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Going Under
Songs like
Going Under
by
Kenji Kawai
Based on a tempo of (+/- 10%) and a similar genre
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Harry Gregson-Williams
OVERTURE ~ METAL GEAR SAGA from METAL GE...
160 bpm • A min • 05:14 • -14db
30% Popularity • 15% Danceability • 52% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Kenji Kawai
平行世界〜タイトル
160 bpm • E min • 01:30 • -7.49db
2% Popularity • 31% Danceability • 60% Energy • 11% Liveness
73% Instrumentalness • 30% Positiveness
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梶浦 由記
Ⅳ paradigm
160 bpm • F Maj • 04:58 • -10.02db
28% Popularity • 13% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 6% Positiveness
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Yasuharu Takanashi
Shudai - Tsugumomo -
160 bpm • C Maj • 03:23 • -7.6db
11% Popularity • 28% Danceability • 91% Energy • 10% Liveness
57% Instrumentalness • 6% Positiveness
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Hideyuki Fukasawa
Souls to Fight
156 bpm • A min • 03:39 • -13.67db
24% Popularity • 28% Danceability • 54% Energy • 16% Liveness
92% Instrumentalness • 13% Positiveness
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Nobuaki Nobusawa
ワルキューレ
156 bpm • E min • 01:51 • -14.94db
27% Popularity • 31% Danceability • 58% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Harry Gregson-Williams
Virtuous Mission
160 bpm • D Maj • 06:06 • -17db
32% Popularity • 28% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Kenji Kawai
OO-Raiser
158 bpm • C Maj • 02:21 • -10.98db
14% Popularity • 35% Danceability • 69% Energy • 14% Liveness
91% Instrumentalness • 32% Positiveness
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Rei Kondoh
Kazama Style
156 bpm • D min • 04:46 • -18.04db
15% Popularity • 19% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 8% Positiveness
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MAYUKO
手合わせ
156 bpm • E Maj • 01:58 • -11.18db
16% Popularity • 57% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 67% Positiveness
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Yasuharu Takanashi
Tenka Fubu
155 bpm • C Maj • 01:57 • -8.76db
21% Popularity • 37% Danceability • 89% Energy • 9% Liveness
74% Instrumentalness • 11% Positiveness
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梶浦 由記
dogfight
155 bpm • D Maj • 03:13 • -10.92db
23% Popularity • 37% Danceability • 85% Energy • 25% Liveness
91% Instrumentalness • 12% Positiveness
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Jigoku Shoujo
Rock
165 bpm • G min • 01:56 • -8.25db
16% Popularity • 41% Danceability • 94% Energy • 33% Liveness
49% Instrumentalness • 39% Positiveness
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Kenji Kawai
NEIBA NO CHIKARA
160 bpm • C# Maj • 02:02 • -9.16db
13% Popularity • 35% Danceability • 78% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
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Kotaro Nakagawa
Blue Tiger
153 bpm • G Maj • 01:19 • -15.89db
23% Popularity • 51% Danceability • 43% Energy • 29% Liveness
57% Instrumentalness • 38% Positiveness
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Keiji Inai
Confrontation
153 bpm • C# Maj • 02:18 • -10.09db
8% Popularity • 18% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Kaoru Wada
休息
166 bpm • F Maj • 01:17 • -16.21db
23% Popularity • 9% Danceability • 20% Energy • 14% Liveness
97% Instrumentalness • 10% Positiveness
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Frying-Pan
Grow Stronger Step by Step
152 bpm • A min • 01:29 • -11.23db
32% Popularity • 45% Danceability • 40% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Evan Call
震天動地
152 bpm • F min • 03:25 • -13.35db
15% Popularity • 25% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Kenji Kawai
