Songs like Goddess Love by Dan Sultan
Based on a tempo of (+/- 10%) and a similar genre
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Oh Mercy
Keep A Light On
115 bpm • B min • 04:22 • -3.93db
12% Popularity • 48% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 48% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Lee
Cigarettes Will Kill You
115 bpm • G# Maj • 03:50 • -7.65db
45% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Something For Kate
Ship Of Fools
115 bpm • D min • 04:17 • -4db
27% Popularity • 66% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 66% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Dempsey
Addicted
115 bpm • C# Maj • 04:09 • -11.91db
23% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Dan Sultan
Goddess Love
115 bpm • F Maj • 04:18 • -5.56db
18% Popularity • 61% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 61% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Panics
Creaks
116 bpm • C# Maj • 04:02 • -6.31db
15% Popularity • 56% Danceability • 59% Energy • 32% Liveness
2% Instrumentalness • 37% Positiveness
15% Popularity • 56% Danceability • 59% Energy • 32% Liveness
2% Instrumentalness • 37% Positiveness
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Sparkadia
Mary
114 bpm • A min • 04:04 • -5.18db
22% Popularity • 54% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 54% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Dan Kelly & The Alpha Males
Drunk on Election Night
114 bpm • A Maj • 03:34 • -13db
18% Popularity • 57% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 57% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Cruel Sea
Black Stick
116 bpm • F min • 04:58 • -10db
39% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
39% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
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Little Birdy
Beautiful To Me
116 bpm • C Maj • 03:29 • -3.77db
36% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Neil Murray
Mayangan
116 bpm • G Maj • 04:01 • -5.48db
15% Popularity • 65% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 65% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Emily Wurramara
Tap Sticks
116 bpm • D Maj • 03:01 • -7.37db
30% Popularity • 63% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 63% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Jimmy Little
Under the Milky Way
116 bpm • B min • 04:56 • -14.81db
24% Popularity • 74% Danceability • 30% Energy • 10% Liveness
31% Instrumentalness • 16% Positiveness
24% Popularity • 74% Danceability • 30% Energy • 10% Liveness
31% Instrumentalness • 16% Positiveness
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Briggs
The Children Came Back
116 bpm • G Maj • 03:37 • -5.73db
35% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Paul Kelly
Every Day My Mother’s Voice
114 bpm • A Maj • 04:04 • -6db
5% Popularity • 41% Danceability • 58% Energy • 9% Liveness
16% Instrumentalness • 26% Positiveness
5% Popularity • 41% Danceability • 58% Energy • 9% Liveness
16% Instrumentalness • 26% Positiveness
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The Go-Betweens
Boundary Rider
116 bpm • C Maj • 02:45 • -6.1db
18% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Panics
Feeling Is Gone
114 bpm • E Maj • 03:23 • -6.61db
22% Popularity • 52% Danceability • 68% Energy • 38% Liveness
10% Instrumentalness • 39% Positiveness
22% Popularity • 52% Danceability • 68% Energy • 38% Liveness
10% Instrumentalness • 39% Positiveness
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Kasey Chambers
Bittersweet
114 bpm • A Maj • 04:00 • -8.73db
29% Popularity • 57% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 57% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kingswood
Looking For Love
116 bpm • G# Maj • 03:03 • -9.45db
17% Popularity • 67% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 67% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
50% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Lior
Safety of Distance
117 bpm • G# Maj • 02:19 • -11.96db
21% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Darren Hanlon
Happiness Is A Chemical
117 bpm • D Maj • 05:12 • -8.85db
11% Popularity • 67% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 67% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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You Am I
Heavy Heart
113 bpm • C Maj • 03:11 • -11db
42% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Panics
Weatherman
117 bpm • C Maj • 05:18 • -7.43db
21% Popularity • 61% Danceability • 73% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
21% Popularity • 61% Danceability • 73% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Mia Dyson
When We're Older
117 bpm • C Maj • 03:17 • -4.01db
9% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Minor Premiers
Oh My My
113 bpm • C Maj • 04:29 • -6.22db
20% Popularity • 63% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
20% Popularity • 63% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
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Lior
This Old Love
117 bpm • C# Maj • 03:03 • -15db
43% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Mama Kin
Was It Worth It
117 bpm • B min • 03:30 • -4.34db
18% Popularity • 70% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 70% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Dan Sultan
Walk through my dream
113 bpm • G Maj • 03:48 • -5.05db
18% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Little Birdy
Come On Little Heartbreaker
117 bpm • D min • 03:48 • -3.35db
14% Popularity • 52% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 52% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Augie March
Bottle Baby
117 bpm • C Maj • 04:28 • -9.5db
12% Popularity • 46% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 46% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
27% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Slum Sociable
Somebody to Love Me - triple j Like a Ve...
