Songs like God Made Angels by Brandon Davis
Based on a tempo of (+/- 10%) and a similar genre
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Brandon Davis
God Made Angels
73 bpm • A# Maj • 03:56 • -9.77db
29% Popularity • 33% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 33% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Mitch Rossell
God, Girls, and Football
73 bpm • G Maj • 03:43 • -4.77db
24% Popularity • 30% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 30% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Britnee Kellogg
10 Years Ago
72 bpm • A Maj • 04:03 • -7.82db
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jordan Rager
Call You Home
72 bpm • G Maj • 03:28 • -3.95db
14% Popularity • 44% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 44% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jay Allen
Whiskey Prayer
74 bpm • A Maj • 03:10 • -5.32db
28% Popularity • 40% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 40% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Burgett
Blessed Beyond Believin'
72 bpm • D Maj • 03:49 • -7.02db
28% Popularity • 36% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 36% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Brandon Davis
Jesus and Jesse James
72 bpm • C# min • 03:45 • -6.28db
29% Popularity • 47% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 47% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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The Band Steele
You're Gonna Have to Miss Me
74 bpm • G Maj • 03:56 • -5.03db
21% Popularity • 43% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 43% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Jordan Rowe
I Didn't Sleep Last Night
75 bpm • B Maj • 03:03 • -4.85db
11% Popularity • 43% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 43% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmie Allen
Why Things Happen
75 bpm • B Maj • 03:16 • -4.86db
37% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Stell
Everywhere But On - Acoustic
75 bpm • F# Maj • 03:13 • -5.03db
24% Popularity • 44% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 44% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Nate Barnes
You Ain't Pretty
75 bpm • C# Maj • 03:20 • -5.95db
32% Popularity • 51% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 51% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Brandon Davis
Something's Better Than Nothing
74 bpm • D Maj • 03:20 • -6db
28% Popularity • 44% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 44% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Trea Landon
What Feelin' Good Feels Like
75 bpm • F Maj • 02:50 • -4.59db
24% Popularity • 53% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 53% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Drew Baldridge
Middle of Nowhere Kids
75 bpm • B Maj • 02:54 • -3.72db
37% Popularity • 51% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 51% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Ryan Griffin
Going Going Gone
75 bpm • D Maj • 03:24 • -4.25db
27% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Anthony Nix
Whiskey Bent
75 bpm • A# Maj • 03:40 • -8db
25% Popularity • 57% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 57% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Wolfe
At This Bar
75 bpm • F# Maj • 03:07 • -9db
26% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Brandon Davis
Don't Hold Me To It
75 bpm • C Maj • 03:09 • -5.9db
23% Popularity • 48% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 48% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Mason Horne
Pain Swims
76 bpm • D Maj • 02:53 • -9.33db
24% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Thomas Rhett
To The Guys That Date My Girls
76 bpm • E Maj • 03:01 • -9.31db
40% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Southerland
Little Bit of You
76 bpm • F# Maj • 02:57 • -5.41db
16% Popularity • 61% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 61% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Restless Road
It Ain't Easy
76 bpm • F# Maj • 03:34 • -5db
30% Popularity • 47% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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David Allen Buckner
Forget the Past with You
76 bpm • C# Maj • 04:43 • -6.04db
10% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Brandon Davis
Somebody's Gotta Do It
75 bpm • B Maj • 03:03 • -3.49db
19% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Elvie Shane
My Mississippi
76 bpm • C Maj • 04:01 • -3.9db
26% Popularity • 49% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 49% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Blake Wood
As Good as You Loved Me
76 bpm • G# Maj • 03:16 • -7.96db
13% Popularity • 63% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 63% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Stell
If I Was a Bar
76 bpm • D# Maj • 03:01 • -4db
29% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Tyler Booth
Long Comes a Girl
76 bpm • D Maj • 03:23 • -5db
28% Popularity • 51% Danceability • 69% Energy • 16% Liveness
5% Instrumentalness • 57% Positiveness
28% Popularity • 51% Danceability • 69% Energy • 16% Liveness
5% Instrumentalness • 57% Positiveness
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Jameson Rodgers
Desert
76 bpm • F# Maj • 03:21 • -8db
19% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Brandon Davis
Hits Different - Acoustic
76 bpm • E Maj • 02:58 • -7.51db
9% Popularity • 58% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 58% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Hayden Coffman