O-Raiser
157 bpm • G min • 02:23 • -11.79db
21% Popularity • 47% Danceability • 90% Energy • 13% Liveness
79% Instrumentalness • 55% Positiveness
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Kotaro Nakagawa
Desperation
153 bpm • F Maj • 01:47 • -12.92db
24% Popularity • 17% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Keiji Inai
Powerful Enemy Encounter
151 bpm • C Maj • 04:24 • -7.11db
18% Popularity • 22% Danceability • 74% Energy • 18% Liveness
82% Instrumentalness • 22% Positiveness
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川井憲次
Tenchihoukou
150 bpm • B min • 02:29 • -11.74db
12% Popularity • 55% Danceability • 70% Energy • 12% Liveness
98% Instrumentalness • 62% Positiveness
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Shiro SAGISU
2EM31_0948"In My Spirit"
150 bpm • D min • 02:21 • -6.12db
22% Popularity • 53% Danceability • 63% Energy • 5% Liveness
96% Instrumentalness • 59% Positiveness
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Takashi Ohmama
Weapons Should Only Exist to Kill People
149 bpm • D min • 04:08 • -13.87db
23% Popularity • 39% Danceability • 59% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Kenji Kawai
Motorcycle fight of legend riders
156 bpm • D Maj • 02:26 • -7.27db
3% Popularity • 27% Danceability • 82% Energy • 20% Liveness
81% Instrumentalness • 39% Positiveness
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Kotaro Nakagawa
Conspiracy
167 bpm • A min • 01:16 • -16.29db
27% Popularity • 37% Danceability • 38% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
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Masaru Yokoyama
All Out
170 bpm • G Maj • 02:40 • -11.34db
28% Popularity • 38% Danceability • 73% Energy • 31% Liveness
84% Instrumentalness • 26% Positiveness
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Harry Gregson-Williams
Metal Gear Saga
170 bpm • B min • 04:19 • -11.36db
42% Popularity • 21% Danceability • 66% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Shiro SAGISU
In My Spirit
150 bpm • D min • 03:14 • -6db
36% Popularity • 50% Danceability • 70% Energy • 7% Liveness
95% Instrumentalness • 42% Positiveness
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CRA
Departure / るろうに剣心より BGM...
170 bpm • G Maj • 02:00 • -12.63db
20% Popularity • 25% Danceability • 18% Energy • 7% Liveness
71% Instrumentalness • 26% Positiveness
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Kenji Kawai
ビルド フェニックス変身
162 bpm • B min • 01:14 • -9.94db
5% Popularity • 32% Danceability • 58% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Kotaro Nakagawa
What's Justice?
151 bpm • D min • 01:57 • -9.21db
26% Popularity • 39% Danceability • 38% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
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田中公平
神たる者との決戦
170 bpm • D min • 03:08 • -6.61db
12% Popularity • 26% Danceability • 78% Energy • 28% Liveness
73% Instrumentalness • 13% Positiveness
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藤澤慶昌
圧倒的力との遭遇
170 bpm • A Maj • 03:16 • -10.44db
28% Popularity • 18% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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KOHTA YAMAMOTO
愚宴
148 bpm • C Maj • 02:41 • -11.42db
14% Popularity • 56% Danceability • 72% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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光宗信吉
名もなきファラオ(Re-arranged)
148 bpm • C# Maj • 02:36 • -7.58db
19% Popularity • 39% Danceability • 43% Energy • 17% Liveness
71% Instrumentalness • 20% Positiveness
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Kenji Kawai
エニグマ起動
156 bpm • D Maj • 01:29 • -10.17db
1% Popularity • 36% Danceability • 72% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
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川井憲次
Yakusokusaretasyourino ken - Kenji Kawai...
