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Gone But Not Forgotten
Songs like
Gone But Not Forgotten
by
Brantley Gilbert
Based on a tempo of (+/- 10%) and a similar genre
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Little Big Town
Boondocks
88 bpm • A Maj • 04:32 • -5.39db
67% Popularity • 41% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Montgomery Gentry
Speed
88 bpm • G# Maj • 03:59 • -8db
44% Popularity • 59% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Brantley Gilbert
Gone But Not Forgotten
87 bpm • F min • 02:53 • -5.83db
43% Popularity • 45% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Easton Corbin
Marry That Girl
88 bpm • E Maj • 03:10 • -7.41db
58% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Darius Rucker
Alright
90 bpm • G Maj • 03:51 • -4.58db
68% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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LOCASH
I Know Somebody
89 bpm • C# Maj • 03:17 • -3.7db
30% Popularity • 50% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Kip Moore
I'm To Blame
90 bpm • G Maj • 02:16 • -5.39db
52% Popularity • 69% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Mark Wills
19 Somethin' - Greatest Hits Version
90 bpm • E Maj • 03:20 • -5db
60% Popularity • 58% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Jon Pardi
Your Heart Or Mine
86 bpm • F min • 02:41 • -4db
76% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Blake Shelton
Kiss My Country Ass
90 bpm • G Maj • 04:12 • -3.28db
54% Popularity • 50% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
64% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Montgomery Gentry
Where I Come From
90 bpm • C# Maj • 03:21 • -4.2db
67% Popularity • 62% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Rodney Atkins
These Are My People
90 bpm • C Maj • 03:33 • -4db
62% Popularity • 56% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 63% Positiveness
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Brantley Gilbert
Man That Hung The Moon
86 bpm • A Maj • 03:30 • -8db
39% Popularity • 37% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Jon Pardi
Dirt On My Boots
90 bpm • B Maj • 03:21 • -4.18db
77% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Cody Johnson
Welcome to the Show
91 bpm • F# Maj • 02:40 • -3.83db
68% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Currington
Don't It
91 bpm • C# Maj • 03:09 • -4.48db
65% Popularity • 57% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Eric Church
Kill A Word
85 bpm • D Maj • 03:19 • -8.04db
56% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Dustin Lynch
Hell Of A Night
85 bpm • D Maj • 03:10 • -4.85db
54% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Randy Houser
Note to Self
85 bpm • C# Maj • 03:15 • -6.49db
69% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Chase Rice
Lonely If You Are
85 bpm • G Maj • 02:56 • -5.1db
58% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Easton Corbin
A Little More Country Than That
85 bpm • B Maj • 02:52 • -8.53db
61% Popularity • 64% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Young
Losing Sleep
92 bpm • C# Maj • 02:58 • -5.7db
56% Popularity • 58% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Kane Brown
Lose It
92 bpm • E min • 02:58 • -4.97db
62% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
62% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Dierks Bentley
Different For Girls
92 bpm • E Maj • 03:00 • -6db
55% Popularity • 66% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Granger Smith
The Country Boy Song
84 bpm • C Maj • 03:26 • -3.56db
47% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jake Owen
Eight Second Ride
92 bpm • C Maj • 03:07 • -4.07db
54% Popularity • 64% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Blake Shelton
I'll Name the Dogs
83 bpm • E Maj • 03:03 • -6db
61% Popularity • 35% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Kip Moore
Hey Pretty Girl
83 bpm • D Maj • 03:35 • -10.62db
58% Popularity • 29% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Dierks Bentley
Living
83 bpm • C# Maj • 03:42 • -6.33db
58% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Montgomery Gentry
My Town
94 bpm • D Maj • 04:45 • -7.1db
35% Popularity • 52% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Gary Allan
Right Where I Need To Be
83 bpm • C# Maj • 03:02 • -4.79db
65% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Nichols
Tequila Makes Her Clothes Fall Off
94 bpm • D Maj • 03:07 • -7.05db
69% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
60% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Brothers Osborne
I'm Not For Everyone
82 bpm • G Maj • 02:52 • -4.87db
65% Popularity • 59% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Brantley Gilbert
The Weekend
82 bpm • F# min • 03:07 • -4.76db
62% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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LOCASH
One Big Country Song
82 bpm • F Maj • 03:13 • -2.85db
58% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Billy Currington
Hey Girl
82 bpm • C# Maj • 03:20 • -5db
58% Popularity • 55% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Dylan Scott
My Girl
95 bpm • C# Maj • 03:17 • -7.25db
68% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jake Owen
Down To The Honkytonk
82 bpm • D# Maj • 03:06 • -4.12db
70% Popularity • 63% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Moonshine Bandits
Outback (Extended Remix)
95 bpm • B min • 08:09 • -4.85db
51% Popularity • 79% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Brantley Gilbert
G.R.I.T.S.
