Songs like Gonzo by James Booker
Based on a tempo of (+/- 10%) and a similar genre
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Smiley Lewis
One Night
122 bpm • C# Maj • 02:26 • -9.39db
24% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 58% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Screamin' Jay Hawkins
Sweet Ginny
122 bpm • C Maj • 03:08 • -10.97db
27% Popularity • 70% Danceability • 49% Energy • 25% Liveness
58% Instrumentalness • 67% Positiveness
27% Popularity • 70% Danceability • 49% Energy • 25% Liveness
58% Instrumentalness • 67% Positiveness
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Rosco Gordon
Let's Get High
122 bpm • G# Maj • 02:39 • -9db
31% Popularity • 50% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 50% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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Dave Bartholomew
Who Drank My Beer While I Was In The Rea...
121 bpm • A# Maj • 02:50 • -9.52db
14% Popularity • 65% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 65% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Big Joe Williams
Rollin' And Tumblin'
123 bpm • G# Maj • 02:36 • -14.85db
31% Popularity • 68% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 68% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Corey Harris
Roots Woman
123 bpm • A Maj • 02:50 • -18.37db
33% Popularity • 82% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
33% Popularity • 82% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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Lee Dorsey
Holy Cow
121 bpm • G# Maj • 02:31 • -9.87db
24% Popularity • 88% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 88% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Memphis Slim
Everyday (I Have The Blues)
123 bpm • F Maj • 02:58 • -7db
26% Popularity • 75% Danceability • 53% Energy • 32% Liveness
29% Instrumentalness • 23% Positiveness
26% Popularity • 75% Danceability • 53% Energy • 32% Liveness
29% Instrumentalness • 23% Positiveness
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Memphis Minnie
Black Cat Blues
121 bpm • D# Maj • 02:54 • -15.21db
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 84% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Dave Bartholomew
Single Life
122 bpm • F Maj • 02:15 • -10.01db
28% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
28% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
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Earl Hooker
Off The Hook
121 bpm • D Maj • 03:54 • -13.45db
11% Popularity • 72% Danceability • 33% Energy • 17% Liveness
93% Instrumentalness • 71% Positiveness
11% Popularity • 72% Danceability • 33% Energy • 17% Liveness
93% Instrumentalness • 71% Positiveness
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Hound Dog Taylor & The HouseRockers
Wild About You, Baby
123 bpm • G# min • 03:39 • -15.93db
38% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Willie Mitchell
Poppin
121 bpm • A# Maj • 02:19 • -7.97db
26% Popularity • 88% Danceability • 56% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
26% Popularity • 88% Danceability • 56% Energy • 13% Liveness
91% Instrumentalness • 91% Positiveness
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Alex Moore
Whistling Alex Moore's Blues
124 bpm • F# Maj • 03:07 • -10.83db
20% Popularity • 50% Danceability • 46% Energy • 13% Liveness
69% Instrumentalness • 88% Positiveness
20% Popularity • 50% Danceability • 46% Energy • 13% Liveness
69% Instrumentalness • 88% Positiveness
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Earl King
Fallin'
124 bpm • G# Maj • 03:23 • -7db
8% Popularity • 65% Danceability • 72% Energy • 7% Liveness
1% Instrumentalness • 85% Positiveness
8% Popularity • 65% Danceability • 72% Energy • 7% Liveness
1% Instrumentalness • 85% Positiveness
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Dave Bartholomew
The Monkey - Remastered
123 bpm • C min • 02:29 • -9db
24% Popularity • 91% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 91% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmy Witherspoon
Bad Bad Whiskey
124 bpm • F Maj • 03:05 • -14.97db
13% Popularity • 68% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 68% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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John Boutté
Accentuate The Positive
120 bpm • G# Maj • 02:24 • -10.1db
24% Popularity • 83% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 83% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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James Booker
Stormy Monday (medley)
120 bpm • F min • 02:33 • -15.76db
9% Popularity • 80% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
