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Gold - 2003 Remastered Version
Songs like
Gold - 2003 Remastered Version
by
Spandau Ballet
Based on a tempo of (+/- 10%) and a similar genre
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Spandau Ballet
Gold - 2010 Remaster
143 bpm • A# min • 07:14 • -5db
28% Popularity • 64% Danceability • 84% Energy • 15% Liveness
2% Instrumentalness • 48% Positiveness
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Blondie
Call Me
143 bpm • D min • 03:32 • -6.71db
76% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Boomtown Rats
I Don't Like Mondays
144 bpm • B Maj • 04:19 • -6.87db
62% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Style Council
Shout To The Top - USA Remix
144 bpm • G Maj • 04:17 • -5.86db
53% Popularity • 69% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Ultravox
Dancing with Tears in My Eyes
144 bpm • A Maj • 04:04 • -8.12db
65% Popularity • 59% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 93% Positiveness
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Starship
We Built This City
144 bpm • F Maj • 04:56 • -4.9db
78% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Spandau Ballet
Foundation - 2003 Remaster
143 bpm • F min • 04:06 • -4db
25% Popularity • 68% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Phil Collins
A Groovy Kind of Love
144 bpm • D Maj • 03:30 • -9.63db
67% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Soft Cell
Tainted Love
144 bpm • C min • 02:33 • -8.28db
80% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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The Police
Spirits In The Material World
142 bpm • A min • 02:59 • -7.86db
61% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
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Alison Moyet
All Cried Out
145 bpm • D min • 03:41 • -7db
50% Popularity • 64% Danceability • 84% Energy • 17% Liveness
3% Instrumentalness • 85% Positiveness
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Propaganda
Duel
145 bpm • F min • 04:42 • -7.75db
55% Popularity • 68% Danceability • 83% Energy • 11% Liveness
44% Instrumentalness • 56% Positiveness
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Spandau Ballet
Gold - 12" Mix
143 bpm • A# min • 07:14 • -6.7db
34% Popularity • 64% Danceability • 81% Energy • 16% Liveness
2% Instrumentalness • 48% Positiveness
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Peter Cetera
Glory of Love
145 bpm • F Maj • 04:18 • -7.94db
73% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Billy Ocean
Love Really Hurts Without You
141 bpm • F Maj • 02:59 • -3.73db
71% Popularity • 52% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Alison Moyet
All Cried Out
145 bpm • D min • 06:48 • -13.78db
27% Popularity • 67% Danceability • 63% Energy • 38% Liveness
26% Instrumentalness • 92% Positiveness
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Duran Duran
Rio - 2009 Remaster
141 bpm • A Maj • 05:37 • -7.43db
61% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Spandau Ballet
Gold - 2003 Remaster
143 bpm • A# min • 04:50 • -6.12db
62% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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A Flock Of Seagulls
I Ran (So Far Away) - Single Edit
146 bpm • D Maj • 03:41 • -7db
63% Popularity • 51% Danceability • 77% Energy • 14% Liveness
83% Instrumentalness • 64% Positiveness
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The Police
Don't Stand So Close To Me
140 bpm • D Maj • 04:02 • -9.41db
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Michael Bolton
How Am I Supposed to Live Without You
140 bpm • A# Maj • 04:15 • -12.21db
71% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Cutting Crew
I've Been In Love Before - Edit Version ...
146 bpm • D Maj • 03:58 • -9.45db
47% Popularity • 53% Danceability • 66% Energy • 43% Liveness
1% Instrumentalness • 86% Positiveness
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Duran Duran
Ordinary World
140 bpm • C# min • 05:40 • -10.17db
74% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Spandau Ballet
To Cut a Long Story Short - 2010 Remaste...