Lose Somebody You Love
76 bpm • A Maj • 04:03 • -7.3db
24% Popularity • 56% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 56% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Andrew Jannakos
We've Always Loved
76 bpm • D Maj • 03:31 • -5.79db
13% Popularity • 37% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 37% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Sam Riggs
One More Chance to Stay
76 bpm • C Maj • 04:00 • -10db
33% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Trace Adkins
Ain't That Kind of Cowboy
76 bpm • G# Maj • 03:21 • -5.15db
30% Popularity • 57% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 57% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Heath Sanders
Down on the South
77 bpm • B Maj • 04:02 • -7db
27% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Brandon Davis
What It Is
76 bpm • B Maj • 03:41 • -6.67db
17% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Todd Cameron
The Little Things
77 bpm • E Maj • 03:24 • -4.12db
28% Popularity • 43% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 43% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Blake Wood
Easy
77 bpm • F min • 03:13 • -8.76db
12% Popularity • 55% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 55% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Tyler Farr
Cover Girl
77 bpm • G Maj • 03:09 • -5.5db
28% Popularity • 46% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 46% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
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Cooper Alan
Pink Umbrella Drinks
77 bpm • A# Maj • 03:28 • -7.93db
38% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Andrew Jannakos
She Ain't Gone
77 bpm • A Maj • 03:28 • -5.75db
25% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Brandon Davis
Lightning in a Mason Jar
77 bpm • D Maj • 03:50 • -7db
37% Popularity • 57% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 57% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jordan Rowe
Doin' good
77 bpm • F# Maj • 03:14 • -4.21db
13% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Drew Baldridge
God's People
77 bpm • F Maj • 03:35 • -3.5db
18% Popularity • 47% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 47% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Matt Austin
Your Name
77 bpm • A Maj • 03:14 • -4db
27% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 55% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Matt Stell
Reason Why
78 bpm • G min • 02:58 • -4.08db
29% Popularity • 42% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 42% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Jordan Rager
Habits and Hearts
78 bpm • C# Maj • 03:24 • -4.57db
21% Popularity • 48% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 48% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Brandon Davis
Pretty
77 bpm • G Maj • 03:16 • -4.39db
33% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Justin Lee
Could've Loved You More
78 bpm • G# Maj • 04:11 • -5.28db
19% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Dillon Carmichael
Lucky Man
68 bpm • E Maj • 03:14 • -6.38db
30% Popularity • 54% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 54% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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John Ashburn
Back When
79 bpm • B Maj • 05:17 • -7.74db
18% Popularity • 32% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 32% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Lane
That's What Mamas Are For
79 bpm • C# Maj • 03:27 • -6db
33% Popularity • 28% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 28% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Kelsey Hart
Let It Ring
79 bpm • G# Maj • 03:30 • -6.08db
28% Popularity • 42% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 42% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Brandon Davis
Hey Baby
77 bpm • C Maj • 03:44 • -3.6db
21% Popularity • 46% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 46% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Hunter Phelps
Silverado
79 bpm • A Maj • 03:23 • -4.93db
35% Popularity • 60% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 60% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Grant Gilbert
Hey Bartender
79 bpm • B Maj • 03:10 • -4.8db
17% Popularity • 32% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 32% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jordan Rowe
Had a Ball
79 bpm • F# Maj • 03:16 • -8db
10% Popularity • 48% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 48% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Nate Moran
Unbreak Broken
79 bpm • A# min • 02:56 • -4db
26% Popularity • 49% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 49% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Smithfield
Sunday Best
79 bpm • C Maj • 02:47 • -5db
32% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Brandon Davis
Six Strings and Jesus
78 bpm • B Maj • 04:20 • -5.43db
16% Popularity • 24% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 24% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Drew Baldridge
Before You
79 bpm • F Maj • 03:39 • -6.17db
36% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Derek Austin
Ride Or Die
80 bpm • D Maj • 03:11 • -4db
23% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Laine Hardy
Ground I Grew Up On
80 bpm • C Maj • 03:33 • -6.09db
31% Popularity • 52% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 52% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Holdyn Barder
