Songs like God Put a Smile upon Your Face by Coldplay
Based on a tempo of (+/- 10%) and a similar genre
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Foster The People
Helena Beat
127 bpm • F min • 04:36 • -4.91db
64% Popularity • 67% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 67% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Chemical Brothers
Let Forever Be
127 bpm • G# Maj • 03:56 • -4db
56% Popularity • 25% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 25% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Arcade Fire
Neighborhood #1 (Tunnels)
127 bpm • C Maj • 04:48 • -5.57db
55% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
55% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
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The Smashing Pumpkins
1979 - Remastered 2012
127 bpm • D# Maj • 04:26 • -9.9db
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
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Pink Floyd
Comfortably Numb
127 bpm • B min • 06:22 • -12.6db
73% Popularity • 47% Danceability • 37% Energy • 8% Liveness
31% Instrumentalness • 17% Positiveness
73% Popularity • 47% Danceability • 37% Energy • 8% Liveness
31% Instrumentalness • 17% Positiveness
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Arctic Monkeys
Fake Tales Of San Francisco
127 bpm • A Maj • 02:57 • -4.23db
64% Popularity • 45% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 45% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Of Monsters and Men
King And Lionheart
127 bpm • D# Maj • 04:33 • -6.52db
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Manic Street Preachers
Your Love Alone Is Not Enough
127 bpm • D Maj • 03:55 • -3.05db
49% Popularity • 34% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 34% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
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Arcade Fire
Rebellion (Lies)
127 bpm • G# Maj • 05:10 • -5.68db
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
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Coldplay
White Shadows
127 bpm • G# min • 05:28 • -9db
52% Popularity • 49% Danceability • 78% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
52% Popularity • 49% Danceability • 78% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
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Bastille
Pompeii
127 bpm • A Maj • 03:34 • -6.38db
78% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Radiohead
There, There
126 bpm • A min • 05:23 • -8.32db
61% Popularity • 61% Danceability • 68% Energy • 11% Liveness
52% Instrumentalness • 72% Positiveness
61% Popularity • 61% Danceability • 68% Energy • 11% Liveness
52% Instrumentalness • 72% Positiveness
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The Black Keys
Fever
128 bpm • A min • 04:06 • -6.51db
67% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
67% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Manic Street Preachers
If You Tolerate This Your Children Will ...
128 bpm • C Maj • 04:50 • -6.19db
57% Popularity • 27% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
57% Popularity • 27% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
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Doves
Snowden
128 bpm • G Maj • 04:12 • -6.33db
40% Popularity • 23% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 23% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Coldplay
God Put a Smile upon Your Face
127 bpm • A Maj • 04:57 • -5.76db
63% Popularity • 61% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 25% Positiveness
63% Popularity • 61% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 25% Positiveness
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The Coral
In the Morning
126 bpm • F# min • 02:32 • -6.17db
57% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Foster The People
Pumped Up Kicks
128 bpm • F min • 03:59 • -5.85db
86% Popularity • 73% Danceability • 71% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
86% Popularity • 73% Danceability • 71% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
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R.E.M.
The One I Love - Remastered 2012
128 bpm • D Maj • 03:17 • -5db
65% Popularity • 49% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 49% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Radiohead
Lotus Flower
128 bpm • D min • 05:00 • -8.78db
59% Popularity • 72% Danceability • 68% Energy • 8% Liveness
33% Instrumentalness • 62% Positiveness
59% Popularity • 72% Danceability • 68% Energy • 8% Liveness
33% Instrumentalness • 62% Positiveness
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Foals
My Number
128 bpm • F# min • 03:58 • -8.95db
67% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
67% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Franz Ferdinand
Auf Achse
126 bpm • F Maj • 04:19 • -8.32db
42% Popularity • 50% Danceability • 73% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
42% Popularity • 50% Danceability • 73% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
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Arctic Monkeys
Suck It and See
128 bpm • E Maj • 03:45 • -5.02db
61% Popularity • 34% Danceability • 93% Energy • 26% Liveness
11% Instrumentalness • 59% Positiveness
61% Popularity • 34% Danceability • 93% Energy • 26% Liveness
11% Instrumentalness • 59% Positiveness
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Foster The People
Are You What You Want to Be?