118 bpm • F# min • 04:56 • -10.1db
29% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 64% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Oh Mercy
Blue Lagoon
118 bpm • F min • 03:58 • -9.22db
8% Popularity • 70% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 70% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Angus & Julia Stone
Big Jet Plane
118 bpm • B Maj • 04:15 • -16.47db
24% Popularity • 69% Danceability • 38% Energy • 76% Liveness
2% Instrumentalness • 37% Positiveness
24% Popularity • 69% Danceability • 38% Energy • 76% Liveness
2% Instrumentalness • 37% Positiveness
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The Audreys
Nothing Wrong with Me
112 bpm • E min • 05:40 • -9.84db
15% Popularity • 56% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 33% Positiveness
15% Popularity • 56% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 33% Positiveness
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Bob Evans
Someone So Much
118 bpm • D Maj • 03:34 • -7.05db
7% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Mama Kin
The Road
112 bpm • C Maj • 04:04 • -10db
32% Popularity • 39% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 39% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Darren Hanlon
All These Things
118 bpm • C Maj • 04:33 • -9.01db
19% Popularity • 77% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 77% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Angus & Julia Stone
Santa Monica Dream
118 bpm • F# Maj • 05:24 • -24db
13% Popularity • 44% Danceability • 5% Energy • 98% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 44% Danceability • 5% Energy • 98% Liveness
0% Instrumentalness • 20% Positiveness
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The Preatures
Threat
112 bpm • F# min • 03:56 • -6.07db
9% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Panics
Get Us Home
119 bpm • D min • 04:16 • -5.77db
24% Popularity • 52% Danceability • 80% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
24% Popularity • 52% Danceability • 80% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Tex Perkins
Redheads, Gold Cards and Long Black Limo...
119 bpm • G Maj • 03:38 • -13.18db
19% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Alex the Astronaut
Already Home
119 bpm • A min • 03:31 • -5.97db
28% Popularity • 49% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 49% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Angus & Julia Stone
Other Things
112 bpm • B Maj • 06:03 • -17.18db
13% Popularity • 77% Danceability • 32% Energy • 98% Liveness
84% Instrumentalness • 66% Positiveness
13% Popularity • 77% Danceability • 32% Energy • 98% Liveness
84% Instrumentalness • 66% Positiveness
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Bob Evans
Rocks In My Head
119 bpm • G Maj • 04:14 • -6.08db
8% Popularity • 55% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 55% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Panics
Something In The Garden
112 bpm • D Maj • 04:57 • -7.8db
9% Popularity • 48% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 19% Positiveness
9% Popularity • 48% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 19% Positiveness
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Bernard Fanning
Believe
119 bpm • A Maj • 03:07 • -8db
36% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Lior
Autumn Flow
119 bpm • A# Maj • 04:12 • -8.82db
32% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Mia Dyson
Parking Lots
111 bpm • D Maj • 05:21 • -7db
19% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Angus & Julia Stone
Crash & Burn
119 bpm • E min • 06:15 • -14.24db
15% Popularity • 41% Danceability • 31% Energy • 70% Liveness
1% Instrumentalness • 18% Positiveness
15% Popularity • 41% Danceability • 31% Energy • 70% Liveness
1% Instrumentalness • 18% Positiveness
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The Badloves
Barefoot Bride
120 bpm • A min • 04:13 • -9.36db
24% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Panics
Ruins
111 bpm • C Maj • 03:41 • -8db
13% Popularity • 58% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
13% Popularity • 58% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Holly Throsby
Not The Girl You Think You Are
120 bpm • E Maj • 03:36 • -10.78db
22% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Sultan
Southern Sun - triple j Like A Version
110 bpm • A min • 06:11 • -4.41db
32% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Bob Evans
Friend
120 bpm • E Maj • 03:29 • -6.56db
14% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Jordie Lane
America, Won't You Make My Dreams Come T...