9% Popularity • 80% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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Little Walter
Roller Coaster
124 bpm • E Maj • 02:53 • -9db
31% Popularity • 60% Danceability • 86% Energy • 11% Liveness
21% Instrumentalness • 59% Positiveness
31% Popularity • 60% Danceability • 86% Energy • 11% Liveness
21% Instrumentalness • 59% Positiveness
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Jimmy Smith
Ode To Billie Joe
124 bpm • C Maj • 06:24 • -17.03db
27% Popularity • 66% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 31% Positiveness
27% Popularity • 66% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 31% Positiveness
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Dave Bartholomew
Carnival Day (02-?-50)
124 bpm • A# Maj • 02:47 • -8.17db
7% Popularity • 79% Danceability • 68% Energy • 20% Liveness
21% Instrumentalness • 82% Positiveness
7% Popularity • 79% Danceability • 68% Energy • 20% Liveness
21% Instrumentalness • 82% Positiveness
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Blind Willie McTell
Kill It Kid - Bonus Track
120 bpm • F# Maj • 02:31 • -12db
17% Popularity • 69% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 69% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Chuck E. Weiss
Sonny Could Lick All Them Cats
119 bpm • E min • 03:33 • -11.15db
9% Popularity • 72% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 72% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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James Booker
Hole In The Wall
124 bpm • D Maj • 02:14 • -17.15db
16% Popularity • 50% Danceability • 47% Energy • 20% Liveness
99% Instrumentalness • 72% Positiveness
16% Popularity • 50% Danceability • 47% Energy • 20% Liveness
99% Instrumentalness • 72% Positiveness
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Eddie "Cleanhead" Vinson
I'm the Midnight Creeper
120 bpm • F min • 03:29 • -12db
25% Popularity • 69% Danceability • 34% Energy • 15% Liveness
58% Instrumentalness • 60% Positiveness
25% Popularity • 69% Danceability • 34% Energy • 15% Liveness
58% Instrumentalness • 60% Positiveness
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Carol Fran
Tou' les jours c'est pas la meme (Every ...
119 bpm • D# Maj • 03:59 • -8.83db
12% Popularity • 86% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 49% Positiveness
12% Popularity • 86% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 49% Positiveness
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Earl King
Mama And Papa
119 bpm • E Maj • 02:14 • -7db
31% Popularity • 73% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 73% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Big Walter Horton
Lovin' My Baby
125 bpm • A Maj • 02:50 • -13.26db
48% Popularity • 61% Danceability • 59% Energy • 9% Liveness
52% Instrumentalness • 79% Positiveness
48% Popularity • 61% Danceability • 59% Energy • 9% Liveness
52% Instrumentalness • 79% Positiveness
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Charley Patton
Down the Dirt Road Blues
119 bpm • C# Maj • 02:54 • -10db
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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James Booker
Too Much Blues
125 bpm • F Maj • 04:19 • -18.04db
14% Popularity • 46% Danceability • 26% Energy • 86% Liveness
2% Instrumentalness • 14% Positiveness
14% Popularity • 46% Danceability • 26% Energy • 86% Liveness
2% Instrumentalness • 14% Positiveness
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Jimmy McGriff
I've Got A Woman
119 bpm • A min • 04:34 • -9.3db
20% Popularity • 62% Danceability • 73% Energy • 25% Liveness
88% Instrumentalness • 88% Positiveness
20% Popularity • 62% Danceability • 73% Energy • 25% Liveness
88% Instrumentalness • 88% Positiveness
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Booker T. & the M.G.'s
Comin' Home Baby
119 bpm • C# Maj • 03:12 • -15db
32% Popularity • 78% Danceability • 22% Energy • 16% Liveness
64% Instrumentalness • 18% Positiveness
32% Popularity • 78% Danceability • 22% Energy • 16% Liveness
64% Instrumentalness • 18% Positiveness
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Eddie Bo
When the Saints Go Marching In
125 bpm • F Maj • 02:18 • -9.82db
14% Popularity • 68% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
14% Popularity • 68% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Skip James
How Long Blues
119 bpm • A# Maj • 02:56 • -16.11db
14% Popularity • 62% Danceability • 10% Energy • 13% Liveness
2% Instrumentalness • 54% Positiveness
14% Popularity • 62% Danceability • 10% Energy • 13% Liveness
2% Instrumentalness • 54% Positiveness
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Amos Milburn
Once Scotch, One Bourbon, One Beer
119 bpm • D Maj • 02:55 • -12.1db
35% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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James Booker
Rockin' Pneumonia
125 bpm • C Maj • 02:52 • -17.36db
10% Popularity • 67% Danceability • 48% Energy • 79% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 67% Danceability • 48% Energy • 79% Liveness
0% Instrumentalness • 80% Positiveness
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Clifton Chenier
Boppin' The Rock
125 bpm • D min • 02:21 • -9.07db
27% Popularity • 68% Danceability • 86% Energy • 29% Liveness
19% Instrumentalness • 90% Positiveness
27% Popularity • 68% Danceability • 86% Energy • 29% Liveness
19% Instrumentalness • 90% Positiveness
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Booker T. & the M.G.'s
My Sweet Potato
119 bpm • F Maj • 02:45 • -12db
28% Popularity • 84% Danceability • 57% Energy • 9% Liveness
79% Instrumentalness • 71% Positiveness
28% Popularity • 84% Danceability • 57% Energy • 9% Liveness
79% Instrumentalness • 71% Positiveness
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Pee Wee Crayton
Do Unto Others
125 bpm • A# Maj • 02:22 • -10db
29% Popularity • 67% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 67% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Nappy Brown
Coal Miner
119 bpm • A# min • 02:38 • -9.31db
25% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Otis Rush
Violent Love
119 bpm • F# min • 02:25 • -10.45db
11% Popularity • 71% Danceability • 41% Energy • 13% Liveness
6% Instrumentalness • 68% Positiveness
11% Popularity • 71% Danceability • 41% Energy • 13% Liveness
6% Instrumentalness • 68% Positiveness
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Sugar Blue
Another Man Done Gone
119 bpm • D min • 02:18 • -10db
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
39% Popularity • 84% Danceability • 94% Energy • 17% Liveness
4% Instrumentalness • 84% Positiveness
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Lowell Fulson
Do Me Right
119 bpm • F min • 02:53 • -14db
34% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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James Booker
Besame Mucho / Until the Real Thing Come...
126 bpm • F# Maj • 04:15 • -18.27db
7% Popularity • 56% Danceability • 20% Energy • 70% Liveness
86% Instrumentalness • 49% Positiveness
7% Popularity • 56% Danceability • 20% Energy • 70% Liveness
86% Instrumentalness • 49% Positiveness
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Corey Harris
Fish Ain't Bitin'
126 bpm • G Maj • 03:28 • -15db
31% Popularity • 89% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 89% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Big Walter Horton
That Ain't It
118 bpm • E Maj • 02:41 • -14.76db
44% Popularity • 75% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 75% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Guitar Slim
Well I Done Got Over It
126 bpm • A# min • 02:27 • -13db
32% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Yusef Lateef
Othelia - Remastered
126 bpm • A# Maj • 04:35 • -10.98db
27% Popularity • 54% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 87% Positiveness
27% Popularity • 54% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 87% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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James Booker
One Hell of a Nerve
126 bpm • G Maj • 05:09 • -12.92db
4% Popularity • 69% Danceability • 49% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
4% Popularity • 69% Danceability • 49% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
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Jimmy Rogers
What Have I Done
118 bpm • A min • 02:45 • -10.4db
34% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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J.B. Lenoir
Talk to Your Daughter
126 bpm • G Maj • 02:45 • -7db
25% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Booker T. & the M.G.'s
Mo' Onions
126 bpm • F min • 02:57 • -9.17db
38% Popularity • 72% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 60% Positiveness
38% Popularity • 72% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 60% Positiveness
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Sonny Boy Williamson II
Down Child - Mono Version
117 bpm • C Maj • 02:35 • -7.37db
18% Popularity • 75% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 75% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Lonnie Johnson
Tears Don't Fall No More
127 bpm • G# Maj • 03:11 • -16db
17% Popularity • 59% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 59% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Little Willie John
All Around The World
127 bpm • G Maj • 03:03 • -9db
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Huey "Piano" Smith
Rockin Pneumonia and the Boogie Woogie F...
