
Let All Things Now Living
90 bpm • F Maj • 02:27 • -12db
20% Popularity • 23% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 23% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Joncas
On Eagle's Wings
86 bpm • D Maj • 04:26 • -14db
33% Popularity • 29% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 29% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 25% Positiveness
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Jesse Manibusan
Give Us Your Peace
86 bpm • F Maj • 03:59 • -14.19db
15% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Liam Lawton
Hiding Place
90 bpm • A min • 03:20 • -15.03db
20% Popularity • 32% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 32% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Martin Willett
Behold the Lamb
86 bpm • G Maj • 02:51 • -16.71db
23% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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David Haas
Look to Christ
90 bpm • F Maj • 05:15 • -9.74db
24% Popularity • 35% Danceability • 33% Energy • 11% Liveness
7% Instrumentalness • 18% Positiveness
24% Popularity • 35% Danceability • 33% Energy • 11% Liveness
7% Instrumentalness • 18% Positiveness
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Robert Williams
Christ, The Lord, Is Risen Today
90 bpm • F Maj • 02:59 • -13.16db
10% Popularity • 14% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 14% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Easter Hymns Band
Ride On, Ride On In Majesty
90 bpm • A# Maj • 02:15 • -12db
30% Popularity • 19% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 26% Positiveness
30% Popularity • 19% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 26% Positiveness
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Carey Landry
Hail Mary: Gentle Woman
86 bpm • E Maj • 04:18 • -12.73db
12% Popularity • 17% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 17% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Harry Hagan OSB
Benediction: Tantum Ergo
86 bpm • C Maj • 02:41 • -14.49db
14% Popularity • 25% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 25% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Kevin Keil
One Spirit, One Church
90 bpm • F Maj • 03:49 • -16.94db
15% Popularity • 12% Danceability • 20% Energy • 17% Liveness
4% Instrumentalness • 19% Positiveness
15% Popularity • 12% Danceability • 20% Energy • 17% Liveness
4% Instrumentalness • 19% Positiveness
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The Jubilate Singers
Thine Be The Glory
90 bpm • B Maj • 00:54 • -16.41db
25% Popularity • 36% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 36% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Marty Haugen
Eye Has Not Seen
91 bpm • D Maj • 04:25 • -10db
37% Popularity • 22% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
37% Popularity • 22% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Bernadette Farrell
There Is Someone
91 bpm • C Maj • 01:59 • -15.87db
2% Popularity • 26% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 26% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Tom Kendzia
Endless Is Your Love
85 bpm • D Maj • 04:49 • -7.79db
10% Popularity • 13% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Roland F. Palmer SJE
Sing of Mary
91 bpm • F Maj • 01:51 • -11db
17% Popularity • 18% Danceability • 26% Energy • 10% Liveness
7% Instrumentalness • 10% Positiveness
17% Popularity • 18% Danceability • 26% Energy • 10% Liveness
7% Instrumentalness • 10% Positiveness
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Rob Gardner, London Symphony Orchestra, Spire Chorus
Thou Hope and Deliverer
85 bpm • E Maj • 02:04 • -23.71db
39% Popularity • 13% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
39% Popularity • 13% Danceability • 3% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
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Dan Schutte
As I Have Done for You - Holy Thursday
85 bpm • F Maj • 04:13 • -11.88db
22% Popularity • 21% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 21% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Marty Haugen
We Are Many Parts
91 bpm • F Maj • 03:22 • -14db
37% Popularity • 28% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
37% Popularity • 28% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Carey Landry
Isaiah 49
91 bpm • D Maj • 04:32 • -29db
9% Popularity • 36% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 27% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 27% Positiveness
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Claudia F. Hernaman
Lord, Who Throughout These Forty Days
85 bpm • F Maj • 02:38 • -15.08db
20% Popularity • 16% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 16% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Liam Lawton
I Will Be the Vine
85 bpm • D Maj • 05:30 • -16.65db
19% Popularity • 22% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
19% Popularity • 22% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Jean Watson
St. Patrick's Breastplate
91 bpm • D min • 04:06 • -9.09db
19% Popularity • 44% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 44% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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John Michaels
O Bless the Lord
91 bpm • D Maj • 02:45 • -11.34db
14% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Frank Brownstead Choir
Magnificat
85 bpm • F Maj • 03:16 • -19.95db
15% Popularity • 13% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
15% Popularity • 13% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Louis Bourgeois
Old Hundredth "All People That on Earth ...