148 bpm • D Maj • 02:21 • -13.39db
13% Popularity • 65% Danceability • 75% Energy • 18% Liveness
96% Instrumentalness • 35% Positiveness
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Evan Call
天命の時
148 bpm • D min • 02:12 • -10.76db
11% Popularity • 39% Danceability • 53% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Kenichiro Suehiro
Kamigami no dice
171 bpm • F Maj • 04:04 • -20.61db
16% Popularity • 8% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 3% Positiveness
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Hideakira Kimura
BUILD DiVERS
148 bpm • A min • 01:57 • -9.19db
16% Popularity • 18% Danceability • 66% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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芳賀 敬太
月姫:re
171 bpm • G min • 06:55 • -11db
27% Popularity • 20% Danceability • 40% Energy • 7% Liveness
69% Instrumentalness • 10% Positiveness
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Kenji Kawai
RANK SEN -HANGEKI-
155 bpm • F# min • 01:58 • -6.47db
43% Popularity • 53% Danceability • 91% Energy • 10% Liveness
84% Instrumentalness • 79% Positiveness
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Namco Sounds
The Liberation of Gracemeria
173 bpm • A# min • 07:18 • -14.31db
26% Popularity • 17% Danceability • 42% Energy • 10% Liveness
81% Instrumentalness • 15% Positiveness
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Kow Otani
Darega Tameni Inochi wo Moyasu
146 bpm • F Maj • 01:36 • -7.85db
15% Popularity • 35% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Kenichiro Suehiro
Ainukotan
148 bpm • E Maj • 02:49 • -17.51db
20% Popularity • 36% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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MAYUKO
ある日、この遥かな世界で
146 bpm • F Maj • 01:57 • -6db
19% Popularity • 46% Danceability • 50% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Kotaro Nakagawa
Check Mate
174 bpm • F min • 02:05 • -9db
24% Popularity • 36% Danceability • 61% Energy • 8% Liveness
85% Instrumentalness • 36% Positiveness
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Kenji Kawai
Trans-Am Raiser
165 bpm • B min • 02:32 • -12.86db
35% Popularity • 64% Danceability • 83% Energy • 23% Liveness
89% Instrumentalness • 61% Positiveness
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Yasuharu Takanashi
Kishuu
145 bpm • E min • 02:00 • -9db
34% Popularity • 43% Danceability • 81% Energy • 13% Liveness
94% Instrumentalness • 52% Positiveness
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Taro Iwashiro
想いと共に
174 bpm • A min • 02:11 • -12.88db
19% Popularity • 8% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Ryousuke Nakanishi
戦いの幕開け
145 bpm • A Maj • 02:12 • -7.42db
9% Popularity • 44% Danceability • 91% Energy • 14% Liveness
90% Instrumentalness • 52% Positiveness
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Jigoku Shoujo
Kakugo
175 bpm • E min • 01:23 • -11.86db
17% Popularity • 47% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Masaru Yokoyama
Red vs Blue
145 bpm • G min • 02:17 • -7.5db
25% Popularity • 50% Danceability • 59% Energy • 27% Liveness
88% Instrumentalness • 34% Positiveness
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Kenji Kawai
アンクとの再会
152 bpm • D# Maj • 01:18 • -12.13db
3% Popularity • 21% Danceability • 36% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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James Harris
EMIYA / I should do this
144 bpm • E min • 03:04 • -14.6db
37% Popularity • 30% Danceability • 46% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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山下康介
仮面ライダーブレイズのテー�...
144 bpm • C# Maj • 01:46 • -5.63db
13% Popularity • 60% Danceability • 94% Energy • 10% Liveness
72% Instrumentalness • 26% Positiveness
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KOHTA YAMAMOTO
函谷関
144 bpm • G min • 02:27 • -8.38db
19% Popularity • 35% Danceability • 53% Energy • 25% Liveness
88% Instrumentalness • 4% Positiveness
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Shiro SAGISU
Sin From Genesis
176 bpm • E Maj • 02:42 • -6.41db
39% Popularity • 32% Danceability • 73% Energy • 34% Liveness
88% Instrumentalness • 40% Positiveness
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Kohei Tanaka
Moeagare Toshi Imawashiki Syukumei wo ko...