142 bpm • D Maj • 03:19 • -5.11db
49% Popularity • 58% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 86% Positiveness
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Bryan Adams
Heaven
140 bpm • A min • 04:03 • -7.32db
79% Popularity • 38% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Annie Lennox
A Whiter Shade of Pale
146 bpm • C Maj • 05:16 • -8.45db
58% Popularity • 52% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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A Flock Of Seagulls
Space Age Love Song
140 bpm • D Maj • 03:46 • -4.61db
58% Popularity • 45% Danceability • 74% Energy • 21% Liveness
11% Instrumentalness • 55% Positiveness
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Cutting Crew
I've Been In Love Before
146 bpm • D Maj • 05:08 • -13.33db
54% Popularity • 49% Danceability • 57% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
70% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Spandau Ballet
Snakes and Lovers - Remastered
144 bpm • C Maj • 04:35 • -10.58db
17% Popularity • 59% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
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Men At Work
Overkill
139 bpm • C# min • 03:49 • -3.99db
66% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Carly Simon
Coming Around Again
139 bpm • F Maj • 03:38 • -14.49db
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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A Flock Of Seagulls
I Ran (So Far Away)
146 bpm • D Maj • 05:06 • -5db
58% Popularity • 46% Danceability • 86% Energy • 22% Liveness
74% Instrumentalness • 50% Positiveness
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The Knack
My Sharona
147 bpm • C Maj • 04:55 • -9.56db
73% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Idol
White Wedding - Pt. 1
147 bpm • A Maj • 04:12 • -5.41db
74% Popularity • 67% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Spandau Ballet
Through the Barricades - Remastered
146 bpm • G Maj • 05:59 • -14.06db
55% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Bronski Beat
Why ?
138 bpm • F min • 04:03 • -9db
56% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Bryan Ferry
Slave To Love
148 bpm • D Maj • 04:26 • -5.9db
69% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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A Flock Of Seagulls
The More You Live, The More You Love
140 bpm • B min • 04:09 • -5.57db
47% Popularity • 61% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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The Police
De Do Do Do, De Da Da Da
148 bpm • A Maj • 04:07 • -8.88db
65% Popularity • 78% Danceability • 52% Energy • 24% Liveness
6% Instrumentalness • 86% Positiveness
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Bruce Springsteen
Dancing In the Dark
149 bpm • C# min • 04:01 • -5.64db
80% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Spandau Ballet
Through the Barricades (Extended Version...
146 bpm • G Maj • 07:08 • -13.42db
23% Popularity • 32% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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George Harrison
Got My Mind Set on You
149 bpm • E Maj • 03:54 • -7.16db
74% Popularity • 76% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Alphaville
Forever Young - 2019 Remaster
137 bpm • A min • 03:46 • -9.71db
72% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Naked Eyes
Always Something There to Remind Me - 20...
149 bpm • G Maj • 03:39 • -6db
61% Popularity • 61% Danceability • 78% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
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Roxy Music
Avalon
137 bpm • C Maj • 04:16 • -8.64db
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Spandau Ballet
Highly Strung - Extended Version
146 bpm • A min • 05:30 • -12.72db
10% Popularity • 71% Danceability • 51% Energy • 32% Liveness
32% Instrumentalness • 67% Positiveness
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Glenn Frey
The Heat Is On
150 bpm • G Maj • 03:47 • -6.37db
63% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Phil Collins
One More Night - 2016 Remaster
136 bpm • D# Maj • 04:48 • -9.44db
69% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Cure
Friday I'm In Love
136 bpm • C min • 03:35 • -12.66db
78% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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The Police
Message In A Bottle
151 bpm • C# min • 04:50 • -7.04db
76% Popularity • 58% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Christopher Cross
Sailing
150 bpm • D Maj • 04:16 • -13.2db
69% Popularity • 47% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Paul Young
Oh Girl
136 bpm • A Maj • 03:36 • -7db
53% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Spandau Ballet
Gold - Live
147 bpm • A# min • 04:59 • -7.75db
18% Popularity • 50% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Pat Benatar
We Belong
135 bpm • F Maj • 03:41 • -14.11db
69% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
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Danny Wilson
Mary's Prayer
135 bpm • C Maj • 03:54 • -13.14db
55% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Bronski Beat
Smalltown Boy
135 bpm • F min • 05:02 • -10.62db
76% Popularity • 68% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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The Pointer Sisters
Jump
134 bpm • A# min • 04:22 • -7.91db
64% Popularity • 85% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Wham!