117 bpm • C Maj • 02:14 • -7db
30% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Tuts Washington
Honky Tonk
117 bpm • F Maj • 03:22 • -15.75db
23% Popularity • 52% Danceability • 22% Energy • 14% Liveness
81% Instrumentalness • 67% Positiveness
23% Popularity • 52% Danceability • 22% Energy • 14% Liveness
81% Instrumentalness • 67% Positiveness
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Sugar Blue
Pontiac Blues
117 bpm • C Maj • 03:24 • -7.93db
33% Popularity • 72% Danceability • 58% Energy • 9% Liveness
78% Instrumentalness • 86% Positiveness
33% Popularity • 72% Danceability • 58% Energy • 9% Liveness
78% Instrumentalness • 86% Positiveness
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Detroit Junior
I Got Money
117 bpm • F Maj • 02:41 • -15.71db
32% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Rogers
Walking By Myself
117 bpm • B min • 02:47 • -13.33db
49% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Blind Boy Fuller
Rag, Mama, Rag
117 bpm • G Maj • 03:03 • -12db
23% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
23% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Earl King
Let's Make A Better World
128 bpm • A Maj • 03:05 • -7.35db
16% Popularity • 88% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 88% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Robert Lockwood, Jr.
Lockwood's Boogie
128 bpm • C Maj • 02:26 • -21.65db
22% Popularity • 65% Danceability • 22% Energy • 23% Liveness
85% Instrumentalness • 84% Positiveness
22% Popularity • 65% Danceability • 22% Energy • 23% Liveness
85% Instrumentalness • 84% Positiveness
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James Booker
Classified
116 bpm • F min • 04:02 • -10.84db
6% Popularity • 54% Danceability • 37% Energy • 28% Liveness
44% Instrumentalness • 36% Positiveness
6% Popularity • 54% Danceability • 37% Energy • 28% Liveness
44% Instrumentalness • 36% Positiveness
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Huey "Piano" Smith
Rocking Pneumonia and the Boogie Woogie ...
117 bpm • C Maj • 02:23 • -7.14db
20% Popularity • 85% Danceability • 82% Energy • 27% Liveness
50% Instrumentalness • 98% Positiveness
20% Popularity • 85% Danceability • 82% Energy • 27% Liveness
50% Instrumentalness • 98% Positiveness
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Jimmy Rogers
Rock With You Baby
128 bpm • A# Maj • 04:12 • -11.08db
21% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
21% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
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Booker T. & the M.G.'s
Big Train
128 bpm • D min • 02:32 • -13.18db
25% Popularity • 84% Danceability • 34% Energy • 28% Liveness
57% Instrumentalness • 45% Positiveness
25% Popularity • 84% Danceability • 34% Energy • 28% Liveness
57% Instrumentalness • 45% Positiveness
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Lowell Fulson
I Still Love You Baby
115 bpm • C Maj • 02:31 • -15.44db
27% Popularity • 67% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 67% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Big Walter Horton
Christine
115 bpm • C Maj • 04:03 • -15.49db
37% Popularity • 68% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 68% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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James Booker
Goodnight Irene
129 bpm • G# min • 03:32 • -11.94db
11% Popularity • 48% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 48% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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J.B. Lenoir
Feelin' Good
115 bpm • A Maj • 03:01 • -11.65db
30% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Amos Milburn
Vicious, Vicious Vodka - Remastered
115 bpm • F Maj • 02:59 • -8.62db
14% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 76% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Ernie K-Doe
A Certain Girl
130 bpm • C# Maj • 02:44 • -10.36db
28% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Sonny Boy Williamson II
Trying To Get Back On My Feet - Stereo V...
