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Gone
Songs like
Gone
by
Blake Rose
Based on a tempo of (+/- 10%) and a similar genre
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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shy martin
Are you happy?
139 bpm • A min • 02:37 • -7.66db
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Cian Ducrot
Crocodiles
139 bpm • G min • 04:00 • -11db
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Hazlett
Even If It’s Lonely
140 bpm • A Maj • 04:05 • -12db
48% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Thomas Day
Overplayed
140 bpm • A# Maj • 03:02 • -8.7db
43% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Peter Thomas
If You're Happy Now
140 bpm • A Maj • 03:33 • -8db
22% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jordy Searcy
Only Know How to Love You
140 bpm • E min • 03:01 • -8.05db
32% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Blake Rose
Dizzy
138 bpm • G# Maj • 03:04 • -4db
33% Popularity • 68% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Loote
85%
140 bpm • G Maj • 02:54 • -7.59db
53% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Greyson Chance
Palladium
138 bpm • F Maj • 04:07 • -8.4db
35% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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NERIAH
You Won't Forget About Me, Right?
140 bpm • C Maj • 02:37 • -6db
43% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Thomas Day
not my job anymore
140 bpm • B Maj • 03:08 • -7.34db
57% Popularity • 54% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Blake Rose
Best of Me
140 bpm • G Maj • 03:33 • -7db
42% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
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GUNNAR
For Your Love
138 bpm • C Maj • 03:09 • -5db
37% Popularity • 62% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Rosie Darling
Lost On You
140 bpm • D Maj • 02:14 • -8.69db
45% Popularity • 53% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Luca Fogale
I Don't Want to Lose You
137 bpm • B Maj • 02:51 • -10db
54% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Rose
Heavy Shit
138 bpm • C Maj • 03:15 • -4db
42% Popularity • 61% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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St. Lundi
You've Got the Wrong Guy
137 bpm • D Maj • 03:28 • -5.36db
28% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Dunlap
Who Would Have Thought
141 bpm • B Maj • 04:04 • -7.45db
39% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Heather Sommer
you heard me
137 bpm • F# min • 02:58 • -7.01db
51% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sam MacPherson
Perfect Conditions
142 bpm • G Maj • 02:51 • -8.46db
31% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Blake Rose
Hearts A Mess
136 bpm • E Maj • 04:04 • -9.28db
25% Popularity • 30% Danceability • 58% Energy • 14% Liveness
3% Instrumentalness • 7% Positiveness
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BANNERS
If I Didn't Have You
136 bpm • F Maj • 03:45 • -8db
43% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Sara Kays
Miss Me the Same
136 bpm • C Maj • 03:36 • -8.54db
46% Popularity • 62% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 25% Positiveness
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LANY
heart won't let me
136 bpm • C Maj • 03:19 • -8.06db
56% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Ivy
Thirty Eight
136 bpm • B Maj • 03:45 • -5.78db
36% Popularity • 58% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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vaultboy
rocket science
136 bpm • A# Maj • 02:32 • -8.01db
66% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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BLÜ EYES
wish we never happened
142 bpm • A Maj • 03:04 • -7.26db
44% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Christian French
thank god
136 bpm • F# min • 02:39 • -5.82db
41% Popularity • 84% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Alex Sampson
Play Pretend
136 bpm • G Maj • 03:06 • -7db
52% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Suriel Hess
Reasons to Leave
142 bpm • B Maj • 02:45 • -9db
52% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Blake Rose
Sweet Caledonia
142 bpm • D Maj • 03:14 • -8.83db
24% Popularity • 33% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Boy In Space
7UP
135 bpm • C Maj • 03:23 • -7db
50% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Laur Elle
Wallflower
135 bpm • D Maj • 03:23 • -7.12db
24% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Patrick Droney
Like the Water
135 bpm • D Maj • 03:36 • -5.5db
42% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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FINNEAS
Lost My Mind
135 bpm • G min • 02:49 • -11.04db
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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elijah woods
everything everywhere always
144 bpm • F# Maj • 02:27 • -10.23db
67% Popularity • 40% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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Blake Rose
Magazine
143 bpm • G# Maj • 03:51 • -7.81db
33% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sam MacPherson
Last Minute