Like You Do
80 bpm • A Maj • 03:15 • -6.71db
16% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 67% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Styles Haury
She's That Kind of Beautiful
80 bpm • D# Maj • 03:15 • -6.63db
14% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Brandon Davis
Life's Too Short
79 bpm • G Maj • 03:17 • -5.35db
26% Popularity • 51% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 51% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Drew Baldridge
Gentle Man
80 bpm • B Maj • 03:20 • -7.44db
33% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jameson Rodgers
Some Girls - Acoustic
81 bpm • D# Maj • 03:11 • -5.67db
33% Popularity • 58% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 58% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Laine Hardy
Ground I Grew Up On - Acoustic
80 bpm • C Maj • 03:34 • -8db
18% Popularity • 64% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 64% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Josiah Siska
To Get a Girl
81 bpm • A# Maj • 03:03 • -9db
17% Popularity • 57% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 57% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Rayne Johnson
Lips Like Liquor
81 bpm • F Maj • 03:19 • -6.57db
25% Popularity • 73% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 73% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Brandon Davis
Pray Like Hell
80 bpm • A# Maj • 03:41 • -5.1db
19% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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William Michael Morgan
Girl Like Mine
81 bpm • D Maj • 03:32 • -6.67db
27% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Justin Lee
Where I Belong
81 bpm • F Maj • 03:15 • -8db
36% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Laine Hardy
Comin' Down
80 bpm • C# Maj • 03:12 • -5db
25% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Brian Kelley
Sunday Service In The Sand
82 bpm • A# Maj • 03:41 • -7db
29% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Justin Adams
Lucky One
82 bpm • C# Maj • 03:09 • -4.98db
11% Popularity • 51% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 51% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Brandon Davis
Leave a Mark
80 bpm • C Maj • 03:27 • -5.37db
21% Popularity • 58% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 58% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Blake Wood
Everything I Want
82 bpm • G# Maj • 03:12 • -4.14db
22% Popularity • 71% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 71% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Austin Burke
Speed of Life
82 bpm • C# min • 03:13 • -6.57db
25% Popularity • 53% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 53% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Laine Hardy
Let There Be Country
81 bpm • G Maj • 03:03 • -4.17db
27% Popularity • 59% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 59% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Rayne Johnson
Same Boat
82 bpm • B Maj • 03:19 • -5.29db
15% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Tyler Wood
All Around Us
82 bpm • D# Maj • 03:40 • -6.43db
20% Popularity • 58% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 58% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Brandon Davis
What Cowboys Are For
80 bpm • G Maj • 03:08 • -3.73db
34% Popularity • 46% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 46% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Jaden Hamilton
Thinkin' 'Bout You
84 bpm • D Maj • 02:49 • -5.37db
24% Popularity • 46% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 46% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Young
When You're Drinking
84 bpm • G Maj • 03:16 • -3.74db
28% Popularity • 35% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 35% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Laine Hardy
California Won't
82 bpm • G# Maj • 03:06 • -4.89db
26% Popularity • 49% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 49% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Jannakos
Somebody Loves You
84 bpm • A# Maj • 02:32 • -4.46db
22% Popularity • 55% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 55% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Britnee Kellogg
Honey
84 bpm • G Maj • 02:45 • -5.35db
24% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Lewis Brice
That's a Given
84 bpm • C# Maj • 02:49 • -4.73db
13% Popularity • 59% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 59% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Brandon Davis
Ice Cold
84 bpm • A# Maj • 02:54 • -4.59db
24% Popularity • 55% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 55% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Adam Sanders
Ruled the World
84 bpm • F Maj • 03:01 • -3.48db
27% Popularity • 60% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 60% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Laine Hardy
Tiny Town - Acoustic
84 bpm • F# Maj • 02:55 • -9db
19% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Julia Cole
Even In My Dreams
85 bpm • F Maj • 03:11 • -3.56db
38% Popularity • 31% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 31% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Jannakos
Walkin' Shoes
85 bpm • E Maj • 03:17 • -5.42db
20% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Gary Allan
Till It Felt Like You
85 bpm • C Maj • 03:41 • -6.35db
31% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Drew Green
Just Talkin
86 bpm • D# Maj • 03:19 • -5.88db
33% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