126 bpm • F# min • 04:30 • -5db
54% Popularity • 60% Danceability • 82% Energy • 51% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 60% Danceability • 82% Energy • 51% Liveness
0% Instrumentalness • 60% Positiveness
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R.E.M.
Losing My Religion
126 bpm • A min • 04:28 • -5.05db
83% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
83% Popularity • 67% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Julian Casablancas
11th Dimension
126 bpm • F# min • 04:03 • -2.77db
52% Popularity • 57% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
52% Popularity • 57% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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The Cranberries
Dreams
129 bpm • E Maj • 04:31 • -13.09db
79% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
79% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Hard-FI
Hard to Beat
125 bpm • A# Maj • 04:13 • -5db
52% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Young the Giant
Cough Syrup
129 bpm • B min • 04:09 • -7.31db
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
71% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Foster The People
I Would Do Anything for You
128 bpm • C Maj • 03:34 • -5.84db
59% Popularity • 60% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 60% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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R.E.M.
Shiny Happy People
125 bpm • A Maj • 03:45 • -3.98db
75% Popularity • 45% Danceability • 91% Energy • 23% Liveness
6% Instrumentalness • 80% Positiveness
75% Popularity • 45% Danceability • 91% Energy • 23% Liveness
6% Instrumentalness • 80% Positiveness
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Supergrass
St. Petersburg
125 bpm • F# min • 03:09 • -8.57db
49% Popularity • 48% Danceability • 60% Energy • 10% Liveness
53% Instrumentalness • 46% Positiveness
49% Popularity • 48% Danceability • 60% Energy • 10% Liveness
53% Instrumentalness • 46% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
71% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
71% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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The Smashing Pumpkins
Disarm - 2011 Remaster
130 bpm • E min • 03:16 • -10.21db
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
67% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Foster The People
Waste
126 bpm • G# Maj • 03:25 • -6.27db
57% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
57% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Coldplay
Green Eyes
130 bpm • A Maj • 03:43 • -8.61db
64% Popularity • 61% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 61% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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R.E.M.
Near Wild Heaven
124 bpm • D Maj • 03:19 • -5.42db
54% Popularity • 55% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
54% Popularity • 55% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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The Police
King Of Pain
124 bpm • D Maj • 04:59 • -8.85db
64% Popularity • 52% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
64% Popularity • 52% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Franz Ferdinand
Walk Away
124 bpm • D Maj • 03:40 • -4.49db
53% Popularity • 58% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 58% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Kodaline
Love Like This
124 bpm • C Maj • 03:36 • -5db
57% Popularity • 46% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 46% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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The Flaming Lips
Do You Realize??
130 bpm • C Maj • 03:33 • -5.24db
62% Popularity • 46% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 46% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Coldplay
Square One
124 bpm • C min • 04:47 • -6.88db
51% Popularity • 45% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
51% Popularity • 45% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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The Black Keys
Gold on the Ceiling
130 bpm • C Maj • 03:44 • -4.63db
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Foster The People
Coming of Age
130 bpm • G min • 04:40 • -4.45db
55% Popularity • 53% Danceability • 96% Energy • 32% Liveness
1% Instrumentalness • 42% Positiveness
55% Popularity • 53% Danceability • 96% Energy • 32% Liveness
1% Instrumentalness • 42% Positiveness
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John Mayer
New Light
124 bpm • G Maj • 03:37 • -7.86db
75% Popularity • 83% Danceability • 69% Energy • 7% Liveness
3% Instrumentalness • 85% Positiveness
75% Popularity • 83% Danceability • 69% Energy • 7% Liveness
3% Instrumentalness • 85% Positiveness
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Arctic Monkeys
Four Out Of Five
130 bpm • C Maj • 05:12 • -4db
62% Popularity • 60% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
62% Popularity • 60% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Franz Ferdinand
Tell Her Tonight
124 bpm • B min • 02:17 • -7.4db
46% Popularity • 53% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 53% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Coldplay
The Hardest Part
124 bpm • A# Maj • 04:22 • -5.88db
62% Popularity • 50% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
62% Popularity • 50% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
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The Raconteurs
Steady, As She Goes
124 bpm • A Maj • 03:35 • -4.56db
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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The Cranberries
I Can't Be With You
131 bpm • A# Maj • 03:07 • -10.43db
58% Popularity • 47% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 47% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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The Smiths
Panic - 2011 Remaster
130 bpm • G Maj • 02:20 • -4.67db
66% Popularity • 53% Danceability • 86% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
66% Popularity • 53% Danceability • 86% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
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R.E.M.