144 bpm • C# Maj • 02:13 • -9.24db
59% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Peter Fenn
Cadillac Dreams
144 bpm • D Maj • 02:29 • -7.12db
36% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Ben Kessler
Everything to Everyone
144 bpm • C min • 02:47 • -9.97db
31% Popularity • 62% Danceability • 49% Energy • 47% Liveness
8% Instrumentalness • 28% Positiveness
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Dylan Dunlap
Face Value
144 bpm • C# Maj • 03:31 • -8db
28% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
44% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Band CAMINO
Haunted
144 bpm • E Maj • 04:23 • -3.54db
47% Popularity • 46% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Hazlett
Fireworks
134 bpm • A Maj • 04:02 • -11.33db
47% Popularity • 69% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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BLÜ EYES
supposed to
134 bpm • D Maj • 02:54 • -6.33db
41% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Dylan Rockoff
Supernova
134 bpm • G Maj • 05:04 • -13db
25% Popularity • 63% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Dylan Dunlap
Get More Rest
144 bpm • A# Maj • 03:57 • -6.42db
25% Popularity • 55% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Chris James
29
134 bpm • E Maj • 02:18 • -5.13db
54% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Abby Holliday
Better By Now
145 bpm • D Maj • 03:29 • -8db
37% Popularity • 53% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Clinton Kane
DANCING ALL ALONE
146 bpm • F Maj • 02:51 • -6db
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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LÉON
Die For You
146 bpm • F# Maj • 03:37 • -5.87db
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Devil Music Co.
Sailboat Bed
146 bpm • B Maj • 04:00 • -8.19db
34% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
31% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Clinton Kane
KEEP IT TO YOURSELF
132 bpm • C Maj • 02:54 • -7.04db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Seavey
I Tried
132 bpm • E Maj • 02:16 • -11db
50% Popularity • 59% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Quinn Lewis
Only Everything - Acoustic
132 bpm • D Maj • 02:54 • -8.52db
30% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Sam MacPherson
Crash Course
132 bpm • C# Maj • 02:01 • -6db
57% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Vacation Manor
If Only for Tonight
147 bpm • C# Maj • 04:56 • -6db
47% Popularity • 51% Danceability • 81% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Clara Mae
Alright
147 bpm • F# Maj • 02:41 • -4.94db
43% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
64% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
53% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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TWO OWLS
Daylight ft. Blake Rose
148 bpm • A min • 03:11 • -4.9db
4% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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elijah woods
life after life
148 bpm • G# Maj • 02:27 • -7.43db
58% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Dylan Dunlap
Stupid Me
148 bpm • D Maj • 03:47 • -8db
31% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Sam MacPherson
Safe to Say
148 bpm • A# Maj • 03:31 • -5.62db
31% Popularity • 61% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Patrick Droney
Yours in the Morning
148 bpm • B Maj • 03:34 • -5db
44% Popularity • 45% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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JP Saxe
The Good Parts
130 bpm • F# Maj • 03:17 • -12.36db
42% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Munn
LOVE ME OR LEAVE ME
130 bpm • F# Maj • 02:26 • -8.03db
49% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Griff
Earl Grey Tea
130 bpm • C# min • 02:47 • -6.53db
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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JORDY
South Dakota
130 bpm • A Maj • 03:11 • -8.35db
34% Popularity • 68% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Patrick Droney
Little by Little
130 bpm • E Maj • 03:50 • -7.65db
42% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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LANY
when you're drunk
130 bpm • G# Maj • 03:32 • -7.47db
47% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Jonah Kagen
Catching A Dream
130 bpm • G min • 02:38 • -8db
31% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Blake Rose
Rollerblades
130 bpm • E Maj • 03:34 • -6db
36% Popularity • 50% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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JP Saxe
Tension
130 bpm • C Maj • 04:09 • -6db
36% Popularity • 41% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Maximillian
Ripples
130 bpm • C Maj • 03:15 • -9db
41% Popularity • 68% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Patrick Droney
Glitter
130 bpm • G Maj • 03:35 • -9.84db
44% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Caden Jester
Vacant Love [Acoustic]
129 bpm • C# min • 02:53 • -7.33db
3% Popularity • 54% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Munn
can you hear me?
150 bpm • D Maj • 03:05 • -7.83db
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Gone