144 bpm • E min • 01:46 • -10.22db
32% Popularity • 49% Danceability • 57% Energy • 32% Liveness
75% Instrumentalness • 64% Positiveness
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Kenji Kawai
TORI ON HEY SHOUKAN
152 bpm • G Maj • 02:14 • -5.9db
35% Popularity • 56% Danceability • 84% Energy • 23% Liveness
76% Instrumentalness • 76% Positiveness
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James Harris
エミヤ_UBW Extended
144 bpm • E min • 04:56 • -10.55db
43% Popularity • 26% Danceability • 73% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Roman Heuser
Zue (Zoo)
144 bpm • G# min • 04:11 • -12.22db
12% Popularity • 44% Danceability • 67% Energy • 17% Liveness
88% Instrumentalness • 48% Positiveness
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Takeharu Ishimoto
The Beginning of the End
144 bpm • C min • 04:27 • -5.27db
31% Popularity • 17% Danceability • 66% Energy • 8% Liveness
38% Instrumentalness • 12% Positiveness
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Shiro SAGISU
2EM36_E16
176 bpm • E Maj • 02:09 • -5.86db
28% Popularity • 30% Danceability • 70% Energy • 34% Liveness
80% Instrumentalness • 51% Positiveness
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Yuly
This is how we do
143 bpm • G Maj • 02:10 • -10.13db
16% Popularity • 35% Danceability • 77% Energy • 38% Liveness
41% Instrumentalness • 59% Positiveness
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Kenji Kawai
GIRIGIRI NO TATAKAI
152 bpm • F min • 01:37 • -7.5db
14% Popularity • 45% Danceability • 84% Energy • 16% Liveness
80% Instrumentalness • 41% Positiveness
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Kenichiro Suehiro
WHEREABOUTS OF THE PAST
143 bpm • F# min • 05:53 • -15.69db
32% Popularity • 14% Danceability • 15% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Audio Highs
朝と夜の死神
143 bpm • B min • 02:04 • -12db
16% Popularity • 37% Danceability • 57% Energy • 38% Liveness
4% Instrumentalness • 4% Positiveness
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Hideakira Kimura
Lightning in the Moon
143 bpm • G Maj • 02:38 • -11db
23% Popularity • 40% Danceability • 71% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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MAYUKO
ボッジのテーマ
177 bpm • A# Maj • 01:29 • -13.04db
19% Popularity • 58% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 72% Positiveness
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西田和枝社中
傀儡謡_陽炎は黄泉に待たむと
177 bpm • C# Maj • 09:47 • -12.82db
31% Popularity • 51% Danceability • 55% Energy • 10% Liveness
73% Instrumentalness • 7% Positiveness
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Kenji Kawai
GATE HASSEI -NEIBA SHUUGEKI-
150 bpm • D Maj • 02:00 • -9.57db
35% Popularity • 48% Danceability • 76% Energy • 9% Liveness
84% Instrumentalness • 21% Positiveness
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Yasuharu Takanashi
Kengamine
180 bpm • F# Maj • 01:36 • -8.83db
8% Popularity • 44% Danceability • 91% Energy • 26% Liveness
70% Instrumentalness • 22% Positiveness
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Taku Iwasaki
Hollow
141 bpm • C Maj • 03:25 • -17.19db
11% Popularity • 21% Danceability • 24% Energy • 12% Liveness
30% Instrumentalness • 8% Positiveness
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Taro Iwashiro
招かざる敵
140 bpm • G min • 07:59 • -11.22db
15% Popularity • 23% Danceability • 73% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
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Masaru Yokoyama
Crescent Moon - Mobile Suit Gundam: Iron...
140 bpm • G min • 03:49 • -8db
41% Popularity • 41% Danceability • 77% Energy • 11% Liveness
63% Instrumentalness • 38% Positiveness
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Kaz Nakamura
EYES -heated-
140 bpm • C# Maj • 02:39 • -13.92db
11% Popularity • 61% Danceability • 56% Energy • 13% Liveness
70% Instrumentalness • 32% Positiveness
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Kenji Kawai
仮面ライダービルド メインテ...