The Sidewinder Sleeps Tonite
123 bpm • A min • 04:09 • -6.33db
56% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Sam Fender
Hypersonic Missiles
131 bpm • E Maj • 03:57 • -3.68db
67% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
67% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Coldplay
Clocks
131 bpm • F min • 05:07 • -7.22db
81% Popularity • 58% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
81% Popularity • 58% Danceability • 75% Energy • 18% Liveness
1% Instrumentalness • 26% Positiveness
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Franz Ferdinand
Do You Want To
123 bpm • C Maj • 03:35 • -2.9db
61% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
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James Blunt
1973
123 bpm • A Maj • 04:40 • -7.93db
70% Popularity • 72% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
70% Popularity • 72% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Arcade Fire
Put Your Money on Me
123 bpm • G Maj • 05:53 • -6.48db
52% Popularity • 60% Danceability • 77% Energy • 75% Liveness
2% Instrumentalness • 64% Positiveness
52% Popularity • 60% Danceability • 77% Energy • 75% Liveness
2% Instrumentalness • 64% Positiveness
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MGMT
Kids
123 bpm • A Maj • 05:02 • -3.87db
79% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Mumford & Sons
I Will Wait
131 bpm • C# Maj • 04:36 • -5.14db
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
72% Popularity • 49% Danceability • 77% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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Coldplay
Speed of Sound
123 bpm • B min • 04:47 • -6.77db
72% Popularity • 51% Danceability • 90% Energy • 7% Liveness
3% Instrumentalness • 35% Positiveness
72% Popularity • 51% Danceability • 90% Energy • 7% Liveness
3% Instrumentalness • 35% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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Pink Floyd
Wish You Were Here
123 bpm • G Maj • 05:34 • -15.73db
75% Popularity • 48% Danceability • 26% Energy • 83% Liveness
1% Instrumentalness • 38% Positiveness
75% Popularity • 48% Danceability • 26% Energy • 83% Liveness
1% Instrumentalness • 38% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
75% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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Gomez
We Haven't Turned Around
122 bpm • E Maj • 06:29 • -11db
37% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Pulp
Do You Remember The First Time?
132 bpm • G min • 04:22 • -5.69db
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Coldplay
A Head Full of Dreams
123 bpm • B Maj • 03:43 • -4.98db
65% Popularity • 45% Danceability • 92% Energy • 33% Liveness
2% Instrumentalness • 8% Positiveness
65% Popularity • 45% Danceability • 92% Energy • 33% Liveness
2% Instrumentalness • 8% Positiveness
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The Whitest Boy Alive
1517
122 bpm • A Maj • 03:32 • -6.84db
29% Popularity • 78% Danceability • 58% Energy • 9% Liveness
18% Instrumentalness • 96% Positiveness
29% Popularity • 78% Danceability • 58% Energy • 9% Liveness
18% Instrumentalness • 96% Positiveness
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Arcade Fire
Modern Man
122 bpm • A Maj • 04:39 • -7.35db
48% Popularity • 68% Danceability • 69% Energy • 12% Liveness
3% Instrumentalness • 61% Positiveness
48% Popularity • 68% Danceability • 69% Energy • 12% Liveness
3% Instrumentalness • 61% Positiveness
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The Fray
How to Save a Life
122 bpm • A# Maj • 04:22 • -4.08db
80% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
80% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Cranberries
Animal Instinct
132 bpm • E min • 03:31 • -5.41db
65% Popularity • 61% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 61% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Of Monsters and Men
Crystals
132 bpm • C Maj • 04:03 • -7.21db
61% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Coldplay
Low
132 bpm • E min • 05:32 • -8.96db
50% Popularity • 47% Danceability • 88% Energy • 34% Liveness
3% Instrumentalness • 50% Positiveness
50% Popularity • 47% Danceability • 88% Energy • 34% Liveness
3% Instrumentalness • 50% Positiveness
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The Strokes
Selfless
122 bpm • E Maj • 03:42 • -4.3db
69% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
69% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Gorillaz
El Mañana
132 bpm • A min • 03:55 • -8.4db
63% Popularity • 64% Danceability • 73% Energy • 47% Liveness
3% Instrumentalness • 61% Positiveness