The Edge of Heaven
153 bpm • A min • 04:30 • -13.82db
55% Popularity • 49% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Spandau Ballet
Highly Strung - 2010 Remaster
147 bpm • A min • 04:11 • -5db
28% Popularity • 52% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Police
Roxanne
134 bpm • C Maj • 03:11 • -8.91db
80% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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The B-52's
Love Shack
134 bpm • F min • 05:20 • -6.79db
71% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Spandau Ballet
This Is the Love
138 bpm • E min • 03:44 • -6.83db
32% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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George Michael
Careless Whisper
153 bpm • D min • 05:00 • -8.82db
82% Popularity • 57% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Lionel Richie
Dancing On The Ceiling
133 bpm • C Maj • 04:30 • -9db
68% Popularity • 70% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Pretenders
Back on the Chain Gang - 2007 Remaster
153 bpm • D Maj • 03:51 • -6.08db
63% Popularity • 60% Danceability • 90% Energy • 18% Liveness
4% Instrumentalness • 81% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Christopher Cross
All Right
133 bpm • F# min • 04:13 • -5.23db
59% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Spandau Ballet
Only When You Leave - 2010 Remaster
137 bpm • G min • 05:11 • -6db
49% Popularity • 58% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Wham!
Freedom
133 bpm • C Maj • 05:02 • -12.88db
60% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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The Communards
Never Can Say Goodbye
132 bpm • F Maj • 04:51 • -7.98db
54% Popularity • 58% Danceability • 84% Energy • 21% Liveness
4% Instrumentalness • 86% Positiveness
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Culture Club
Move Away
132 bpm • F Maj • 04:21 • -12db
35% Popularity • 67% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Lionel Richie
Stuck On You
132 bpm • F Maj • 03:12 • -16.06db
71% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Phil Collins
Two Hearts
156 bpm • G Maj • 03:24 • -2.48db
64% Popularity • 58% Danceability • 91% Energy • 6% Liveness
3% Instrumentalness • 71% Positiveness
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Spandau Ballet
Only When You Leave - 2022 Remix
137 bpm • A# Maj • 05:11 • -8.03db
12% Popularity • 64% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Wham!
I'm Your Man
132 bpm • D Maj • 04:06 • -5.63db
50% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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The Communards
Don't Leave Me This Way
132 bpm • D# Maj • 04:31 • -5.6db
68% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Duran Duran
Girls on Film - 2010 Remaster
132 bpm • G Maj • 03:32 • -6.21db
63% Popularity • 72% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 53% Positiveness
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INXS
Original Sin
131 bpm • A Maj • 05:17 • -7.26db
57% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Laura Branigan
Gloria
131 bpm • A Maj • 04:49 • -6.81db
71% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
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Spandau Ballet
Only When You Leave - 12" Version
137 bpm • G min • 06:25 • -6.14db
30% Popularity • 67% Danceability • 72% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
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The Buggles
Video Killed The Radio Star
131 bpm • C# Maj • 04:12 • -11.55db
71% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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a-ha
Cry Wolf
131 bpm • A min • 04:06 • -7.45db
51% Popularity • 65% Danceability • 77% Energy • 7% Liveness
67% Instrumentalness • 78% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
71% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Prefab Sprout
Cars and Girls
131 bpm • A min • 04:25 • -11db
47% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Spandau Ballet
Fight for Ourselves - Remastered
134 bpm • F min • 04:22 • -8.4db
29% Popularity • 65% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Paul Young
Come Back and Stay - 2008 Remastered
131 bpm • F# min • 04:24 • -7.99db
56% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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REO Speedwagon
Can't Fight This Feeling
156 bpm • A Maj • 04:54 • -11.02db
74% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Go West
We Close Our Eyes
131 bpm • B Maj • 03:41 • -6.72db
57% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Culture Club
Church Of The Poison Mind - Remastered 2...
131 bpm • G min • 03:32 • -4.25db
46% Popularity • 60% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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Irene Cara
Fame
131 bpm • C min • 05:16 • -8.76db
68% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Spandau Ballet
Be Free with Your Love
133 bpm • A Maj • 04:40 • -13.06db
35% Popularity • 62% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Tiffany
I Think We're Alone Now
131 bpm • G Maj • 03:48 • -12.13db
70% Popularity • 75% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 94% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Gold - 2003 Remastered Version