150 bpm • A min • 02:34 • -7.63db
19% Popularity • 46% Danceability • 90% Energy • 20% Liveness
93% Instrumentalness • 26% Positiveness
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Toshihiko Sahashi
Tachiagare! Ikariyo
181 bpm • A# Maj • 02:27 • -7.84db
19% Popularity • 26% Danceability • 79% Energy • 6% Liveness
71% Instrumentalness • 34% Positiveness
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Kohei Tanaka
おれの最高地点
140 bpm • D Maj • 03:05 • -10.94db
39% Popularity • 65% Danceability • 83% Energy • 6% Liveness
78% Instrumentalness • 75% Positiveness
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KOHTA YAMAMOTO
暗視
140 bpm • G min • 03:36 • -13.49db
15% Popularity • 50% Danceability • 46% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Hideyuki Fukasawa
Archer
140 bpm • B min • 03:10 • -16.02db
31% Popularity • 59% Danceability • 63% Energy • 10% Liveness
78% Instrumentalness • 23% Positiveness
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Taku Iwasaki
H.W.Complex no'4
140 bpm • C# Maj • 02:46 • -9.97db
8% Popularity • 57% Danceability • 77% Energy • 9% Liveness
61% Instrumentalness • 19% Positiveness
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Kenji Kawai
仮面ライダークローズ
148 bpm • B min • 01:33 • -7.61db
13% Popularity • 53% Danceability • 83% Energy • 9% Liveness
96% Instrumentalness • 30% Positiveness
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Taro Iwashiro
孤高の錬金術師
140 bpm • F min • 01:59 • -11.7db
18% Popularity • 28% Danceability • 52% Energy • 28% Liveness
94% Instrumentalness • 24% Positiveness
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Kaoru Wada
教皇とハーデス
139 bpm • D Maj • 01:37 • -7.8db
17% Popularity • 15% Danceability • 37% Energy • 17% Liveness
94% Instrumentalness • 5% Positiveness
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Akira Senju
Knives and Shadows
138 bpm • A Maj • 02:15 • -11.59db
35% Popularity • 66% Danceability • 75% Energy • 34% Liveness
83% Instrumentalness • 21% Positiveness
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Masaru Yokoyama
Crescent Moon - Mobile Suit Gundam : Iro...
138 bpm • G min • 02:41 • -9db
12% Popularity • 57% Danceability • 55% Energy • 29% Liveness
74% Instrumentalness • 30% Positiveness
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MAYUKO
剣王の戦い方
138 bpm • D# Maj • 01:57 • -7.53db
18% Popularity • 63% Danceability • 55% Energy • 18% Liveness
82% Instrumentalness • 55% Positiveness
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Kenji Kawai
Affectionately
171 bpm • C# Maj • 01:44 • -16.52db
9% Popularity • 8% Danceability • 28% Energy • 9% Liveness
99% Instrumentalness • 7% Positiveness
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Yushi Matsuyama
Sassotaru Char
138 bpm • C Maj • 02:20 • -9.88db
32% Popularity • 60% Danceability • 78% Energy • 10% Liveness
57% Instrumentalness • 86% Positiveness
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Taro Iwashiro
アシュレイの断章
138 bpm • D Maj • 02:53 • -18.4db
13% Popularity • 15% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Kohei Tanaka
Kyodaika-suru Yabo
138 bpm • E min • 02:49 • -12.65db
13% Popularity • 34% Danceability • 57% Energy • 25% Liveness
53% Instrumentalness • 33% Positiveness
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Masaru Yokoyama
Surface of the Iron-Blooded Orphans
138 bpm • G Maj • 03:29 • -8.15db
29% Popularity • 45% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Akira Senju
Lurking
138 bpm • D min • 01:20 • -22db
39% Popularity • 38% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 9% Positiveness
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Kenji Kawai
BORDER SHUTSUGEKI
147 bpm • G Maj • 01:56 • -6.44db
32% Popularity • 47% Danceability • 92% Energy • 25% Liveness
94% Instrumentalness • 57% Positiveness
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Yasuharu Takanashi
ALL OUT!!
137 bpm • C Maj • 02:17 • -12db
21% Popularity • 50% Danceability • 66% Energy • 16% Liveness
81% Instrumentalness • 54% Positiveness
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Evan Call
いざ鎌倉!
184 bpm • A min • 04:32 • -10.97db
18% Popularity • 11% Danceability • 59% Energy • 15% Liveness
67% Instrumentalness • 8% Positiveness
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Going Under