63% Popularity • 64% Danceability • 73% Energy • 47% Liveness
3% Instrumentalness • 61% Positiveness
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Miles Kane
Rearrange
133 bpm • C# min • 03:29 • -4db
46% Popularity • 56% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 56% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Foster The People
Don't Stop (Color on the Walls)
133 bpm • C# min • 02:54 • -3.75db
61% Popularity • 61% Danceability • 95% Energy • 10% Liveness
10% Instrumentalness • 79% Positiveness
61% Popularity • 61% Danceability • 95% Energy • 10% Liveness
10% Instrumentalness • 79% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Coldplay
Don't Panic
122 bpm • C Maj • 02:16 • -8.41db
71% Popularity • 60% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
71% Popularity • 60% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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The Dandy Warhols
The Last High
121 bpm • B min • 04:46 • -6.74db
46% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
46% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
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Kodaline
Brand New Day
121 bpm • D# Maj • 03:25 • -3.81db
48% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Liam Gallagher
Once
121 bpm • F# Maj • 03:33 • -3.96db
56% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
56% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Guillemots
Made-Up Lovesong #43
134 bpm • C# Maj • 03:40 • -9db
36% Popularity • 32% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 32% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Arcade Fire
We Used to Wait
121 bpm • G# Maj • 05:01 • -7.21db
44% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
44% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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Coldplay
Daylight
133 bpm • B Maj • 05:27 • -6.12db
52% Popularity • 45% Danceability • 57% Energy • 8% Liveness
52% Instrumentalness • 19% Positiveness
52% Popularity • 45% Danceability • 57% Energy • 8% Liveness
52% Instrumentalness • 19% Positiveness
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R.E.M.
Orange Crush - Remastered 2013
121 bpm • A Maj • 03:51 • -10.45db
62% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Jake Bugg
Two Fingers
121 bpm • F Maj • 03:15 • -5.23db
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Pulp
Something Changed
121 bpm • G Maj • 03:18 • -8.33db
53% Popularity • 54% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
53% Popularity • 54% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
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The Strokes
You Only Live Once
121 bpm • B Maj • 03:09 • -2.42db
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
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Paolo Nutini
Jenny Don't Be Hasty
120 bpm • A Maj • 03:29 • -8.51db
40% Popularity • 81% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 81% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Badly Drawn Boy
Something to Talk About
120 bpm • C Maj • 03:40 • -10db
47% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
47% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
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Gorillaz
On Melancholy Hill
120 bpm • D Maj • 03:53 • -5.81db
78% Popularity • 69% Danceability • 74% Energy • 6% Liveness
51% Instrumentalness • 58% Positiveness
78% Popularity • 69% Danceability • 74% Energy • 6% Liveness
51% Instrumentalness • 58% Positiveness
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John Mayer
Slow Dancing in a Burning Room
134 bpm • C# min • 04:02 • -8.69db
75% Popularity • 67% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
75% Popularity • 67% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Coldplay
Talk
120 bpm • G min • 05:11 • -10.84db
64% Popularity • 42% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
64% Popularity • 42% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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The Police
Roxanne
134 bpm • C Maj • 03:11 • -8.91db
79% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
79% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Beck
Everybody's Gotta Learn Sometime
134 bpm • A# Maj • 05:54 • -14.64db
56% Popularity • 63% Danceability • 28% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
56% Popularity • 63% Danceability • 28% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
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Sixpence None The Richer
There She Goes
120 bpm • A# Maj • 02:44 • -5.72db
65% Popularity • 50% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 50% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