85 bpm • G Maj • 03:05 • -26db
18% Popularity • 19% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 19% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Bob Hurd
Two Were Bound for Emmaus
85 bpm • C Maj • 03:34 • -16db
20% Popularity • 18% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 18% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Liam Lawton
Seinn Aillelu
85 bpm • G min • 03:50 • -17.12db
21% Popularity • 23% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 23% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Praise, My Soul, The King Of Heaven
92 bpm • D Maj • 02:58 • -20.9db
19% Popularity • 23% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 23% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Christopher Walker
Veni, Sancte Spiritus
85 bpm • C min • 03:28 • -13.17db
13% Popularity • 11% Danceability • 26% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 26% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
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Irvin Udulutsch OFM Cap.
O Sacrament Most Holy
92 bpm • G Maj • 01:44 • -12.51db
25% Popularity • 18% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
25% Popularity • 18% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Janèt Sullivan Whitaker
In Every Age
85 bpm • G min • 03:23 • -16db
24% Popularity • 24% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
24% Popularity • 24% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Marian Grace
Doxology
85 bpm • C Maj • 01:03 • -12.04db
32% Popularity • 34% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 34% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Bob Frenzel
One Love Released
92 bpm • F Maj • 03:22 • -12.23db
18% Popularity • 26% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 26% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Tom Conry
Anthem
84 bpm • D Maj • 02:31 • -9.3db
10% Popularity • 44% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 44% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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John Michael Talbot
Holy is His Name
84 bpm • D Maj • 03:34 • -12.72db
19% Popularity • 30% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
19% Popularity • 30% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Boyce & Stanley
You Are Near (Yahweh I Know)
92 bpm • F# Maj • 05:32 • -11db
40% Popularity • 50% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 50% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Carey Landry
Peace Is Flowing Like a River
84 bpm • G min • 04:31 • -11.6db
9% Popularity • 21% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 21% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
John Foley
Dwelling Place
84 bpm • D Maj • 02:34 • -14.08db
14% Popularity • 26% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 26% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Richard Gillard
The Servant Song
92 bpm • D# Maj • 01:31 • -14.04db
28% Popularity • 17% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 17% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Karen Bolduc
Song of Farewell
84 bpm • F Maj • 01:14 • -18.52db
17% Popularity • 24% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 24% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Tom Conry
Ashes
92 bpm • D# Maj • 01:42 • -8.24db
32% Popularity • 35% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 35% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
John Bacchus Dykes
Nicaea "Holy, Holy, Holy! Lord God Almig...
92 bpm • D Maj • 03:19 • -28.42db
27% Popularity • 11% Danceability • 4% Energy • 13% Liveness
7% Instrumentalness • 7% Positiveness
27% Popularity • 11% Danceability • 4% Energy • 13% Liveness
7% Instrumentalness • 7% Positiveness
► Preview
Ricky Manalo, CSP
Beyond the Days
84 bpm • F Maj • 03:21 • -16db
15% Popularity • 23% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 23% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Carey Landry
Abba! Father
84 bpm • A Maj • 04:53 • -12db
15% Popularity • 11% Danceability • 36% Energy • 10% Liveness
18% Instrumentalness • 8% Positiveness
15% Popularity • 11% Danceability • 36% Energy • 10% Liveness
18% Instrumentalness • 8% Positiveness
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The Concordia Choir
Create in Me a Clean Heart
84 bpm • E Maj • 01:43 • -37db
39% Popularity • 19% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Liam Lawton
Mass of the Celtic Saints: Lamb of God
84 bpm • C Maj • 01:37 • -16.41db
19% Popularity • 19% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 19% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
David J. Evans
Be Still for the Presence of the Lord (A...