82 bpm • C# Maj • 03:53 • -5.55db
23% Popularity • 34% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Young
You
95 bpm • F# min • 02:44 • -5db
58% Popularity • 71% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Jon Langston
All Eyes On Us
81 bpm • A# Maj • 03:02 • -2.54db
56% Popularity • 28% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Currington
It Don't Hurt Like It Used To
81 bpm • G# Maj • 03:04 • -4.07db
64% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Thomas Rhett
T-Shirt
96 bpm • D Maj • 03:47 • -5.34db
62% Popularity • 63% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 77% Positiveness
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Granger Smith
Happens Like That
81 bpm • G Maj • 02:51 • -5.43db
50% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Dierks Bentley
Come A Little Closer
80 bpm • F Maj • 04:41 • -5.87db
55% Popularity • 58% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Tyler Farr
Better in Boots
80 bpm • G Maj • 02:56 • -5db
46% Popularity • 61% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Dustin Lynch
Good Girl
81 bpm • G Maj • 03:09 • -5.05db
60% Popularity • 71% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Dylan Scott
New Truck
97 bpm • C# Maj • 02:54 • -5.86db
59% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Granger Smith
Country Boy Love
80 bpm • G Maj • 03:32 • -5.27db
38% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Rvshvd
Raised Up
80 bpm • C# Maj • 03:33 • -5db
48% Popularity • 59% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Craig Morgan
Little Bit of Life
97 bpm • G Maj • 04:11 • -4.74db
46% Popularity • 67% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Trace Adkins
Still a Soldier
97 bpm • F# min • 03:17 • -5.8db
43% Popularity • 54% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Eric Church
Smoke A Little Smoke
97 bpm • A# min • 03:11 • -6db
67% Popularity • 77% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Montgomery Gentry
Something to Be Proud Of
98 bpm • C Maj • 04:16 • -6.48db
62% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Travis Denning
Dirt Road Down
98 bpm • G# Maj • 02:45 • -4.64db
55% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Aaron Lewis
Northern Redneck
79 bpm • F# Maj • 03:39 • -5.52db
58% Popularity • 62% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Lee Brice
Love Like Crazy
78 bpm • A# Maj • 03:37 • -5.11db
63% Popularity • 54% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Luke Bryan
Drink A Beer
78 bpm • G# Maj • 03:22 • -7.66db
65% Popularity • 48% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Big & Rich
Comin' to Your City
99 bpm • A min • 03:27 • -1.42db
46% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Jelly Roll
Chevrolet
78 bpm • G Maj • 03:04 • -3.8db
69% Popularity • 56% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Scotty McCreery
This Is It
78 bpm • G# Maj • 03:50 • -6.79db
62% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Brice
Boy
79 bpm • F# Maj • 03:18 • -7.95db
63% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Brantley Gilbert
Bad Boy
78 bpm • C# Maj • 04:01 • -9.86db
43% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Riley Green
Georgia Time
77 bpm • F# Maj • 03:41 • -6.23db
64% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Jon Pardi
Starlight
100 bpm • C Maj • 03:21 • -6db
63% Popularity • 64% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Bryan
Huntin', Fishin' And Lovin' Every Day
77 bpm • C Maj • 04:38 • -4.28db
66% Popularity • 54% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Dustin Lynch
Seein' Red
101 bpm • C# min • 03:14 • -4.73db
54% Popularity • 65% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Young
Voices
77 bpm • C Maj • 03:06 • -4.11db
53% Popularity • 55% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Brad Paisley
Waitin' On a Woman
76 bpm • C Maj • 04:32 • -7db
53% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kip Moore
Wild Ones
76 bpm • A# Maj • 03:21 • -7db
49% Popularity • 74% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Luke Combs
Can I Get an Outlaw
76 bpm • B Maj • 03:58 • -5.49db
63% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Eric Church
Round Here Buzz
76 bpm • D Maj • 03:34 • -9.06db
60% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Craig Morgan
Almost Home
76 bpm • G# Maj • 04:49 • -6.72db
56% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Blake Shelton
Hell Right
76 bpm • D Maj • 03:28 • -6.16db
54% Popularity • 55% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Brantley Gilbert
In My Head
102 bpm • F# Maj • 03:42 • -8.59db
37% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Randy Houser
We Went
102 bpm • E min • 02:59 • -3.77db
57% Popularity • 65% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Young
At the End of a Bar
76 bpm • D# Maj • 03:06 • -4.23db
56% Popularity • 49% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jon Pardi
Last Night Lonely
103 bpm • F# Maj • 03:02 • -2.84db
72% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
60% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Blake Shelton
Ol' Red
75 bpm • A# Maj • 03:41 • -7.71db
65% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kip Moore
More Girls Like You
75 bpm • D Maj • 02:34 • -6db
57% Popularity • 56% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
67% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Craig Morgan
Wake up Lovin' You
75 bpm • G# Maj • 03:18 • -3.52db
43% Popularity • 54% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Nichols
Brokenheartsville
104 bpm • A# Maj • 03:50 • -5.18db
62% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Ray
Holy Water
75 bpm • A Maj • 03:29 • -5db
45% Popularity • 53% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ronnie Dunn
Damn Drunk
104 bpm • C Maj • 04:24 • -5db
44% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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HARDY
BOOTS
104 bpm • D Maj • 03:13 • -3.83db
64% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Gone But Not Forgotten