120 bpm • D# Maj • 03:34 • -7.33db
20% Popularity • 55% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 55% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Archie Roach
Native Born
120 bpm • E Maj • 04:00 • -13.38db
19% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Sparkadia
Talking Like I'm Falling Down Stairs
120 bpm • E Maj • 04:07 • -6db
29% Popularity • 62% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 62% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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The Audreys
Banjo and Violin
120 bpm • D min • 03:02 • -7db
26% Popularity • 63% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
26% Popularity • 63% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Little Birdy
Stay Wild
120 bpm • C# min • 04:08 • -5.22db
16% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Bob Evans
Sadness & Whiskey
120 bpm • C Maj • 03:12 • -7.44db
15% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Tim Rogers & The Twin Set
Happy Anniversary
110 bpm • F min • 03:50 • -7.75db
10% Popularity • 61% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 61% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Archie Roach
Took the Children Away
110 bpm • G Maj • 05:24 • -12.88db
36% Popularity • 35% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 35% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Dave Dobbyn
Tell the World
110 bpm • C Maj • 03:54 • -6.75db
11% Popularity • 58% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 58% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Jen Cloher
Better Off Dancing
110 bpm • A# min • 03:51 • -6.68db
20% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Oh Mercy
I Feel Possessed
110 bpm • G min • 03:15 • -11db
26% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 74% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Dyson Stringer Cloher
Falling Clouds
110 bpm • A Maj • 03:11 • -9db
17% Popularity • 33% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 33% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Dan Sultan
Dingo
110 bpm • A Maj • 03:02 • -7.21db
11% Popularity • 65% Danceability • 80% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
11% Popularity • 65% Danceability • 80% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
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Jimmy Little
Blackfella / Whitefella
109 bpm • A min • 04:24 • -8.69db
12% Popularity • 76% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 76% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Bob Evans
Hand Me Downs
121 bpm • G Maj • 03:32 • -6db
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Emily Wurramara
Black Smoke
121 bpm • G Maj • 04:38 • -9.96db
35% Popularity • 65% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
35% Popularity • 65% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Seeker Lover Keeper
Even Though I'm A Woman
121 bpm • F Maj • 04:08 • -10.31db
36% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
36% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Angus Stone
The Weatherman
109 bpm • A Maj • 03:21 • -11.25db
22% Popularity • 54% Danceability • 77% Energy • 20% Liveness
5% Instrumentalness • 32% Positiveness
22% Popularity • 54% Danceability • 77% Energy • 20% Liveness
5% Instrumentalness • 32% Positiveness
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Paul Dempsey
Edge Of Town - triple j Like A Version
109 bpm • G# Maj • 03:37 • -6.9db
34% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Sultan
Lonesome Tears
109 bpm • E min • 03:02 • -3.41db
13% Popularity • 58% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 58% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Angus & Julia Stone
A Heartbreak
122 bpm • G min • 04:50 • -12.55db
17% Popularity • 64% Danceability • 66% Energy • 86% Liveness
44% Instrumentalness • 25% Positiveness
17% Popularity • 64% Danceability • 66% Energy • 86% Liveness
44% Instrumentalness • 25% Positiveness
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Emily Wurramara
Hey Love
108 bpm • C# min • 03:36 • -9.01db
24% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Dave Graney & The Coral Snakes
You're Just Too Hip, Baby
122 bpm • E Maj • 04:20 • -12db
25% Popularity • 65% Danceability • 56% Energy • 24% Liveness
1% Instrumentalness • 86% Positiveness
25% Popularity • 65% Danceability • 56% Energy • 24% Liveness
1% Instrumentalness • 86% Positiveness
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Mama Kin
Bird in Your Tree
108 bpm • C# min • 03:38 • -11.23db
12% Popularity • 66% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 66% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Augie March
When I Am Old
108 bpm • C Maj • 04:42 • -12db
12% Popularity • 63% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 63% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Pigram Brothers
Rain Dancing
108 bpm • G Maj • 06:25 • -10.3db
16% Popularity • 52% Danceability • 50% Energy • 18% Liveness
18% Instrumentalness • 55% Positiveness
16% Popularity • 52% Danceability • 50% Energy • 18% Liveness
18% Instrumentalness • 55% Positiveness
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Tinpan Orange
Barcelona
108 bpm • F# min • 03:39 • -7db
11% Popularity • 47% Danceability • 92% Energy • 27% Liveness
2% Instrumentalness • 50% Positiveness
11% Popularity • 47% Danceability • 92% Energy • 27% Liveness
2% Instrumentalness • 50% Positiveness
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Emily Wurramara
Ngarrikwujeyinama
123 bpm • G# Maj • 03:39 • -10.81db
32% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Dempsey
Blindspot
123 bpm • D min • 03:52 • -6.09db
17% Popularity • 57% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 57% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
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Bob Evans
Nowhere Without You
123 bpm • A min • 04:19 • -7db
27% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Tia Gostelow
We Are the People - triple j Like a Vers...
123 bpm • G# min • 04:40 • -12.4db
30% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Panics
Live Without
123 bpm • G Maj • 04:15 • -6.33db
14% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Augie March
After The Crack Up
107 bpm • D# Maj • 04:16 • -6db
15% Popularity • 53% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 53% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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The Cruel Sea
It Won't Last
107 bpm • A# Maj • 03:21 • -6.24db
35% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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The Go-Betweens
Finding You
124 bpm • C Maj • 04:02 • -4.05db
25% Popularity • 53% Danceability • 79% Energy • 8% Liveness
7% Instrumentalness • 50% Positiveness
25% Popularity • 53% Danceability • 79% Energy • 8% Liveness
7% Instrumentalness • 50% Positiveness
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Pigram Brothers
Blue Bay Blues
123 bpm • E Maj • 03:55 • -13db
22% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Little Birdy
Tonight's The Night
124 bpm • F Maj • 03:44 • -3.64db
21% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Alan Pigram
Nothing Really Matters - with Alex Lloyd
124 bpm • C Maj • 04:40 • -8.78db
24% Popularity • 87% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 87% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Emily Wurramara
Carry Me Home
107 bpm • G Maj • 04:51 • -13.45db
29% Popularity • 58% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 58% Danceability • 25% Energy • 43% Liveness
0% Instrumentalness • 30% Positiveness
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Archie Roach
Charcoal Lane
107 bpm • D Maj • 03:21 • -13.8db
26% Popularity • 62% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 62% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