130 bpm • D Maj • 02:08 • -9.97db
31% Popularity • 61% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 61% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Big Walter Horton
Have Mercy
130 bpm • C Maj • 03:45 • -14db
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
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James Booker
Gonzo
129 bpm • C Maj • 02:22 • -10.32db
10% Popularity • 65% Danceability • 46% Energy • 11% Liveness
50% Instrumentalness • 82% Positiveness
10% Popularity • 65% Danceability • 46% Energy • 11% Liveness
50% Instrumentalness • 82% Positiveness
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J.B. Lenoir
The Mojo Boogie
130 bpm • B min • 02:17 • -6.61db
30% Popularity • 85% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 85% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Musselwhite
Chicken Shack
130 bpm • D min • 04:17 • -11.37db
11% Popularity • 51% Danceability • 64% Energy • 43% Liveness
2% Instrumentalness • 76% Positiveness
11% Popularity • 51% Danceability • 64% Energy • 43% Liveness
2% Instrumentalness • 76% Positiveness
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Albert Ammons
Boogie Woogie Blues
130 bpm • C Maj • 03:43 • -16.52db
14% Popularity • 60% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 98% Positiveness
14% Popularity • 60% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 98% Positiveness
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Lazy Lester
I'm A Lover Not A Fighter
114 bpm • B min • 02:45 • -9.04db
30% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Bobby Charles
Party Town
131 bpm • D Maj • 03:56 • -11.65db
23% Popularity • 64% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 64% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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James Booker
Tipatina (Live, Maida Studio 1978)
129 bpm • F Maj • 03:13 • -18.05db
2% Popularity • 51% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 75% Positiveness
2% Popularity • 51% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 75% Positiveness
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J.B. Lenoir
I Feel So Good
130 bpm • B min • 01:54 • -7db
42% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Memphis Slim and Willie Dixon
Beer Drinking Woman
131 bpm • G Maj • 02:32 • -24.62db
16% Popularity • 65% Danceability • 6% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
16% Popularity • 65% Danceability • 6% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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Little Walter
Dead Presidents
114 bpm • A# Maj • 02:52 • -10.45db
20% Popularity • 80% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 80% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Johnnie Johnson
Tanqueray
114 bpm • D min • 04:54 • -12.46db
33% Popularity • 73% Danceability • 57% Energy • 6% Liveness
9% Instrumentalness • 78% Positiveness
33% Popularity • 73% Danceability • 57% Energy • 6% Liveness
9% Instrumentalness • 78% Positiveness
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Blind Willie McTell
Broke Down Engine Blues
114 bpm • D# min • 02:45 • -14db
28% Popularity • 65% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 65% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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James Booker
One For The Highway
115 bpm • A# Maj • 02:34 • -8.94db
29% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Freddy King
I'm Torn Down
131 bpm • A min • 02:38 • -9.31db
20% Popularity • 66% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 66% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Nappy Brown
Well, Well, Well Baby LA
113 bpm • C min • 02:38 • -11db
26% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Detroit Junior
If I Hadn't Been High
113 bpm • G Maj • 04:06 • -17.31db
29% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jessie Hill
Ooh Poo Pah Doo (Pt. 1) - 2002 Remaster
132 bpm • B min • 02:19 • -10db
33% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Jay McShann
Hootie Blues
113 bpm • G# Maj • 04:32 • -10.21db
15% Popularity • 67% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
15% Popularity • 67% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
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Sonny Boy Williamson II
One Way Out - Mono Version
113 bpm • D Maj • 02:48 • -6.15db
33% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Freddy King
See See Baby
131 bpm • F min • 02:15 • -11.04db
22% Popularity • 59% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 59% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Eddie Bo
Tee Na Na Na Na Nay
113 bpm • F Maj • 02:45 • -9db
18% Popularity • 54% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 54% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 94% Positiveness