84 bpm • D Maj • 02:34 • -21db
15% Popularity • 26% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 16% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Gregory Norbet
Ave Maria
93 bpm • D Maj • 03:20 • -14db
22% Popularity • 32% Danceability • 21% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
22% Popularity • 32% Danceability • 21% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
► Preview
Scott Soper
Loving and Forgiving
83 bpm • F Maj • 02:55 • -14.91db
36% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 32% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Carey Landry
Peace Is Flowing Like a River
83 bpm • G min • 03:45 • -12db
21% Popularity • 20% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 20% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Bernadette Farrell
O God, For You I Long
83 bpm • G# Maj • 03:36 • -19db
1% Popularity • 18% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
1% Popularity • 18% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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Kathryn Crosweller
This Is My Body
93 bpm • D# Maj • 02:39 • -12db
17% Popularity • 35% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 35% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Holy God, We Praise Thy Name
83 bpm • F Maj • 03:55 • -17.59db
12% Popularity • 11% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
12% Popularity • 11% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
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Martin Herbst
From the Depths We Cry to Thee
93 bpm • D min • 01:23 • -15.53db
18% Popularity • 18% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 18% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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The Songs of Taize Session Singers
Veni Sancte Spiritus
93 bpm • B min • 03:46 • -21.11db
28% Popularity • 25% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 25% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Schola Cantorum of St. Peter the Apostle
The Litany of the Saints
93 bpm • D Maj • 04:43 • -24.43db
14% Popularity • 22% Danceability • 4% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
14% Popularity • 22% Danceability • 4% Energy • 11% Liveness
4% Instrumentalness • 14% Positiveness
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Bernadette Farrell
O God, You Search Me
83 bpm • F Maj • 03:18 • -10db
19% Popularity • 22% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 22% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Jakob Hintze
At the Lamb's High Feast
83 bpm • D Maj • 04:11 • -10.84db
18% Popularity • 24% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
18% Popularity • 24% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Frank Brownstead Choir
On the Day I Called
83 bpm • G Maj • 02:29 • -21db
10% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
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Louis Lambillotee
Come, Holy Ghost
93 bpm • F Maj • 02:16 • -13.92db
13% Popularity • 27% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 27% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Chapel of St. Ignatius Choir
We Shall Rise Again
83 bpm • D# Maj • 03:38 • -18.51db
10% Popularity • 14% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
10% Popularity • 14% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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St. Louis Jesuits
City of God
83 bpm • E Maj • 03:14 • -12.75db
34% Popularity • 41% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 41% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Bernadette Farrell
I Am Special
93 bpm • C Maj • 02:06 • -15.61db
2% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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OCP Choir
Hail the Day That Sees Him Rise
83 bpm • F Maj • 02:20 • -12db
12% Popularity • 14% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 14% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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WLP Choir
Holy God, We Praise Thy Name
93 bpm • F Maj • 03:23 • -16.08db
10% Popularity • 19% Danceability • 18% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
10% Popularity • 19% Danceability • 18% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
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Frank Patterson
Holy God We Praise Thy Name
83 bpm • G Maj • 03:35 • -17.27db
19% Popularity • 8% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
19% Popularity • 8% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Samuel Sebastian Wesley
The Church's One Foundation
94 bpm • D Maj • 01:44 • -11.65db
22% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 31% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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The Jubilate Singers
O God Of Bethel By Whose Hand
94 bpm • D# Maj • 01:32 • -22db
29% Popularity • 23% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
29% Popularity • 23% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 15% Positiveness
